Beams is the debut studio album by Australian electronic dance music duo The Presets, released on 12 September 2005 by record label Modular. The album reached No. 55 on the Australian Charts, and was certified gold in Australia.
Beams | ||||
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Studio album by | ||||
Released | 12 September 2005 | |||
Genre | Dance[1] | |||
Length | 43:18 | |||
Label | Modular | |||
The Presets chronology | ||||
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Singles from Beams | ||||
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The album cover was inspired by the one used for Fleetwood Mac's Rumors (1977) album.[2]
Background
editThe track, 'Steamworks', is named after a gay bathhouse in the San Francisco Bay Area. The track is still one of the duo's favourite songs. Julian Hamilton said "The song is just 'oo's and 'ah's, but it has a strong character -- that's hard to do."[2]
The album includes a few instrumental interludes which Kim Moyes says "I think those little interludes [on Beams] are so cool," however interlude would only feature on this album due to the band wanting to be "as vocal and up-for-it as possible" when making their second album, Apocalypso (2008).
In a retrospective interview with the band, Moyes says "I re-listened recently when we had to approve all the masters for its vinyl reissue,"..."And it's fucking awesome!" he recalled, "In the early days of Modular, there was always talk of, 'Which producer do you want to work with?',"..."But we only wanted to do whatever weird thing we do, warts and all. For better or worse, we don't really sound like anyone else." "That's the best thing about Beams," Hamilton agrees. "It sounds like The Presets."[2]
Reception
editReview scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Pitchfork | 3.7/10[3] |
PopMatters | 7/10[4] |
Rolling Stone | [5] |
The album received mixed to positive reviews. AllMusic called the album an "uneasy yet unforgettable combination of '80s gaudy pop flair and dark, propulsive rave beats".[1] Pitchfork, on the other hand, gave it a low 3.7/10 rating, writing "the most frustrating thing about Beams is that Moyes and Hamilton both know better".[3]
The Guardian gave a three star review and observed, "The Australian duo begin by apeing Michael Jackson's Billie Jean, with singer Julian Hamilton out-grunting Jacko, and conclude with the title track, which features a synthesized banjo. In between, introspective synth-pop shares space with gothic disco and a gnarly rave monster, Hamilton apparently tapping out the beats on his larynx as he sings," concluding, "There is much to enjoy here, but Beams sags under the weight of too many ideas. Perhaps next time we'll get to see behind their masks."[6]
Track listing
editAll tracks are written by Julian Hamilton and Kim Moyes, unless otherwise noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Steamworks" | 4:36 | |
2. | "Are You the One?" | 3:24 | |
3. | "Down Down Down" | 3:17 | |
4. | "Girl and the Sea" | Samuel Dixon, Hamilton, Moyes | 4:46 |
5. | "Black Background" | 1:39 | |
6. | "Worms" | 4:00 | |
7. | "Kitty in the Middle" | 2:42 | |
8. | "Hill Stuck" | 1:47 | |
9. | "Girl (You Chew My Mind Up)" | 3:52 | |
10. | "I Go Hard, I Go Home" | 5:04 | |
11. | "Bad Up Your Betterness" | Hamilton, Daniel Johns, Moyes | 4:11 |
12. | "Beams" | Hamilton, Daniel Johns, Moyes | 3:42 |
No. | Title | Length |
---|---|---|
13. | "Kitty in the Middle (Kitty Said)" | 5:43 |
14. | "I Go Hard, I Go Home" (DJ Hell Remix) | 9:11 |
No. | Title | Length |
---|---|---|
1. | "I Go Hard, I Go Home" | 5:04 |
2. | "Kitty in the Middle" (Trombone – Phil Stucky) | 2:42 |
No. | Title | Length |
---|---|---|
1. | "Are You the One?" | 3:24 |
2. | "Down Down Down" | 3:17 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Girl and the Sea" (Bass, Guitar – Samuel Dixon, Vocals – Kendal Cuneo) | Samuel Dixon, Hamilton, Moyes | 4:46 |
2. | "Black Background" | 1:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Steamworks" | 4:36 | |
2. | "Bad Up Your Betterness" | Hamilton, Daniel Johns, Moyes | 4:11 |
Personnel
editThe Presets
- Julian Hamilton – vocals, keyboards, mixing
- Kim Moyes – drums, keyboards, mixing
Additional musicians
- Felix Bloxsom – drums (tracks 1, 2, 4, 11)
- Phil Stucky – Trombone (tracks 2, 8, 12)
- Sam Dixon – bass and guitar (track 4)
- Kendal Cuneo – girl vocals (track 4)
- Veronique Serret – violin (track 12)
- Matthew Watson – violin (track 12)
- Zoe White – viola (track 12)
- Leah Zweck – viola (track 12)
- Rachael Maio – cello (track 12)
- Daniel Johns – acoustic guitar (track 12)
- Warwick Payne – guitar (track 12)
Technical
- ¥ Benjamin ~ DePriest
- Scott Horscroft – mixing
- Emerson Todd – mixing
- Mike Marsh – mastering
- Lyn Balzer – photography
- Anthony Perkins – photography
- Jonathan Zawada – art direction
Charts
editChart (2005–2008) | Peak position |
---|---|
Australian Albums (ARIA)[9] | 55 |
Certifications
editRegion | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[10] | Gold | 35,000^ |
^ Shipments figures based on certification alone. |
Release history
editRegion | Date | Label | Format | Catalogue |
---|---|---|---|---|
Australia | 12 September 2005 | Modular | CD, digital download | MODCD034 |
References
edit- ^ a b c Leijon, Erik. "Beams – The Presets | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved 3 August 2016.
- ^ a b c "'Beams' at 15: The Presets on their scrappy, divisive debut". Red Bull. 30 June 2020. Retrieved 30 September 2023.
- ^ a b Marc Hogan (20 June 2006). "The Presets: Beams". Pitchfork. Retrieved 22 November 2011.
- ^ Dan Raper (17 April 2006). "The Presets: Beams". PopMatters. Retrieved 22 November 2011.
- ^ "[Beams review]". Rolling Stone.
- ^ Burgess, John (21 July 2006). "The Presets, Beams". The Guardian. ISSN 0261-3077. Retrieved 30 September 2023.
- ^ "Beams". iTunes Store (Australia). Apple Inc. Retrieved 27 October 2016.
- ^ "Beams". discogs. Retrieved 6 November 2016.
- ^ "The ARIA Report – Issue #946" (PDF). Australian Recording Industry Association. 14 April 2008. p. 5. Archived from the original (PDF) on 19 April 2008. Retrieved 1 May 2015.
- ^ "ARIA Charts – Accreditations – 2009 Albums" (PDF). Australian Recording Industry Association. Retrieved 1 May 2015.