Wikipedia

William Oliver (artist, born 1823)

(Redirected from Draft:William Oliver (artist, born 1823))
For the earlier artist, see William Oliver (artist, born 1804).

William Oliver Williams (1823–1901)[1] was an English figurative and genre artist based in London who specialised in paintings of young women.[2][3] He used the professional name William Oliver.[1] He has sometimes been mistakenly referred to as 'William Oliver the Younger' or 'William Oliver II'.[4] He was, however, not (as implied) related to the artist William Oliver (1804–1853).[5]

William Oliver
Born1823
Worcester, England
Died1901
Kensington, London, England
NationalityBritish
OccupationArtist
SpouseJane Elizabeth (Hughes) Williams
Parent(s)William Williams, Jane (Oliver) Williams

Life and family

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Oliver was born in Worcester in 1823,[6] the son of the surgeon William Williams and his wife Jane Williams (née Oliver).[7][8][6] He married Jane Elizabeth née Hughes in the district of St Pancras in London in 1852.[1][7][9] Two of their sons, Oliver 'Rhys' Williams and Reginald Arthur Williams, also became established artists, with the professional names of Oliver Rhys and Reginald Arthur respectively.[1][6][10][11] William Oliver died in Kensington on 16 April 1901.[12] His obituary notice appeared in the Evening Standard the following day.[13] It was stated as follows. 'OLIVER WILLIAMS, on the 16th inst., 41 Queensgate Gardens, South Kensington, William Oliver Williams ('William Oliver', artist) aged 77'.

Career

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Oliver was enrolled (as William Oliver Williams) as a Probationer at the Royal Academy Schools of the Royal Academy of Arts on 18 July 1848 (recommended by Thomas Clark (sic) from Birmingham) and as a student on 16 December 1848.[14][15] The Schools' register, and other sources, indicate that he also worked at the Government School of Design, Birmingham (see Birmingham School of Art), where he was the assistant master (1849–1851) and the headmaster was Thomas Clarke (1846–1851).[14][15][16][17] Whilst a student at the Royal Academy, he won 1st prize for his drawing from the antique in 1851 in the annual Premiums.[18]

During the early part of Oliver's career he added his surname when signing his works. This was seen with his two works exhibited at the British Institution in 1851 and 1852.[17] He also used the name William Oliver Williams when he exhibited six paintings between 1858 and 1863 at the Royal Academy of Arts. In 1858 the first of two paintings was titled Portrait of a gentleman while the second was Rev. B.H. Kennedy, President of the School of Art, Shrewsbury. At this time Oliver had a Shrewsbury address, possibly suggesting that he worked at the local school of art. The final painting in 1863 was titled Crossing the ford.[19]

In the early 1850s, Oliver received a commission from the Arundel Society to tour Northern Italy and make drawings and watercolours of the classical masterpieces in the churches and galleries. His full name was first mentioned (as 'a young artist from the Royal Academy Schools') in the Society's fourth annual report in 1853. His task was to make drawings of Giotto's fresco in the Arena Chapel in Padua (see Scrovegni Chapel). Engravings were then made from these drawings.[20] He therefore played a key role in producing one of the Arundel Society's most important early publications. Copies of the book of the engravings are in both the collections of the Royal Academy and the Royal Collection Trust[21][22]

 
Giotto’s Virtues. Temperance, Justice and Faith from the Arena Chapel, Padua. Watercolours by William Oliver Williams (1823–1901).

Sixteen watercolours which Oliver is thought to have painted for the Arundel Society are recorded to have survived. In 1978, they were held in the Fine Art Department of the University of Leeds.[23] More recently, three examples of these chiaroscuro watercolours have been reported to be held by the Victoria and Albert Museum[24] Oliver also painted a number of additional watercolours derived from the Padua frescos, which he sold and which were owned privately in 1978. They have been described as 'highly finished and beautifully executed' and Oliver was described as 'a careful draughtsman and skilful water-colourist'.[20] His watercolours were displayed by the Arundel Society at the Crystal Palace, Sydenham in 1855–6, and were praised by Dante Gabriel Rossetti.[21]

 
The fortune teller. Oil on canvas. Signed W. Oliver and dated 1886.

After recovering from bankruptcy in 1863,[25] by the late 1860s he was based in London and had adopted his more well-known professional name which he used thereafter.[2][26] He continued to exhibit at the Royal Academy of Arts and British Institution (Tryste) in 1867, and at the Society of British Artists (The First Letter) in 1868.[2][27][28] Subsequently, he also exhibited at the Walker Art Gallery Liverpool, Manchester Art Gallery, Royal Birmingham Society of Artists and Royal Glasgow Institute of the Fine Arts.[3] His favoured exhibition venue was the Royal Academy of Arts. He exhibited 15 more works there starting with A thing of beauty is a joy for ever and Forget me not in 1867, and finishing with Mrs Oliver Williams in 1897.[2][3][29] It is recorded that at least one of his paintings had sold in one of the major auction galleries for more than £100 during the 1970–1975 period.[3]

His works mainly depicted figures of young women and pretty girls, or an attractive woman sometimes in Greek or Roman costume.[30] Oliver's paintings were popular at the time and prints were made in response to demand. This popularity is reflected in the fact that 33 of his paintings are exhibited in public museums and galleries throughout the United Kingdom, as seen on the Art UK web site. There is one of Oliver's oil paintings in the Royal Collection. It is titled Jack's Letter and is signed and dated 1881. It was presented by Mr and Mrs E. Johnson as a wedding present to the Duke and Duchess of York, 6 July 1893.[31]

Oliver's paintings are still available from dealers and at auctions.[30][32][26] Examples of high recent auction prices for his paintings are £4,320 for The letter at Bonhams on 21 June 2011 and £5000 for Reclining Beauty at Christie's on 11 March 2015.[4][33]

References

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  1. ^ a b c d "Oliver Rhys (In the Garden)". Benton Fine Art.
  2. ^ a b c d Wood, Christopher (1995). Victorian Painters. Woodbridge Suffolk: Antique Collectors' Club. p. 388. ISBN 1-85149-171-6.
  3. ^ a b c d J Johnson and A Greutzner (2008). British Artists 1880-1940. Sandy lane, Old Martelsham, Woodbridge,Suffolk IP12 4SD: Antique Collectors Club. p. 383. ISBN 978-0-902028-36-4.{{cite book}}: CS1 maint: location (link)
  4. ^ a b "William Oliver II (The letter)". Bonhams. Retrieved 27 October 2019.
  5. ^ "Oliver, William (1804-1853)". Suffolk Artists. Retrieved 8 November 2019.
  6. ^ a b c 1881 England Census for William O Williams, London, Kensington, Brompton 18b
  7. ^ a b London, England, Church of England Marriages and Banns, 1754–1932 for William Oliver Williams, Camden, St Pancras Parish Chapel, 30 December 1852
  8. ^ England Births and Christenings 1538–1875. William baptised 24 August 1823; father William Williams and mother Jane Williams
  9. ^ "Marriage of William Oliver Williams". FreeBMD. Retrieved 1 November 2019.
  10. ^ Wood, Christopher (1995). Victorian Painters. Woodbridge Suffolk: Antique Collectors' Club. p. 28 and 434. ISBN 1-85149-171-6.
  11. ^ J Johnson and A Greutzner (2008). British Artists 1880-1940. Sandy lane, Old Martelsham, Woodbridge,Suffolk IP12 4SD: Antique Collectors Club. p. 30 and 424. ISBN 978-0-902028-36-4.{{cite book}}: CS1 maint: location (link)
  12. ^ England and Wales Civil Registration Death Index, 1837–1915, volume 1a, page 113, 1901
  13. ^ Williams, William Oliver. "The Standard, Obituary notice, page 1, 17 April, 1901". British Newspaper Archive. co.uk. Retrieved 14 December 2019.
  14. ^ a b Williams, William Oliver. "Probationers Admitted July 18, 1848". Royal Academy Archive. Royal Academy.org.uk. Retrieved 15 November 2019.
  15. ^ a b Williams, William Oliver. "Students Admitted to the Royal Academy Schools 16 December, 1848". Royal Academy Archive. Royal Academy.org.uk. Retrieved 15 November 2019.
  16. ^ Bell, Quentin (1963). The Schools of Design. Broadway House, Carter Lane, London EC4: Routledge and Kegan Paul Limited. pp. 108–109.{{cite book}}: CS1 maint: location (link)
  17. ^ a b Williams, William Oliver (1908). Exhibits at the British Institution. G. Bell and Sons and A. Graves.
  18. ^ William Oliver, Williams. List of winners of prizes (1769-1880). Royal Academy of Arts Archive, Reference RAA/KEE/3/1. Royal Academy of Arts.org.UK.
  19. ^ Williams, William Oliver. "Exhibits at the Royal Academy". Retrieved 16 November 2019.
  20. ^ a b Ledger, Tanya. "A Study of the Arundel Society !848-1897. PhD thesis (!978) pp 45-50". University of Oxford, UK. Retrieved 16 November 2019.
  21. ^ a b "Arena Chapel, Padua: a series of wood engravings from the frescoes of Giotto, illustrating the lives of the Virgin and our Saviour". Arundel Society, London 1860. Retrieved 16 November 2019.
  22. ^ "Arena Chapel, Padua. A series of wood engravings from the Frescoes of Giotto, illustrating the lives of the Virgin and our Saviour". Royal Collection Trust. Arundel Society (1860). Retrieved 25 January 2020.
  23. ^ Ledger, Tanya. "A study of the Arundel Society 1848-1898. PhD thesis (1978), p 266 and 292". University of Oxford, UK. Retrieved 16 November 2019.
  24. ^ Ward, Lucina (2016). "A translation of a translation:Dissemination of the Arundel Society's chromolithographs. PhD thesis (2016) page 178, Figure 65" (PDF). The Australian National University. doi:10.25911/5d78d5adbe662. S2CID 192687700. Archived from the original (PDF) on 12 January 2020. Retrieved 12 January 2020. {{cite journal}}: Cite journal requires |journal= (help)
  25. ^ Williams, William Oliver. "Notice of bankruptcy" (PDF). The London Gazette (1863), June 30, page 3322. Retrieved 24 January 2020.
  26. ^ a b "Portrait of a lady. Lot 117, 4.March 2019". Whyte's Auctioneers. Retrieved 1 November 2019.
  27. ^ Graves, Algernon (1908). The British Institution, 1806-1867: A complete Dictionary of Contributors and Their Work from the Foundation of the Institution. London: G. Bell and Sons and A. Graves – via the HathiTrust Digital Library.
  28. ^ Johnson, Jane (1987). Works Exhibited at the Royal Society of British Artists 1824-1893 and The New English Art Club 1888-1917. An Antique Collectors' Club Research Project. Church Street, Woodbridge, Suffolk: Antique Collectors' Club. p. 348. ISBN 0-902028-35-9.
  29. ^ Graves, Algernon (1906). The Royal Academy of Arts: A Complete Dictionary of Contributors and their Work from its Foundation in 1769 to 1904. London: H. Graves and co – via the Internet Archive.
  30. ^ a b "William Oliver (The Flower Maiden)". Benton Fine Art. Retrieved 8 November 2019.
  31. ^ "Jack's Letter Painting in Royal Collection". Royal Collection Trust. Retrieved 8 November 2019.
  32. ^ "Portrait of a Spanish Woman". Richard Taylor Fine Art. Retrieved 1 November 2019.
  33. ^ "William Oliver (Reclining beauty)". Christie's. Retrieved 27 October 2019.
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