Alexander Andreyevich Ivanov (Russian: Алекса́ндр Андре́евич Ива́нов; 28 July [O.S. 16 July] 1806 – 15 July [O.S. 3 July] 1858) was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries. He was born and died in St. Petersburg. He has been called the master of one work, for it took 20 years to complete his magnum opus The Appearance of Christ Before the People.[1]
Alexander Andreyevich Ivanov | |
|---|---|
| Александр Андреевич Иванов | |
 Sergey Postnikov, Alexander Andreyevich Ivanov, c. 1873, oil on canvas after the 1846 daguerreotype, Tretyakov Gallery, Moscow | |
| Born | July 16, 1806 |
| Died | July 3, 1858 (aged 51) Saint Petersburg, Russian Empire |
| Resting place | Tikhvin Cemetery, Saint Petersburg |
| Alma mater | Imperial Academy of Arts (1827) |
| Known for | Painting |
| Awards |  |
| Elected | Member Academy of Arts (1836) |
Biography
editEarly years and education
editAlexander Andreyevich was born to an art professor Andrey Ivanov. Aged 11, he entered the Imperial Academy of Arts and studied at his father's course together with Karl Briullov. For his good achievements he was awarded with two silver medals, in 1824 he received a golden medal for the painting 'Priam Asking Achilles to Return Hector's Body'. In 1827 he was honoured with the Big Gold Medal of the Imperial Academy of Arts for 'Joseph interprets the butler's and the baker's dreams' and was promoted to the XIV grade artists.
Ivanov's benefactors decided to send him abroad to study art, but required one more picture, thus he creates 'Bellerophon sent to a campaign against the Chimera'. In 1830 Ivanov departs to Europe, first in Germany, then to Italy.
Italian years
editIvanov's first works in Rome were copies of The Creation of Adam of the Sistine Chapel and some drafts of Biblical scenes. He dreamed to create an epic painting of the Messiah coming to people, but first he decided to try himself on lesser-scale picture. In 1834–1835 he finished Appearance of Jesus Christ to Maria Magdalena. The painting had great success both in Rome and St. Petersburg. The Russian Imperial Academy of Arts granted Ivanov an honorary academic degree in 1836.
He spent most of his life in Rome, where he befriended Gogol and was influenced by the Nazarenes.
The Appearance of Christ Before the People
editIvanov spent 20 years (1837–1857) in Rome, working on his greatest masterpiece The Appearance of Christ Before the People.[2]
Death
editIvanov died of cholera on July 3, 1858. He was buried in St. Petersburg at the Novodevichy Cemetery.[3] In 1936, he was reburied with the transfer of the monument to the Tikhvin Cemetery of the Alexander Nevsky Lavra.[4]
Influence and critics
editCritical judgement about Ivanov improved in the following generation. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. The most comprehensive collection of his works can be viewed at the Russian Museum in St. Petersburg.
Gallery
edit- Alexander Andreyevich Ivanov's paintings
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Noli me tangere, 1835 -
Joseph interprets the butler's and the baker's dreams, 1827 -
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Apollo, Hyacinthus and Cyparis singing and playing, 1831–1834 -
Bellerophon sent to a campaign against the Chimera, 1829 -
Joseph's Brothers Find the Silver Goblet in Benjamin's Pack, 1831-1833 -
Appian Way at Sunset, 1845 -
Last supper, 1850 -
Vittoria Caldoni, 1834 -
Nikolai Gogol, 1841
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References
edit- ^ Sibbald, Barbara (February 5, 2002). "If the soul is nourished..." Canadian Medical Association Journal. 166 (3): 357–358. PMC 99322.
- ^ Apresyan, A. (2020-01-25). "5 eccentricities of great Russian painters". Russia Beyond the Headlines. Retrieved 2020-02-19.
- ^ Saitov, Vladimir I. (1912). Петербургский некрополь (in Russian). Vol. 2. St. Petersburg: Stasyulevich Typography. p. 238.
- ^ Kobak, Alexander V. [in Russian] and Piryutko, Yuri M. [in Russian], eds. (2011). Исторические кладбища Санкт-Петербурга (in Russian). Moscow: Tsentpoligraf. pp. 238, 478. ISBN 978-5-227-02688-0. OCLC 812571864.
Further reading
edit- Alpatov, Mikhail V. (1956). Александр Андреевич Иванов (2 vols.) (in Russian). Moscow: Iskusstvo. OCLC 5769609.
- Botkin, Mikhail P. (1880). Александр Андреевич Иванов: Его жизнь и переписка, 1806–1858 гг (in Russian). St. Petersburg: Mikhail Botkin. OCLC 27355439.
- Ivanov, Alexander A.; et al. (2001). Vinogradov, Igor A. [in Russian] (ed.). Александр Иванов в письмах, документах, воспоминаниях (in Russian). Moscow: XXI Vek — Soglasiye. ISBN 5-293-00034-9. OCLC 47271547.
- Novitsky, Alexei P. [in Russian] (1895). Опыт полной биографии А. А. Иванова (in Russian). Moscow: Karl Fischer.
- Sobko, Nikolai P. [in Russian] (1895). "Иванов, Александр Андреевич". Словарь русских художников (in Russian). Vol. 2. Saint Petersburg: M. Stasyulevich. cols. 5–297. OCLC 889716402.
- Somov, Andrei I. [in Russian] (1894). "Иванов (Александр Андреевич)". Brockhaus and Efron Encyclopedic Dictionary (in Russian). Vol. XIIa. St. Petersburg: Brockhaus and Efron. pp. 760–761.
- Stepanova, Svetlana S. [in Russian] (2011). Русская живопись эпохи Карла Брюллова и Александра Иванова: Личность и художественный процесс (in Russian). St. Petersburg: Iskusstvo-SPB. ISBN 978-5-210-01638-6. OCLC 706464182.
External links
edit
Media related to Alexander Andreyevich Ivanov at Wikimedia Commons- Alexander Andreyevich Ivanov at the Russian Academy of Arts' official website (in Russian)
- Stepanova, Svetlana S. (February 7, 2024). "Иванов Александр Андреевич". Большая российская энциклопедия (in Russian). Moscow: Bolshaya Rossiyskaya Entsiklopediya. Archived from the original on July 19, 2024.
- Online gallery of Ivanov's works
- Painting Archived 2022-05-11 at the Wayback Machine 'Priam Asking Achilles to Return Hector's Body' in The State Tretyakov Gallery
