Eileen M. Folson (born Eileen M. Garden, 1956 – February 4, 2007) was a Broadway composer, professional cellist, and a Grammy nominee.
Early life and education
editFolson was born in 1956 as the fourth of six children. She began playing piano at around age 5 and took up her brother's trumpet after he quit, with an interest in becoming a jazz bassoonist.[1]
Although the cello eventually became her major instrument, she was able to play several other instruments. At the Philadelphia High School for Girls, she learned how to play harp, bassoon, cello, piano, and trumpet. She chose to focus on the cello, although she continued to play the trumpet in the bands that she played in with brothers Earl and Mark. Folson then attended the Settlement Music School in Philadelphia on scholarship, followed by University of Michigan in Ann Arbor, Michigan where she earned both her Bachelor of Music and her Master of Music in cello performance.
Professional career
editFolson's professional career began when she was chosen to apprentice with the New York Philharmonic Orchestra under the baton of Zubin Mehta.[2] She first appeared as a student soloist with the Philadelphia Orchestra at the age of 17. Her professional accomplishments include:
- New York Philharmonic Orchestra Fellow
- Broadway musician (including Phantom of the Opera, Into the Woods, Ragtime, The Lion King and Side Show)
- Grammy-nominated composer (J.J'S Jam from the album USQ Just Wait a Minute!)[3]
- Studio musician (including Mary J. Blige, Lauryn Hill, Alicia Keys and Mýa)
- Orchestral musician (Alicia Keys, Gladys Knight, Max Roach and the Double Quartet, The Uptown String Quartet, The Black Swan String Quartet)[2][4]
- Television appearances (The Bill Cosby Show; Mr. Roger's Neighborhood)
- Touring musician (Luther Vandross)
Personal life
editEileen Folsom was married for 28 years to Jack Folson; they had two children. She attended the First Baptist Church of Hillside. She died on February 4, 2007.[5]
References
edit- ^ The Strad: A Monthly Journal for Professionals and Amateurs of All Stringed Instruments Played with the Bow. Lavendar Publications. 1990. pp. 116–118.
- ^ a b Gourse, Leslie (1996-05-23). Madame Jazz: Contemporary Women Instrumentalists. Oxford University Press. pp. 40–41, 229. ISBN 978-0-19-535555-0.
- ^ BESECKER, BILL BESECKER NEWS CONTRIBUTING REVIEWER, BILL BESECKER NEWS CONTRIBUTING WRITER, BY BILL. "UPTOWN QUARTET BLENDS TRADITIONS INNOVATIVE PIECES SATISFY ROCKWELL HALL AUDIENCE". Buffalo News. Retrieved 2022-12-12.
{{cite web}}: CS1 maint: multiple names: authors list (link) - ^ Ericson, Margaret Donelian (1996). Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music, 1987-1992. G.K. Hall. p. 85. ISBN 978-0-8161-0580-9.
- ^ "A Beautiful Day". www.smc.edu. Retrieved 2022-12-12.