Won Il(Korean: 원일; RR: Won Il), stylized as IL WON, is a Korean modern musician mainly based on Korean traditional music. He won four times at the Grand Bell Awards which is often regarded as South Korea's Academy Awards.
Won Il 원일 | |
|---|---|
 | |
| Background information | |
| Born | October 19, 1967 Seoul, South Korea |
| Occupation(s) | Korean traditional music Player, Composer, Conductor, Producer |
| Instruments | Piri, Percussions, Electronic gears |
| Website | www |
| Korean name | |
| Hangul | 원일 |
| Hanja | |
| Revised Romanization | Won Il |
| McCune–Reischauer | Wŏn Il |
Early life
editWON IL was born in Seoul on October 19, 1967. In elementary school, he hit all things that sounded like a musical instrument: hollow gears, such as broken pots, crushed pots, planks, sticks, iron pipes, or bamboo, dig through holes. He mainly played snare drums and recorders, and in middle school he started playing the clarinet in the band. The clarinet he met while blowing the iron pipe was so fascinating that he swelled his mouth to swell.[1]
Thanks to these musical activities, the emotion of deficiency and discomfort that had to be felt in the absence of the birth mother in the home environment as a child was transformed into musical energy. In connection with the band's senior who attended the Korean traditional music high school, Won entered the National Traditional Music High School to major in flute, and the teacher of the original Samulnori who taught Samulnori, Kim Yong-bae recognized the mischievous 'player' in the Korean traditional music high school.[2][1][3]
In that way, Kim Yong-bae's presence and music greatly influenced his music identity. While serving as a class leader and a school president at the Gugak High School, he was fail the college admission to Seoul National University. He established a career as a major in Korean classical music and flute major (1986 student number), led by teacher Jeong Jae-guk, a master of contemporary flutes, and entered the path of a traditional music player in earnest as a minor in percussion including Samulnori.[4]
In college, in an attempt to play accompaniment music in real-time during a traditional dance performance, 'Sorisawi' with his participation as Flute-Percussion was established to try to put into practice the contemporary agony with the music.[5]
At that time, there were also contacts with famous celebrities of the time, who were classified as so-called 'Undongkwon' such as Park Chi-eum,[6] Kim Min-ki, and Yoo In-taek. At the time, in 1988, when the Seoul Olympics were held, on the occasion of Korean Liberation Day, on August 15, the festival of 'Unification Song Hanmadang'[7] was held. At the 'Art Theater Hanmadang', opened as a theater dedicated to Korean traditional play (CEO Yoo In-taek), the festival led by Park Chi-um was the first musical accompaniment to Korean traditional music. 'Sorisawi' performed all accompaniment music as Korean traditional music.[8]
Main career
edit- Recipient of Daechwita / Piri Jeongak, National Intangible Cultural Properties[9]
- 1993–2004 Representative leader, world music group “Puri”[10]
- 2000–2002 Music Director, National Dance Company of Korea
- 2002–2015 Professor of Dp. Composition in School of Korean Traditional Arts (in Korea National University of Arts)[11]
- 2004–2011 Representative leader, Korean Music Ensemble “Wind Cape”[12]
- 2006–2015–2018 Music General Director, HwaEom Spiritual Music Ritual[13]
- 2009–2010 Music Director, 21st Century Korean Music Project
- 2010 Advisor of Dp. Performance, Seoul Arts Center Council[14]
- 2012–2015 National Orchestra of Korea, Artistic Director
- 2017–2018 Artistic Director, Yeowoorak Festival in National Theater of Korea[15]
- 2018 Music Director, Opening & Closing Ceremony of 2018 Winter Olympics[16]
- 2019 General Director, Opening & Closing Ceremony of the 100th Korean National Sports Festival[17]
- 2020–present Artistic Director, Gyeonggi Province Sinawi Orchestra[18]
Awards
edit| Year | Award | Category | Recipient | Result |
|---|---|---|---|---|
| 1990 | National Gugak Contest | Grand Prize[19] | Won-il | Won |
| 1994 | Korea Dance Association Awards | Music[20][21] | Jok-bo | Won |
| 1995 | Korea Institute of Creative Arts Awards | New Generation Best Composer Selection[22] | Kkot-sang-yeo | Won |
| 1996 | Grand Bell Awards | Best Music[23] | Petals | Won |
| 1999 | Best Music[24] | Spring in My Hometown | Won | |
| Chunsa Film Art Awards | Best Music[25] | Won | ||
| Korean Association of Film Critics Awards | Best Music[26] | Won | ||
| Today's Young Artist Awards | Traditional Korean Arts[27] | Won-il | Won | |
| 2000 | Grand Bell Awards | Best Music[28] | The Uprising | Won |
| KBS Korean Traditional Music Awards | Composition[29] | Won-il | Won | |
| 2008 | Grand Bell Awards | Best Music[30] | Hwang Jin Yi | Won |
| 2015 | Best Artist of This Year | Music[31] | Won-il | Won |
Works
editDiscography
edit| Year | Artist | Title | Label |
|---|---|---|---|
| 1996 | Won Il | A petal | Samsung Music |
| 1997 | Uhuhboo Project | Breakeven point | DongA Records |
| Won Il | Asura | AK | |
| Dosirak Commandos | Yummy omnibus Dosirak Commandos | DongA Records/King Records | |
| 1998 | Won Il | Spring In My Hometown | Woongjin Media |
| 1999 | Puri | 移動 | Yejeon Media |
| Won Il | The Uprising | Sony Music | |
| Won Il | The Ring virus | Sony Music | |
| 2000 | Dosirak Commandos | 圖時樂特功隊2 Behind Story | Doremi Records |
| 2003 | Won Il | Wonderful Days | Fluxus Music/Seoul Records |
| Won Il | Wonderful Days [Special Edition] | Fluxus Music | |
| 2007 | Puri | Neo Sound Of Korea | Mnet Media |
| 2011 | Baramgot | Baramgot | Universal Music |
Soundtrack
edit| Year | Work | Awards | Ref. |
|---|---|---|---|
| 1995 | Cinema on the Road (Korean: 한국영화 씻김; RR: Hangungnyeonghwa Ssitgim) | ||
| 1996 | A Petal | Grand Bell Awards, BEST MUSIC | |
| 1998 | The Power of Kangwon Province | ||
| 1998 | Spring in My Hometown | Grand Bell Awards, BEST MUSIC | |
| 1999 | The Ring Virus | ||
| 1999 | The Uprising | Grand Bell Awards, BEST MUSIC | |
| 2002 | On the Occasion of Remembering the Turning Gate | ||
| 2003 | Sky Blue | ||
| 2003 | A Hilarious Mourning (Korean: 오구; RR: Ogu) | ||
| 2003 | Into the Mirror | ||
| 2005 | O-Nu-Ri (Korean: 오늘이; RR: Oneuri) | ||
| 2006 | Immortal Admiral Yi Sun-sin (TV series) | [33] | |
| 2007 | Hwang Jin Yi | Grand Bell Awards, BEST MUSIC | |
| 2011 | The Showdown | ||
| 2012 | Gabi |
Major events
edit- Music director, closing ceremony of 2018 Winter Olympics
- General director, opening and closing ceremony of the 100th Korean National Sports Festival
Filmography
editRadio
editTelevision
editBibliography
edit- 동해안 진오귀굿 중 장수굿의 짜임새와 장단구조 : 청보장단을 중심으로, 2001.[38]
- 음악적 발상의 원천으로서의 굿, 2011.[39]
- 음대 나와서 무얼 할까, 2015. ISBN 9788970598246
Artistic orientation
editThis section of a biography of a living person does not include any references or sources. (April 2020) |
1. Popularity. From his early 'Puri' activity, in his performance, there was an enthusiastic response that was not normally seen in the traditional Korean music audience. In addition, he contributed to securing a young fan base of the Korean music industry by pursuing popular attempts that were not seen in the traditional music world, such as recording music with N.E.X.T, the popular music group, and PANIC O.S.T. By dividing the category of 'National Heritage', which was reinforced and expanded and reproduced by governmental logic such as strengthening national identity which is so-called 'Korean traditional music', he moved the public's attention to the category of 'contemporary music' where creators and enjoyers coexist in creative music genre.
2. Creativity. He is a National Intangible Cultural Property of Korea, and is also awarded the Grand Prize of the National Korean Traditional Contest hosted by the National Gugak Center in the 'Jeongak' field, which can be said to be the music that connects authentic Korean traditional music. However, as mentioned earlier, his role in the Korean traditional music world was not 'Guardian' but 'Innovation'. Beginning in high school, his creative activities continued to evolve and evolved, paying more attention to the needs of the market at the eye of the public rather than stuffed supplies, and contributed to broadening the boundaries of Korean traditional music creativity. Even now, he finds the creative principle of Korean music from native Korean word called 'Sinawi', the oldest Korean music term to replace creative music, and creates a new concept and phenomenon called 'Shin-A-wi (神 我 爲)'.
3. Extensibility. It is an indispensable element to elicit a new phase of access to the unspecified majority. Since childhood, the memories of learning snare drum and recorder, flute and clarinet, kkwaeng-gwali and janggu, and composition and production are imprinted on his genetic map and combined to suit the purpose as a sort of synthesizer, so that they can be output like MIDI. From his early music, represented by <Shinbatnori>, to his numerous artistic events, such as the release of numerous movie music OSTs, opening and closing ceremonies of PyeongChang Olympics and National Sports Festival, his artistic behavior was the convergence of individual music identities, between past and future, East and West genres.
4. Openness. He has been pursuing the 'open structure' of the performance, which is the biggest characteristic of Korean traditional music. It appears narrowly in the musical structure or stage operation of the work, and broadly in his activities and histories. From the fusion music activities of 'Puri' to professional management for European tours in Japan and other countries in the early 1990s, he has taken the method of stepping up the existing frame by the newly introduced elements rather than traditional principles or laws. By doing so, he opened his own experiential horizon. Rather than choosing to continue the institutional music power as a professor at the Korea National University of Arts and as an art director at the National Orchestra orchestra under the National Theater, he chose to take a new course to pursue spirituality and world music at the 'Hwaeom Music Festival' held at Hwaeomsa Temple in Gurye, Jeolla Province. It is a feature that can be seen in.
5. Spirituality. The intrinsic dimension and essential characteristic to be experienced as the ultimate value of his music is that he leads the spiritual experience of the subject through 'doing music'. When this is done jointly in the music field, it creates a magnetic field of greater influence, and this is the 'phenomena' to be observed in the 'Sinawi' project he has been trying to realize. This phenomenon created a multiplicity and atypical melody flow called Sinawi, which began with musical “live songs in the field”, and songs played in shamanism or at the theater. This is an attempt. Shortly after he was newly appointed as the artistic director of Gyeonggi Provincial Orchestra Orchestra under the Seoul Arts Center in 2020, the name of the representative orchestra of Gyeonggi-do, which is 25 years old, has been renamed as 'Gyeonggi Sinawi Orchestra'. Expression.
References
edit- ^ a b "[21세기 문화 문화인] 작곡가 원일씨" (in Korean). 서울칼럼니스트모임. 2000-10-16.
- ^ "국악인 원일, 한국 음악의 22세기 지도를 그리다 : COVER STORY" (in Korean). Retrieved 2020-03-18.
- ^ Gowman, Philip (14 June 2013). "The Timbre of Moonlight: Won Il on bringing traditional instruments to a modern audience". London Korean Links. Retrieved 1 June 2020.
- ^ "전통음악/전설의 풍물, 미래의 가락". 한겨레21 문화 (in Korean). Retrieved 2020-03-19.
김용배가 국립국악고등학교에 출강하면서 새끼사물을 키웠으니 이들이 곧 원일, 허윤정, 김웅식 등이다. 이들을 사랑해서 쇠에다 이름까지 써서 주었다.
- ^ "그들의 이력서 : 젊은 베르테르, 다르게 쓰는 결말 - 예술감독 원일". 월간 공진단 (in Korean). 2019.
- ^ "[인터뷰] 운동권 가요의 숨은 거물 박치음 교수". 주간조선 (in Korean). Retrieved 2020-03-19.
- ^ "예술극장 한마당 8월15일 개관". 매일경제 (in Korean). Retrieved 2020-04-27.
- ^ "마당극 전용공연장 생긴다". JoongAng Ilbo (in Korean). 1988-06-24. Retrieved 2020-04-27.
- ^ "국가무형문화재 제46호 피리정악 및 대취타 (피리正樂 및 大吹打)". Heritage Portal (in Korean). Retrieved 2020-04-27.
- ^ "[원일 타악그룹 '푸리'] 두드려서 여는 화음의 세계". The Chosun Ilbo (in Korean). 1999-05-09. Retrieved 2020-04-27.
- ^ "[한국의 성공사례 연구] 한국예술종합학교". Monthly Chosun (in Korean). 2004-03-07. Retrieved 2020-04-27.
- ^ "국립극장 - 바람곶". National Theater of Korea (in Korean). Retrieved 2020-04-27.
- ^ "원일식 하드코어". www.noblessemall.com (in Korean). 2017-09-26. Retrieved 2020-04-27.
- ^ "예술의전당 공연자문위원 김덕기 교수 등 20명 위촉". The Financial News (in Korean). 2010-06-13.
- ^ "국립극장 - 공연 > 여우樂". National Theater of Korea (in Korean). Retrieved 2020-04-27.
- ^ "[평창]'강남스타일'과 '이매진', 개막식 음악 선곡 이유 있었다". 이데일리 (in Korean). 2018-02-10. Retrieved 2020-04-27.
- ^ 김, 지헌 (2019-06-26). "제100회 전국체전 서울개최 D-100…성화 첫 전국 봉송". Yonhap News Agency (in Korean). Retrieved 2020-04-27.
- ^ "예술감독". 경기시나위오케스트라. Retrieved 2020-04-27.
- ^ "국악경연 대상에 원일씨". JoongAng Ilbo (in Korean). 1990-09-11. Retrieved 2020-04-27.
- ^ "(제16회) 서울무용제 ; 족보 ; 토템". DA-Arts. Retrieved 2020-05-17.
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- ^ 김, 명환 (1996-04-28). "제34회 대종상 「애니깽」작품-감독상". The Chosun Ilbo (in Korean). Retrieved 2020-05-17.
- ^ "'아름다운 시절'작품상". The Chosun Ilbo (in Korean). 1999-04-09. Retrieved 2020-05-17.
- ^ "아름다운 시절 또 "償"". Incheon Ilbo (in Korean). 1999-02-08. Retrieved 2020-05-17.
- ^ "映評賞 최우수작품상에 「아름다운 시절」". Munhwa Ilbo. Retrieved 2020-05-17.
- ^ "안치환씨 등 8명 '오늘의 젊은 예술가상'수상". Busan Ilbo (in Korean). Retrieved 2020-05-17.
- ^ 임, 범 (2000-04-18). "박하사탕 대종상 휩쓸어". The Hankyoreh. Retrieved 2020-05-17.
- ^ "'2000 KBS 국악대상' 수상자 선정". 경기일보 (in Korean). 2000-12-29. Retrieved 2020-05-17.
- ^ 김, 병규 (2008-06-27). "'추격자' 대종상 작품상 등 5개 부문 석권". Yonhap News Agency (in Korean). Retrieved 2020-05-17.
- ^ 고, 은지 (2015-11-23). "올해 최우수 예술가에 한명옥 예술감독 등 8명". Yonhap News Agency (in Korean). Retrieved 2020-05-17.
- ^ "원일 (Won, Il)". maniadb (in Korean).
- ^ "'불멸의 이순신' 시청자들, OST 발매 서명운동". 스타뉴스 (in Korean). 2005-07-11. Retrieved 2020-04-27.
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- ^ 일, 원 (2011). "음악적 발상의 원천으로서의 굿". 민족미학 (in Korean) (10). 민족미학회: 2.