Helen Goodwin (July 14, 1927 – December 18, 1985) was an English-born, British Columbia-based artist, dancer, teacher, and organizer who specialized in dance and choreography. Goodwin was an active member of Vancouver experimental art community in the 1960s and 1970s, organizing and performing at festivals, exhibitions and artist-run centres. She is best known for co-founding Intermedia and for forming TheCo, a dance troupe.
Biography
editGoodwin was born on July 14, 1927, in England, where she was trained in Laban movement analysis.[1][2] She moved to Vancouver in 1955.[3] That year, she became a faculty member at the University of British Columbia (UBC) in the Physical Education Department, and taught stage movement with the Theatre Department.[1] She taught at The University of British Columbia for almost 20 years.[4]
In 1970, Goodwin moved to New York City where she was asked to chair the Dance Department of New York University's Tisch School of the Arts.[5][4]
Projects
editGoodwin was involved in the organization of the Festival of Contemporary Arts at UBC, in February 1965.[6] The festival was nicknamed The Medium is the Message (after Marshall McLuhan's work).[6]
In 1965, Goodwin along with Al Neil and Sam Perry founded the Sound Gallery and Goodwin founded her dance troupe, TheCo.[5][1] Perry committed suicide at the end of 1966 and Sound Gallery dissolved.[7]
In 1967, Intermedia was incorporated as a non-profit society under the BC Societies Act, which was the first artist-run centre in Canada to receive funding from the Canada Council for the Arts. Goodwin was a founder and member of the Board of Directors.[1][8]
Goodwin was known for collaborating with other artists to create “environments” with which her dance troupe, TheCo, would interact.[9][10] In 1968, the Vancouver Art Gallery hosted Intermedia Nights, where TheCo (including Evelyn Roth) performed Plus Minus 216 and A Space.[11][12][9][10]
The Intermedia Spring Show - Dome Show was exhibited between May 19-31, 1970, and included Goodwin's work, City Feast, which involved participants from around the city to engage in communal dining, conceptualized as "an experiment in large-group choreography".[13][14]
In 1971, Goodwin created and directed Environmental Opera, a performance by TheCo and other artists at Spanish Banks on June 21.[15]
Death and legacy
editOn December 18, 1985, Goodwin drowned herself near Spanish Banks in Vancouver.[2][4] On December 21, 1987, at 3:45pm, Winter Solstice was performed in her memory at the Museum of Anthropology at UBC.[16] She was described in The Province as "one of the prime forces in new and experimental art in Vancouver in the 1960s and 1970s."[17]
In 2018, Goodwin was a subject for the exhibition, Beginning with the Seventies: Radial Change, curated by Lorna Brown at the Morris and Helen Belkin Art Gallery at UBC. The exhibition featured a work by artist Evann Siebens, titled Plus TheCo, Minus Helen Goodwin.[18][19]
Notable works
edit- Plus Minus 216 (1968) at the Vancouver Art Gallery[11]
- Pas de Deux (1968)[20]
- A Space (1968) at the Douglas Gallery and Vancouver Art Gallery[12][9][10]
- City Feast (1970)[13]
- Environmental Opera (1971) at Spanish Banks[15]
References
edit- ^ a b c d Pepper, Kaija (Spring 2010). "Helen Goodwin & Intermedia: Toward Live Art in Vancouver". Dance Collection Danse (69): 20.
- ^ a b "Registration of death". Royal BC Museum. Retrieved 2020-03-11.
- ^ "Discipline teaches child to create". The Vancouver Sun. 1955-09-10. p. 49. Retrieved 2020-05-10.
- ^ a b c Wyman, Max (1986-02-05). "Creative crossover". The Province. p. 38. Retrieved 2020-05-10.
- ^ a b Vancouver: Art and Artists 1931-1983. Vancouver Art Gallery. 1983. p. 195. ISBN 0-920095-00-3.
{{cite book}}:|work=ignored (help) - ^ a b Lowndes, Joan (1983). Vancouver: Art and Artists 1931-1983. Vancouver Art Gallery. p. 142. ISBN 0-920095-00-3.
{{cite book}}:|work=ignored (help) - ^ "Search Our Collection - Royal BC Museum". search-collections.royalbcmuseum.bc.ca. Retrieved 2020-03-11.
- ^ "Non-existent group wins $40,000 grant". The Province. April 15, 1967.
- ^ a b c Barber, James (May 17, 1968). "Intermedia Nights: A massive protest by artists against the passivity engendered by TV and the atrophy of imagination". The Province.
- ^ a b c Barber, James (May 3, 1968). "Intermedia Nights: Something new, something happening, something taking off...". The Province.
- ^ a b Spears, James (May 17, 1968). "The mysterious Who of Intermedia". The Province.
- ^ a b Barber, James (May 22, 1968). "Gallery flashes success Intermedia". The Province.
- ^ a b Wyman, Max (June 1, 1970). "Far-Out Feast". The Vancouver Sun.
- ^ Townsend, Charlotte (May 21, 1970). "Walk into the world of domes at gallery". The Vancouver Sun.
- ^ a b Richard, Alain-Martin; Robertson, Clive (1991). Performance au Canada 1970-1990 = Performance in Canada 1970-1990. Coach House Press. p. 110. ISBN 2-920500-04-X.
- ^ Wyman, Max (1987-12-18). "Tribute to a pioneer". The Province. p. 61. Retrieved 2020-05-10.
- ^ Wyman, Max (1989-06-04). "Vancouver connection". The Province. p. 68. Retrieved 2020-05-10.
- ^ "Beginning with the Seventies: Radial Change". The Dance Current. Archived from the original on 2020-10-30. Retrieved 2020-03-11.
- ^ Eng, Emma (July 19, 2020). "Radial Change at the Belkin is 'the project of bringing someone back into view'". Ubyssey. Retrieved March 11, 2020.
- ^ Rosenberg, Ann (October 26, 1968). "It's a Happening At Art Gallery". The Vancouver Sun.