Giovanni Francesco Busenello (24 September 1598 – 27 October 1659) was an Italian lawyer, librettist and poet of the 17th century.[1]
Giovanni Francesco Busenello | |
|---|---|
 | |
| Born | 24 September 1598 Venice |
| Died | 27 October 1659 |
| Occupation | lawyer |
| Genre | |
| Literary movement | |
| Notable works | Delle hore ociose |
Biography
editBorn to an upper-class family of Venice, he is believed to have studied at the University of Padua, where according to himself he was taught by Paolo Sarpi and Cesare Cremonino. He began to practice law in 1623, and is thought to have been highly successful in his chosen profession. He was a member of several literary academies, notably the Umoristi, the Imperfetti, and the Accademia degli Incogniti: the last of these was to dominate the literary aspect of Venetian opera for many years. Busenello's verse output was prolific, and included several poems addressed to singers. His poetry was greatly influenced by Giambattista Marino. He died at Legnaro, near Padua.[1]
In musical history, he is best remembered for five libretti, each written for the Venetian opera and set by Claudio Monteverdi and Francesco Cavalli. They were published together in 1656 as Delle hore ociose ("Some idle hours") in Venice.[1] His libretto for Gli amori d'Apollo e di Dafne (Cavalli, 1640) is heavily based on Giovanni Battista Guarini's Il pastor fido, while L'incoronazione di Poppea (1642), set by Monteverdi, is noted among early libretti for the strength and vividness with which the individual characters are sketched. His other works, all set by Cavalli, are La Didone (1641), La prosperità infelice di Giulio Cesare dittatore (1646, but music lost or possibly never composed) and La Statira (1655).[1] Patrick J. Smith, in his study of the opera libretto, describes La prosperità infelice di Giulio Cesare dittatore as Busenello's "greatest achievement,"[2] and "the true mastery of the epic libretto."[3]
Busenello also wrote a sixth libretto that he did not publish in his 1656 collected works, La Discesa di Enea all'Inferno (1640), identified by Arthur Livingston, the leading scholar on Busenello.
Notes
editReferences
edit- Livingston, Arthur (1913). La vita veneziana nelle opere di Gian Francesco Busenello. Venice: V. Callegari. Copy at HathiTrust.
- Smith, Patrick J. (1970). The Tenth Muse: a Historical Study of the Opera Libretto. New York: Alfred A. Knopf. ISBN 9780575006690.
- Walker, Thomas; Heller, Wendy (20 January 2001). "Busenello [Businello], Giovanni [Gian] Francesco". Grove Music Online (on-line ed.). Oxford University Press. ISBN 978-1-56159-263-0.
Further reading
edit- Jean-François Lattarico: Venise incognita. Essai sur l'académie libertine du XVIIe siècle (Paris, 2012)
- Jean-François Lattarico: Busenello : Un théâtre de la rhétorique (Paris, 2013)
- A. Livingston: Una scappatella di Polo Vendramino e un sonetto di Gian Francesco Busenello (Rome, 1911)
- R. Ketterer: 'Neoplatonic Light and Dramatic Genre in Busenello's L'incoronazione di Poppea and Noris's Il ripudio d'Ottava', Music and Letters, lxxx (1999), 1–22
- W. Heller: 'Tacitus Incognito: Opera as History in L'incoronazione di Poppea', JAMS, lii (1999), 39–96
- I. Fenlon and P. Miller: The Song of the Soul: Understanding Poppea (London, 1992)
External links
edit
- Capucci, Martino (1972). "BUSENELLO, Giovanni Francesco". Dizionario Biografico degli Italiani, Volume 15: Buffoli–Caccianemici (in Italian). Rome: Istituto dell'Enciclopedia Italiana. ISBN 978-8-81200032-6.
- Slawinski, Maurice (2002). "Busenello, Giovan Francesco". The Oxford Companion to Italian Literature. Oxford University Press. Retrieved 13 July 2023.
- Full text of La vita veneziana nelle opere di Gian Francesco Busenello by Arthur Livingston (Venice, 1913)