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Sivko-Burko

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Sivko-Burko (Russian: Сивко-бурко, romanized: Sivko-burko) is a Russian fairy tale (skazka) collected by folklorist Alexandr Afanasyev in his three-volume compilation Russian Fairy Tales. The tale is a local form in Slavdom of tale type ATU 530, "The Princess on the Glass Mountain", wherein the hero has to jump higher and reach a tower or terem, instead of climbing up a steep and slippery mountain made entirely of glass.

Sivko-Burko
The hero, on the fiery Sivko-Burko, kisses the princess, located in the highest tower. Study by Victor Vasnetsov (1926).
Folk tale
NameSivko-Burko
Aarne–Thompson groupingATU 530 (The Princess on the Glass Hill)
CountryRussia
Published inRussian Fairy Tales by Alexandr Afanasyev
Related

Summary

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A father has three sons, the youngest named Ivan the Fool, for he usually stays on the stove most of the time. On his deathbed, the man asks his sons to hold a vigil on his grave for three nights, each son on each night.

The man dies and is buried. When the time comes, the elder brother sends Ivan in his stead. Ivan goes to his father's grave on the first night. The grave opens and his father's spirit asks if his elder son is there, but Ivan answers that it is him. The spirit summons a horse named Sivko-Burko, "Magic Black Steed", and asks the animal to serve his son just as it has served him.

On the second night, the middle brother sends Ivan in his stead. He meets his father's spirit near the grave and Sivko-Burko appears to him again. On the third night, Ivan the Fool goes himself to his father's grave and is given the horse Sivko-Burko, then his father's spirit finally rests in the grave.

Some time later, the tsar issues a proclamation: whoever jumps high enough on a horse and tear the princess's portrait down "from high up on the house" shall have her a wife. Ivan's brothers leave him by the stove at home and go to watch the event. Meanwhile, Ivan the Fool summons Sivko-Burko. The horse comes, venting fire from its nostrils. Ivan the Fool climbs into one of the horse's ears and comes out of the other dresses in knightly garments.

The mysterious knight rides to the tsar's palace and jumps very high to tear down the princess's portrait, but misses by "three logs". He rides back to the steppe, turns back to Ivan the Fool, dismisses Sivko-Burko and goes back home to the stove. The brothers return home and comment on the mysterious riders.

Time passes, and the tsar reiterates the proclamation. Ivan's brothers want to attend again, and leave Ivan at home. Ivan summons Sivko-Burko, rides to the tsar's assemblage and jumps very high to tear down the portrait, but misses it by two logs. The third time, Ivan rides the horse, tears down the portrait with the bunting, and rides back home.

The tsar then holds a ball and summons all male participants, boyards, voivodes, peasants, the like. Ivan the Fool also comes and sits by the chimney. The princess serves beer to the guests and hopes to check if any one of them wipes his brow with the bunting, but no luck on the first day, neither in the second. On the third day, Ivan the Fool, sat by the chimney, wipes his brow with a cloth. The princess recognizes him as the rider and goes to serve him beer. She proclaims Ivan is her intended, and marries him.[1][2]

Analysis

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Tale type

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Russian scholarship classifies the tale as type 530, "Сивко-Бурко" ("Sivko-Burko"), of the East Slavic Folktale Classification (Russian: СУС, romanized: SUS): the foolish third brother holds a vigil on his father's grave and is rewarded a magical horse named Sivko-Burko, which he rides to reach the princess atop a tower.[3] The East Slavic tale corresponds to tale type ATU 530, "The Princess on the Glass Hill", of the international Aarne-Thompson-Uther Index.[4]

Motifs

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The hero's vigil at his father's grave

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August Leskien acknowledged that the "numerous" Slavic variants "almost universally begin" with the father's dying wish for his sons to hold a vigil for his coffin or dead body at night.[5] Vladimir Propp, in his work The Russian Folktale, argued that the test in the tale type involves the cult of ancestors, since the third brother is the only one who fulfills the dead father's request.[6]

The horse helper

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The fierce steed Sivko-Burko, venting fire from his nostrils. Image from a Russian postcard.

Russian scholar Vladimir Propp argued that the magical horse of the Russian tale Sivko-Burko represented a messenger connected to the Otherworld, and mentioned an ancient Slavic funeral custom of burying a horse with its owner.[7] Propp, in a later study, remarked that the male hero finds the magical horses in a crypt, deep in the mountain or under a stone - a motif he called Конь в подвале ("horse in the cellar").[8] According to him, this motif reaffirmed the connection between horses and the cult of the ancestors.[9] Following Propp's arguments, researcher T. V. Mzhelskaya, based on archeological evidence, suggests that the motif of the "horse in the cellar" integrated into Russian folklore via a nomadic people of the Eurasian steppe.[10]

The horse's name, Sivko-Burko, refers to the horse the hero's father summons to help his son, sometimes translated as "Grey-Brown,[11][12] "Silver-Roan",[13] or "The Grey and Chestnut Horse".[14] The steed is described as venting fire from his nostrils,[15][16] and with the ability to fly.[11] Russian scholarship remarks that the character of the magical horse Sivka already appears in Russian literature by the late 15th century.[17]

Some scholars trace the origin of the wonder horse to Central Asian epic narratives, from there spreading to Eastern Asia, South Asia, the Middle East and then to Europe.[18]

The princess in the terem

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Scholarship notes that, in variants from Eastern Europe, Russian and Finland, the princess is not located atop a Glass Mountain, but is trapped or locked in a high-store tower.[19][20] According to Russian folklorist Lev Barag [ru], the motif of the "princess in the terem" is predominant in Russia, Ukraine and Belarus, although the Glass Mountain appears in texts collected from Western Belarus and Western Ukraine.[21]

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Russian variants often begin with the challenge of the Glass Mountain or the high store tower, but continue as type ATU 530A, The Pig With Golden Bristles, wherein the foolish hero, to test his mettle, is made by his father-in-law to provide him with marvellous creatures, such as the titular golden-bristled pig.[4] In The Tale of Little Fool Ivan, after he holds a vigil on his father's grave for three nights, Ivan gains his father's trusty horse, Sivko-Burko, and uses it to beat the challenge of Tsarevna Baktriana: to reach her in a high store terem. After they marry, the Boyards on the Tsar's court lie that Ivan's brothers boast that they can accomplish impossible tasks. As a result, the Tsar sends Ivan's brothers on dangerours errands, such as to capture a pig with golden bristles.[22] According to Lev Barag, the continuation of type 530 as type ATU 530A only occurs among the Slavs and in the Baltic states.[23]

Variants

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Russia

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Professor Jack Haney reported at least 60 variants from Russian sources.[4]

Russian folklorist Alexander Afanasyev collected a variant named "Царевна Елена Прекрасная" (Tsarevna Yelena Prekrasnaya; "Tsarevna Yelena, the Beautiful"): Prince Ivan stands at his father's grave and longs for the beautiful Princess Helena the Fair. Sensing his son's deep longing, the father's spirit appears to him and summons a horse to help the prince to gain the affections of the fair princess.[24] This tale was translated by Leonard Arthur Magnus as The Princess to be Kissed at a Charge;[25] as Princess Helena The Fair, by William Ralston Shedden-Ralston;[26] and by French illustrator Edmund Dulac as Ivan and the Chestnut Horse, in his book Fairy Tales of the Allied Nations.[27]

Alexander Afanasyev collected another Russian variant ("Сивко, Бурко, Вѣщій Воронко"),[28] and a Belarusian one (originally "Конь със Злато-Серебряной Шерсткой",[29] "The Horse with Golden-Silver Skin"), all grouped under the name "Сивко-бурко" (Sivko-burko).[30]

Russian-born British author Edith Hodgetts published, in a book of Russian fairy tales, the story Ivan and the Chestnut Horse: a peasant named Ivan the Fool wants to go to the king's feast, but is mocked by his brothers. Suddenly, a horse of chestnut color materializes and reveals its intention to help the youth. Ivan then rides the horse to get the shining ring from the king's daughter, a princess who was cursed to remain unmoving on her balcony until someone brave enough took the ring from her hand.[31]

In a tale from Perm Krai with the title "Сивка-бурка" ("Sivka-Burka"), an old couple have three sons and wheat fields. One summer, they begin to notice that something has been trampling the fields, and order their sons to stand guard. The elder two fail, but the youngest, Vanyusha, discovers a wild horse. Vanuysha jumps on the horse to tame it and the animal flies away with him on a aerial journal. The horse lands back on the fields and teaches the youth a command to summon it, then departs. Some time later, the king places his daughter on a high tower, and announces that whoever jumps very high, reach the tower window and get the princess's ring, shall have her as wife and half of the kingdom. Vanyusha tries three times on three days, succeeding in getting the ring on the third time. He rushes back home, dismisses Sivka-Burka, and lies on the oven. The princess looks for her suitor during the ceremony, to no avail. All males are invited to the wedding, including Vanyusha. The princess recognizes him and brings him to her table.[32]

In a version published by Irina Zheleznova, Chestnut-Grey, the magical horse Sivko-Burko is named Chestnut-Grey.[33]

A variant of the tale type has been collected from a Komi source.[34]

Five variants of the tale type have been collected in "Priangarya" (Irkutsk Oblast), in East Siberia.[35]

Ukraine

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In Ukraine, a previous analysis by professor Nikolai Andrejev noted an amount between 16 and 20 variants of the tale type.[14]

In a Ukrainian tale, "Коршбуры попелюхъ" or Korsbury-popeljuh ("Dirty Cinder-boy"), given in abridged form by English folklorist Marian Roalfe Cox, the hero tames three wild sea horses that have been grazing the king's fields. Later he uses the horses to reach the princess in the second story of the castle, for a kiss.[36] August Leskien, in his summary of this story, described that each horse had, respectively, a star, a moon and the Sun on their bodies.[37]

In a tale collected by O. Malinka, Батько и тры сыны ("The Man and his Three Sons"), only the youngest son attends his father's funeral and receives three horsehairs to summon a magical horse. His father warns him that he will not succeed the first two times, but in the third time he will reach a verandah on the fifth floor of the palace, where the princess is located.[38]

In another tale with the title "Дурень-Терешка" ("Fool-Tereshka"), the king places his daughter on a Glass Mountain, and announces that whoever reaches her, shall have her for wife. Meanwhile, an old man is dying and asks his sons to attend his funeral for three nights. Only the youngest, a fool, fulfills his late father's wishes.[39]

See also

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References

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  1. ^ Сивко-бурко. In: Afanasyev, Alexander. "Народные Русские Сказки". Tom 2. Tale Numbers 179-181.
  2. ^ Haney, Jack V. (2015). "179–81 Sivko-Burko". The Complete Folktales of A. N. Afanas'ev, Volume II: Black Art and the Neo-Ancestral Impulse. University Press of Mississippi. pp. 3–9. ISBN 978-1-4968-0278-1. Project MUSE chapter 1659238.
  3. ^ Barag, Lev. "Сравнительный указатель сюжетов. Восточнославянская сказка". Leningrad: НАУКА, 1979. pp. 149-150.
  4. ^ a b c Haney, Jack V. (2015). "Commentaries". The Complete Folktales of A. N. Afanas'ev, Volume II: Black Art and the Neo-Ancestral Impulse. University Press of Mississippi. pp. 536–556. ISBN 978-1-4968-0278-1. Project MUSE chapter 1659317.
  5. ^ Leskien, August/Brugman, K.. Litauische Volkslieder und Märchen. Straßburg: Karl J. Trübner, 1882. p. 524.
  6. ^ The Russian Folktale by Vladimir Yakovlevich Propp. Edited and Translated by Sibelan Forrester. Foreword by Jack Zipes. Wayne State University Press, 2012. pp. 162, 187. ISBN 9780814334669.
  7. ^ The Russian Folktale by Vladimir Yakovlevich Propp. Edited and Translated by Sibelan Forrester. Foreword by Jack Zipes. Wayne State University Press, 2012. p. 223. ISBN 9780814334669.
  8. ^ Propp, Vladimir. Theory and History of Folklore. Translated by Ariadna Y. Martin and Richard P. Martin and several others. Edited, with an Introduction and Notes, by Anatoly Liberman. Theory and History of Literature, Volume 5. Minneapolis: University of Minnesota Press, 1984. p. 207 (Chapter 8, footnote nr. 2).
  9. ^ Propp, Vladimir. Исторические корни волшебной сказки [Historical Roots of the Wondertale]. Изд-во С.-Петербургского университета, 1996. p. 174. ISBN 9785288017100.
  10. ^ Владимировна, Мжельская Татьяна (2015). "Русская Волшебная сказка «Сивко-Бурко» в контексте археологии". СибСкрипт (2-6 (62)): 87–93.
  11. ^ a b Zaikov, A.V. (2004). "Alcman and the Image of Scythian Steed". Pontus and the Outside World. pp. 69–84. doi:10.1163/9789047412403_009. hdl:10995/31790. ISBN 978-90-474-1240-3. S2CID 190855205.
  12. ^ Avilova, Liudmila I.; Chernetsov, Alexey V. (2013). "Magical Practices in Russia Today: An Observer's Report". Russian History. 40 (3–4): 559–567. doi:10.1163/18763316-04004018. JSTOR 24667227.
  13. ^ Dixon-Kennedy, Mike (1998). Encyclopedia of Russian and Slavic Myth and Legend. Santa Barbara, California: ABC-CLIO. p. 257-258. ISBN 9781576070635.
  14. ^ a b Andrejev, Nikolai P. (January 1958). "A Characterization of the Ukrainian Tale Corpus". Fabula. 1 (2): 228–238. doi:10.1515/fabl.1958.1.2.228. S2CID 163283485.
  15. ^ de Gubernatis, Angelo. Zoological mythology; or, The legends of animals. Vol. 1. London: Trübner & Co. 1872. pp. 296-297.
  16. ^ Dixon-Kennedy, Mike (1998). Encyclopedia of Russian and Slavic Myth and Legend. Bloomsbury Academic. pp. 257–258. ISBN 978-1-57607-063-5.
  17. ^ Avilova, Liudmila I.; Chernetsov, Alexey V. (2013). "Magical Practices in Russia Today: An Observer's Report". Russian History. 40 (3/4): 559–567. doi:10.1163/18763316-04004018. JSTOR 24667227.
  18. ^ Anderson, Earl R. with Mark Host. "Genetic and Diffusional Themes in the Armenian Sasna Crer: The Sanasar Cycle". In: Journal of the Society for Armenian Studies Vol. 14 (2005): 31.
  19. ^ de Kooi, Jurjen van. "De prinses op de glazen berg". In: Van Aladdin tot Zwaan kleef aan. Lexicon van sprookjes: ontstaan, ontwikkeling, variaties. 1ste druk. Ton Dekker & Jurjen van der Kooi & Theo Meder. Kritak: Sun. 1997. pp. 286-287.
  20. ^ Unterberger, Gerald. Die Gottheit und der Stier: Der Stier in Mythos, Märchen, Kult und Brauchtum. Beiträge zur Religionswissenschaft undvergleichenden Mythenforschung. Wien: Praesens Verlag. pp. 312-313. ISBN 978-3-7069-1005-7.
  21. ^ Бараг, Л. Г. (1971). "Сюжеты и мотивы белорусских волшебных сказок". Славянский и балканский фольклор (in Russian). Мoskva: 214.
  22. ^ Polevoi, Petr. Russian fairy tales from the Russian of Polevoi. Translated by R. Nisbet Bain. New York: Frederick A. Stokes Co.. 1915. pp. 165-187.
  23. ^ Бараг, Л. Г. (1971). "Сюжеты и мотивы белорусских волшебных сказок". Славянский и балканский фольклор (in Russian). Мoskva: 215.
  24. ^ Афанасьев, Александр Николаевич. Народные русские сказки. Выпуск VI. Moskva: 1861. pp. 135-137. [1]
  25. ^ Afanasʹev, Aleksandr Nikolaevich; and Leonard Arthur Magnus. Russian Folk-tales. New York: E.P. Dutton, 1916. pp. 220-222.
  26. ^ Ralston, William Ralston Shedden. Russian fairy tales: a choice collection of Muscovite folk-lore. New York: Pollard & Moss. 1887. pp. 262-265.
  27. ^ Dulac, Edmund. Edmund Dulac's fairy-book: fairy tales of the Allied nations. New York: G.H. Doran. 1916. pp. 61-71.
  28. ^ Афанасьев, Александр Николаевич. Народныя русскія сказки. Moskva: 1863. pp. 253-257. [2]
  29. ^ Афанасьев, Александр Николаевич. Народные русские сказки. Выпуск ІІІ. Moskva: 1857. pp. 21-23. [3]
  30. ^ Haney, Jack, V. An Anthology of Russian Folktales. London and New York: Routledge. 2015 [2009]. pp. 98-101. ISBN 978-0-7656-2305-8.
  31. ^ Hodgetts, Edith M. S.. Tales And Legends From the Land of the Tzar: A Collection of Russian Stories. New York: C. E. Merrill & co., 1892. pp. 62-69.
  32. ^ "Русские народные сказки Пермского края" [Russian Folktales from Perm Krai]. Сост. А. В. Черных. Пермское кн. изд-во, 2004. pp. 100-104, 247. ISBN 5-93683-024-1.
  33. ^ A Mountain of Gems: Fairy Tales of the Peoples of the Soviet Land. Translated by Irina Zheleznova. Raduga Publishers. 1983. pp. 18-24.
  34. ^ "VII. Besprechungen". Fabula. 5 (Jahresband): 167–184. January 1962. doi:10.1515/fabl.1962.5.1.167.
  35. ^ Прокопьевна, Матвеева Руфина (2011). "Народные русские сказки Приангарья: локальная традиция". Вестник Бурятского государственного университета. Философия (10): 209–214.
  36. ^ Cox, Marian Roalfe. Cinderella; three hundred and forty-five variants of Cinderella, Catskin, and Cap o'Rushes, abstracted and tabulated, with a discussion of mediaeval analogues, and notes. London: The Folk-lore society. 1893. pp. 438 and 449. [4]
  37. ^ Leskien, August/Brugman, K.. Litauische Volkslieder und Märchen. Straßburg: Karl J. Trübner, 1882. pp. 524.
  38. ^ Малинка, Олександр Никифорович. Сборник материалов по малорусскому фольклору. Черниговская, Волынская, Полтавская и некот. др. губ. Чернигов: Типография Губ. земства, 1902. pp. 300-302. [5]
  39. ^ Лукашевич, Клавдия Владимировна. "Сказки Украины" [Ukrainian Fairy Tales]. Magazin Pravoslavnoe Slovo, 2006. pp. 26-30.
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