Sol Invictus are a British neofolk band formed by Tony Wakeford in 1987.[1] Wakeford has been the sole constant member of the group since its inception, although numerous musicians have contributed and collaborated with him under the Sol Invictus name over the years.
Sol Invictus | |
|---|---|
 Sol Invictus in 2005 | |
| Background information | |
| Origin | London, England |
| Genres | Neofolk |
| Years active | 1987–present |
| Labels | Tursa |
| Members | Tony Wakeford Renee Rosen Caroline Jago Lesley Malone Eilish McCraken |
| Past members | Ian Read Liz Gray Gary Smith Karl Blake Leithana Eric Rodgers Sarah Bradshaw Nick Hall Céline Marleix-Bardeau Nathalie Van Keymeulen David Mellor Andrew King Guy Harries M Lloyd James |
| Website | sol-invictus |
History
editPrior to forming Sol Invictus, Tony Wakeford had co-founded the band Death in June. In early 1984, Wakeford had been a supporter of the National Front (UK), and was fired from Death in June for "bringing his 'right-wing leanings into the group'.[2] Subsequently, he formed Above the Ruins, a post-punk band which became controversial due to its association with right-wing politics.[3] In 1987, Wakeford distanced himself from these views, and formed Sol Invictus,[3] adapting the band's name from a cult that predated Christianity.[4] In 1990, Wakeford formed his own record label, Tursa. With distribution by World Serpent Distribution, Tursa released numerous albums by Sol Invictus, starting with Trees in Winter.[3] After World Serpent dissolved in the 2000s, Cold Spring began distributing the band's albums.[3]
Due to Wakeford's past political associations, Sol Invictus has been accused of neo-fascism.[5] Wakeford initially denied ever having been a member of the National Front or Above the Ruins, but later admitted to having been a member of both.[2] In 2007, Wakeford described his National Front membership as "probably the worst decision of my life".[6]
Musical style
editAccording to AllMusic biographer Paul Simpson, "Sol Invictus is one of the most prolific and influential bands associated with neo-folk or apocalyptic folk".[3] The band's music combines acoustic guitar playing and "neo-classical instrumentation" with elements of industrial music.[3] Tony Wakeford uses the phrase "folk noir" to describe his music.[3] Sol Invictus' debut album, Against the Modern World (1988), displayed a post-punk sound which incorporated elements of what was later termed martial industrial.[3] According to Peter Webb, the band's first four albums use a "very raw and basic" sound consisting of acoustic guitar, electric guitar, bass guitar, keyboards and drums which "evoke a premodern world that deals with a variety of subject matter from paganism, to England's quirkiness, to anti-Americanism, and looking to the traditions of Europe."[4] The band had considerable interest in heathen and Mithraist themes, often with an explicit antipathy to Christianity, reflecting the involvement of Wakeford and other members in neopagan groups.[7] The band's lyrics display a pessimistic, apathetic view towards modern society.[3][5] Their later albums are marked by more personal lyrical themes,[3] and expand their sound with cello, violin, orchestral drums, flute, and harp.[4]
Discography
edit| Year | Title | Format, special notes |
|---|---|---|
| 1987 | Against the Modern World | Mini-LP |
| 1989 | In the Jaws of the Serpent | Live LP |
| 1989 | Lex Talionis | Part of box set with Current 93 and Nurse with Wound |
| 1989 | Fields | 12" with Current 93 and Nurse With Wound |
| 1990 | Sol Veritas Lux | CD |
| 1990 | Abattoirs of Love | 7" |
| 1990 | Lex Talionis | CD |
| 1990 | Trees in Winter | CD/LP |
| 1991 | The Killing Tide | CD/LP |
| 1992 | Death in June/Current 93/Sol Invictus | Live CD with Death in June and Current 93 |
| 1992 | Looking for Europe | 7" |
| 1992 | The Lamp of the Invisible Light | 7" compilation track |
| 1992 | Somewhere in Europe/See the Dove Fall | 7" |
| 1992 | Let Us Prey | Live CD |
| 1992 | King & Queen | CD |
| 1994 | The Death of the West | CD |
| 1994 | Black Europe | Live CD |
| 1995 | In the Rain | CD |
| 1997 | The Blade | CD |
| 1998 | In Europa | Live CD |
| 1998 | All Things Strange and Rare | Compilation CD |
| 1999 | In a Garden Green | CD |
| 2000 | Trieste | Live CD |
| 2000 | The Hill of Crosses | CD |
| 2000 | Eve | 7" |
| 2001 | Brugge | Live concert, 1996-02-03 |
| 2002 | Thrones | CD |
| 2003 | The Giddy Whirls of Centuries | Compilation CD |
| 2004 | The Angel | Compilation CD |
| 2005 | The Devil's Steed | CD |
| 2006 | Walking in the Rain on the Ostrow Tumski | Compilation CD |
| 2010 | The Bad Luck Bird/Stella Maris | 7" |
| 2011 | The Cruellest Month | CD (Studio album) |
| 2014 | Once Upon a Time | CD (Studio album) |
| 2017 | Ghostly Whistlings | Compilation 10" |
| 2018 | Necropolis | CD (Studio album) |
References
edit- ^ "Sol Invictus Biography, Songs, & Albums". AllMusic. Retrieved 28 July 2023.
- ^ a b Robert, Forbes; Stampton, Eddie (9 November 2015). "1985". The White Nationalist Skinhead Movement, UK & USA, 1979-1993. Feral House. pp. 161–164. ISBN 9781627310253.
- ^ a b c d e f g h i j Simpson, Paul. "Sol Invictus Biography". AllMusic. Retrieved 19 March 2023.
- ^ a b c Webb, Peter (10 June 2010). "Neofolk or Post-Industrial Music". Exploring the Networked Worlds of Popular Music. Taylor & Francis. p. 68. ISBN 9781135910792.
- ^ a b Kirk, Ryan (2009). ""Revolt Against the Modern World:" Exploring the Post-Industrial Romance of Neo-Folk". Nota Bene: Canadian Undergraduate Journal of Musicology. 2 (1). doi:10.5206/notabene.v2i1.6551. ISSN 1920-8987.
- ^ Barry, Robert (3 October 2012). "FACT meets Boyd Rice: noise pioneer, film buff, leader of the Church of Satan". Fact magazine. Retrieved 20 March 2023.
- ^ Backes, Uwe; Moreau, Patrick (2012). Die völkisch-religiöse Bewegung im Nationalsozialismus: Eine Beziehungs- und Konfliktgeschichte. ISBN 9783525369227.
