Vincent J. Arcilesi (1932–2022) was a New York-based Contemporary figurative and landscape artist. His work has been shown internationally at prominent museums and galleries throughout the mid-20th and early 21st centuries.

Vincent Arcilesi
Vincent Arcilesi in Mexico City creating his painting Palacio Nacional, a 16 x 20" oil on canvas piece
Born
Vincent J. Arcilesi

1932
Died2022
EducationArt Institute of Chicago University of Oklahoma
Occupation(s)Artist and Professor
StyleAmerican Realism, European Classicism, Abstract Expressionism, Avant-Garde, Impressionism, Post-Impressionism, Italian Renaissance
SpouseNan Chapin Arcilesi
ChildrenFrancesca Arcilesi, Piero Arcilesi

He has also been featured in various notable publications such as Art in America, The New York Times, Huffington Post, Gallery & Studio Magazine, and American Artist.  His work resides in museum collections, including The Hirshorn Museum, The Art Institute of Chicago, The Chicago Museum of Contemporary Art, Krannert Art Museum, and the Illinois State Museum. Arcilesi created large-scale murals, small oil paintings, drawings and lithographs, Arcilesi's style shifted cyclically throughout his life from European Classicism, Abstract Expressionism, Avant-Garde, Impressionism, Post-Impressionism, and Italian Renaissance.

Education and life

edit

Arcilesi attended Furman University in Greenville, SC.[1] After receiving a BFA in Design at the University of Oklahoma, he eventually moved to Chicago to achieve a BFA and MFA in drawing and painting at the School of the Art Institute of Chicago, where he was trained as an abstract painter, and where he also met his wife, Nan Chapin Arcilesi.[1]

Since his school days at the Art Institute of Chicago, Arcilesi immersed himself in the school's collection of Impressionist and Post-Impressionist pieces.[1] Arcilesi exhibited alongside other students in the school's Junior Museum throughout his matriculation[2] as well as his participation in the school's Gallery Talks, Slide Lecture and Film sessions.[3]

Later in his career, Arcilesi began directing much of his energy toward painting representational landscapes seen in his travels abroad. As a result, Arcilesi held many exhibitions showing this work at The Broome Street Gallery through the late 90s and early 2000s. These exhibitions consisted of his works created in a particular place in the world, always entitled "Arcilesi in" with their respective country, which included Morocco, Rome, Russia, and Mexico.

Arcilesi was heavily involved with the New York Artists Equity Association (NYAEA) from the 90s throughout the rest of his life, as well as a recurring featured artist at galleries such as the Blue Mountain Gallery, 2/20 Gallery (now closed), and The Broome Street Gallery (now closed). He participated in many artist-run exhibitions such as those held by the Artist's Choice Museum.[4] Arcilesi was a full professor at the Fashion Institute of Technology (FIT) from the 90s to his retirement in 2015 where he taught life drawing and painting and participated in several faculty exhibitions and art shows held at FIT. During his time at FIT, Arcilesi participated in notable panels and speaker sessions where he discussed his artwork in line with the subject at hand. One example of this is his session, “Sex and the City: Lovers in Rome, New York, and Paris,” at the 1999 FIT Seminar “Healthy Sexuality in the 21st Century.”

Arcilesi was awarded Sabbatical Leave in 2002 to study painting in Morocco and in 2009 to study painting in Rome. He was also granted Leave in 1994 to “create 4 large paintings dealing with mythology in the Italian landscape.

Selected drawings and paintings

edit

A selection of Arcilesi's drawings & paintings can be found on Issuu.

Notable exhibitions

edit
  • America 1976 BiCentennial Sponsored by United States Department of the Interior[5][6]
    • Dates: March 11, 1978 through May 21, 1978
    • Included Arcilesi works:
      • Grand Canyon, oil on canvas, 48 x 60"
      • View from Point Imperial, oil on canvas, 48 x 60"
      • Angels Landing, oil on canvas, 36 x 40"
    • Shown at:
      • The Corcoran Gallery of Art
      • The Wadsworth Atheneum
      • The Fogg Art Museum
      • Institute of Contemporary Art
      • The Minneapolis Institute of Arts
      • The Milwaukee Art Center
      • The Fort Worth Art Museum
      • The San Francisco Museum of Modern Art
      • The High Museum of Art
      • The Brooklyn Museum[7]

Publications and reviews

edit
  • Huff Post, October 2017: Vincent Arcilesi Retrospective Profiles a Stylistic Virtuoso[8]
  • Gallery & Studio Magazine, September / October 2010 Edition: Arcilesi's New Roman Idyll by Ed McCormack
  • Gallery & Studio Magazine, April / May 2013 Edition
  • The Villager, March 1995: Cand Greek Mythology, Celia Bergoffen,
  • Arcilesi and the Immediacy of Myth, 1991 by Ed McCormack
  • Artists of the Ideal by Edward Lucie-Smith
  • Arts Magazine, May 1977, Vol. 51, No. 9: Hedy O'Beil review on Arcilesi's oil painting
  • ArtSpeak, February 1985, Vol. 4, No. 2: Palmer Poroner reviews Arcilesi's work through a romanticist lens

Awards and sabbaticals

edit
  • 1982 Arts Visual Artists Fellowship Grant
  • 2009 Sabbatical, FIT, NYC, Travel, Study painting in Rome
  • 2002 Sabbatical Grant, FIT NYC, Travel, Study painting in Morocco

Works held in permanent collections

edit
  • The Hirshhorn[9]
  • The Art Institute of Chicago[10]
  • Chicago Museum of Contemporary Art[11]
  • Krannert Art Museum[12]
  • Pratt Institute Libraries Teaching Collection[13][14]
  • Solomon R. Guggenheim Museum Archives[15]
  • Smithsonian Institution Online Archives[16]

References

edit
  1. ^ a b c "About | Vincent Arcilesi". Vincentarcilesi.com. Retrieved 2023-01-24.
  2. ^ "The Junior Museum". Calendar of the Art Institute of Chicago. 62 (5): 16. 1968. JSTOR 4112830 – via JSTOR.
  3. ^ "Gallery Talks, Slide Lectures and Films". Calendar of the Art Institute of Chicago. 62 (1): 8–9. 1968. JSTOR 4112876 – via JSTOR.
  4. ^ Berlind, Robert (1981). "Recent Realism and the Artists' Choice Museum". Art Journal. 41 (2): 176–180. doi:10.2307/776475. JSTOR 776475 – via JSTOR.
  5. ^ Arthur, John (1976). America 1976: A Bicentennial Exhibition Sponsored by the United States Department of the Interior. The Hereward Lester Cooke Foundation.
  6. ^ Corcoran Gallery of Art (1976). America 1976 a bicentennial exhibition sponsored by the united states department of the interior. Internet Archive. [S.l.] Hereward Lester Cooke Foundation.
  7. ^ "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2023-03-07.
  8. ^ "Vincent Arcilesi Retrospective Profiles a Stylistic Virtuoso". HuffPost. 2017-10-28. Retrieved 2023-02-28.
  9. ^ "Joseph H. Hirshhorn Papers | Contents | search=s=0&n=10&t=C&q=*:* | SOVA". sova.si.edu. Retrieved 2023-05-08.
  10. ^ "Vincent Arcilesi". The Art Institute of Chicago. Retrieved 2023-01-24.
  11. ^ CMCA Catalogue #78.39.107
  12. ^ "Krannert Art Museum - Aspen III". collection.kam.illinois.edu. Retrieved 2023-03-16.
  13. ^ Arcilesi, Vincent J., 1932- (American, and painter). Venus and Adonis in Rome. oil on canvas, 1993. Collection of the Artist, JSTOR, https://jstor.org/stable/community.638046 . Accessed 3 May 2023.
  14. ^ Arcilesi, Vincent J., 1932- (American, and painter). Rinaldo and Armida. oil on canvas, 1991. Collection of the Artist, JSTOR, https://jstor.org/stable/community.638047 . Accessed 3 May 2023.
  15. ^ "Artist files". The Guggenheim Museums and Foundation. Retrieved 2023-06-01.
  16. ^ "Ellen Lanyon papers | Contents | search=t=W&q=vincent+arcilesi | SOVA". sova.si.edu. Retrieved 2023-06-01.