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C. Antoinette Wood

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C. Antoinette Wood (Jul 1867 – 29 May 1942), was an early 20th century American woman author and playwright. She was born in Brownville, New York, to Catherine Vogt and Henry Binninger, a German immigrant to New York. She was a professional writer, lecturer, and dramatist from 1918 onward. Both a poet and a painter, she also saw 10 of her plays produced and worked with George Pierce Baker's Harvard Workshop 47 at Boston, Massachusetts. Afterwards, she stayed and married husband, George E. Wood, whom she lived with in Brookline, Massachusetts until her death in 1942.

C. Antoinette Wood
BornCora Antoinette Binninger
(1867-07-01)July 1, 1867
Brownville, New York, U.S.
DiedMay 29, 1942(1942-05-29) (aged 74)
Brookline, Massachusetts, U.S.
Occupationwriter, poet, playwright
Genreshort stories
Years active1918-1942
Notable awardsHarvard Workshop 47 for screenplay "Buying Culture"
1921
Spouse
George Edmond Wood
​
(m. 1893)​
Literature portal

Education

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Career

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She is an alumna of Dr. George Pierce Baker's Workshop 47 at Harvard[1][2] in Cambridge, Mass. A well-known playwright and a director of the "47 Workshop", she has to her credit a number of poems, several plays, and the book and lyrics of a musical play "Why Not?" produced in Boston.[3]

The Special Collections research team at Syracuse University has put together a finding aid for the C. Antoinette Wood Papers.[4][5]

Known For

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  • Author of Easy Parliamentary Procedure (3rd ed. published)
  • Author of 10 plays produced and several published
  • Published articles in Boston Transcript and magazines (2 prizes for stories)
  • Lectures on drama and dramatists

Awards

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In 1925, her play, Buying Culture was selected for the Boston Theatre Guild plays for 'Season 1925'. "With an introduction by Frank W. C. Hersey, A.M., Instructor of English, Harvard University as quoted from Baker's Plays, Boston, Mass.

"A collection of five plays. One of them being "Buying Culture" by C. Antoinette Wood, - one male, two females. These unusual plays have been selected because they were especially liked by the audiences which attended the first performances of them by the Theatre Guild of Boston. They differ in mood and purpose..."

10 years later, Buying Culture, one of her more performed plays, was still growing strong and a winner for final selection for one-act plays in 1935.[6]

At the 1940 biennial convention of the National League of American Pen Women, she won first prize for her feature writing Martha Washington at Valley Forge. She was awarded a black onyx compact brought back from Paris by Miss George Elliston, of Cincinnati.[7][8]

Also in 1940, she wins for her play A Fighting Chance at a rally of U.S. Pen Women. The headline read Brookline Woman Wins First Prize. Her play was "played before an audience by an all-professional cast".[9]

Selected bibliography

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  • Buying Culture Harvard, 1921
  • The Come-back, or, There With the Goods
  • Dividends from an Investment of Spare Time
  • Eve Started It
  • A Fighting Chance
  • The Greatest of These
  • Harootune
  • Her Price
  • He Never Lied to His Wife
  • His Chance Harvard, 1921.[10]
  • Martha Washington at Valley Forge, c1940
  • A Matter of Convenience
  • A Modern Solomon, or, He Knew Women
  • Nothing in Common
  • One Hundred Selected Recipes From the Experience of Chafing Dish Enthusiasts Buffalo, McLaughlin Pr., cop. 1904, 1937.[11]
  • Our Common Cause, Civilization [Proceedings of the International Congress of Women, July 16-22, 1933, Chicago, Illinois] (New York, NY: National Council of Women of the United States, 1933), 1-992. With Anita Browne.[12]
  • Partners
  • The Spellbinder
  • The Split Second
  • Trent of the Navy
  • Under the Thorn Tree
  • The Unknown Lady
  • A Wash-lady
  • Why Not?, a musical
  • Why Save Time?
  • Wired Together
  • The Women Builders
  • The World's Fair Anthology, 1939 (includes the poem 'Fidelity')[13]

References

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  1. ^ "Wood, C. Antionette. Correspondence with George Pierce Baker, 1920-1923., 1920-1923". Harvard University: Hollis for Archival Discovery.
  2. ^ Kinne, Wisner Payne (1954). George Pierce Baker and the American Theater: 47 Workshop. Cambridge, Massachusetts: Harvard University Press.
  3. ^ "Conservatory Program". The Miami News (Miami, Florida). Newspapers.com. 15 February 1923.
  4. ^ "C. Antoinette Wood Papers an inventory of her papers at Syracuse University".
  5. ^ "C. Antoinette Wood Papers". Syracuse University.
  6. ^ "One-Act Play Contest For Eau Claire District". Chippewa Herald-Telegram (Chippewa Falls, Wisconsin). Newspapers.com. 13 February 1935.
  7. ^ "Pen Women End 1940 Convention; Trophies Awarded: Onyx Compact Is First Prize". Times Herald (Washington, District of Columbia). Newspapers.com. 26 April 1940.
  8. ^ "Mrs. Gasch Elected By Pen Women". Evening Star (Washington, District of Columbia). Newspapers.com. 26 April 1940.
  9. ^ Wilson, Vylla Poe (23 April 1940). "Prizes For Plays Awarded At Rally Of U.S. Pen Women: Brookline Woman Wins First Prize". Times Herald (Washington, District of Columbia). Newspapers.com.
  10. ^ "To Give '47' Production: Two One-Act Plays To Be Presented At 8 o'Clock This Evening - Open Only To Members Of Workshop". The Harvard Crimson (Harvard University, Boston, Massachusetts). TheCrimson.com. 21 December 1921.
  11. ^ Wood, Cora Antoinette Binninger. "One hundred selected recipes from the experience of chafing dish enthusiasts". HathiTrust. Buffalo, McLaughlin Press copyright 1904.
  12. ^ Browne, Anita; Wood, C. Antoinette. "International Women Writers' Conclave". Alexander Street, Part of Clarivate. National Council of Women of the United States.
  13. ^ Wood, C. Antoinette (11 July 1940). "Today's Poem: Fidelity". Times Herald (Olean, New York). Newspapers.com.
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