Anna Walinska (September 8, 1906 – December 19, 1997) was an American painter. She is known for her colorful works of the Modernist period, collages done with handmade Burmese Shan paper, and a large body of works in various media on the theme of the Holocaust. Works by Walinska are included in numerous public collections, most notably the National Portrait Gallery, the National Museum of Women in the Arts, the Smithsonian American Art Museum,[1] the United States Holocaust Memorial Museum,[2] the Rose Art Museum at Brandeis University, the Denver Art Museum, The Jewish Museum in New York, the Herbert F. Johnson Museum of Art[3] at Cornell, the Zimmerli Art Museum at Rutgers University,[4] the Judah L. Magnes Museum in Berkeley, and Yad Vashem. Walinska's scrapbooks of the Guild Art Gallery, along with sketchbooks and journals on world travel are included in the Archives of American Art at the Smithsonian Institution.[5]
Early life and education
editBorn in London, Walinska was the daughter of labor leader Ossip Walinsky[6] and sculptor-poet-activist Rosa Newman Walinska.
She enrolled at the Art Students League in 1918 at the age of 12.
In 1926, Walinska went to Paris to study with Andre Lhote and exhibited at the Salon des Independents. She lived around the corner from Gertrude Stein, sketched Picasso in a cafe and befriended Poulenc and Schoenberg.[7]
Career
editBack in New York, in 1935 Walinska became an exhibit curator for the Federal Art Project and founded the Guild Art Gallery at 37 West 57th Street, where she gave Arshile Gorky his first New York solo show.[8][9][10][11] When Walinska's work was exhibited alongside Gorky at the Guild, ARTnews reviewed the show and chose a painting by Walinska as the illustration.[12]
In 1937, Walinska was represented in the American Artists' Congress first annual membership exhibition.[13] Subsequent group shows included: Artists for Victory, Metropolitan Museum of Art, 1942; Paintings of the Year, 1946, National Academy of Design; Recent Drawings USA, Museum of Modern Art, 1956;[14] Baltimore Museum of Art (with Fernando Botero and Wifredo Lam), 1959. Her work was shown at the Bodley Gallery, the Monede Gallery, Buecker & Harpsichords, and in numerous exhibitions in the U.S., the U.K., and France with the National Association of Women Artists, the Federation of Modern Painters and Sculptors, and the Silvermine Guild. her work was included in the American Federation of Arts exhibition titled "God & Man in Art," which toured the U.S. in 1958.
From 1954 to 1955, Walinska journeyed around the world by herself on prop planes, keeping a diary which is now in the collection of the Smithsonian Archives of American Art. The six-month trip began in New York City and continued to Honolulu, Tokyo, Hong Kong, Bangkok, Burma, New Delhi, Karachi, Cyprus, Israel, Istanbul, Athens, Rome, Perugia, Florence, Venice, Pompei, Naples, Sorrento, Capri, Nice, Barcelona, Madrid, Toledo, Lisbon, and finally to Bermuda, where she noted in her diary that the single room rate at the Elbow Beach Surf Club ran from $14–25.[15]
The high point of the trip was a four-month sojourn in Burma, where her brother Louis Walinsky was serving as economic advisor to Prime Minister U Nu. While in Burma, Walinska instructed local craftsmen on the art of building an easel and stretching canvas. The Burmese artists took her out to paint en plein air, and she shared with them her knowledge of what was happening in the art world. U Hla Shein, Minister of the Shan States and an artist himself, wrote of her influence in The Guardian: "The vast majority of artists in Burma follow the realistic approach. They have now for the first time seen and heard a modernist, who appears entirely different from the only brand they had known."[16] While in Burma, she painted the portrait of Prime Minister U Nu.
Later, Walinska became a teaching artist in residence at the Riverside Museum (then located at the Master Apartments), where she exhibited with sculptor Louise Nevelson, among others.[17] In 1971 the Riverside collection, including two of her paintings, moved to the Rose Art Museum at Brandeis University.
Walinska created a large body of work on the theme of the Holocaust, some of which were included in her one-woman retrospective at the Jewish Museum in 1957.[18][19] They were subsequently shown as a group of 122 works at the Museum of Religious Art at the Cathedral of St. John the Divine in a 1979 retrospective.[20] Posthumously, Walinska's Holocaust work was shown in Eastern Europe for the first time in 2000, at the Ghetto Museum at the Theresienstadt Memorial in the Czech Republic. Works from this group went on to the permanent collections of the United States Holocaust Memorial Museum, Yad Vashem in Israel, the Clark University Center for Holocaust and Genocide Studies, the Judah L. Magnes Museum, and elsewhere.
In 2015, Walinska began to receive posthumous recognition, with exhibitions in East Hampton and New York City.[15][21][22]
Walinska's work was auctioned for the first time in March 2017 by Weschler's[23] in Washington, DC.[24]
References
edit- ^ "Portrait of Arshile Gorky by Anna Walinska / American Art". Smithsonian American Art Museum Renwick Gallery. Retrieved 2016-03-09.
- ^ "Collections Search - United States Holocaust Memorial Museum Search Results". collections.ushmm.org. Retrieved 2017-03-11.
- ^ "Collections | Johnson Museum of Art". emuseum.cornell.edu. Retrieved 2017-03-11.
- ^ Zimmer, William (2002-09-15). "ART REVIEW; How Rutgers Women's Collection Grows". The New York Times. ISSN 0362-4331. Retrieved 2016-03-05.
- ^ Archives of American Art. "Summary of the Anna Walinska papers, 1925–1981 | Archives of American Art, Smithsonian Institution". www.aaa.si.edu. Retrieved 2016-03-05.
- ^ "OSSIP WALINSKY". www2.hsp.org. Retrieved 2017-03-11.
- ^ Riley, Charles A. II (2017). Free As Gods: How the Jazz Age Reinvented Modernism. USA: ForeEdge, an imprint of University Press of New England. pp. 105–108. ISBN 9781512600551.
- ^ Herrera, Hayden; Gorky, Arshile (2003-01-01). Arshile Gorky: his life and work. New York: Farrar, Straus, and Giroux. ISBN 0374113238.
- ^ Spender, Matthew (1999). From A High Place: A Life of Arshile Gorky. University of California Press. ISBN 978-0-375-40378-1.
- ^ Matossian, Nouritza (2000). Black Angel: The Life of Arshile Gorky. Overlook Press. ISBN 978-1-58567-006-2.
- ^ Pappas, Andrea (October 2014). "In Search of a Jewish Audience: New York's Guild Art Gallery,1935-1937". American Jewish History. 98 (4): 263–288. doi:10.1353/ajh.2014.0048. S2CID 191144495 – via book.
- ^ Sayre, Ann (June 6, 1936). "Walinska, Forbes, Gorky and Others". ARTnews.
- ^ "Congress of American Artists and Contemporary Artists". pantherpro-webdesign.com. Retrieved 2017-03-11.
- ^ "Anna Walinska | MoMA". The Museum of Modern Art. Retrieved 2017-03-11.
- ^ a b "Intrepid artist and explorer Anna Walinska is celebrated two decades after her death". Women in the World in Association with The New York Times – WITW. Retrieved 2016-03-05.
- ^ Shain, Hla (February 1955). "The Middle Way in Art". The Guardian, Rangoon, Burma.
- ^ Lisle, Laurie (1990). Louise Nevelson: A Passionate Life. Simon & Schuster.
- ^ Burrows, Carlyle (September 22, 1957). "Walinska Solo Show". New York Herald Tribute.
- ^ Devries, Howard (September 13, 1957). "Art: By Walinska. Paintings & Drawings at the Jewish Museum Show 25-Year Progress". The New York Times.
- ^ "Holocaust : paintings and drawings, 1953-1978 / Anna Walinska - Collections Search - United States Holocaust Memorial Museum". collections.ushmm.org. Retrieved 2017-03-11.
- ^ "Hamptons gallery show remembers overlooked Abstract Expressionist Anna Walinska". theartnewspaper.com. Retrieved 2016-03-05.
- ^ "Borne Back to the Past: Anna Walinska at Lawrence Fine Art". Hamptons Art Hub. Retrieved 2016-03-05.
- ^ "Capital Collections Estate Auction - Sale 1429 - Lot 136 - WESCHLER'S AUCTIONEERS & APPRAISERS, LLC". www.weschlers.com.
- ^ "- WESCHLER'S AUCTIONEERS & APPRAISERS, LLC". www.weschlers.com. Retrieved 2017-03-11.