Eddie Palmieri (born December 15, 1936)[1] is an American Grammy Award-winning pianist, bandleader, musician, and composer of Corsican and Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
Eddie Palmieri | |
|---|---|
 Palmieri performing in 2013 (left, with bassist Luques Curtis) | |
| Background information | |
| Born | December 15, 1936 New York City, U.S. |
| Genres | |
| Occupations |
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| Instrument | Piano |
| Years active | 1955–present |
| Labels | |
| Website | www |
Childhood
editPalmieri's parents moved to New York from Ponce, Puerto Rico, in 1926 and settled in the South Bronx, a largely Jewish neighborhood. There, he and his elder brother Charlie Palmieri were born.[1] He accompanied Charlie and participated in many talent contests when he was eight years old.[2][3]
Palmieri continued his education in the city's public school system where he was constantly exposed to jazz music. He took piano lessons and performed at Carnegie Hall at the age of eleven. Influenced by Thelonious Monk and McCoy Tyner, and inspired by his older brother, he determined to someday form his own band — which he accomplished in 1950 when he was fourteen years old. During the 1950s, Palmieri played in several bands including Tito Rodríguez's.[2]
Career
editIn 1961, Palmieri founded the band Conjunto La Perfecta, which featured singer Ismael Quintana. Apart from the big bands, at the beginning of the decade the Pachanga was the Latin dance craze. Essential to the Charanga style is the five key wooden flute and at least two violins. Palmieri decided to replace the violins with two trombones for a heavier sound.[4]
Two key elements to the 'Palmieri' sound were trombonist Barry Rogers as well as guitarist Bob Bianco with whom Palmieri studied the advanced harmonic concepts of Russian music theoretician Joseph Schillinger. Rogers would also expose Palmieri to the work of then John Coltrane pianist McCoy Tyner whose use of chord voicings in fourths became a signature of Palmieri's sound. Rogers alongside Brazilian-born José Rodrígues were also responsible for many of the 'head' arrangements, mambos and moñas that the band employed in live performances and eventually recorded. George Castro (flute), Manny Oquendo (bongó and timbales), Tommy López (conga) and Dave Pérez (bass) rounded out the group. To this day, the group is known as one of the swingingest, most danceable, innovative and influential groups of that period.[4]
Palmieri experimented by employing a jazz aesthetic both in live performance and on his recordings based on the Cuban "descarga" (jam session) concept. He "opened up" the arrangements by featuring his band members as soloists. In addition he began incorporating a newly developed post Castro Cuban rhythm known as mozambique. Lo Que Traigo Es Sabroso (What I Bring is Tasty) and Mozambique are just two examples of his use of this rhythm. Discontent among several members and seeking a bigger and punchier sound, Palmieri disbanded the band in 1968 reforming it with legendary Cuban trumpeter Alfredo "Chocolate" Armenteros, timbalero Nicky Marrero, conguero Eladio Perez, bongocero Tomas 'Choki" Lopez, and bassist Andy Gonzalez.[2][5]
In 1971, Palmieri recorded Vamonos Pa'l Monte (Let's go to the Mountain) with his brother Charlie playing organ. That same year he also recorded Eddie Palmieri & Friends in Concert, At the University of Puerto Rico. In 1975, Palmieri won the first Grammy Award for Best Latin Recording with The Sun of Latin Music (produced by Harvey Averne and arranged by René Hernández, long-time pianist with the orchestra led by Machito, and Barry Rogers (Un Día Bonito)). On July 21, 1979, he appeared at the Amandla Festival along with Bob Marley, Dick Gregory and Patti LaBelle, among others.[2][4][5]
In the 1980s, Ismael Quintana returned to the band, which also included Cheo Feliciano. Palmieri won two Grammys for the recordings of Palo Pa' Rumba and Solito. He also recorded the album La Verdad (The Truth) with salsa singer Tony Vega in 1987. The next year, his brother Charlie died suddenly.[2]
In the 1990s, Palmieri had participated in various concerts and recordings with the Fania All-Stars and the Tico All-Stars; he also introduced La India with the production of Llegó La India via Eddie Palmieri (La India has arrived via Eddie Palmieri), released in 1992. In 1998, Palmieri received an honorary doctorate from the Berklee College of Music.[6] In 2000, Palmieri announced his retirement from the world of music. However, he recorded Masterpiece with Tito Puente and won two Grammys; additionally he was also named the "Outstanding Producer of the Year" by the National Foundation of Popular Culture. Palmieri has won a total of 9 Grammy Awards in his career, most recently for his 2006 album Simpático. On November 6, 2004, Palmieri directed a "Big Band Tribute" to his late brother Charlie at Avery Hall at the Lincoln Center for the Performing Arts.[2][4][5]
La Perfecta
editPalmieri's La Perfecta departed from the traditional Cuban sources of salsa instrumentation by introducing a new stylistic device into the New York Latin sound. Their signature sound relied heavily on two trombones and a flute instead of trumpets. On the liner notes of their first album, Eddie's brother Charlie dubbed this combination the 'trombanga', referring to the trombones and the still popular charanga which typically featured the flute. The combination helped to give La Perfecta a rich and bold sound which contributed to Palmieri's success with his new band. The trombone-based conjunto sound was later adopted by salsa band leaders Willie Colón and Manny Oquendo, among others.[2][5]
Palmieri formed a new band, La Perfecta II, with whom he recorded the CD Ritmo Caliente (Hot Rhythm). On April 30, 2005, "Mi Día Bonito", a tribute to Eddie Palmieri celebrating his 50 years in the world of music, took place at the Rubén Rodríguez Coliseum in Bayamón, Puerto Rico. The event included the participation of Lalo Rodríguez, Ismael Quintana, Cheo Feliciano, La India, Hermán Olivera, Jerry Medina, Luis Vergara and Wichy Camacho.[2][4][5]
In November and December 2005, Palmieri teamed up with longtime trumpeter and band member Brian Lynch to record the Artistshare CD release The Brian Lynch/Eddie Palmieri Project: Simpático. This CD and accompanying multimedia web site features music by an all-star roster of jazz and Latin jazz artists, including Phil Woods, Lila Downs, Donald Harrison, Conrad Herwig, Giovanni Hidalgo, Gregory Tardy, Mario Rivera, Boris Kozlov, Rubén Rodríguez, Luques Curtis, Robby Ameen, Dafnis Prieto, Pedro Martínez, Johnny Rivero, Edsel Gómez, Yosvany Terry. In 2007, the recording was awarded a Grammy as the best Latin Jazz Recording.[2][4][5]
Other work
editPalmieri returned to the studio to record three songs for the soundtrack to Doin' it in the Park: Pickup Basketball NYC. The documentary, co-directed by Bobbito García and Kevin Couliau, explores the relationship between NYC playgrounds, basketball, arts and culture.
In 2022, Eddie Palmieri appeared in a feature-length documentary titled Santos - Skin to Skin.
Discography
edit- La Perfecta (Alegre, 1962)
- El molestoso (Alegre, 1963)
- Lo que traigo es sabroso (Alegre, 1964)
- Echando pa'lante (Straight Ahead) (Tico, 1964)
- Azúcar pa' ti (Sugar for You) (Tico, 1965)
- Mambo con conga es Mozambique (Tico, 1965)
- El Sonido Nuevo (Verve, 1966) – with Cal Tjader
- Bamboléate (Tico, 1967) – with Cal Tjader
- Molasses (Tico, 1967)
- Champagne (Tico, 1968)
- Justicia (Tico, 1969)
- Superimposition (Tico, 1970)
- Vamonos pa'l monte (Tico, 1971)
- In Concert at the University of Puerto Rico (Coco, 1971)
- Harlem River Drive (Roulette, 1971) – with Harlem River Drive
- Recorded Live at Sing Sing Vol. 1 (Tico, 1972) – with Harlem River Drive
- Recorded Live at Sing Sing Vol. 2 (Tico, 1972, released 1974)
- Sentido (Coco/Mango, 1973)
- Sun of Latin Music (Coco, 1974) – with Lalo Rodríguez
- Unfinished Masterpiece (Coco, 1975)
- Eddie's Concerto (Tico, 1976)
- Festival 76 (Coco, 1976)
- Lucumí, Macumba, Voodoo (Epic, 1978)
- Eddie Palmieri (Barbaro, 1980)
- Timeless (Coco, 1981)
- Palo pa' rumba (Musica Latina International, 1984)
- Solito (Musica Latina International, 1985)
- The Truth / La verdad (Fania, 1987)
- Sueño (Intuition, 1989)
- Llegó La India Via Eddie Palmieri (Soho Sounds, 1992) – with La India
- Palmas (Elektra Nonesuch, 1994)
- Arete (RMM, 1995)
- Vortex (1996)
- El rumbero del piano (RMM, 1998)
- Live (1999)
- Masterpiece / Obra maestra (RMM/Universal, 2000) – with Tito Puente
- En Vivo Italia (2002)
- La Perfecta II (Concord, 2002)
- Ritmo caliente (Concord Picante, 2003)
- Listen Here! (Concord Picante, 2005)
- Simpático (ArtistShare, 2006) – with Brian Lynch
- Eddie Palmieri Is Doin' It in the Park (2013)
- Sabiduría / Wisdom (2017)
- Full Circle (Uprising, 2018)
- Mi Luz Mayor (2018)
See also
editReferences
edit- ^ a b Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. pp. 1897/8. ISBN 0-85112-939-0.
- ^ a b c d e f g h i Bailyn, Evan. "Artists - Palmieri, Eddie - Music of Puerto Rico". Musicofpuertorico.com. Archived from the original on November 17, 2018. Retrieved May 29, 2018.
- ^ "Eddie Palmieri". Fundación Nacional para la Cultura Popular (in Spanish). November 12, 2020. Retrieved November 19, 2022.
- ^ a b c d e f "Eddie Palmieri Celebrates more than 50 Years of La Perfecta". Bmi.com. May 18, 2012. Retrieved May 29, 2018.
- ^ a b c d e f "Eddie Palmieri". Warr.org. Retrieved May 29, 2018.
- ^ "Eddie Palmieri". Biography. Retrieved May 29, 2018.
External links
edit- Eddie Palmieri – official site
- Eddie Palmieri discography at Discogs
- Eddie Palmieri at warr.org
