After the Bath (French: La sortie du bain, lit. 'Getting out of the bath') is a painting from 1910 by the French painter Pierre-Auguste Renoir representing his late work period (1892–1919). The painting is now in the Barnes Foundation in Philadelphia.[1][2]
| After the Bath | |
|---|---|
 | |
| Artist | Pierre-Auguste Renoir |
| Year | 1910 |
| Medium | Oil on canvas |
| Dimensions | 94.5 cm × 75.2 cm (37 3/16 in × 29 5/8 in) |
| Location | Barnes Foundation, Philadelphia |
Provenance
editThe painting was purchased from the artist in Paris, by Paul Durand-Ruel in October 1910. On December 18, 1915, Albert C. Barnes (the founder of the institution)[3][4] purchased it from the latter.[1]
See also
editReferences
editNotes
edit- ^ a b "Pierre-Auguste Renoir After the Bath (La Sortie du bain) 1910. Oil on canvas". Barnes Foundation.
- ^ Richard J. Wattenmaker (2010). American Paintings and Works on Paper in the Barnes Foundation. Barnes Foundation. ISBN 9780300158779.
- ^ “Biographical Note,” Presidents Files, Albert C. Barnes Correspondence. The Barnes Foundation Archives, 2012. https://www.barnesfoundation.org/whats-on/collection/library-archives/finding-aids.
- ^ "Historical Note," Directors of the Arboretum, Laura Leggett Barnes, The Barnes Foundation Archives, 2012. https://www.barnesfoundation.org/whats-on/collection/library-archives/finding-aids.
Sources
edit- André, Albert. Renoir. Paris, G. Crès & Cie, 1923, plate 42.
- Barnes, Albert C. and Violette de Mazia. The Art of Henri-Matisse. New York: C. Scribner's Sons, 1933, 189, cat. data no. 433.
- The Art of Renoir. Merion, Pa.: The Barnes Foundation Press, 1935, 123 n, 124 n, 125 n, 126, 168 n, 195 n, 198 n, 328 ill., cat. data no. 247.
- De Mazia, Violette. "Creative Distortion: The Case of the Levitated Pear." The Barnes Foundation Journal of the Art Department 4, no. 1 (Spring 1973): 9, pl. 30.
- "The Barnes Foundation: The Display of Its Art Collection." Vistas 2, no. 2 (1981–1983): 112, pl. 125 (installation).
- "Form and Matter." Vistas 5, no. 2 (1991): 24–5, pl. 54.
- Basler, A. and Charles Kunstler. La Peinture Indépendante en France: De Monet à Bonnard. Paris: G. Crès et cie, 1929, plate 27 ill.
- Besson, G. Auguste Renoir. Paris: G. Crès et cie, 1932, pl. 22 ill.
- Fezzi, E. Tout l'oeuvre peint de Renoir: période impressioniste, 1869–1883. Paris: Flammarion, 1985, no. 706 ill.
- French Period Furniture & Decoration. Auction cat. Sotheby Parke Bernet. New York, June 15, 1950, no. 117. [on related sketch]
- Lucy, Martha and John House. Renoir in the Barnes Foundation. New Haven: Yale University Press, 2012: 18, 161, 177, 180 ill., 181, 185, 203, 306-7 cat. 51.
- Meier-Graefe, Julius. Renoir, 1929, p. 336, no. 354. Renoir, peintre du nu, préface d'Henri de Régnier. Paris, Les éditions Bernheim-Jeune, 1923, ill, n. p.
- Wattenmaker, Richard J. and Anne Distel. Great French Paintings from The Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern. New York: Alfred A. Knopf in association with Lincoln University Press, 1993, 86, 87 ill.