Joseph Gregory Rossano | |
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Born | 1962 (age 61–62) |
Joseph Gregory Rossano (born 1962) is an American cross-disciplinary artist, environmentalist, and outdoorsman. His work explores themes of natural history, extinction, taxonomy, and conservation in the genres of assemblage and installation art.[1]
Biography
editJoseph Gregory Rossano was born in 1962 in Lexington, Kentucky. He spent the majority of his early life in Locust Valley New York, attending the Green Vale School and later Trinity Pawling School.[2][3] Rossano received his Bachelors of Arts in Studio Arts from Louisiana State University in 1987.[4]
Career
editAfter graduating in 1987, Rossano received a scholarship to attend Pilchuck Glass School. While at Pilchuck, Rossano met William Morris, who he would apprentice with for the next two years.
In 1989, Rossano went to work for Dale Chihuly. Rossano worked with Chihuly through 1997, and by the end of his employment was the manager of Chihuly's glass studio.
From 1997–2004, Rossano worked as the Artistic Coordinator and Program Director for Artists in Residency at Waterford Crystal.
In 2004, Rossano transitioned to focus primarily on solo exhibitions. Much of his own work represents environmental topics through contextually significant materials. Rossano has been described as "[using] the spectacle of art to disarm an audience, opening that audience to truths about man" — challenging his audience to reflect upon humankind’s impact on our planet and its varied ecosystems.[5] His works have appeared in many prominent locations, including museums, national parks, and the homes of historic and current national leaders.
Recently, Rossano has shifted from primarily solo exhibitions to large-scale collaborative projects, bringing together prominent scientists and artists to research and develop in-depth narratives exploring his subject matter.
Works
editSelected Exhibitions
edit- 2004: Vanished and Vanishing, Museum of Northwest Art, La Conner, WA[6]
- 2008: Mirrored Murrelets, Museum of Glass, Tacoma, WA[7]
- 2011: BOLD, Google, Mountain View, CA[8]
- 2013: Whitewashed, Center on Contemporary Art, Seattle, WA[9]
- 2014–Present: BOLD: The Barcode of Life, Cold Spring Harbor Laboratory DNA Learning Center, Huntington, NY[10]
- 2015: Vanity, Museum of Glass, Tacoma, WA[11]
- 2017: Conservation from Here, Sagamore Hill National Historic Site and Oyster Bay Historical Society, Oyster Bay, NY[12]
- 2019: School, Bellevue Arts Museum, Bellevue, WA[13]
- 2020: Ivory, Pilchuck Gallery, Stanwood, WA[14]
- 2021: The Salmon School, 2021 United Nations Climate Change Conference, Glasglow, Scotland[15]
BOLD: The Barcode of Life
editOne of Rossano's most prominent installations is BOLD: The Barcode of Life, an exhibition first displayed in 2012 at the San Diego Natural History Museum.[16] BOLD explores the use of DNA barcoding in identifying and cataloguing species, and the importance of this technology in conservation efforts. The exhibit brings together artists and scientists to explore the significance of DNA barcoding and its role in conservation, ecology, and biodiversity research. Through the use of interactive installations and displays, BOLD aims to educate the public about the impact of humans on the environment, and to help viewers find their own connections to the natural world. Since 2014, BOLD has been on exhibit at the Cold Spring Harbor Laboratory DNA Learning Center in Huntington, New York.[17]
Whitewashed
editCombining kinetic sculptures and DNA barcodes with essays from prominent evolutionary biologists, Rossano's installation Whitewashed is a commentary on the extinction of species and human impact on the natural world. Incorporating boxes reminiscent of specimen cases, painted with tar and overlaid with white, "the exhibition's white color scheme references the loss of polar ice and serves to convey the show's primary metaphor: scientific truths have been systematically 'whitewashed' by a culture focused on exclusively human needs."[9]
Conservation From Here
editConservation From Here is an exhibit first displayed in 2017 at the Sagamore Hill National Historic Site, both inside and on the lawn of Theodore Roosevelt's home. The installation included 5 panels based on etchings from one of Roosevelt's hunting guns, and 180 full-scale tempered-aluminum Roosevelt elk displayed on the front lawn. Rossano described his exhibit as "a statement on the importance of working together to expose an audience to the importance of conservation."[12] In 2021, Conservation From Here was displayed at Olympic National Park in Port Angeles.[18]
The Salmon School
editRossano's project The Salmon School is a multimedia sculpture incorporating glass pieces from artists around the globe, created to bring awareness to the global decline of salmon populations resulting from of climate change and habitat destruction.[19] The Salmon School was first displayed in 2019 at the Bellevue Arts Museum under the title School.[13] The project's international debut came at the 2021 United Nations Climate Change Conference.[15] In April 2022, The Salmon School was put on display at Balmoral Castle as part of the Queen's Platinum Jubilee, becoming the first contemporary artwork to be displayed in one of the Queen's residences.[20]
Fly-Tying Contributions
editRossano is well-known in fly-tying communities for his steelhead flies, and has had numerous articles published in angling publications. [citation needed]
References
edit- ^ "BIO | Joseph Rossano | Artist". Joseph Rossano. Retrieved 2022-04-29.
- ^ "Knightlines: Green Vale's Alumni Newsletter". www.greenvaleschool.org. Retrieved 2022-04-29.
- ^ "JOSEPH ROSSANO '81". trinitypawlingthequad.org. Retrieved 2022-04-29.
- ^ "CV | Joseph Rossano | Artist". Joseph Rossano. Retrieved 2022-04-29.
- ^ "Joseph Rossano - Artists - Mark Moore Fine Art". www.markmoorefineart.com. Retrieved 2022-05-06.
- ^ "Museums and galleries". seattlepi.com. 2004-01-23. Retrieved 2022-05-06.
- ^ "Mirrored Murrelets". Joseph Rossano. Retrieved 2022-05-06.
- ^ Zlotnick, Bradley, ed. (2016). BOLD. New York: Cold Spring Harbor Laboratory DNA Learning Center. ISBN 9780692698020.
- ^ a b "WHITEWASHED: Joseph Gregory Rossano". CoCA Seattle. Retrieved 2022-05-06.
- ^ "BOLD". museum.dnalc.org. Retrieved 2022-05-06.
- ^ "Archive: Vanity". Museum of Glass. Retrieved 2022-05-06.
- ^ a b "Elk signify the 'promise and practice of conservation'". Herald Community Newspapers. Retrieved 2022-05-06.
- ^ a b "School: The Joseph Rossano Salmon Project". bellevuearts.org. Retrieved 2022-05-06.
- ^ UrbanGlass (2022-05-06). "In Seattle exhibition, artist Joseph Rossano's "Ivory…". UrbanGlass. Retrieved 2022-05-06.
- ^ a b "Salmon School at COP26". The Atlantic Salmon Trust. Retrieved 2022-05-06.
- ^ "BOLD". The Nat. Retrieved 2023-02-14.
- ^ "BOLD". museum.dnalc.org. Retrieved 2023-02-14.
- ^ "Art Exhibition: Conservation From Here - The Olympic Peninsula, WA". Olympic Peninsula. Retrieved 2022-05-18.
- ^ "Home | The Salmon School". SCHOOL. Retrieved 2022-05-06.
- ^ "Queen's life at Balmoral celebrated in exhibition". BBC News. 2022-04-01. Retrieved 2022-05-06.
Further reading
edit- Whitewashed edited by Bradley Zlotnick. Seattle: Center on Contemporary Art, 2013. ISBN 9780988358669.
- Vanity edited by Sandra I. Berrios-Torres. Tacoma: Museum of Glass, 2015. ISBN 9780692462508.
- BOLD edited by Bradley Zlotnick. New York: Cold Spring Harbor Laboratory DNA Learning Center, 2016. ISBN 9780692698020.
External links
edit- Official website
- The Salmon School website
- Conservation From Here website
- Joseph Rossano's Mirrored Murrelets by the Museum of Glass
- BOLD the Barcode of Life by Joseph Rossano video series by the DNA Learning Center