Anne Cooke Reid (née Anna Margaret Cooke;[2] October 6, 1907 – 1997) was an American stage director and academic. She founded and led theater departments at historically Black universities including Howard University, where she was the first chairwoman, and Spelman College, where she founded the first Black summer theater in the United States.[3][4] A prominent figure in theater education, Cooke Reid was known to her students as "Queen Anne";[5] historian Darlene Clark Hine called her "a major figure responsible for providing high-quality training" during the mid-1900s.[6]
Anne Cooke Reid | |
|---|---|
 Anne M. Cooke, circa 1920 | |
| Born | Anna Margaret Cooke October 6, 1907 Washington, D.C., U.S. |
| Died | 1997 (aged 89–90) U.S. |
| Alma mater | |
| Occupations |
|
| Years active | 1920s–1980s |
| Known for | Founded the first Black summer theater in the U.S. |
| Spouse | |
| Father | William Wilson Cooke |
| Relatives | Thomas Ezekiel Miller (maternal grandfather)[1] |
Early life and education
editAnna "Anne" Margaret Cooke was born on October 6, 1907, in Washington, DC.[2][5][7] Her father was architect William Wilson Cooke.[8] She graduated from high school in Gary, Indiana,[5] and at the age of 16 attended Oberlin College,[9] where she received a bachelor of arts degree in 1928.[5] In 1944,[10] she received her Ph.D. in theater from the Yale University School of Drama.[5]
Career
editCooke taught at North Carolina A&T State University, then took a post in 1927 at Spelman College in Atlanta, Georgia, where she was the first director of record to lead the Spelman Players troupe. Among her productions was a pageant about Spelman's history told with music, dance, and dialogue, with a cast of female Spelman students as well as male students from sister school Morehouse College, and later Atlanta University.[11] In 1934, Cooke and these institutions organized the Atlanta University Summer Theater, the oldest continually operating summer theater[5] and the first Black summer theater in the United States.[3] The troupe, which produced five plays in six weeks, developed a repertoire including celebrated plays like Thornton Wilder's Our Town; although fewer works by Black playwrights were well known at the time, the troupe produced at least one.[11] The theater ran for 44 seasons, ending in 1977.[5]
In 1942, Cooke led the Hampton Institute (present-day Hampton University)'s Hampton Communications Theater. Two years later, she was hired by Howard University to establish the college's theater department along with Owen Dodson and James W. Butcher,[5] and became the chairwoman. Cooke would remain head of the department until 1957.[12][6] One of her notable students was the novelist Toni Morrison who entered the drama program at Howard two years after it was established in 1949.[13] Some of her other pupils at Howard included actresses Roxie Roker and Zaida Coles, stage director and playwright Shauneille Perry, and actor Graham Brown.[7]
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At Howard, Cooke Reid aspired to create a drama program that would train students to become professional actors—a field that, in the 1940s, many Black students and faculty thought to be near-impenetrable.[9] Her tenure began a revival for theater at the university. The Howard University Players, who were active during the 1920s, toured Norway, Sweden, Denmark and Germany in 1949 as ambassadors of goodwill for the United States Department of State—the first college theater group to do so.[5] The Howard Players produced Henrik Ibsen's The Wild Duck with an almost entirely Black cast, as well as Dorothy and DuBose Heyward's Mamba's Daughters. Her productions were praised by critics abroad, and upon returning to the United States, a Washington Post editorial praised the endeavor itself: "They appeared not as representatives of their race but as representatives of theater art. They served their country well."[9]
In May 1969, Cooke Reid coordinated a meeting at Haverford College along with psychologist Kenneth Clark of fourteen prominent African American intellectuals to advocate for racial integration.[14] These participants, including author Ralph Ellison, United States circuit judge William H. Hastie, economist Phyllis Ann Wallace, and US secretary of housing and urban development Robert C. Weaver, were known as the Haverford Group.[15]
Cooke Reid was a contributing author to the second volume of Notable American Women, 1607–1950: A Biographical Dictionary (1971, Harvard University Press).[16] When she retired from Howard, she was hired as senior preceptor for student affairs by University of California, Santa Cruz, and then as senior professor of theater at University of Maryland, Baltimore County. She received the Mister Brown Award for her contributions to the theater arts from the National Conference on African American Theater in 1987.[5]
Personal life
editOn August 12, 1958, Anne Cooke married sociologist Ira De Augustine Reid, who at the time was a widower with a teenage daughter.[2][17][18]
References
edit- ^ Bainbridge, Judith T. (April 15, 2016). "Cook, William Wilson". South Carolina Encyclopedia. Retrieved February 26, 2023.
- ^ a b c Gates, Henry Louis, ed. (2003). African American Lives. Oxford University Press. pp. 705–707. ISBN 978-0-19-516024-6 – via Internet Archive.
- ^ a b Seward, Adrienne Lanier; Tally, Justine, eds. (August 12, 2014). Toni Morrison: Memory and Meaning. University Press of Mississippi. ISBN 9781626742048. Retrieved April 6, 2023.
- ^ Hatch, James V.; Hamalian, Leo, eds. (April 1992). The Roots of African American Drama: An Anthology of Early Plays, 1858-1938. Wayne State University Press. p. 289. ISBN 9780814338476. Retrieved April 11, 2023.
- ^ a b c d e f g h i j Peterson, Bernard L. (2001). Profiles of African American stage performers and theatre people, 1816–1960. Greenwood Press. pp. 62–63. ISBN 9780313295348. Retrieved April 6, 2023.
- ^ a b Hine, Darlene Clark (2005). Black Women in America: Volume 3. Oxford University Press. p. 240. ISBN 978-0-19-515677-5. Retrieved April 6, 2023.
- ^ a b Smith, Jessie Carney (1996). Notable Black American Women. New York: Gale Research. pp. 143–146. ISBN 978-0-8103-9177-2 – via Internet Archive.
born on October 6, 1907
- ^ Wilson, Dreck Spurlock, ed. (March 2004). African American Architects: A Biographical Dictionary, 1865–1945. Taylor & Francis. p. 151. ISBN 9781135956295. Retrieved April 6, 2023.
- ^ a b c Hatch, James V. (1995). Sorrow Is the Only Faithful One: The Life of Owen Dodson. University of Illinois Press. pp. 151–163. ISBN 9780252064777. Retrieved April 7, 2023.
- ^ "Yale School of Drama Alumni Magazine 2011". David Geffen School of Drama at Yale. July 26, 2021. Retrieved April 6, 2023.
- ^ a b Hill, Anthony D. (November 9, 2018). Historical Dictionary of African American Theater. Rowman & Littlefield Publishers. ISBN 9781538117293. Retrieved April 6, 2023.
- ^ "Anne Cooke Collection of Theater Materials". Digital Howard @ Howard University. Retrieved April 7, 2023.
- ^ Williams, Dana A. (2014). "To Make A Humanist Black: Toni Wofford's Howard Years". In Lanier Seward, Adrienne; Justine Tally (eds.). Toni Morrison: Memory and Meaning. University Press of Mississippi. ISBN 9781626742048.
- ^ Bradley, Stefan M. (January 19, 2021). Upending the Ivory Tower: Civil Rights, Black Power, and the Ivy League. NYU Press. p. 14. ISBN 9781479806027. Retrieved April 6, 2023.
- ^ Lackey, Michael, ed. (November 6, 2013). The Haverford Discussions: A Black Integrationist Manifesto for Racial Justice. University of Virginia Press. ISBN 9780813934877. Retrieved April 6, 2023.
- ^ Edward T. James; Janet Wilson James; Paul S. Boyer, eds. (1971). Notable American Women, 1607–1950: A Biographical Dictionary, Volume II. Harvard University Press. p. 546. ISBN 9780674627345.
- ^ "Ebony – Volume 32". Ebony Magazine. November 1976. Retrieved April 6, 2023.
- ^ "Dr. Ira Reid Weds D.C. Drama Prof, Anne Cooke". Jet: 23. August 28, 1958.