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The Two Widows (Czech: Dvĕ vdovy) is a two-act Czech opera by Bedřich Smetana based on the libretto of Emanuel František Züngel . The libretto is based on Jean Pierre Felicien Mallefille's one-act play Les deux veuves. The opera was composed between June 1873 and January 1874, and its premiere took place on 27 March 1874 at the Prague Czech Theatre under the direction of Smetana. However, this premiere was not successful and the opera was rewritten in 1874. The spoken dialogue was replaced by through-composed recitatives[1] and some of the music and characters were reworked. The second premiere on 20 October 1874 was very successful. A further revised version was premiered on 17 March 1878, under Adolf Čech.
The Two Widows | |
---|---|
Opera by Bedřich Smetana | |
Native title | Dvĕ vdovy |
Librettist | Emanuel Züngel |
Language | Czech |
Based on | Les deux veuves by Jean Pierre Felicien Mallefille |
Premiere | 27 March 1874 Prague Czech Theatre, Prague |
For a later performance in Hamburg in 1882 "Smetena reluctan[t]ly added a trio in act 1 and an alternative ending to Agnes' aria in act 2, and consented to a redivision of the opera into three acts".[1]
Performance history
editThe US premiere took place in New York on 23 October 1949 and it was first given in the UK on 17 June 1963 at the Guildhall School of Music.[1]
Kurt Honolka provided a German version in 1958.
The opera was presented by Scottish Opera in 2008 at the Edinburgh Festival.[2] [3]
Roles
editRole | Voice type | Premiere cast, 27 March 1874 (Conductor: - ) |
---|---|---|
Caroline, a young widow | soprano | |
Agnes, her sister, also a young widow | soprano | |
Ladislaus, a landowner | tenor | |
Mumlal, gameskeeper to Caroline, father of Lidka | bass | |
Toník, a gardener | tenor | |
Lidka, his fiancée, a chamber girl, daughter of Mumlal | soprano | |
Peasants, choir |
Synopsis
edit- Place: A castle in Bohemia (Czech Republic).
Act 1
editAt the castle, people are celebrating. The two widows, Caroline and Agnes, are sisters but are very different personalities. Caroline, the wealthy owner, is happy about her liberty and independence, while Agnes cannot make friends because she is still in mourning. Caroline is being pursued by Ladislaus, but does not want to marry him, so she conspires to make Agnes fall in love with him. Caroline invites Ladislaus to the castle, where he is arrested by Mumlal, the gamekeeper. Ladislaus is condemned by Caroline to one day's house arrest in the castle, and accepts the punishment. Agnes still shows no interest in him. At the end of the act, Lidka (Mumlal's daughter) and her suitor Toník, with the chorus, sing about love.
Act 2
editWhile in prison, Ladislaus sings a love song, which awakens romantic feelings in Agnes. However, learning of Caroline's scheme and Ladislaus's confession, she will not show weakness. Only when Caroline begins to flirt with Ladislaus does Agnes admits her feelings for him. Mumlal cannot keep Lidka and Toník apart. At the ball, both couples become engaged.
Recordings
edit- 1956, Jaroslav Krombholc (conductor), Prague National Theatre Orchestra and Chorus; Drahomíra Tikalová, Ivo Žídek, Maria Tauberová, Miloslava Fidlerová, Antonín Zlesák, Eduard Haken
- 1974, Jaroslav Krombholc (conductor), Symphony Orchestra and Chorus of the Prague Radio; Jana Jonášová, Marcela Machotková, Miroslav Švejda, Dalibor Jedlička, Alfred Hampel, Daniela Šounová-Brouková[4][5]
- 1975, František Jílek (conductor), Prague National Theatre Chorus and Orchestra; Naďa Šormová, Marcela Machotková, Jiří Zahradníček, Jaroslav Horáček, Zdeněk Švehla, Daniela Šounová
References
edit- Notes
- ^ a b c Holden p. 860
- ^ Reynolds, Mike "Smetena: The Two Widows" (review with photos) on musicalcriticism.com Retrieved 4 March 2012
- ^ Jeal, Erica, "Edinburgh festival: The Two Widows", review of the performance in The Guardian (London), 11 August 2008. Retrieved 4 March 2012
- ^ Roseberry, Eric, Review of The Two Widows (June 1993). The Musical Times, 134 (1804): p. 348.
- ^ Zychowicz, James L. "SMETANA: Dvě vdovy (The Two Widows)" review of the recording 17 August 2008 on operatoday.com Retrieved 4 March 2012
- Sources
- Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-14-029312-4