Wikipedia

Come On Over

(Redirected from Come on Over)
For other uses, see Come On Over (disambiguation).

Come On Over is the third studio album by Canadian singer Shania Twain. Mercury Records in North America released it on November 4, 1997. Similar to her work on its predecessor, The Woman in Me (1995), Twain entirely collaborated with producer and then-husband Robert John "Mutt" Lange. With both having busy schedules, they often wrote apart and later intertwined their ideas. Twain wanted to improve her songwriting skills and write a conversational album reflecting her personality and beliefs. The resulting songs explore themes of romance and female empowerment, addressed with humour.

Come On Over
Photograph of a woman standing in front of a white background. She is wearing a red shirt and holding her hands in her hair, with her mouth ajar. The words SHANIA TWAIN are written at the top of the image in white capital letters. The words Come on Over are written at the bottom of the image in yellow cursive-style letters.
Standard edition cover
Studio album by
Shania Twain
ReleasedNovember 4, 1997 (1997-11-04)
Studio
    • Emerald Sound
    • GBT
    • Masterfonics Tracking Room
    • Seventeen Grand Recording (Nashville)
  • Sven (Mamaroneck, New York)
  • Sound Barries (New York)
  • Glenn Gould (Toronto)[1]
Genre
Length60:08
LabelMercury
ProducerRobert John "Mutt" Lange
Shania Twain chronology
The Woman in Me
(1995) 		Come On Over
(1997) 		The Complete Limelight Sessions
(2001)
Alternative cover
Photograph of a woman standing in front of a grey background. She is half smiling and wearing a sleeveless silver gown. The words SHANIA TWAIN are written at the top of the image in white capital letters. The words COME ON OVER are written below in gold capitals.
International edition cover
Singles from Come On Over
  1. "Love Gets Me Every Time"
    Released: September 22, 1997[2]
  2. "Don't Be Stupid (You Know I Love You)"
    Released: November 10, 1997[3]
  3. "You're Still the One"
    Released: January 13, 1998
  4. "From This Moment On"
    Released: May 4, 1998
  5. "When"
    Released: June 1, 1998
  6. "Honey, I'm Home"
    Released: August 10, 1998
  7. "That Don't Impress Me Much"
    Released: December 7, 1998
  8. "Man! I Feel Like a Woman!"
    Released: March 1999[4]
  9. "You've Got a Way"
    Released: June 1999
  10. "Come On Over"
    Released: September 7, 1999
  11. "Rock This Country!"
    Released: January 10, 2000
  12. "I'm Holdin' On to Love (To Save My Life)"
    Released: July 2000

Produced by Lange, Come On Over is a country pop album with pop and rock influences. The songs contain country instrumentation such as acoustic guitars, fiddles, and pedal steel, in addition to rock riffs and electric guitars. She released an international version on February 16, 1998, with a pop-oriented production that toned down the country instrumentation. Then Twain embarked on the Come On Over Tour, which ran from May 1998 to December 1999. The album spawned 12 singles, including three U.S. Billboard Hot 100 top-ten hits: "You're Still the One", "From This Moment On" and "That Don't Impress Me Much."

Come On Over received mixed reviews from music critics. Some appreciated the album's crossover appeal and country-pop experimentation, while others criticized the lyrics and questioned its country music categorization. At the 41st Annual Grammy Awards in 1999, Come On Over was nominated for Album of the Year and Best Country Album.

The album reached number two on the U.S. Billboard 200 chart, while topping the charts in multiple countries, including Australia, Canada, and the UK. With sales of over 40 million copies worldwide, Come On Over was recognized by Guinness World Records as the biggest-selling studio album of all time by a solo female artist. It is the best-selling country album in the U.S., and was certified 20× platinum by the Recording Industry Association of America (RIAA) in 2004. Retrospectively, music journalists praised the album for revolutionizing country music, both musically and visually, and discussed its influence on subsequent country artists.

Background

edit

Canadian singer Shania Twain signed to U.S. label Mercury Nashville Records in 1991, and released her eponymous debut studio album in April 1993.[5][6] It was a commercial failure, reaching number 67 on the U.S. Top Country Albums chart and selling just over 100,000 copies.[7][8] However, the music video for the album's lead single, "What Made You Say That," and Twain's singing voice attracted the interest of Zambian record producer Robert John "Mutt" Lange.[9][10] The two collaborated on songwriting via phone calls, and met for the first time at the Nashville Fan Fair festival in June 1993.[11][12] Soon after, they established a romantic relationship and wedded in December 1993.[13] Together they worked on Twain's second studio album, The Woman in Me.[12] They released it in 1995, and it represented Twain's break with the conventional country music formula to experiment with a rock-influenced country pop sound.[14][15]

It sold over 10 million copies, surpassing Patsy Cline's Greatest Hits (1967) as the best-selling female country album of all time, and establishing Twain as a sensation on the country music scene.[16] The Woman in Me spawned four number-one singles on the U.S. Hot Country Songs chart and won Album of the Year and Best Country Album at the 31st Academy of Country Music Awards and the 38th Annual Grammy Awards, respectively.[17][18] Despite the commercial success, Twain refused to embark on a tour to support it.[18][19] Her risky decision sparked criticism and speculation from Nashville industry experts that she was a manufactured artist with no ability to perform live.[20][21] Twain cited a lack of logistical support, her reluctance to sing cover songs due to not having enough powerful music, and also a desire to take time off and focus on writing songs for her next album.[18][22] A concert tour, she suggested, would have distracted her from improving her songwriting.[18][19]

Writing

edit

It's quite fun. It's relaxed, there's nothing contrived and it's really natural. If anything, when you know each other so well, there are fewer inhibitions, because I would be afraid to reveal so much to someone else. Our writing styles complement each other. We both come from different places. Lyrically, we think differently enough to make it interesting.[23]

— Twain speaking on her songwriting partnership with her then-husband Robert John "Mutt" Lange.

As with The Woman in Me, Twain and Lange composed all of the songs on Come On Over.[1] They crafted material for the album "sporadically" as early as 1994, including "You've Got a Way."[24][25] Twain composed the lyrics at Michael Bolton's New Jersey home, while Lange worked on Bolton's 1995 greatest hits compilation.[25] Due to Twain's busy promotional schedule for The Woman in Me, she and Lange often worked separately, and then later amalgamated the parts.[26] Twain documented her ideas on devices she carried with her at all times.[25] She wrote rough drafts of music and lyrics in a notebook, and recorded bits of melodies on a small tape recorder or a MiniDisc.[25] She explained, "We write everywhere. When we're driving to the grocery store we write. Sometimes, I come up with a melody when we're in the car and if I didn't bring the tape deck, I have to sing it all the way home so I don't forget it. When I get home I run to the tape deck to record it."[25] Twain's longtime friend, Hélène Bolduc, noted how the singer perpetually observed others. She then wrote these observations in her notebook, and later referred to them while composing or when coming up with a title.[25]

When Twain and Lange wrote together, it was typically after they had spent significant time in each other's company.[23] The couple found it difficult to compose music after being separated for a long time.[23] Rather than scheduling time for songwriting, they waited for it to surface gradually.[23] The pair wrote much of the material when they were relaxed, almost bored, because that was when the process felt most natural.[23] While Twain concentrated on the concepts and themes, Lange worked on the music and arrangements.[27][28] Conceiving Come On Over as a conversational album, Twain incorporated common phrases used in everyday language into her songwriting.[29] As a result of the positive response to The Woman in Me, she also felt "freer and more comfortable" to continue writing songs that expressed her personal beliefs and attitudes.[30][31] "People seemed to like hearing my perspective from a woman's point of view," she said, "and they seemed to like a sense of humour, so it seemed natural to continue on with that."[32]

Production and recording

edit
 
Mike Shipley used a SSL 9000 J console for mixing Come On Over.

Twain and Lange began the recording process for Come On Over in late 1996.[33] Before recording, Lange called session drummer Paul Leim and played him every song, singing and accompanying himself on guitar.[34] Wanting to capture "a real fun Motown feel," Lange had several conversations with audio engineer Jeff Balding, singing and detailing the musical direction.[35] Balding added, "A lot of thought went into it before we came into the studio to do the tracks."[35] All tracks were recorded over three weeks at Masterfonics Tracking Room in Nashville, Tennessee. Finding the right location to place the drum kit was one challenging task, and they tested several locations.[35] Leim recorded the drums for most songs in a room with a stone floor, and walls made of reflective rock faces. He recorded the ballads in "small 'dead booths.'"[35] Joe Chemay played electric and fretless bass, Biff Watson played acoustic and nylon-string guitar, and Twain sang scratch vocals.[36] Steppenwolf member Larry Byrom played the slide guitar tracks, and then recorded them at the GBT Studio. Olle Romo programmed the music at Sven Studios in Mamaroneck, New York.[35] Twain and Lange recorded the background vocals in Toronto at the Glenn Gould Studio, and later returned to Masterfonics for overdubs.[35][36]

Whilst having a specific vision for the sound of the songs, Lange also left room for the musicians to come up with their own touches.[37][38] Recalling the recording of "You've Got a Way," Chemay remarked: "The fretless bass allowed me to slide and make gradual note and pitch changes. I had quite a lot of input on that song."[38] For the fiddle recording, both Twain and Lange were of the opinion that the instruments did not sound "big enough."[39] Thus, Lange brought in four fiddle players: Rob Hajacos, Joe Spivey, Glen Duncan, and Aubrey Haynie.[35][note 1] They played the exact same part in unison.[39] Additional engineer Bob Bullock noted that this technique made the instruments sound big without being cluttered, creating a different effect than "simply doubling or tripling a part by the same player."[39] For some songs they placed microphones six to eight inches from each fiddle. For other songs, all four fiddle players stood in a semicircle, using two Neumann KM 582 microphones.[35] After recording was finished, Mike Shipley mixed Come On Over using a SSL 9000 J console.[40] Glenn Meadows at Masterfonics mastered the album with a SADiE's Apogee UV22 plug-in.[1][41]

Musical style

edit

Music critics debated the album's genre. Most categorized Come On Over as country pop.[note 2] Christopher O'Connor of MTV News and Miriam Longino of The Atlanta Constitution remarked that the songs combined country music instruments, such as fiddles, pedal steel, and acoustic guitars, with radio-friendly pop hooks.[43][48] Pitchfork's Allison Hussey stated that "fiddles are the key element in transmitting Come On Over's country core," but the "smeared edges of [Twain and Lange's] production [...] master the illusion of genre."[49] Others argued that the album's production leaned more toward pop and adult contemporary music than country.[note 3] Twain described Come On Over as a diverse and upbeat album that equally combined elements of country, pop, and rock music.[18][54] Many critics noted rock influences in the album's instrumentation.[note 4]

According to Jon Pareles of The New York Times, the verses on Come On Over contained "a big, blunt rock beat," while the choruses were country, with fiddles and pedal steel guitars.[55] The album's opening track, "Man! I Feel Like a Woman!," uses twang vocal delivery,[58] synthesized strings,[59] and electric guitar,[43] which some journalists compared to Norman Greenbaum's "Spirit in the Sky" (1969).[note 5] Described as a "country-pop-metal mix,"[45] "Love Gets Me Every Time" blends steel and "funky" electric guitars with fiddle and pedal steel.[63][64] "Honey, I'm Home" is an uptempo country rock track[28][49] featuring bluesy fiddles, guitars, and drums.[60] It incorporates a stomp-clap rhythm which some critics found similar to Queen's "We Will Rock You" (1977).[note 6] "If You Wanna Touch Her, Ask!" and "Black Eyes, Blue Tears" are guitar-driven songs; the former is a blues rock song, while the latter features grunge pop influences.[45][49]

"I Won't Leave You Lonely" is a "European-flavored" song with juxtaposed accordions and pedal steel.[66] The rhythm guitar track has been noted for its similarities to the Police's "Every Breath You Take" (1983).[55][66] On "Rock This Country!," Twain sings over "pounding" beats, power chords, electric guitars, and fiddles.[65][66][67] Some critics described other tracks with more uptempo productions, such as "Don't Be Stupid (You Know I Love You)" and "That Don't Impress Me Much," as dance-able country pop numbers.[15][68] In addition to an electronic Caribbean beat, the mandolin and accordion-led Latin percussion on the title track create a Cajun sound.[45][57][69] Among the ballads on the album, "From This Moment On" combines country and rock elements.[70] The piano-based "You're Still the One" features breathy vocals and instrumentation from guitar, organ, and mandolin.[58][71][72] The closing track "You've Got a Way" is a Spanish guitar-driven ballad with "gentle" drums.[73]

Lyrics and themes

edit

Thematically and lyrically, Twain and Lange focused on accentuating the positive.[74] Thus, Twain omitted personal details and focused on entertaining her listeners.[74] "People ask me, 'What do you want people to get from your music?' And I say, 'I want them to be entertained.' That's really the bottom line. I'm not sending out some subliminal message or trying to change the consciousness of people."[75] The songs on Come On Over reflect Twain's concerns, interests, and day-to-day preoccupations.[76] She conveyed her personality through "witty" and "sassy" lyrics,[65][74] as per Lange's encouragement,[note 7] and she approached her topics with humor.[70] She sourced many of the titles' pert puns, exclamation marks, and double entendres from Lange.[23] According to music industry executive Ralph Simon "[Lange] was always the master of the double entendre; if ever there is some sexual ambiguity in the lyric, it's down to [him]."[34] The album's predominant themes were love and romantic relationships.[31][75] "I'm Holdin' On to Love (To Save My Life)" contains references to horoscopes, the internet, psychiatrists, and Dr. Ruth as "superficial crutches" to save one's life rather than love.[27][34] In "Don't Be Stupid (You Know I Love You)," Twain reassures a jealous and possessive partner.[32][67][77]

 
Twain recorded "From This Moment On" as a duet with Bryan White. He described the recording as "extremely challenging" vocally.[78]

"From This Moment On" is a duet with country singer Bryan White.[27] Twain originally wrote the song with another artist in mind, hoping to pitch it to a "powerhouse" vocalist like Céline Dion.[18][27][79] However, Lange convinced Twain to record it, although she initially felt uncomfortable singing a power ballad.[18][27] "When" used metaphors and scenarios of an idealistic world to describe a broken relationship.[72][80] Twain said it was her favorite song lyrically: "I love the whole concept. It's a neat way of saying 'never' about a relationship. Like saying 'when hell freezes over' without saying that."[27][80] The "wry, chiding" humorous lyrics of "Whatever You Do! Don't!" find a vulnerable Twain "falling head over heels for a guy who seems to do everything just right."[72][81] In "You're Still the One," she celebrates a successful relationship that has prevailed despite turmoil, hardships, and criticism.[58][72] The lyrics were inspired by her marriage to her then-husband Lange, and the people who considered their relationship unlikely to succeed.[27][75] The tongue-in-cheek "That Don't Impress Me Much" depicts her indifferent attitude toward self-absorbed men who emphasize material things, intelligence, or physical beauty, rather than personality and heart.[82][83] In "I Won't Leave You Lonely," Twain added verses in French and Spanish to broaden the song's universal appeal.[27]

Apart from romance, Come On Over explores women's issues and experiences.[84] "Man! I Feel Like a Woman!" is a self-celebratory song about female empowerment, hedonism, and women's liberty.[56][85][86] "If You Wanna Touch Her, Ask!" explores themes of sexual consent and respecting a woman's personal space.[34][87] Twain said the song was inspired by awkward feelings she experienced in her adolescence due to her physical development.[88] However, she decided to write it from a positive perspective and sing about how to sensitively approach a woman.[89][90] Twain narrates the role reversal song "Honey, I'm Home" from the perspective of a working woman coming home after a difficult day and demanding that her partner take care of her.[28][68][91] The song drew some comparisons to Dolly Parton's "9 to 5" (1980).[44][49][61] "Black Eyes, Blue Tears" is about domestic abuse and depicts a woman leaving a physically abusive relationship,[31][32] with lyrics such as "I'd rather die standing than live on my knees, begging please."[86] Twain wrote this from an optimistic perspective, and associated the song's theme with the 1991 American film Thelma & Louise. "I wanted to show that there's life after abuse, as opposed to doom and destruction."[27][86]

Packaging and release

edit

Twain originally wanted to title the album No Inhibitions, but opted for Come On Over because she considered the title track one of her favorites and appreciated its inviting nature.[92][93] She released the album in North America on November 4, 1997, through Mercury Records.[94] With 16 songs and a running time of slightly over an hour, Come On Over distinguished itself by deviating from the traditional standard of "cheap, short" country albums, typically consisting of only 10-12 tracks and a duration of under 35–40 minutes.[30][45][42] George Holz designed the red and white cover artwork.[1][95] It depicted Twain in a "come-hither pose," wearing a red shirt and holding her hands over her head.[96][97]

When the album was complete, Lange spent four months remixing it for international release.[98][99] He removed country elements from the songs to achieve a "universal" pop-oriented sound.[98][100] He made the snare drums, fiddles, and pedal steel more subtle, and replaced them with pop beats, drum loops, keyboards, and synthesizers.[101][102] 15 songs underwent sonic changes, with the exception of "Rock This Country!" which remained in its original version.[103][104] For "From This Moment On," Twain sang solo.[95][96] She also recorded two new versions, one in collaboration with Brazilian duo Chitãozinho & Xororó, and another with Irish singer Ronan Keating.[95] However, these versions of "From This Moment On" were never released.[105]

Twain and Lange released the international version of Come On Over in continental Europe on February 16, 1998, with a different track order and new artwork.[100][102] The cover showed Twain with tousled hair, wearing a sleeveless silver gown, and turning toward the camera.[51][98] They released a special edition in Australia in 1998 featuring a live version of "(If You're Not in It for Love) I'm Outta Here!" and dance mixes for "Love Gets Me Every Time" and "Don't Be Stupid (You Know I Love You)."[106] The Australian tour edition included a second disc. It contained an additional single mix of "God Bless the Child" (1996), a live medley of "Home Ain't Where His Heart Is (Anymore)," "The Woman in Me (Needs the Man in You)" (1995), and "You've Got a Way," and the original country version of "From This Moment On."[107]

In 1999 they issued a revised international edition of Come On Over.[108] It included the pop radio mixes of "You're Still the One" and "From This Moment On," the Notting Hill remix of "You've Got a Way," and the "UK dance mix" of "That Don't Impress Me Much."[102][108] They released this version in the U.S. on November 23, 1999, after the singles' success on pop radio.[103][109][110] In Japan, they released a limited edition 10 days earlier. It featured both a radio edit and the album version of "You're Still the One," as well as a "Mach 3 remix" of "Love Gets Me Every Time."[111] They released a version on increasingly popular vinyl on December 2, 2016.[112] They offered a special edition of Come On Over digitally on December 4, 2022.[113] This included two live versions of "You're Still the One" with Elton John and Chris Martin, and a live version of "Party for Two" (2004) with Nick Jonas.[113]

In July 2023, during the Queen of Me Tour, Twain announced Come On Over: Diamond Edition, to celebrate the album's 25th anniversary, released on August 25, 2023.[114]

Promotion

edit
 
Twain performing on the Come On Over Tour in Boston, Massachusetts in June 1999.

Mercury implemented an extensive promotional campaign for Come On Over.[115] To market it, Twain performed "Love Gets Me Every Time" at the 1997 Country Music Association Awards[20] and held album signing sessions in the U.S. at the Mall of America in Bloomington, Minnesota, and in Canada at the Southcentre Mall in Calgary.[30][116] She appeared on a series of American television shows, including The Tonight Show with Jay Leno, Live with Regis and Kathie Lee, Late Night with David Letterman, and Good Morning America.[117] For the international release in Europe, she conducted press interviews and performed "You're Still the One" on The National Lottery Live in the U.K.[118] On February 26, 1998, Twain appeared on TNN's Prime Time Country. She sang songs from both The Woman In Me and Come On Over, and then Gary Chapman interviewed her.[119] In March 1998, Twain embarked on a promotional tour in Australia.[120] She appeared on Midday, Hey Hey It's Saturday Night, and performed at the Australian Grand Prix concert in Melbourne.[120]

At the VH1 Divas concert on April 14, 1998, she sang "Man! I Feel Like a Woman!" and "You're Still the One."[121][122] In September 1998, Twain became the first female country singer to appear on the cover of Rolling Stone magazine since Dolly Parton in 1980.[123] She also performed at award shows, including the Canadian Country Music Awards,[124] Country Music Association Awards,[125] and Billboard Music Awards.[126] Promotion continued throughout 1999, with Twain appearing again on The Tonight Show with Jay Leno and Prime Time Country.[127][128] On February 24, 1999, Twain sang "Man! I Feel Like a Woman!" at the 41st Grammy Awards ceremony.[129] She returned to the U.K. in July and September 1999 to perform at Capital Radio's Party in the Park and Top of the Pops, respectively.[130][131] At the 1999 Country Music Association Awards, Twain performed "Come On Over."[132] In the U.K., a Top of the Pops 2 special aired on BBC Two on December 8, 1999, where Twain sang "Man! I Feel Like a Woman!" and "That Don't Impress Me Much,” among other songs.[133]

Singles

edit

Out of the album's 16 songs, 12 were released as singles.[134] In North America, promoters pushed Come On Over as a country album, while internationally categorizing it as pop.[135][136] Promoters serviced the first two singles, "Love Gets Me Every Time" and "Don't Be Stupid (You Know I Love You)," only to country radio stations[43] and both peaked within the top 40 of the U.S. Billboard Hot 100.[137] The former was a five-week number one on the Hot Country Songs charts, while the latter was a top-ten hit on the same.[138] "You're Still the One" had a crossover release to U.S. pop radio on January 13, 1998, and was the first single the team released in Europe on February 2, 1998.[139][140] In addition to reaching number-one in Australia and on the U.S. Hot Country Songs chart,[138][141] the song peaked at number two on the U.S. Billboard Hot 100,[137] at number seven on the Canadian RPM Top Singles chart,[142] and at number 10 on the UK Singles Chart.[143] Mercury relied on a crossover marketing strategy for the following singles, sending songs to pop stations only after they achieved success on country stations.[43] On May 4, 1998, Twain and Lange's team released "From This Moment On" to U.S. country stations as the fourth single, and it peaked at number six on the U.S. Hot Country Songs chart.[138][144] They later serviced it to U.S. pop stations on August 25, 1998,[145] and it peaked within the top 10 in Australia, the U.K., and the U.S.[137][143][146]

"When" had a limited release in Europe on June 1, 1998.[147] Twain released the original version of "That Don't Impress Me Much" to U.S. country stations on December 7, 1998,[148][149] and released a dance remix[note 8] to U.S. pop stations on February 23, 1999.[150][151] It was the album's most successful single internationally,[130] topping the charts in Ireland, New Zealand, and Norway.[152][153][154] It achieved top 10 positions in other territories, including Australia,[155] Canada,[156] Germany,[157] Spain,[158] the U.K.,[143] and the U.S.[137] "You've Got a Way" and "Man! I Feel Like a Woman!" had crossover releases to U.S. pop stations throughout 1999,[159][160] and peaked at numbers 49 and 23 respectively on the U.S. Billboard Hot 100.[137] The promoters also serviced more singles to U.S. country stations: "Honey, I'm Home" (August 10, 1998),[161] "Come On Over" (September 7, 1999),[162] "Rock This Country!" (January 10, 2000),[163] and "I'm Holdin' On to Love (To Save My Life)" (July 2000).[164] All songs peaked within the top 30 of the U.S. Hot Country Songs chart, with "Honey, I'm Home" at number one and "Come On Over" at number six.[138] They released a dance remix of "Don't Be Stupid (You Know I Love You)" as the album's final single in Europe on February 7, 2000.[165]

Touring

edit
Main article: Come On Over Tour

To further promote the album, Twain embarked on the Come On Over Tour, her first as a headliner. It kicked off in Sudbury, Northern Ontario, on May 29, 1998, and concluded in West Palm Beach, Florida, on December 5, 1999.[166][167] Outside North America, the Come On Over Tour visited Australia, Ireland, and the U.K.[168] It grossed over $70 million from 165 shows and received generally positive reviews.[168][169] Music critics appreciated Twain's energetic performances as she refuted those earlier accusations of being unable to sing live, and they praised the show's production.[170][171][172] The tour visited Reunion Arena in Dallas, Texas, on September 12, 1998, and DirecTV broadcast it live.[173] A CBS TV special titled Shania Twain's Winter Break premiered on March 3, 1999.[174] Filmmakers documented the tour on January 15 and 16, 1999, at the Bayfront Park Amphitheater in Miami, Florida.[174] Elton John joined Twain on stage to sing a medley of "You're Still the One" and "Something About the Way You Look Tonight" (1997).[174] Backstreet Boys also appeared at the concert, singing "From This Moment On" alongside Twain.[174] CBS taped a second TV special at Texas Stadium, and it aired on Thanksgiving Day, November 25, 1999.[175]

Critical reception

edit
Professional ratings
Review scores
SourceRating
AllMusic     [42]
Chicago Tribune    [176]
Christgau's Consumer GuideA−[177]
Entertainment WeeklyB+[60]
Los Angeles Times    [178]
The Philadelphia Inquirer    [179]
Pitchfork7.5/10[49]
Rolling Stone     [180]
The Rolling Stone Album Guide     [181]
The Tennessean     [57]

As noted earlier, Come On Over received mixed reviews from music critics.[117][182] Those who were complimentary applauded it for exploring the limits of country music.[45][76] Stephen Thomas Erlewine from AllMusic remarked that Come On Over transcended boundaries due to its rock-oriented production,[42] writing that despite the relative absence of country elements, Twain "sticks to what she does best, which is countrified mainstream pop."[42] Billboard's Paul Verna similarly stated that "country's traditions are being reinvented and redefined," calling Come On Over "the future of power pop merging with country."[76] Some critics, however, took issue with the album's genre classification as country. Robert Christgau asserted that Come On Over "has nothing to do with country,"[177] and Jeffrey Lee Puckett of The Courier-Journal felt that "[it] sounds more like a pop singer flirting with country."[53] The Tennessean's Tom Roland added that the array of rock references hardly made the album sound country.[57] Conversely, J. D. Considine of Entertainment Weekly cited the country chorus on "Honey, I'm Home" as an example of how "superficial Twain's rock trappings are," concluding that "Lange has no need to countrify every arrangement for credibility's sake."[60]

Reviews in the Dayton Daily News, The Philadelphia Inquirer, the Vancouver Sun, and The Washington Post praised the album's mainstream appeal[45] and catchy melodies,[85][183] and touted Lange's production.[184] Other reviews from The Atlanta Journal-Constitution, the Austin American-Statesman, the New York Daily News, and Q were negative, dismissing the album as "unforgivably bland,"[185] forgettable,[48][186] and uninspired.[187] Twain's lyrical content drew criticism for lacking depth,[186][187] and some called it "predictable" (the Los Angeles Times)[178] and "cliched" (the Springfield News-Leader).[188] Hussey opined that Twain avoided controversy and was "the first to insist that her songs are meant to be fun, and it is OK to enjoy them on those terms alone."[49] In the Miami Herald, Howard Cohen disliked the album's "lazy" production and "insipid" lyrics, but complimented the international version for removing "the forced country instrumentation" and revealing "the finely crafted pop it really is."[102][189] The Sydney Morning Herald's Mary Tartaglione and The Guardian's Adam Sweeting were critical, deeming the international version's production "overly polished" and "manufactured."[190][191]

Accolades

edit

At the 1998 Canadian Country Music Association Awards, Come On Over won Album of the Year and was declared the Top Selling Album.[124] It was nominated for Album of the Year at the 33rd Academy of Country Music Awards,[192] the 1998 Country Music Association Awards,[193] and the 1998 Juno Awards.[194] The album received further nominations for Favorite Pop/Rock Album and Favorite Country Album at the 26th American Music Awards.[195] At the 41st Annual Grammy Awards in 1999, Come On Over was nominated for Album of the Year and Best Country Album,[196] and its single "You're Still the One" won Best Female Country Vocal Performance and Best Country Song.[197] The following year, at the 42nd Annual Grammy Awards, "Man! I Feel Like a Woman!" won Best Female Country Vocal Performance, and "Come On Over" won Best Country Song.[198]

Commercial performance

edit

In 2015, Guinness World Records recognized Come On Over as the biggest-selling studio album by a female solo artist, with over 40 million copies sold worldwide.[199] It remains the best-selling country album, the best-selling album by a Canadian artist, and the world's eighth best-selling album of all time.[19][200]

Americas

edit

In Canada, Come On Over debuted at number one on the Canadian Albums Chart with first-week sales of 51,840 copies.[201] Twain became the first country artist to debut at number one since the introduction of the Nielsen SoundScan system for tracking album sales.[201] The album spent five weeks atop the chart.[202] By December 2014 it had sold 1.94 million copies, making it the best-selling album since the advent of the Nielsen SoundScan in Canada in 1995.[203] Music Canada (MC) certified Come On Over double diamond for shipments of two million units.[204] In the U.S., Come On Over debuted at number two on the Billboard 200 chart for November 22, 1997, with first-week sales of 172,000 copies.[205] Mase's debut studio album Harlem World, which sold 3,000 more copies than Come On Over, held it off from reaching the top spot.[205] The album remained second behind Barbra Streisand's Higher Ground, selling 170,000 units in the second week.[206]

Come On Over experienced its highest weekly sales during Christmas week 1999, selling 355,000 copies.[207] It spent 50 weeks at number one on the U.S. Top Country Albums chart,[7] breaking the record for the longest-running number-one album.[208][note 9] It was the fourth best-selling album of both 1998 and 1999 in the U.S., selling 4.9 million and 5.62 million copies, respectively.[210][211] By October 2019, the album had sold 15.73 million pure copies in the U.S.[212] It is the best-selling country album and the second best-selling album in the U.S. since Nielsen SoundScan tracking began in 1991, behind Metallica's 1991 self-titled album.[212] The Recording Industry Association of America (RIAA) certified the album 20× platinum (double diamond), denoting 20 million units shipped.[213] In Latin America, Come On Over was certified gold in Brazil,[214] Mexico,[215] and Uruguay[216] and platinum in Argentina.[217]

Europe and Oceania

edit

The album topped the pancontinental European Top 100 Albums chart for two consecutive weeks.[218][219] The International Federation of the Phonographic Industry (IFPI) certified it 7× platinum in 2001, denoting sales of seven million copies across Europe.[220] Come On Over was a sleeper success in the U.K.[104] In the week ending March 21, 1998, the album debuted at number 15 on the Albums Chart.[221] After a year and a half of fluctuating on the chart, it climbed to number one in its 74th week, with sales of 57,000 copies.[104][222] The best sales week was the one ending December 25, 1999, with 278,000 copies sold.[104] Come On Over spent 11 weeks at number one and was the best-selling album of 1999 in the U.K. with sales of 2.2 million copies.[223] The British Phonographic Industry (BPI) certified it 11× platinum and sold 3.51 million copies by January 2023, making it the 15th best-selling album in the U.K. of all time.[104][224][225] Across Europe, Come On Over reached number one in Belgium (Flanders),[226] Denmark,[227] Iceland,[228] Ireland,[229] the Netherlands,[230] Norway,[231] and Scotland.[232] It received multi-platinum certifications in Belgium, Sweden, Switzerland (3× platinum),[233][234][235] the Netherlands (5× platinum),[236] Norway (6× platinum),[237] and Denmark (7× platinum).[238]

In Australia, Come On Over topped the Australian Albums Chart for 20 weeks and was the best-selling album of 1999 in the country.[239][240] By December 1999, the album had sold one million units in Australia.[241] It was certified 25× platinum by the Australian Recording Industry Association (ARIA) for earning over 1.75 million album-equivalent units in the nation.[242] The album spent 23 weeks at number one on the New Zealand Albums Chart and received a 21× platinum certification from Recorded Music NZ (RMNZ) for shipments of over 315,000 units.[243][244]

Legacy

edit
 
 
Critics have observed the impact of Come On Over on the work of later female country artists, including Taylor Swift (left, pictured in 2012) and Carrie Underwood (right, pictured in 2018).

In a March 1999 article in the Ottawa Citizen, Lynn Saxberg wrote that Come On Over "pushed new country as far as it will go" and "may be remembered as [...] the epitome of the pop-rock influence on country music."[245] Ron Corbett from the same publication considered Twain's crossover success to be the first of its kind: "In Nashville, they say the streets are littered with the bones of artists who tried to cross over to pop, only to end up killing their careers. Ms. Twain may turn out to be the exception."[246] In retrospect, journalists hailed Twain as the pioneer of 1990s country-pop crossovers and observed the impact of Come On Over in country music.[247][248][249] Alex Hopper of American Songwriter considered the album to be Twain's magnum opus and said that its country-pop crossovers "were something entirely new upon their release."[247] In Jocelyn R. Neal's 2013 book Country Music: A Cultural and Stylistic History, Neal acknowledged Twain as the driving force behind the "major stylistic shift in country music toward country-pop."[250]

Larry Delaney of Country Music News said that the album introduced country music to a large and new audience of young listeners.[245] Writing for Wide Open Country, Bobbie Jean Sawyer applauded the album for being "a benchmark moment for country music."[251] He noted its impact on female country artists "less concerned with a strict adherence to genre and more concerned with being true to themselves," including Kelsea Ballerini, Maren Morris, Carly Pearce, Carrie Underwood, and Taylor Swift.[251] Taylor Weatherby of Billboard called Come On Over "a brilliant fusion of country, pop and rock that it quickly solidified Twain's legacy."[18] Alison Hussey of Pitchfork observed how the album's success "changed Nashville forever" and redefined the categorization of country music.[49] According to her, Twain set a new standard of country-pop crossovers, recognizing her influence on subsequent careers of Bomshel, Rascal Flatts, Faith Hill, and Underwood.[49]

Pandora music analyst Kevin Seal pointed out that the "euphoric quality" of the songs had a "huge effect on Nashville production" and shaped the sound of upcoming country productions.[249] Medium's Glenn Peoples likewise dubbed the music "ahead of its time."[249] He cited Underwood's "All-American Girl" (2007) and "Good Girl" (2012) as songs "that would work well on Come On Over," referring to the female empowerment theme of the former and the instrumentation of the latter.[249] The Independent's Roisin O'Connor linked the "winking, sarcastic tone" of "That Don't Impress Me Much" to Taylor Swift's music, specifically citing "We Are Never Ever Getting Back Together" (2012) and "Blank Space" (2014), and concluding, "Without Shania, there likely wouldn't be a Taylor."[91] In 2021, Swift thanked Twain on the video-sharing service TikTok for eradicating the misconception that "country girls can't go to pop."[252] Twain told Billboard that the risk she took by exploring her diversity inspired female country artists like Swift and Miranda Lambert to be confident in being "artistically expressive and unique."[18]

Journalists have noted that Twain's image and fashion throughout the album cycle altered the public's perception of country music's visual representation.[note 10] Some have credited the visual aspect of Twain's music videos, which benefited from heavy airplay on stations such as CMT, MTV, and VH1, as conveying a message that "country music doesn't have to look like just one thing."[49][249][251] Peoples described Twain's music videos as "visually stunning, mixing glamour, romanticism, and often vibrant colors."[249] National Post's Jeff Breithaupt accredited the success of Come On Over to the marketing strategy of "slow roll-outs of hit singles and expensive videos," and compared it to Michael Jackson's Thriller (1982).[254] Other journalists commented that a vast audience of "underseen, under-engaged" female listeners who identified with its female empowerment themes embraced it.[note 11] O'Connor cited "Black Eyes, Blue Tears" and "If You Wanna Touch Her, Ask!" for their timely relevance in light of the #MeToo movement, calling the album "an overlooked feminist masterpiece."[91]

Consequence ranked Come On Over as the ninth-best album of 1997, and praised it for pushing the boundaries of country music.[256] Rolling Stone included it in their 2020 revised list of the 500 Greatest Albums of All Time, at number 300.[257] The same publication later placed the album at number eight in its 2022 list of the "100 Greatest Country Albums of All Time."[258] Editor Natalie Weiner found the songs "addictive," and commended both the "wild creativity" and Twain and Lange's "dangerously sharp commercial instincts," as well as their "fearless embrace of an audience too often overlooked by country music: women."[258] In their ranking of the "150 Greatest Albums Made by Women," NPR listed Come On Over at number 89.[44] Ann Powers opined that the album's sonic innovations were "forward thinking," revolutionizing the country genre.[44]

Track listing

edit

All tracks are written by Shania Twain and Robert John "Mutt" Lange

Come On Over – North American edition[1]
No.TitleLength
1."Man! I Feel Like a Woman!"3:53
2."I'm Holdin' On to Love (To Save My Life)"3:30
3."Love Gets Me Every Time"3:33
4."Don't Be Stupid (You Know I Love You)"3:35
5."From This Moment On" (with Bryan White)4:43
6."Come On Over"2:55
7."When"3:39
8."Whatever You Do! Don't!"3:49
9."If You Wanna Touch Her, Ask!"4:04
10."You're Still the One"3:34
11."Honey, I'm Home"3:39
12."That Don't Impress Me Much"3:38
13."Black Eyes, Blue Tears"3:39
14."I Won't Leave You Lonely"4:13
15."Rock This Country!"4:23
16."You've Got a Way"3:29
Total length:60:08
Come On Over – Special edition[259]
No.TitleLength
17."You're Still the One" (featuring Chris Martin) (live from Las Vegas, 2022)4:00
18."You're Still the One" (featuring Elton John) (live from Miami, 1999)3:50
19."Party for Two" (featuring Nick Jonas) (live from Stagecoach, 2017)4:24
Total length:72:22
Come On Over – International edition[260]
No.TitleLength
1."You're Still the One"3:33
2."When"3:38
3."From This Moment On"4:40
4."Black Eyes, Blue Tears"3:37
5."I Won't Leave You Lonely"4:07
6."I'm Holdin' On to Love (To Save My Life)"3:27
7."Come On Over"2:54
8."You've Got a Way"3:15
9."Whatever You Do! Don't!"3:49
10."Man! I Feel Like a Woman!"3:54
11."Love Gets Me Every Time"3:33
12."Don't Be Stupid (You Know I Love You)"3:34
13."That Don't Impress Me Much"3:38
14."Honey, I'm Home"3:34
15."If You Wanna Touch Her, Ask!"4:14
16."Rock This Country!"4:26
Total length:59:53
Come On Over – Australian special edition[106]
No.TitleLength
17."(If You're Not in It for Love) I'm Outta Here!" (live/Direct TV mix)7:03
18."Love Gets Me Every Time" (dance mix)4:42
19."Don't Be Stupid (You Know I Love You)" (extended dance mix)4:44
Total length:76:22
Come On Over – Special Asian edition (bonus disc)[261]
No.TitleLength
1."That Don't Impress Me Much" (south-east Asia mix; aka India/for video TV edit)3:26
2."God Bless the Child" (single mix)3:48
3."(If You're Not in It for Love) I'm Outta Here!" (live/Direct TV mix)7:03
4."Medley" ("Home Ain't Where His Heart Is (Anymore),” "The Woman in Me,” "You've Got a Way"; live/Direct TV mix)7:25
5."From This Moment On" (original U.S. version; a.k.a. country version)4:43
6."Don't Be Stupid (You Know I Love You)" (extended dance mix)4:44
Total length:31:09
Come On Over – Australian Tour edition[107]
No.TitleLength
1."You're Still the One"3:33
2."When"3:38
3."From This Moment On" (the right mix)4:52
4."Black Eyes, Blue Tears"3:37
5."I Won't Leave You Lonely"4:07
6."I'm Holdin' On to Love (To Save My Life)"3:27
7."Come On Over"2:54
8."You've Got a Way"3:15
9."Whatever You Do! Don't!"3:49
10."Man! I Feel Like a Woman!"3:54
11."Love Gets Me Every Time"3:33
12."Don't Be Stupid (You Know I Love You)"3:34
13."That Don't Impress Me Much" (dance mix)4:43
14."Honey, I'm Home"3:34
15."If You Wanna Touch Her, Ask!"4:14
16."Rock This Country!"4:26
Total length:60:58
Come On Over – Australian Tour edition (bonus disc)[262]
No.TitleLength
1."God Bless the Child" (single mix)3:48
2."(If You're Not in It for Love) I'm Outta Here!" (live/Direct TV mix)7:03
3."Medley" ("Home Ain't Where His Heart Is (Anymore),” "The Woman in Me,” "You've Got a Way")7:25
4."From This Moment On" (original U.S. version; a.k.a. country version)4:43
5."Love Gets Me Every Time" (dance mix)4:42
6."Don't Be Stupid (You Know I Love You)" (extended dance mix)4:44
Total length:32:25
Come On Over – Japanese Limited edition[111]
No.TitleLength
1."You're Still the One" (radio edit)3:15
2."When"3:39
3."From This Moment On"4:40
4."Black Eyes, Blue Tears"3:34
5."I Won't Leave You Lonely"4:06
6."I'm Holdin' On to Love (To Save My Life)"3:26
7."Come On Over"2:55
8."You've Got a Way"3:18
9."Whatever You Do! Don't!"3:43
10."Man! I Feel Like a Woman!"3:54
11."Love Gets Me Every Time"3:32
12."Don't Be Stupid (You Know I Love You)"3:34
13."That Don't Impress Me Much"3:38
14."Honey, I'm Home"3:33
15."If You Wanna Touch Her, Ask!"4:13
16."Rock This Country!"4:21
17."Love Gets Me Every Time" (Mach 3 remix)3:41
18."You're Still the One" (album version)3:36
Total length:66:38
Come On Over – International edition reissue[108]
No.TitleLength
1."You're Still the One"3:33
2."When"3:38
3."From This Moment On" (the right mix)4:52
4."Black Eyes, Blue Tears"3:37
5."I Won't Leave You Lonely"4:07
6."I'm Holdin' On to Love (To Save My Life)"3:27
7."Come On Over"2:54
8."You've Got a Way" (Notting Hill remix)3:25
9."Whatever You Do! Don't!"3:49
10."Man! I Feel Like a Woman!"3:54
11."Love Gets Me Every Time"3:33
12."Don't Be Stupid (You Know I Love You)"3:34
13."That Don't Impress Me Much" (UK dance mix)3:59
14."Honey, I'm Home"3:34
15."If You Wanna Touch Her, Ask!"4:14
16."Rock This Country!"4:26
Total length:60:36

Notes:

  • All editions of the album following its initial North American release include alternate pop-oriented mixes of all of the album's tracks, except for "Rock This Country!".[100][118][260]

Personnel

edit

Credits are adapted from the album's liner notes.[1]

Musicians

"Bow Bros." gang fiddles on tracks 1, 3, 4, 8, 11, 13, 15 performed by Rob Hajacos, Joe Spivey, Glen Duncan, and Aubrey Haynie.

Production

  • Shania Twain – vocals (all tracks)
  • Robert John "Mutt" Lange – background vocals, producer (all tracks), remixing (track 1 on the Special Asia edition)
  • Bryan White – duet vocals (track 5)
  • Olle Romo – programming, Pro Tools, sequencing, editing, "that extra Swedish swing" (all tracks), engineer, additional engineer, mixing (track 4, 10, 13, 15 on international edition), remixing (track 6 on the Australian Tour and Special Asia editions)
  • James Somberg – assistant programming
  • Jay Alvarez – assistant programming
  • Bjorn Thorsrud – pre-production programming
  • Glenn Meadows – mastering
  • Jeff Balding – engineer, additional engineer
  • Mark Hagen – assistant engineer
  • Bob Bullock – additional engineer
  • Tim Waters – assistant engineer
  • Mike Carroll – additional engineer
  • Mark Stewart – assistant engineer
  • Brian Tankersley – additional engineer, remixing (track 5 on the Australian Tour edition)
  • Sandy Jenkins – assistant engineer
  • Rob DeGroff – additional engineer, technical maintenance
  • Mike Shipley – mixing (all tracks on standard edition, track 1–3, 5–9, 11, 12, 14 on international edition)
  • George Holz – cover photography, colored photography
  • Stacey Martin – hair, make-up
  • Jamie Kimmelman – stylist
  • Gus Phillipas – black and white photography
  • Howard Fugler – hair
  • Susan Sterling – make-up
  • Wayne Scot Lukas – stylist

Charts

edit

Decade-end charts

edit
1990s decade-end chart positions for Come On Over
Chart (1990–1999) Position
US Billboard 200[339] 3
2000s decade-end chart positions for Come On Over
Chart (2000–2009) Position
US Billboard 200[340] 158

All-time charts

edit
All-time chart positions for Come On Over
Chart Position
Irish Female Albums (IRMA)[341] 7
UK Albums (OCC)[342] 15
US Billboard 200[343] 14
US Billboard 200 (Women)[344] 8
US Top Country Albums (Billboard)[345] 1

Certifications and sales

edit
Certifications for Come On Over, with pure sales where available
Region Certification Certified units/sales
Argentina (CAPIF)[217] Platinum 60,000^
Australia (ARIA)[242] 25× Platinum 1,750,000‡
Austria (IFPI Austria)[346] Gold 25,000*
Belgium (BEA)[233] 3× Platinum 150,000*
Brazil (Pro-Música Brasil)[214] Gold 100,000*
Canada (Music Canada)[204] 2× Diamond 1,948,000[203]
Denmark (IFPI Danmark)[238] 7× Platinum 140,000‡
Finland (Musiikkituottajat)[347] Gold 38,958[347]
France (SNEP)[348] Platinum 300,000*
Germany (BVMI)[349] 3× Gold 750,000^
Japan (RIAJ)[350] Gold 100,000^
Mexico (AMPROFON)[215] Gold 100,000^
Netherlands (NVPI)[236] 5× Platinum 500,000^
New Zealand (RMNZ)[244] 21× Platinum 315,000^
Norway (IFPI Norway)[237] 6× Platinum 300,000*
South Africa (RISA)[351] 4× Platinum 200,000*
Spain (PROMUSICAE)[274] Platinum 100,000^
Sweden (GLF)[234] 3× Platinum 240,000^
Switzerland (IFPI Switzerland)[235] 3× Platinum 150,000^
United Kingdom (BPI)[224] 11× Platinum 3,517,003[225]
United States (RIAA)[213] 2× Diamond 15,730,000[212]
Uruguay (CUD)[216] Gold 3,000^
Summaries
Europe (IFPI)[220] 7× Platinum 7,000,000*
Worldwide — 40,000,000[199]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

edit
Release formats for Come On Over
Region Date Edition Format Label Ref.
Canada November 4, 1997 Standard
Mercury [1][352]
United States
Australia 1998 Australian special CD [106]
Australian Tour [107][262]
Europe February 16, 1998 International
  • CD
  • cassette
 [100][260][353]
Netherlands March 9, 1998 CD [354]
United Kingdom [222]
France June 16, 1998 [355]
Asia 1999 Special Asia CD [261][356]
Various Revised international
  • CD
  • cassette
 [108][357]
Germany July 5, 1999 CD [358]
Switzerland [359]
Japan November 13, 1999 Japanese Limited [111]
United States November 23, 1999 International [360]
Various December 2, 2016 Standard LP [112][361][362]
December 4, 2022 Special
[259][113][363]

See also

edit

Notes

edit
  1. ^ Credited as the "Bow Bros." in the liner notes of Come On Over.[1]
  2. ^ Attributed to AllMusic,[42] MTV News,[43] NPR,[44] The Philadelphia Inquirer,[45] The San Bernardino County Sun,[46] and Time.[47]
  3. ^ Attributed to such sources as Richard Carlin's Country Music: A Very Short Introduction,[50] Democrat and Chronicle,[51] The News & Observer,[52] and the Courier Journal.[53]
  4. ^ Attributed to such sources as MTV News,[43] NPR,[44] The Gazette,[32] The New York Times,[55] The Standard-Times,[56] and The Tennessean.[57]
  5. ^ Attributed to such sources as Entertainment Weekly,[60] National Post,[61] Scott Gray's On Her Way: The Shania Twain Story,[62] and The Baltimore Sun.[63]
  6. ^ Attributed to such sources as Entertainment Weekly,[60] News-Pilot,[65] The Baltimore Sun,[63] The New York Times,[55] and The Philadelphia Inquirer.[45]
  7. ^ On Lange's support for her songwriting for Come On Over, Twain said: "It's basically my personality coming out in my lyrics. My husband is partly responsible for that, he encourages it in me. I haven't always been brave enough to say some of the things I've said through my songs. I'll show him a song and he'll say 'You've got to say it like it is. Be yourself. So come up with all these lyrics that are fun, and independent.' "[74]
  8. ^ Labeled as the "UK dance mix" on the revised international edition.[108]
  9. ^ The record was later surpassed by Morgan Wallen's Dangerous: The Double Album (2021).[209]
  10. ^ Attributed to such sources as Medium,[249] Pitchfork,[49] The Province,[253] and Wide Open Country.[251]
  11. ^ Attributed to such sources as American Songwriter,[247] The Independent,[91] The Journal of Popular Culture,[255] Ottawa Citizen,[245] Pitchfork,[49] The Rolling Stone Album Guide,[181] and Vice.[87]

References

edit
  1. ^ a b c d e f g h Come On Over (CD liner notes). Shania Twain. Mercury Records. 1997. 314-536 003-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. ^ "Country Action: Going for adds (September 22, 1997)" (PDF). Radio & Records. No. 1215. September 19, 1997. p. 103. ISSN 0277-4860. Archived (PDF) from the original on April 19, 2023. Retrieved May 17, 2023.
  3. ^ "Country Action: Going for adds (November 10, 1997)" (PDF). Radio & Records. No. 1222. November 7, 1997. p. 65. ISSN 0277-4860. Archived (PDF) from the original on April 21, 2023. Retrieved May 17, 2023.
  4. ^ Jessen, Wade (March 13, 1999). "Country corner". Billboard. Vol. 111, no. 11. p. 42. ISSN 0006-2510.
  5. ^ Williams 1997, p. 154.
  6. ^ McCall 1999, p. 159.
  7. ^ a b c "Shania Twain Chart History (Top Country Albums)". Billboard. Retrieved March 30, 2023.
  8. ^ Williams 1997, p. 162.
  9. ^ Shuker 2013, p. 72.
  10. ^ McCall 1999, p. 59.
  11. ^ Eggar 2001, p. 199.
  12. ^ a b Dickerson 2005, p. 165.
  13. ^ Eggar 2001, p. 204.
  14. ^ Williams 1997, p. 205.
  15. ^ a b Brown 2000, p. 142.
  16. ^ Munson, Kyle (October 15, 1998). "Country and pop: the Twain shall meet". The Des Moines Register. p. 1T. Archived from the original on March 30, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  17. ^ McCall 1999, p. 104.
  18. ^ a b c d e f g h i Weatherby, Taylor (November 2, 2017). "Shania Twain's Come On Over turns 20: the singer reflects on going from country sweetheart to best-selling pop superstar". Billboard. Archived from the original on February 9, 2023. Retrieved March 31, 2023.
  19. ^ a b c Damshenas, Sam (November 4, 2022). "Exclusive: Shania Twain celebrates 25 years of Come On Over and new album Queen of Me". Gay Times. Archived from the original on February 13, 2023. Retrieved March 31, 2023.
  20. ^ a b Roland, Tom (September 23, 1997). "CMA show launch pad for Twain". The Tennessean. p. 1A. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  21. ^ Overall, Rick (November 11, 1997). "Shania!". CMT. Archived from the original on April 21, 1999.
  22. ^ Bane, Michael (November 1997). "Shania Twain after the gold rush". Country Music. pp. 34–38.
  23. ^ a b c d e f Eggar 2001, p. 249.
  24. ^ Williams 1997, p. 206.
  25. ^ a b c d e f Eggar 2001, p. 247.
  26. ^ Twain 2011, p. 291.
  27. ^ a b c d e f g h i Flippo, Chet (October 18, 1997). "Twain branches out on sophomore set". Billboard. Vol. 109, no. 42. p. 94. ISSN 0006-2510.
  28. ^ a b c Martin, Dale (December 7, 1997). "Shania vs. Garth: Who'll be left standing?". The Victoria Advocate. p. 10D. Archived from the original on March 31, 2023. Retrieved March 31, 2023 – via Google Books.
  29. ^ Gray 1998, p. 165.
  30. ^ a b c Bream, Jon (November 4, 1997). "Twain pushes buttons with fashionable new CD". Star Tribune. p. E3. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  31. ^ a b c Hager 1998, p. 160.
  32. ^ a b c d Chodan, Lucinda (November 4, 1997). "New Shania Twain album in stores today". The Gazette. p. C6. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  33. ^ Hager 1998, p. 162.
  34. ^ a b c d Eggar 2001, p. 250.
  35. ^ a b c d e f g h Brown 2000, p. 146.
  36. ^ a b Brown 2000, p. 145.
  37. ^ Eggar 2001, p. 252.
  38. ^ a b Eggar 2001, p. 253.
  39. ^ a b c Daley, Dan (August 2004). "Recording Shania Twain's Up!". Sound on Sound. Archived from the original on October 7, 2022. Retrieved April 2, 2023.
  40. ^ Walsh, Christopher (February 22, 2003). "Exclusive: The making of Twain's Up! inspired design of new SSL console". Billboard. Vol. 115, no. 8. p. 45. ISSN 0006-2510.
  41. ^ De Lancie, Philip (March 1998). "Mastering notes" (PDF). Mix. p. 181. ISSN 0164-9957. Archived (PDF) from the original on January 31, 2023. Retrieved April 18, 2023.
  42. ^ a b c d e Erlewine, Stephen Thomas. "Come on Over – Shania Twain". AllMusic. Archived from the original on March 18, 2023. Retrieved April 5, 2023.
  43. ^ a b c d e f O'Connor, Christopher (January 7, 2000). "Shania Twain album keeps on truckin' two years later". MTV News. Archived from the original on April 5, 2023. Retrieved April 5, 2023.
  44. ^ a b c d e Powers, Ann (July 24, 2017). "The 150 greatest albums made by women". NPR. Archived from the original on December 27, 2022. Retrieved April 5, 2023.
  45. ^ a b c d e f g h DeLuca, Dan (November 4, 1997). "Twain's sound is key to her success". The Philadelphia Inquirer. p. D4. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  46. ^ Zimmerman, David (November 5, 1997). "Twain will take Come on Over on tour". The San Bernardino Sun. p. E1. Archived from the original on March 31, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  47. ^ Tyrangiel, Josh (December 1, 2002). "Shania reigns". Time. Archived from the original on September 25, 2022. Retrieved April 5, 2023.
  48. ^ a b Longino, Miriam (November 6, 1997). "Twain's pseudo-country is pop business as usual". The Atlanta Constitution. p. G4. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  49. ^ a b c d e f g h i j k Hussey, Allison (October 31, 2021). "Shania Twain: Come On Over". Pitchfork. Archived from the original on November 7, 2022. Retrieved April 5, 2023.
  50. ^ Carlin 2019, p. 113.
  51. ^ a b Spevak, Jeff (December 10, 1998). "Shania Twain". Democrat and Chronicle. p. 3. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  52. ^ Bernhardt, Jack (November 20, 1998). "Shania and Nashville: Never the Twain shall meet". The News & Observer. p. 12. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  53. ^ a b Lee Puckett, Jeffrey (December 6, 1997). "No twang in Twain". Courier Journal. p. 6. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  54. ^ Risling, Lori (September 19, 1997). "Twain to release new 'upbeat' album". Morning Star. p. 28. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  55. ^ a b c d Pareles, Jon (August 24, 1998). "Pop review; sure, she's a rebel and, make no mistake, a one-man woman". The New York Times. Archived from the original on May 27, 2015. Retrieved April 5, 2023.
  56. ^ a b Patterson, Jim (October 5, 1997). "Twain preaches feminist message". The Standard-Times. Archived from the original on April 5, 2023. Retrieved April 5, 2023.
  57. ^ a b c d Roland, Tom (November 3, 1997). "Twain rocks in Come On Over". The Tennessean. p. 5D. Archived from the original on April 6, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  58. ^ a b c Weatherby, Taylor (June 21, 2017). "All of Shania Twain's country airplay-charting singles, ranked: critic's take". Billboard. Archived from the original on July 7, 2022. Retrieved April 5, 2023.
  59. ^ Mersereau 2007, p. 154.
  60. ^ a b c d e Considine, J. D. (November 14, 1997). "Honky-tonk women: Shania Twain and Wynonna Judd". Entertainment Weekly. Archived from the original on August 19, 2022. Retrieved April 5, 2023.
  61. ^ a b Breithaupt, Jeff (March 20, 2000). "Twain explained". National Post. pp. D1. Archived from the original on April 6, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  62. ^ Gray 1998, p. 166.
  63. ^ a b c Considine, J. D. (November 5, 1997). "Country's stealth star". The Baltimore Sun. Archived from the original on June 21, 2021. Retrieved April 5, 2023.
  64. ^ Calvin, Gilbert (December 7, 2011). "Shania Twain: 10 Prime Hits". CMT. Archived from the original on April 14, 2019. Retrieved April 5, 2023.
  65. ^ a b c Whipp, Glenn (November 7, 1997). "Latest Twain is slightly off the mark". News-Pilot. p. K25. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  66. ^ a b c Gray 1998, p. 174.
  67. ^ a b Van Wyk, Anika (November 4, 1997). "Twain album won't disappoint". CMT. Archived from the original on April 21, 1999.
  68. ^ a b McClellan, Laura (August 31, 2014). "Shania Twain's best songs — 25 country hits and deep cuts, ranked". Taste Of Country. Archived from the original on October 22, 2022. Retrieved April 6, 2023.
  69. ^ Gray 1998, p. 170.
  70. ^ a b "New Twain album delves into issues". Fort McMurray Today. September 19, 1997. p. A14. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  71. ^ Weatherby, Taylor, ed. (June 21, 2017). "The 98 Greatest Songs of 1998: Critics' Picks". Billboard. Archived from the original on February 14, 2023. Retrieved April 6, 2023.
  72. ^ a b c d Courtney, Carr (November 4, 2019). "Shania Twain's Come On Over: all the songs, ranked". The Boot. Archived from the original on November 30, 2022. Retrieved April 6, 2023.
  73. ^ Gray 1998, p. 175.
  74. ^ a b c d Eggar 2001, p. 248.
  75. ^ a b c Muretich, James (November 2, 1997). "Twain's test". Calgary Herald. p. E1. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  76. ^ a b c Verna, Paul (November 15, 1997). "Reviews & Previews". Billboard. Vol. 109, no. 46. p. 67. ISSN 0006-2510.
  77. ^ Shuker 2013, p. 134.
  78. ^ Eggar 2001, p. 254.
  79. ^ Gray 1998, p. 169.
  80. ^ a b Shania's Video Bio (Television production). CMT. August 8, 1998.
  81. ^ Hopper, Alex (August 14, 2022). "5 Shania Twain deep cuts that you should be listening to". American Songwriter. Archived from the original on August 26, 2022. Retrieved April 8, 2023.
  82. ^ Gray 1998, p. 173.
  83. ^ Twain 2011, p. 310.
  84. ^ Gardner, Elysa (November 2, 1997). "Throwing Nashville a Curve". Los Angeles Times. Archived from the original on April 9, 2023. Retrieved April 9, 2023.
  85. ^ a b Harrington, Richard (November 9, 1997). "Shania Twain: a whole other country". The Washington Post. Retrieved April 5, 2023.
  86. ^ a b c Morse, Steve (November 11, 1997). "New confidence singer Shania Twain builds on her free-spirited style with a new CD, Come On Over". The Boston Globe. Archived from the original on April 9, 2023. Retrieved April 9, 2023.
  87. ^ a b MacDonald, Sarah (November 2, 2017). "Shania Twain on confidence, consent, and 20 years of Come On Over". Vice. Archived from the original on December 19, 2021. Retrieved April 8, 2023.
  88. ^ Stout, Gene (June 14, 1998). "Shania Twain to meet her legion of fans during her first national tour". Knoxville News Sentinel. p. 11. Archived from the original on May 17, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  89. ^ McCall 1999, p. 133.
  90. ^ Gray 1998, p. 171.
  91. ^ a b c d O'Connor, Roisin (April 9, 2020). "Shania Twain's Come On Over is an overlooked feminist masterpiece". The Independent. Archived from the original on November 5, 2022. Retrieved April 9, 2023.
  92. ^ Gray 1998, p. 18.
  93. ^ Overall, Rick (September 10, 1997). "Shania wants to come on over". CMT. Archived from the original on April 22, 1999.
  94. ^ Brown 2000, p. 141.
  95. ^ a b c Gray 1998, p. 187.
  96. ^ a b Longino, Miriam (November 4, 1997). "Twain inviting fans to come on over". The Atlanta Constitution. p. C2. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  97. ^ Wix, Kimmy (October 7, 1998). "Shania Twain". CMT. Archived from the original on January 19, 2005.
  98. ^ a b c Eggar 2001, p. 273.
  99. ^ Hager 1998, p. 163.
  100. ^ a b c d Sexton, Paul; McGeever, Mike (February 7, 1998). "Mercury changes Twain; for European ears only" (PDF). Music & Media. 15 (6): 7. OCLC 29800226. Archived (PDF) from the original on March 20, 2023. Retrieved April 17, 2023.
  101. ^ Saxberg, Lynn (November 23, 1999). "Why they're taking the country out of Shania". Ottawa Citizen. p. D9. Archived from the original on May 17, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  102. ^ a b c d Cohen, Howard (December 3, 1999). "Shania Twain goes international with pop radio remixes of CD". Miami Herald. p. 37G. Archived from the original on May 17, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  103. ^ a b "Shania Twain issuing Remix LP". MTV News. November 4, 1999. Archived from the original on May 10, 2023. Retrieved May 10, 2023.
  104. ^ a b c d e Copsey, Rob (September 3, 2019). "The impact of Shania Twain's Come On Over, 20 years after it hit Number 1 in the UK". Official Charts Company. Archived from the original on February 5, 2023. Retrieved May 7, 2023.
  105. ^ Sexton, Paul (February 12, 2021). "Ronan keating releases "Forever And Ever, Amen" featuring Shania Twain". UDiscoverMusic. Archived from the original on September 22, 2022. Retrieved April 17, 2023.
  106. ^ a b c Come On Over (CD liner notes). Shania Twain. Mercury Records. 1998. 546 202-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  107. ^ a b c Come On Over (CD liner notes). Shania Twain. Mercury Records. 1998. 528 233-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  108. ^ a b c d e Come On Over (CD liner notes). Shania Twain. Mercury Records. 1999. 170 081-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  109. ^ "What's next?" (PDF). Radio & Records. No. 1326. November 19, 1999. p. 106. ISSN 0277-4860. Archived (PDF) from the original on April 21, 2023. Retrieved April 25, 2023.
  110. ^ Edwards, Gavin (February 6, 2023). "Shania Twain: Global Pop Dominatrix". Rolling Stone. Archived from the original on February 7, 2023. Retrieved April 18, 2023.
  111. ^ a b c "カム・オン・オーヴァー～ジャパニーズ・リミテッド・エディション" [Come On Over - Japanese Limited Edition] (in Japanese). Tower Records. Archived from the original on April 13, 2023. Retrieved April 13, 2023.
  112. ^ a b "Shania Twain - Come On Over". Walmart. Archived from the original on June 20, 2022. Retrieved April 14, 2023.
  113. ^ a b c Qureshi, Arusa (November 29, 2022). "Chris Martin and Elton John join Shania Twain on Come On Over 25th anniversary album". NME. Archived from the original on December 11, 2022. Retrieved April 15, 2023.
  114. ^ "Shania Twain Celebrates 25th Anniversary of 'Come on Over' With Expanded U.S. & International Diamond Editions". Broadway World. Retrieved July 12, 2023.
  115. ^ McCall 1999, p. 128.
  116. ^ Gill, Kevin (November 6, 1997). "Shania Twain gets to play 'Santa' at Southcentre Mall". Calgary Herald. p. C1. Archived from the original on May 12, 2023. Retrieved April 21, 2023 – via Newspapers.com.
  117. ^ a b McCall 1999, p. 130.
  118. ^ a b Sexton, Paul (February 28, 1998). "Mercury's Shania Twain Comes On Over to Europe". Billboard. Vol. 110, no. 9. p. 79. ISSN 0006-2510.
  119. ^ Blakey, Bob (February 26, 1998). "Worth watching". Calgary Herald. p. C12. Archived from the original on April 21, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  120. ^ a b Eliezer, Christine (September 19, 1998). "Country music is the world's music". Billboard. Vol. 110, no. 38. p. 60. ISSN 0006-2510.
  121. ^ Hay, Carla (May 2, 1998). "Opening dates for BET ventures; What becomes a diva most?". Billboard. Vol. 110, no. 18. p. 82. ISSN 0006-2510.
  122. ^ Bell, Carrie (September 26, 1998). "Divas slated for holiday hit list". Billboard. Vol. 110, no. 39. p. 15. ISSN 0006-2510.
  123. ^ McCall 1999, p. 143.
  124. ^ a b LeBlanc, Larry (September 26, 1998). "Twain decisively dominates Canadian Country Awards". Billboard. Vol. 110, no. 39. p. 34. ISSN 0006-2510.
  125. ^ Dollar, Steve (September 28, 1998). "Shania Twain takes country by storm". Naples Daily News. p. 6B. Archived from the original on April 21, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  126. ^ Morris, Chris (December 19, 1998). "Billboard Awards win retail raves". Billboard. Vol. 110, no. 51. p. 15. ISSN 0006-2510.
  127. ^ "Television: coming next week" (PDF). Radio & Records. No. 1287. February 19, 1999. p. 23. ISSN 0277-4860. Archived (PDF) from the original on April 16, 2023. Retrieved April 21, 2023.
  128. ^ "Television: coming next week" (PDF). Radio & Records. No. 1288. February 26, 1999. p. 21. ISSN 0277-4860. Archived (PDF) from the original on April 19, 2023. Retrieved April 21, 2023.
  129. ^ "Stars celebrate a stellar evening". Billboard. Vol. 111, no. 10. March 6, 1999. p. 102. ISSN 0006-2510.
  130. ^ a b Eggar 2001, p. 279.
  131. ^ "Top of the Pops" (PDF). Music Week. September 11, 1999. p. 20. ISSN 0265-1548. Archived (PDF) from the original on January 31, 2023. Retrieved April 21, 2023.
  132. ^ Patterson, Jim (September 23, 1999). "Shania Twain wins top Country awards". The Daily Gazette. p. C7. Archived from the original on April 21, 2023. Retrieved April 21, 2023 – via Google Books.
  133. ^ Young, Graham (December 8, 1999). "Country Girl". Black Country Evening Mail. p. 27. Archived from the original on May 12, 2023. Retrieved April 21, 2023 – via Newspapers.com.
  134. ^ Wilson, Carl (February 4, 2023). "Shania Twain's new album Queen of Me, reviewed: Is she still the one?". Slate. Archived from the original on April 23, 2023. Retrieved April 23, 2023.
  135. ^ Eggar 2001, p. 255.
  136. ^ Sheffield, Rob (June 5, 2019). "99 Best Songs of 1999: Ranked by Rob Sheffield". Rolling Stone. Archived from the original on December 17, 2022. Retrieved April 23, 2023.
  137. ^ a b c d e "Shania Twain Chart History (Hot 100)". Billboard. Archived from the original on February 5, 2023. Retrieved April 23, 2023.
  138. ^ a b c d "Shania Twain Chart History (Hot Country Songs)". Billboard. Archived from the original on February 27, 2023. Retrieved April 23, 2023.
  139. ^ "CHR/Pop: New releases (January 13, 1998)" (PDF). Radio & Records. No. 1230. January 9, 1998. p. 40. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  140. ^ Sexton, Paul (January 24, 1998). "Shania Twain's album". Billboard. Vol. 110, no. 4. p. 72. ISSN 0006-2510.
  141. ^ "Shania Twain – You're Still The One". Hung Medien. Archived from the original on December 8, 2022. Retrieved April 23, 2023.
  142. ^ "100 Hit Tracks" (PDF). RPM. Vol. 67, no. 13. June 22, 1998. p. 6. ISSN 0315-5994. Archived (PDF) from the original on January 6, 2023. Retrieved June 3, 2023.
  143. ^ a b c "Shania Twain: Chart History". Official Charts Company. Archived from the original on April 18, 2023. Retrieved April 23, 2023.
  144. ^ "Country Action: Going for adds (May 4, 1998)" (PDF). Radio & Records. No. 1246. May 1, 1998. p. 69. ISSN 0277-4860. Archived (PDF) from the original on April 19, 2023. Retrieved April 23, 2023.
  145. ^ "CHR/Pop: New releases (August 25, 1998)" (PDF). Radio & Records. No. 1262. August 21, 1998. p. 39. ISSN 0277-4860. Archived (PDF) from the original on April 21, 2023. Retrieved April 23, 2023.
  146. ^ "Shania Twain – From This Moment On". Hung Medien. Archived from the original on March 23, 2019. Retrieved April 23, 2023.
  147. ^ Treneman, Ann (May 28, 1998). "The woman who made country & western sexy". The Independent. Archived from the original on July 7, 2022. Retrieved April 25, 2023.
  148. ^ "Country Action: Going for adds (December 7, 1998)" (PDF). Radio & Records. No. 1277. December 4, 1998. p. 61. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  149. ^ Taylor, Chuck (December 12, 1998). "Reviews & Previews: Singles". Billboard. Vol. 110, no. 50. p. 21. ISSN 0006-2510.
  150. ^ "CHR/Pop: New releases (February 23, 1999)" (PDF). Radio & Records. No. 1287. February 19, 1999. p. 39. ISSN 0277-4860. Archived (PDF) from the original on April 21, 2023. Retrieved April 23, 2023.
  151. ^ Taylor, Chuck (March 13, 1999). "Reviews & Previews: Singles". Billboard. Vol. 111, no. 11. p. 29. ISSN 0006-2510.
  152. ^ "The Irish Charts – Search Results – That Don't Impress Me Much". Irish Singles Chart. Archived from the original on April 23, 2023. Retrieved April 23, 2023.
  153. ^ "Shania Twain – That Don't Impress Me Much". Hung Medien. Archived from the original on November 29, 2021. Retrieved April 23, 2023.
  154. ^ "Shania Twain – That Don't Impress Me Much". Hung Medien. Archived from the original on October 26, 2021. Retrieved April 23, 2023.
  155. ^ "Shania Twain – That Don't Impress Me Much". Hung Medien. Archived from the original on December 8, 2022. Retrieved April 23, 2023.
  156. ^ "100 Hit Tracks" (PDF). RPM. Vol. 69, no. 2. May 3, 1999. p. 2. ISSN 0315-5994. Archived (PDF) from the original on January 31, 2023. Retrieved April 23, 2023.
  157. ^ "Offizielle Deutsche Charts: Shania Twain – That Don't Impress Me Much". GfK Entertainment. Archived from the original on October 6, 2022. Retrieved April 23, 2023.
  158. ^ "Shania Twain – That Don't Impress Me Much". Hung Medien. Archived from the original on February 13, 2023. Retrieved April 23, 2023.
  159. ^ "CHR/Pop: Going for adds (July 13, 1999)" (PDF). Radio & Records. No. 1307. July 9, 1999. p. 42. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  160. ^ "CHR/Pop Top 50: Most added" (PDF). Radio & Records. No. 1314. July 9, 1999. p. 78. ISSN 0277-4860. Archived (PDF) from the original on April 19, 2023. Retrieved April 23, 2023.
  161. ^ "Country Action: Going for adds (August 10, 1998)" (PDF). Radio & Records. No. 1260. August 7, 1998. p. 98. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  162. ^ "Country: Going for adds (September 7, 1999)" (PDF). Radio & Records. No. 1315. September 3, 1999. p. 77. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  163. ^ "Country: Going for adds (January 10, 2000)" (PDF). Radio & Records. No. 1332. January 7, 2000. p. 72. ISSN 0277-4860. Archived (PDF) from the original on April 20, 2023. Retrieved April 23, 2023.
  164. ^ "Country indicator" (PDF). Radio & Records. No. 1360. July 21, 2000. p. 73. ISSN 0277-4860. Archived (PDF) from the original on April 14, 2023. Retrieved April 25, 2023.
  165. ^ "Single reviews" (PDF). Music Week. January 29, 2000. p. 14. ISSN 0265-1548. Archived (PDF) from the original on January 31, 2023. Retrieved April 25, 2023.
  166. ^ Eggar 2001, p. 259.
  167. ^ Twain 2011, p. 323.
  168. ^ a b Eggar 2001, p. 270.
  169. ^ Waddell, Ray (May 27, 2000). "New faces revive tepid tour scene". Billboard. Vol. 112, no. 22. p. 162. ISSN 0006-2510.
  170. ^ Kendle, John (March 27, 1999). "Runaway Twain". Winnipeg Sun. p. 19. Archived from the original on April 25, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  171. ^ C. Johnson, Kevin (May 17, 1999). "Shania Twain polishes act in encore here". St. Louis Post-Dispatch. p. D2. Archived from the original on April 25, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  172. ^ Lowry, Tom (May 23, 1999). "Twain delivers fan-friendly show". The Marion Star. p. 7B. Archived from the original on April 25, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  173. ^ Jinkins, Shirley (September 13, 1998). "Hot, but not all country". Fort Worth Star-Telegram. p. A8. Archived from the original on May 12, 2023. Retrieved April 25, 2023 – via Newspapers.com.
  174. ^ a b c d Mansfield, Brian (March 3, 1999). "Shania Twain takes a 'Winter Break'". The Sacramento Bee. p. F7. Archived from the original on April 21, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  175. ^ "Shania Twain's free spirit". CBS News. November 23, 1999. Archived from the original on March 30, 2020. Retrieved April 21, 2023.
  176. ^ Dretzka, Gary (November 14, 1997). "Album reviews". Chicago Tribune. Archived from the original on April 7, 2022. Retrieved April 27, 2023.
  177. ^ a b Christgau, Robert (2000). "T". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0-312-24560-2. Archived from the original on April 7, 2023. Retrieved April 27, 2023 – via robertchristgau.com.
  178. ^ a b Lewis, Randy (November 2, 1997). "Album Review: Shania Twain, Come On Over". Los Angeles Times. Archived from the original on April 27, 2023. Retrieved April 27, 2023.
  179. ^ DeLuca, Dan (November 4, 1997). "Twain's Come On Over a mighty inviting album". The Philadelphia Inquirer. p. D1. Archived from the original on April 27, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  180. ^ Eddy, Chuck (December 9, 1997). "Shania Twain: Come On Over". Rolling Stone. Archived from the original on February 3, 2009. Retrieved February 3, 2009.
  181. ^ a b Kemp 2004, p. 828.
  182. ^ Gray 1998, p. 178.
  183. ^ Pynn, Larry (November 4, 1997). "Twain gets it right again with Come On Over". Vancouver Sun. p. C5. Archived from the original on May 17, 2023. Retrieved November 23, 2022 – via Newspapers.com.
  184. ^ Palen, Ken (November 7, 1997). "Recordings on review". Dayton Daily News. p. 19. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  185. ^ Duerden, Nick. "Reviews: Shania Twain, Come On Over". Q. Archived from the original on January 10, 2001.
  186. ^ a b Farber, Jim (November 2, 1997). "Sex and country: the Twain shall meet". New York Daily News. Archived from the original on February 1, 2023. Retrieved April 30, 2023.
  187. ^ a b Davis, John T. (November 18, 1997). "Been a long time since they rock 'n' rolled". Austin American-Statesman. p. E2. Archived from the original on May 17, 2023. Retrieved November 4, 2021 – via Newspapers.com.
  188. ^ Marymont, Mark (November 23, 1997). "Twain rolls out catchy tunes". Springfield News-Leader. p. 5G. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  189. ^ Cohen, Howard (November 5, 1997). "Country star disappoints on new album". Miami Herald. p. 7B. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  190. ^ Tartaglione, Mary (March 27, 1998). "Shania Twain, Come On Over (Mercury)". The Sydney Morning Herald. p. 6. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  191. ^ Sweeting, Adam (March 13, 1998). "This week's pop CD releases". The Guardian. p. 16. Archived from the original on May 17, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  192. ^ Morden, Darryl (February 25, 1998). "McGraw leads with 7 ACM nominations". The Spokesman-Review. p. D9. Archived from the original on May 2, 2023. Retrieved May 2, 2023 – via Google Books.
  193. ^ Jessen, Wade (October 10, 1998). "Country corner". Billboard. Vol. 110, no. 41. p. 35. ISSN 0006-2510.
  194. ^ LeBlanc, Larry (February 21, 1998). "McLachlan at top of Juno nominees". Billboard. Vol. 110, no. 8. p. 14. ISSN 0006-2510.
  195. ^ "Line-up for annual American Music Awards has it all, from country to rap". The Daily News. November 24, 1998. p. 2B. Archived from the original on May 13, 2023. Retrieved May 2, 2023 – via Google Books.
  196. ^ "Final nominations for the 41st Annual Grammy Awards". Billboard. Vol. 111, no. 3. January 16, 1999. p. 80. ISSN 0006-2510.
  197. ^ "The winners of the 41st Annual Grammy Awards". Billboard. Vol. 111, no. 10. March 6, 1999. p. 98. ISSN 0006-2510.
  198. ^ "And the Grammy winners are..." Billboard. Vol. 112, no. 10. March 4, 2000. p. 20. ISSN 0006-2510.
  199. ^ a b "Biggest-selling studio album by a female solo artist". Guinness World Records. March 12, 2015. Archived from the original on March 17, 2023. Retrieved May 8, 2023.
  200. ^ King, Ashley (January 29, 2023). "What Are the Best-Selling Albums of All Time?". Digital Music News. Retrieved August 7, 2023.
  201. ^ a b Sakamoto, John (November 14, 1997). "Twain's new album zooms to the top". Edmonton Journal. p. E12. Archived from the original on May 12, 2023. Retrieved May 8, 2023 – via Newspapers.com.
  202. ^ a b "Shania Twain Chart History (Canadian Albums)". Billboard. Retrieved May 3, 2023.
  203. ^ a b "2014 Nielsen Music Canada Report" (PDF). Nielsen SoundScan. January 15, 2015. Archived from the original (PDF) on February 10, 2015. Retrieved July 13, 2017.
  204. ^ a b "Canadian album certifications – Shania Twain – Come On Over". Music Canada. Retrieved May 11, 2017.
  205. ^ a b Mayfield, Geoff (November 22, 1997). "Between the bullets". Billboard. Vol. 109, no. 47. p. 116. ISSN 0006-2510.
  206. ^ Davies, Jonathan (November 26, 1997). "Streisand tops chart". Knoxville News Sentinel. p. HL4. Archived from the original on May 12, 2023. Retrieved May 8, 2023 – via Newspapers.com.
  207. ^ Mayfield, Geoff (December 7, 2002). "Over the counter". Billboard. Vol. 114, no. 49. p. 87. ISSN 0006-2510.
  208. ^ Bronson, Fred (September 4, 1999). "Overbook dances to top, thanks to Enrique". Billboard. Vol. 111, no. 36. p. 118. ISSN 0006-2510.
  209. ^ Asker, Jim (March 28, 2022). "Morgan Wallen's Dangerous rewrites record for most weeks at Mo. 1 on Top Country Albums chart". Billboard. Archived from the original on December 10, 2022. Retrieved May 8, 2023.
  210. ^ Jeffrey, Don (January 30, 1999). "1998 was the year for soundtracks, women, boy bands". Billboard. Vol. 111, no. 5. p. 75. ISSN 0006-2510.
  211. ^ Jeffrey, Don (January 22, 2000). "Teen, latin pop albums achieve biggest sales". Billboard. Vol. 112, no. 4. p. 63. ISSN 0006-2510.
  212. ^ a b c Asker, Jim (October 28, 2019). "Luke Combs' This One's For You ties Shania Twain's Come On Over for longest Top Country Albums reign". Billboard. Archived from the original on January 28, 2023. Retrieved May 5, 2023.
  213. ^ a b "American album certifications – Shania Twain – Come On Over". Recording Industry Association of America. Retrieved May 13, 2017.
  214. ^ a b "Brazilian album certifications – Shania Twain – Come On Over" (in Portuguese). Pro-Música Brasil. Retrieved July 28, 2016.
  215. ^ a b "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Retrieved August 2, 2016. Type Shania Twain in the box under the ARTISTA column heading and Come On Over in the box under the TÍTULO column heading.
  216. ^ a b "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco. Retrieved July 28, 2016.
  217. ^ a b "Discos de Oro y Platino" (in Spanish). CAPIF. Archived from the original on July 6, 2011. Retrieved July 28, 2014.
  218. ^ a b "Hits of the world". Billboard. Vol. 111, no. 40. October 2, 1999. p. 85. ISSN 0006-2510.
  219. ^ "Hits of the world". Billboard. Vol. 111, no. 41. October 9, 1999. p. 85. ISSN 0006-2510.
  220. ^ a b "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry. Retrieved July 28, 2016.
  221. ^ Jones, Alan (March 21, 1998). "Chart commentary" (PDF). Music Week. p. 22. ISSN 0265-1548. Archived (PDF) from the original on January 31, 2023. Retrieved May 8, 2023.
  222. ^ a b Jones, Alan (September 11, 1999). "Chart commentary" (PDF). Music Week. p. 15. ISSN 0265-1548. Archived (PDF) from the original on January 31, 2023. Retrieved May 8, 2023.
  223. ^ Jones, Alan (January 22, 2000). "Twain leads Universal top trio as British acts' share slides" (PDF). Music Week. p. 28. ISSN 0265-1548. Archived (PDF) from the original on May 5, 2023. Retrieved May 8, 2023.
  224. ^ a b "British album certifications – Shania Twain – Come On Over". British Phonographic Industry. Retrieved January 25, 2023.
  225. ^ a b Garner, George (January 23, 2023). "The Music Week Interview: Shania Twain". Music Week. Archived from the original on February 3, 2023. Retrieved May 5, 2023.
  226. ^ a b "Ultratop.be – Shania Twain – Come On Over" (in Dutch). Hung Medien. Retrieved May 2, 2023.
  227. ^ a b "Hits of the world". Billboard. Vol. 111, no. 29. July 17, 1999. p. 67. ISSN 0006-2510.
  228. ^ a b "Sveita-Shania lokkar landann". Morgunblaðið (in Icelandic). March 24, 2000. p. 70. ISSN 1021-7266. Archived from the original on May 3, 2023 – via Timarit.is.
  229. ^ a b "Hits of the world". Billboard. Vol. 111, no. 46. November 13, 1999. p. 51. ISSN 0006-2510.
  230. ^ a b "Dutchcharts.nl – Shania Twain – Come On Over" (in Dutch). Hung Medien. Retrieved May 3, 2023.
  231. ^ a b "Norwegiancharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  232. ^ a b "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved May 3, 2023.
  233. ^ a b "Ultratop − Goud en Platina – albums 2007". Ultratop. Hung Medien. Retrieved July 28, 2016.
  234. ^ a b "Guld- och Platinacertifikat − År 2000" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on May 17, 2011. Retrieved July 28, 2016.
  235. ^ a b "The Official Swiss Charts and Music Community: Awards ('Come On Over')". IFPI Switzerland. Hung Medien. Retrieved July 28, 2016.
  236. ^ a b "Dutch album certifications – Shania Twain – Come On Over" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved July 28, 2016. Enter Come On Over in the "Artiest of titel" box. Select 2000 in the drop-down menu saying "Alle jaargangen".
  237. ^ a b "IFPI Norsk platebransje Trofeer 1993–2011" (in Norwegian). IFPI Norway. Retrieved August 23, 2022.
  238. ^ a b "Danish album certifications – Shania Twain – Come On Over". IFPI Danmark. Retrieved January 30, 2018.
  239. ^ a b "Australiancharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 2, 2023.
  240. ^ a b "ARIA Top 100 Albums for 1999". ARIA Charts. Archived from the original on November 4, 2022. Retrieved May 4, 2023.
  241. ^ Eliezer, Christie (December 18, 1999). "Mercury's Shania Twain joins Oz Millionaire's club". Billboard. Vol. 111, no. 51. p. 67. ISSN 0006-2510.
  242. ^ a b "ARIA Charts – Accreditations – 2022 Albums" (PDF). Australian Recording Industry Association. Retrieved October 4, 2022.
  243. ^ a b "Charts.nz – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  244. ^ a b "Latest Gold / Platinum Albums". Radioscope. July 17, 2011. Archived from the original on July 24, 2011. Retrieved July 28, 2016.
  245. ^ a b c Saxberg, Lynn (March 17, 1999). "Breaking out". Ottawa Citizen. p. 3. Archived from the original on May 11, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  246. ^ Corbett, Ron (March 13, 1999). "The unstoppable Shania". Ottawa Citizen. p. I1. Archived from the original on May 11, 2023. Retrieved February 18, 2023 – via Newspapers.com.
  247. ^ a b c Hopper, Alex (October 18, 2022). "9 of the best '90s country songs from George Strait, Shania Twain and more". American Songwriter. Archived from the original on December 6, 2022. Retrieved May 11, 2023.
  248. ^ Warner, Denise (August 27, 2020). "The 100 Greatest Music Video Artists of All Time: Staff List". Billboard. Archived from the original on March 26, 2023. Retrieved May 11, 2023.
  249. ^ a b c d e f g Peoples, Glenn (November 2, 2017). "Why Shania Twain's Come On Over sold over 20 million copies". Medium. Archived from the original on July 30, 2022. Retrieved May 11, 2023.
  250. ^ Neal 2013, p. 396.
  251. ^ a b c d Sawyer, Bobbie Jean (November 22, 2022). "Come On Over: how Shania Twain's genre-bending classic broke the country music mold". Wide Open Country. Archived from the original on April 6, 2023. Retrieved May 11, 2023.
  252. ^ Levine, Nick (March 1, 2023). "Shania Twain: "I'm probably most proud of not giving up on my voice"". NME. Archived from the original on March 23, 2023. Retrieved May 12, 2023.
  253. ^ McLaughlin, John P. (April 1, 1999). "That dress!". The Province. p. B1. Archived from the original on May 12, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  254. ^ Breithaupt, Jeff (March 20, 2000). "Twain explained". National Post. pp. D4. Archived from the original on May 12, 2023. Retrieved February 19, 2023 – via Newspapers.com.
  255. ^ Mandrell 2014, p. 1025.
  256. ^ Roffman, Michael, ed. (April 24, 2017). "Top 50 Albums of 1997". Consequence. Archived from the original on January 31, 2023. Retrieved May 17, 2023.
  257. ^ "The 500 Greatest Albums of All Time". Rolling Stone. September 22, 2020. Archived from the original on March 14, 2023. Retrieved May 17, 2023.
  258. ^ a b Weiner, Natalie, ed. (August 30, 2022). "The 100 Greatest Country Albums of All Time". Rolling Stone. Archived from the original on February 27, 2023. Retrieved May 17, 2023.
  259. ^ a b "Come On Over (Special Edition)". Spotify. Archived from the original on April 15, 2023. Retrieved April 15, 2023.
  260. ^ a b c Come On Over (CD liner notes). Shania Twain. Mercury Records. 1998. 558 000-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  261. ^ a b Come On Over (CD liner notes). Shania Twain. Mercury Records. 1999. 546 027-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  262. ^ a b Come On Over: Australian Tour Bonus Disc (CD liner notes). Shania Twain. Mercury Records. 1998. 538 859-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  263. ^ "Austriancharts.at – Shania Twain – Come On Over" (in German). Hung Medien. Retrieved May 2, 2023.
  264. ^ "Ultratop.be – Shania Twain – Come On Over" (in French). Hung Medien. Retrieved May 2, 2023.
  265. ^ "Top RPM Albums: Issue 3387". RPM. Library and Archives Canada. Retrieved May 3, 2023.
  266. ^ "RPM Country Albums for November 17, 1997". RPM. July 17, 2013. Archived from the original on December 22, 2017. Retrieved May 3, 2023.
  267. ^ "Shania Twain: Come On Over" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved May 3, 2023.
  268. ^ "Lescharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  269. ^ "Offiziellecharts.de – Shania Twain – Come On Over" (in German). GfK Entertainment Charts. Retrieved May 3, 2023.
  270. ^ "Official IFPI Charts – Top-75 Albums Sales Chart (Combined) – Week: 48/2022". IFPI Greece. Archived from the original on December 7, 2022. Retrieved December 7, 2022.
  271. ^ "Album Top 40 slágerlista – 1999. 45. hét" (in Hungarian). MAHASZ. Retrieved May 3, 2023.
  272. ^ "Italiancharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  273. ^ "Hits of the world". Billboard. Vol. 111, no. 43. October 23, 1999. p. 51. ISSN 0006-2510.
  274. ^ a b Fernando Salaverri (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  275. ^ "Swedishcharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  276. ^ "Swisscharts.com – Shania Twain – Come On Over". Hung Medien. Retrieved May 3, 2023.
  277. ^ "IFPI Taiwan International Top 10 – Year: 1998 Week: 16 (1998/04/27 - 1998/05/03)". Archived from the original on August 29, 1999.
  278. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved May 3, 2023.
  279. ^ "Official Country Artists Albums Chart Top 20". Official Charts Company. Retrieved May 3, 2023.
  280. ^ "Shania Twain Chart History (Billboard 200)". Billboard. Retrieved May 3, 2023.
  281. ^ "'97 Year End...Top 50 Country Albums". RPM. July 17, 2013. Archived from the original on May 4, 2023. Retrieved May 4, 2023.
  282. ^ "Billboard 200 Albums – Year-End 1997". Billboard. Archived from the original on March 12, 2017.
  283. ^ "Country Albums – Year-End 1997". Billboard. Archived from the original on July 1, 2018.
  284. ^ "ARIA Top 100 Albums for 1998". ARIA Charts. Archived from the original on March 7, 2023. Retrieved May 4, 2023.
  285. ^ "RPM's Top 100 CDs of '98". RPM. July 17, 2013. Archived from the original on August 12, 2022. Retrieved May 4, 2023.
  286. ^ "RPM's Top 50 Country Albums of '98". RPM. July 17, 2013. Archived from the original on May 4, 2023. Retrieved May 4, 2023.
  287. ^ "Jaaroverzichten – Album 1998" (in Dutch). Hung Medien. Archived from the original on February 28, 2023. Retrieved May 4, 2023.
  288. ^ "Year in focus: European Top 100 Albums 1998" (PDF). Music & Media. 15 (51): 8. December 12, 1998. OCLC 29800226. Archived (PDF) from the original on April 6, 2023. Retrieved May 4, 2023.
  289. ^ "Top Selling Albums of 1998". Recorded Music NZ. Archived from the original on February 27, 2023. Retrieved May 4, 2023.
  290. ^ "VG-Lista – Topp 40 Album Russetid 1998" (in Norwegian). VG-lista. Archived from the original on September 20, 2017. Retrieved April 22, 2021.
  291. ^ "End of Year Album Chart Top 100 – 1998". Official Charts Company. Archived from the original on April 5, 2023. Retrieved May 4, 2023.
  292. ^ "Billboard 200 Albums – Year-End 1998". Billboard. Archived from the original on July 3, 2017.
  293. ^ "Country Albums – Year-End 1998". Billboard. Archived from the original on April 14, 2017.
  294. ^ "Jahreshitparade Alben 1999" (in German). Hung Medien. Archived from the original on April 30, 2023. Retrieved May 4, 2023.
  295. ^ "Jaaroverzichten 1999" (in Dutch). Hung Medien. Archived from the original on February 27, 2023. Retrieved May 4, 2023.
  296. ^ "Rapports annuels 1999" (in French). Hung Medien. Archived from the original on February 27, 2023. Retrieved May 4, 2023.
  297. ^ "RPM 1999: Top 100 CDs". RPM. July 17, 2013. Archived from the original on April 15, 2021. Retrieved May 4, 2023.
  298. ^ "RPM 1999: Top 50 Country Albums". RPM. July 17, 2013. Archived from the original on May 4, 2023. Retrieved May 4, 2023.
  299. ^ "Chart of the Year 1999". Mogens Nielsen. Archived from the original on September 20, 2015.
  300. ^ "Jaaroverzichten – Album 1999" (in Dutch). Hung Medien. Archived from the original on March 24, 2023. Retrieved May 4, 2023.
  301. ^ "Year in focus: European Top 100 Albums 1999" (PDF). Music & Media. 17 (1): 11. January 1, 2000. OCLC 29800226. Archived (PDF) from the original on April 28, 2023. Retrieved May 4, 2023.
  302. ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment. Archived from the original on April 13, 2023. Retrieved May 4, 2023.
  303. ^ "Top Selling Albums of 1999". Recorded Music NZ. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  304. ^ "VG-Lista – Topp 40 Sommer 1999" (in Norwegian). VG-lista. Archived from the original on March 4, 2016. Retrieved April 22, 2021.
  305. ^ "Årslista Album (inkl samlingar), 1999" (in Swedish). Sverigetopplistan. Archived from the original on May 16, 2022. Retrieved May 4, 2023.
  306. ^ "Schweizer Jahreshitparade 1999" (in German). Hung Medien. Archived from the original on June 1, 2022. Retrieved May 4, 2023.
  307. ^ "End of Year Album Chart Top 100 – 1999". Official Charts Company. Archived from the original on February 8, 2023. Retrieved May 4, 2023.
  308. ^ "Billboard 200 Albums – Year-End 1999". Billboard. Archived from the original on July 5, 2017.
  309. ^ "Country Albums – Year-End 1999". Billboard. Archived from the original on April 13, 2017.
  310. ^ "ARIA Top 100 Albums for 2000". ARIA Charts. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  311. ^ "Jaaroverzichten 2000" (in Dutch). Hung Medien. Archived from the original on April 8, 2023. Retrieved May 4, 2023.
  312. ^ "Rapports annuels 2000" (in French). Hung Medien. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  313. ^ "Canada's Top 200 Albums of 2000". Jam!. Archived from the original on August 12, 2004.
  314. ^ "Chart of the Year 2000". Mogens Nielsen. Archived from the original on July 25, 2015.
  315. ^ "Jaaroverzichten – Album 2000" (in Dutch). Hung Medien. Archived from the original on April 16, 2023. Retrieved May 4, 2023.
  316. ^ "Europe's Top Albums of 2000". Billboard. Vol. 112, no. 53. December 30, 2000. p. 59. ISSN 0006-2510.
  317. ^ "Myydyimmät ulkomaiset albumit vuonna 2000" (in Finnish). Musiikkituottajat – IFPI Finland. Archived from the original on December 2, 2021. Retrieved May 4, 2023.
  318. ^ "Tops de l'année – Top albums 2000" (in French). SNEP. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  319. ^ "Top 200 Album-Jahrescharts" (in German). GfK Entertainment. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  320. ^ "Top Selling Albums of 2000". Recorded Music NZ. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  321. ^ "VG-Lista – Topp 40 Album Vinter 2000" (in Norwegian). VG-lista. Archived from the original on October 16, 2017. Retrieved April 22, 2021.
  322. ^ "Årslista Album (inkl samlingar), 2000" (in Swedish). Sverigetopplistan. Archived from the original on February 27, 2023. Retrieved May 4, 2023.
  323. ^ "Schweizer Jahreshitparade 2000" (in German). Hung Medien. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  324. ^ "End of Year Album Chart Top 100 – 2000". Official Charts Company. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  325. ^ "Top Billboard 200 Albums – Year-End 2000". Billboard. Archived from the original on April 16, 2019.
  326. ^ "Country Albums – Year-End 2000". Billboard. Archived from the original on October 21, 2020.
  327. ^ "Canada's Top 200 Albums of 2001". Jam!. Archived from the original on November 6, 2003.
  328. ^ "Top 100 country albums of 2001 in Canada". Jam!. Archived from the original on July 1, 2002.
  329. ^ "Tops de l'année – Top albums 2001" (in French). SNEP. Archived from the original on March 26, 2023. Retrieved May 4, 2023.
  330. ^ "The Official UK Singles Chart 2001" (PDF). Official Charts Company. Archived (PDF) from the original on March 14, 2023. Retrieved May 4, 2023.
  331. ^ "The year in music 2001: Pop Catalog". Billboard. Vol. 113, no. 52. December 29, 2001. p. YE-69. ISSN 0006-2510.
  332. ^ "Canada's Top 200 Albums of 2002". Jam!. Archived from the original on September 6, 2004.
  333. ^ "Top 100 country albums of 2002 in Canada". Jam!. Archived from the original on December 4, 2003.
  334. ^ "The Official UK Singles Chart 2002" (PDF). Official Charts Company. Archived (PDF) from the original on April 19, 2023. Retrieved May 4, 2023.
  335. ^ "The year in music 2002: Catalog". Billboard. Vol. 114, no. 52. December 28, 2002. p. YE-86. ISSN 0006-2510.
  336. ^ "The year in music 2003: Catalog". Billboard. Vol. 115, no. 52. December 27, 2003. p. YE-75. ISSN 0006-2510.
  337. ^ "The year in music 2004: Catalog". Billboard. Vol. 116, no. 52. December 25, 2004. p. YE-70. ISSN 0006-2510.
  338. ^ "ARIA Top 50 Country Albums Chart". ARIA. Retrieved January 12, 2024.
  339. ^ "Top Pop Albums of the 90's". Billboard. Vol. 111, no. 52. December 25, 1999. p. YE-20. ISSN 0006-2510.
  340. ^ "The decade in music charts – Top Billboard 200 Albums". Billboard. Vol. 121, no. 39. October 3, 2009. p. 164. ISSN 0006-2510.
  341. ^ White, Jack (March 6, 2019). "Ireland's Top 50 biggest female artist albums". Official Charts Company. Archived from the original on November 7, 2020.
  342. ^ Copsey, Rob (April 11, 2019). "The best-selling albums of all time on the Official UK Chart". Official Charts Company. Archived from the original on April 14, 2023. Retrieved May 4, 2023.
  343. ^ "Greatest of All Time Billboard 200 Albums". Billboard. Archived from the original on April 10, 2023.
  344. ^ "Greatest of All Time Billboard 200 Albums by Women". Billboard. Archived from the original on February 27, 2023.
  345. ^ "Greatest of All Time Top Country Albums". Billboard. Archived from the original on June 26, 2023. Retrieved June 26, 2023.
  346. ^ "Austrian album certifications – Shania Twain – Come On Over" (in German). IFPI Austria. Retrieved July 28, 2016.
  347. ^ a b "Shania Twain" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved July 28, 2016.
  348. ^ "French album certifications – Shania Twain – Come On Over" (in French). Syndicat National de l'Édition Phonographique. Retrieved May 21, 2021.
  349. ^ "Gold-/Platin-Datenbank (Shania Twain; 'Come On Over')" (in German). Bundesverband Musikindustrie. Retrieved July 28, 2016.
  350. ^ "Japanese album certifications – Shania Twain – Come On Over" (in Japanese). Recording Industry Association of Japan. Retrieved July 28, 2016. Select 2001年1月 on the drop-down menu
  351. ^ "Mi2N: Music Divas & Rock Bands Top South African Certifications". Music Industry News Network. May 2, 2002. Archived from the original on May 31, 2014. Retrieved August 26, 2019.
  352. ^ Come On Over (Cassette liner notes). Shania Twain. Mercury Records. 1997. 314-536 003-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  353. ^ Come On Over (Cassette liner notes). Shania Twain. Mercury Records. 1998. 558 000-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  354. ^ "Come On Over, Shania Twain". Bol.com. Archived from the original on April 13, 2023. Retrieved April 13, 2023.
  355. ^ "Come On Over - Shania Twain". Fnac. Archived from the original on April 13, 2023. Retrieved April 13, 2023.
  356. ^ Come On Over: Asian Edition Bonus Disc (CD liner notes). Shania Twain. Mercury Records. 1999. 546 028-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  357. ^ Come On Over (Cassette liner notes). Shania Twain. Mercury Records. 1999. 170 081-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  358. ^ "Shania Twain: Come On Over (CD)". JPC. Archived from the original on April 21, 2015. Retrieved April 13, 2023.
  359. ^ "Come On Over CD von Shania Twain" (in German). Weltbild. Archived from the original on April 13, 2023. Retrieved April 13, 2023.
  360. ^ Come On Over (CD liner notes). Shania Twain. Mercury Records. 1999. 088 170 123-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  361. ^ "Shania Twain: Come On Over (2 LPs)". JPC. Archived from the original on February 3, 2023. Retrieved April 14, 2023.
  362. ^ "Come On Over - Shania Twain". Fnac. Archived from the original on April 14, 2023. Retrieved April 14, 2023.
  363. ^ "Come On Over (Special Edition) by Shania Twain". Apple Music (US). Retrieved April 15, 2023.

Bibliography

edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Come_On_Over&oldid=1258879524"