Bindi Cole Chocka (born 1975) is an Australian contemporary new media artist, photographer, writer and curator of Wadawurrung heritage.
Bindi Cole Chocka | |
|---|---|
| Born | 1975 |
| Nationality | Australian |
| Occupation(s) | Artist, curator and writer |
Early life and education
editBorn in Melbourne in 1975, she holds a Bachelor of Fine Arts from Federation University (2010) and a Diploma in Applied Photography from the Northern Melbourne Institute of TAFE, which she completed in 2004.[1][2] She is currently[when?] undertaking a PhD at Deakin University.[citation needed]
Career
editCole’s work often references her life story and experiences, such as her Wadawurrung heritage, the importance of Christianity in her life, and the impact of politics, the law and other power structures on her lived experience and that of her family and community. Her artistic practice questions the way people circumscribe and misconstrue contemporary identity and experience.[citation needed]
Early works
editCole's first major work which came to public attention was Heart Strong (2007), an exhibition at the Koorie Heritage Trust, Melbourne. This work focused on the media's portrayal of Indigenous communities. Cole also photographed elite Indigenous sportsman for the calendar Men in Black. Cole's portrait of boxer Anthony Mundine, Do you like what you see, won the Boscia Galleries Award for Photography at the Victorian Indigenous Art Awards.
As well as photography, Cole's approach to art includes the use of video, text and installation.
Not Really Aboriginal (2008)
edit
Cole's Not Really Aboriginal is a series of photographs including portraits and group photographs in which the faces of the subjects are blackened with paint. Not Really Aboriginal explores Cole's Indigenous identity and heritage, and the ways in which they are questioned by mainstream society due to Cole's fair complexion.
Sista Girls (2010)
editSista Girls is a 2010 photographic series which focuses on the Yimpininni, a community of transgender women in the Tiwi Islands, Northern Territory.[3]
Cole travelled to the Tiwi Islands in far north Northern Territory to shoot the Sista Girls after previously photographing Tiwi Island drag performer Foxxy in 2008. This work with Foxxy was shortlisted for the Telstra National Aboriginal and Torres Strait Islander Art Awards. A portrait from the series, Ajay, won the 2009 Victorian Indigenous Art Awards Deadly Award.
In this work, Cole explores aspects of Indigenous identity and culture, and how that is reconciled with transgender identity with the influence of colonisation.[4]
Other activities
editCole was a witness in Eatock v Bolt, a 2011 decision of the Federal Court of Australia which held that two articles written by columnist and commentator Andrew Bolt and published in The Herald Sun newspaper had contravened section 18C, of the Racial Discrimination Act 1975. Bolt had accused Cole and other Aboriginal people of "choosing" their identity for personal benefit.[5]
Recognition
editHer works have been exhibited in the Museum of Contemporary Art (Taiwan), MOCADA (New York), National Gallery of Australia, Gallery of Modern Art, Queensland, Art Gallery of Western Australia, Art Gallery of New South Wales, Museum of Contemporary Art, Shepparton Art Museum, Benalla Art Gallery and Horsham Regional Art Gallery, Victoria. In 2010, Cole was named one of Melbourne’s Top 100 Most Influential People by The Age.[6]
Awards
edit- National Photography Portrait Prize, National Portrait Gallery – Finalist (2007)
- William & Winifred Bowness Photography Award, Monash Gallery of Art – Finalist (2007)
- National Photography Portrait Prize, National Portrait Gallery – Finalist (2007)
- Victorian Indigenous Art Award, Boscia Galleries Award for Photography – Winner (2007)
- 25th Telstra Aboriginal & Torres Strait Islander Art Award – Finalist (2008)
- Victorian Indigenous Art Awards – Finalist (2008)
- Victorian Indigenous Art Awards, Deadly Art Award – Winner (2009)
- William & Winifred Bowness Photography Award – Monash Gallery of Art – Finalist (2010)
- 27th National Aboriginal & Torres Strait Islander Telstra Art Awards – Finalist (2010)
- Melbourne Festival Art Trams – winning tram design (2013)
- Victorian Indigenous Art Award, Art Gallery of Ballarat – Highly Commended (2013)
- The Blake Prize, UNSW Galleries – Finalist (2014)
- Victorian Indigenous Art Award, Art Gallery of Ballarat – Finalist (2014)
- The Substation Contemporary Art Prize, The Substation – Finalist (2014)
- Wyndham Art Prize, Wyndham Art Gallery – Winner (2015)
- Redlands Konica Minolta Art Prize, National Art School – Invitation Only (2015)
- National Artist Self-Portrait Prize, University of Queensland Art Museum – Invitation Only (2015)
References
edit- ^ "Bindi Cole Chocka Interview: Confronting Tension | Bluethumb". Bluethumb Art Gallery Online- Blog. 4 October 2018. Archived from the original on 10 March 2024. Retrieved 10 March 2024.
- ^ "Bindi Cole". Framer Framed. Archived from the original on 10 March 2024. Retrieved 10 March 2024.
- ^ Frost, Andrew (21 July 2010). "Bindi Cole Sistagirls – The Art Life". The Art Life. Archived from the original on 10 March 2024. Retrieved 10 March 2024.
- ^ Bunyan, Dr Marcus (24 July 2010). "Review: 'Sistagirls' by Bindi Cole at Nellie Castan Gallery, Melbourne". Art Blart _ art and cultural memory archive. Archived from the original on 10 March 2024. Retrieved 10 March 2024.
- ^ Eatock v Bolt [2011] FCA 1103, (2011) 197 FCR 261, Federal Court (Australia).
- ^ "Bindi Cole" (PDF). Nellie Castan Gallery. Archived from the original (PDF) on 4 March 2014.