Apostles of Rock
Apostles of Rock: The Splintered World of Contemporary Christian Music is a book about Christian Rock written by Jay R. Howard and John M. Streck.
Background
editThe book discusses Six Pence None the Richer's hit song "Kiss Me", which became popular outside of contemporary Christian music.[1] The book was published on August 27, 1999.[2] The book applies the categories that H. Richard Niebuhr established in Christ and Culture to contemporary Christian music.[3] The book also applies the concept of "art world" that Howard S. Becker established in his book Art Worlds.[4] The book discusses the start of Tooth & Nail Records.[5] The book also dicusses Larry Norman's album "Upon This Rock".[6] The book identifies three different types of Christian music: "Separational CCM," "Integrational CCM," and "Transformational CCM."[7] The book discusses how CCM emerged from the Jesus movement and Christian reactions to popular music.[8] The book discusses how Christian musicical artists differ on their opinion of how to approach the relationship of secular and Christian culture.[9] Tag Evers praised the book in Sojourners saying that the book "proves that not all writing about CCM has to be as disappointing as the genre itself."[10]
See also
editReferences
edit- ^ Blair, Brian (May 6, 1999). "Mapping Roots of Righteous Rock Researcher's Goal". The Republic. p. 13. Retrieved May 18, 2023.
- ^ Van Campen, Todd (August 14, 1999). "Book: Pop Hits and Pop Theology". Lexington Herald-Leader. p. 31. Retrieved May 18, 2023.
- ^ Balmer, Randall (2000). "Review of Apostles of Rock: The Splintered World of Contemporary Christian Music, by J. R. Howard & J. M. Streck". Church History. 69 (4). Cambridge University Press: 944–945. doi:10.2307/3169392. JSTOR 3169392. S2CID 162213620. Retrieved May 18, 2023 – via JSTOR.
- ^ Katz, David (2000). "Review of Apostles of Rock: The Splintered World of Contemporary Christian Music, by J. R. Howard & J. M. Streck". Sociology of Religion. 61 (3). Oxford University Press: 341–343. doi:10.2307/3712585. JSTOR 3712585. Retrieved May 18, 2023 – via JSTOR.
- ^ Tsitsos, William (2000). "Review of Apostles of Rock: The Splintered World of Contemporary Christian Music, by J. R. Howard & J. M. Streck". Contemporary Sociology. 29 (2). American Sociological Association: 388–390. doi:10.2307/2654426. JSTOR 2654426. Retrieved May 18, 2023 – via JSTOR.
- ^ Brown, Charles M. (2000). "Review of Apostles of Rock: The Splintered World of Contemporary Christian Music, by J. R. Howard & J. M. Streck". Sociological Focus. 33 (2). Taylor & Francis: 239–240. doi:10.1080/00380237.2000.10571168. JSTOR 20832078. S2CID 161509563. Retrieved May 18, 2023 – via JSTOR.
- ^ Schulz, Constance B. (2001). "Review of Apostles of Rock: The Splintered World of Contemporary Christian Music, by J. R. Howard & J. M. Streck". The Journal of Southern History. 67 (2). Southern Historical Association: 500–501. doi:10.2307/3069929. JSTOR 3069929. Retrieved May 18, 2023 – via JSTOR.
- ^ Prévos, André J. M. (2003). "Apostles of Rock. the Splintered World of Contemporary Christian Music". Popular Music and Society. 26 (4). Taylor & Francis: 564–565. eISSN 1740-1712. ISSN 0300-7766. ProQuest 208068301. Retrieved May 18, 2023 – via ProQuest.
- ^ "Hot Type". The Chronicle of Higher Education. 45 (43): 1. July 2, 1999. eISSN 1931-1362. ISSN 0009-5982. ProQuest 214726531. Retrieved May 18, 2023 – via ProQuest.
- ^ Evers, Tag (2001). "Fiddling while Rome Burns". Sojourners Magazine. 30 (1): 49–51. ISSN 1550-1140. ProQuest 212828757. Retrieved May 18, 2023 – via ProQuest.