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Robert Hicks (September 11, 1902 – October 21, 1931), known by his stage name Barbecue Bob, was an early American Piedmont blues musician.[1] His nickname was derived from his working as a cook in a barbecue restaurant.[1] One of the three extant photographs of him show him playing a guitar and wearing a full-length white apron and cook's hat.
Barbecue Bob | |
|---|---|
 Hicks in 1927 | |
| Background information | |
| Birth name | Robert Hicks |
| Also known as | Barbecue Bob |
| Born | September 11, 1902 Walnut Grove, Georgia, U.S. |
| Died | October 21, 1931 (aged 29) Lithonia, Georgia, U.S. |
| Genres | |
| Instruments |
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| Years active | 1920s–1931 |
Early life
editHicks was born in Walnut Grove, Georgia.[1] His parents, Charlie and Mary Hicks, were farmers. He and his brother, Charlie Hicks, together with Curley Weaver, were taught how to play the guitar by Curley's mother, Savannah "Dip" Weaver.[1][2] Hicks began playing the 6-string guitar but picked up the 12-string guitar after moving to Atlanta, Georgia, in 1924.[1] He became one of the prominent performers of the newly developing Atlanta blues style which featured the 12 string.
In Atlanta, Hicks worked at various jobs, playing music on the side. While working at Tidwells' Barbecue in a north Atlanta suburb, he came to the attention of Columbia Records talent scout Dan Hornsby. Hornsby recorded him and used Hicks's job to publicize his records, having Hicks pose in chef's whites and hat for publicity photos and dubbing him "Barbecue Bob".[2]
Career
editDuring his short career, Hicks recorded 68 78-rpm sides.[1] His first, "Barbecue Blues", was recorded in March 1927.[3] The record quickly sold 15,000 copies and made him a best-selling artist for Columbia's race series. Following this initial success, his next release firmly established him in the race market. At his second recording session, in New York City in June 1927, he recorded "Mississippi Heavy Water Blues", a song inspired by the Great Mississippi Flood of 1927.[4] This song and his other blues releases were popular, and his records sold better than those of other Atlanta blues musicians.[2]
With his brother Charley Lincoln (also known as Charlie Lincoln or Laughing Charley) he recorded "It Won't Be Long Now", a duet with cross talk, in Atlanta on November 5, 1927. In April 1928, Hicks recorded two sides with the singer Nellie Florence, whom he had known since childhood, and also produced "Mississippi Low Levee Blues", a sequel to "Mississippi Heavy Water Blues". In April 1930, he recorded "We Sure Got Hard Times Now", which contains bleak references to the Great Depression. Hicks was primarily a blues musician, but he also recorded a few traditional songs and spirituals, including "When the Saints Go Marching In", "Poor Boy, Long Ways from Home" and "Jesus' Blood Can Make Me Whole".
Hicks also recorded as a member of the Georgia Cotton Pickers in December 1930, the group consisting of Hicks and the guitarist Curley Weaver and harmonica player Buddy Moss. As a group they recorded a handful of sides, including their adaptation of Blind Blake's "Diddie Wa Diddie" (recorded as "Diddle-Da-Diddle") and the Mississippi Sheiks' "Sitting on Top of the World" (recorded as "I'm on My Way Down Home"). They were his last recordings.
Hicks died in Lithonia, Georgia, of a combination of tuberculosis and pneumonia brought on by influenza, at the age of 29, on October 21, 1931.[1] His recording of "Mississippi Heavy Water Blues" was apparently played at his graveside before the burial.
Musical style
editHicks developed a "flailing" or "frailing" style of guitar playing more often associated with the traditional clawhammer banjo (as did his brother, and, initially, Curley Weaver). He regularly used a bottleneck on his 12-string guitar, playing in an elemental style that relied on an open, Spanish tuning (open G or open A tuning) reminiscent of Charley Patton. He had a strong voice, which he embellished with growling and falsetto, and a percussive singing style.[2]
Influence
editHicks had some influence on Atlanta blues musicians, such as the young Buddy Moss (who played harmonica with him on recordings by the Georgia Cotton Pickers), but his way of playing was quickly overshadowed by the finger-picked Piedmont blues style, which rose in popularity by the late 1920s and early 30s; this development can be heard in the recordings of Curley Weaver.
Hicks's "Motherless Child Blues" was recorded and performed on stage by Eric Clapton. John Fahey attributed his arrangement of "Poor Boy a Long Ways from Home" to Hicks in his 1979 Best Of book of tablature. Fahey attributed the song to the fictitious Blind Joe Death, writing that "Death learned this from an old Columbia record by Barbecue Bob [14246-D], which the Death household at one time possessed."
Hicks's elder brother, Charley Lincoln, also played blues[1] and was recorded by Columbia under the name Laughing Charley Lincoln, but he never received the same acclaim as his brother.
See also
editRecording sessions
edit- Atlanta, March 25, 1927
- New York City, June 15, 1927
- New York City, June 16, 1927
- Atlanta, November 5, 1927
- Atlanta, November 9, 1927
- Atlanta, November 10, 1927
- Atlanta, April 13, 1928
- Atlanta, April 21, 1928
- Atlanta, October 26, 1928
- Atlanta, October 27, 1928
- Atlanta, November 2, 1928
- Atlanta, April 11, 1929
- Atlanta, April 17, 1929
- Atlanta, April 18, 1929
- Atlanta, October 30, 1929
- Atlanta, November 3, 1929
- Atlanta, November 6, 1929
- Atlanta, April 17, 1930
- Atlanta, April 18, 1930
- Atlanta, April 23, 1930
- Atlanta, December 5, 1930
- Atlanta, December 7, 1930
- Atlanta, December 8, 1930
References
edit- ^ a b c d e f g h Colin Larkin, ed. (1995). The Guinness Who's Who of Blues (Second ed.). Guinness Publishing. p. 23. ISBN 0-85112-673-1.
- ^ a b c d Barlow, William (1989). "Looking Up at Down": The Emergence of Blues Culture. Temple University Press. pp. 195–96. ISBN 0-87722-583-4.
- ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 12. ISBN 1-85868-255-X.
- ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 90. ISBN 1-85868-255-X.
- Swinton, Paul. (2001). The Essential Barbecue Bob. Audio CD liner notes. Classic Blues 200026.
- Document Records, vols. 1–3. Sleeve notes on Barbecue Bob (Robert Hicks).