Elvis Presley was an American entertainer who achieved great initial success as a singer and stage performer. He publicly expressed an early career goal of following in the footsteps of his role models James Dean and Marlon Brando to become a top dramatic actor.[1] His manager Colonel Tom Parker's persistent lobbying of William Morris Agency president Abe Lastfogel for a Presley screen test paid off on March 26, 1956, when the singer auditioned at Paramount for a supporting role in The Rainmaker.[2] Although not chosen for the part, he signed a contract with Paramount producer Hal Wallis on April 25 that also allowed him to make films with other studios.[3]
His feature debut was in Love Me Tender in 1956 for 20th Century Fox, which was the biggest acting debut of all time,[4] with the commercial success of the soundtrack EP being a bellwether for the next three Presley films, Loving You, Jailhouse Rock, and King Creole. Elvis returned to acting after leaving the army in 1960, with G.I. Blues and a dramatic western Flaming Star. The popularity of his romantic musicals established a formula for the coming years, with Elvis films being credited as the start of the modern music video.
Over time, Presley became bitter that his hopes for dramatic roles were not coming to fruition,[5] stating that Clambake was his worst film. He began to complain about the deteriorating quality of the films and his belief that his manager's objectives were more monetary than anything else.[6] This resulted in a change to his acting career and a stop to the formula films in 1968, after which Presley starred in the western Charro!, and the drama Change of Habit.[7]
At the expiration of all studio contracts, he returned to live entertaining and soon became the biggest star in Las Vegas history and on tour in America.[8] The two concert documentaries Elvis: That's the Way It Is in 1970 and Elvis on Tour in 1972 were the final theatrical releases for Presley.[9] Both were among the most successful concert documentaries of their day, with Elvis on Tour winning prestige with a Golden Globe award and starting off the career of Martin Scorsese.
Presley was the highest paid actor in Hollywood, but said that he didn't need money to be successful[10] and that no amount of money was necessary for him to take a good role.
It was expected for Presley to be paid his usual million dollar salary to star in A Star is Born. Although interested in the role, Presley was ultimately not hired as Parker believed Presley would not receive top billing, and attempted to negotiate a higher salary and percentage of the films gross profits.[11] The documentary film The New Gladiators remained unfinished at the time of his death.[12]
Over the years and with a reassessment of his acting career, roles in films like Charro! or Wild in the Country have led to Presley receiving praise as an actor.[13][14] Many consider him to have been the best and most successful singer-actor in Hollywood history.[15] Elvis also holds the unique distinction of every single one of his films making money at the box office.[16]
Sadly for Elvis, it's well-known that the film academy was against him, which is why he was never awarded an Oscar, although this has been reassessed and the success Elvis had in Hollywood remains the benchmark for every singer-turned-actor.[17]
Acting credits
editTelevision
edit| Year | Title | Notes | Ref(s) |
|---|---|---|---|
| 1956 | Stage Show | 6 episodes at the CBS studios in New York City, NY: January 28, February 4, 11, 18, March 17, 24; Tommy and Jimmy Dorsey's show, produced by Jackie Gleason as a lead-in for his show | [18] |
| 1956 | Texaco Star Theatre | 2 episodes: April 3 aboard the USS Hancock in San Diego, CA; June 5 NBC studios Los Angeles, CA | [19] |
| 1956 | Teenage Dance Party | June 16; hosted by Wink Martindale, WHBQ-TV Memphis, TN (interview only) | [20] |
| 1956 | Hy Gardner Calling | July 1 television interview, WRCA-TV, New York City, NY (interview only) | [21] |
| 1956 | The Steve Allen Show | July 1; NBC, New York City, NY | [21] |
| 1956–57 | The Ed Sullivan Show | 3 episodes: September 9, October 28, 1956; January 6, 1957, CBS New York City, NY | [22] |
| 1960 | The Frank Sinatra Timex Show: Welcome Home Elvis | Taped March 26, in Miami, FL; aired on ABC May 12 | [23] |
| 1968 | Elvis: The 1968 Comeback Special | Also known as One Night With You; June taping at NBC Los Angeles, CA; air date December 3 | [24] |
| 1973 | Aloha from Hawaii Via Satellite | Kui Lee Cancer Fund benefit concert at Honolulu's Neal S. Blaisdell Center broadcast by NBC world-wide January 14 | [25] |
| 1977 | Elvis in Concert | The last concert tour before Presley died; broadcast by CBS after his death; has never been re-broadcast or officially released on home video | [26] |
Film
edit| Year | Title | Role | Studio | Notes | Ref(s) |
|---|---|---|---|---|---|
| 1956 | Love Me Tender | Clint Reno | 20th Century Fox | First feature film role. Caused a protest among fans at the film's premiere when they learn that Presley's character dies at the end of the film, triggering an alternate ending. Includes the song "Love Me Tender". | [27] |
| 1957 | Loving You | Jimmy Tompkins (Deke Rivers) | Paramount Pictures | [28] | |
| 1957 | Jailhouse Rock | Vince Everett | MGM | Added to the National Film Registry in 2004. Title song listed at #24 in AFI's 100 Years...100 Songs.[29] | [30] |
| 1958 | King Creole | Danny Fisher | Paramount Pictures | Banned in Mexico after a riot ensued at the Las Americas cinema in Mexico City, where the movie had its premiere. Final film before military service. | [31] |
| 1960 | G.I. Blues | Tulsa McLean | Paramount Pictures | Banned in Mexico after a similar riot took place, also at the Las Americas cinema in Mexico City. All further Elvis films banned as a result, with the restriction being lifted in 1971. | [32] |
| 1960 | Flaming Star | Pacer Burton | 20th Century Fox | A single film still from the film was used by Andy Warhol in 26 of his silkscreen paintings, eight of which are known to have garnered US$375 million at auction and in private sales. The paintings include Triple Elvis and Eight Elvises. | [33] |
| 1961 | Wild in the Country | Glenn Tyler | 20th Century Fox | [34] | |
| 1961 | Blue Hawaii | Chad Gates | Paramount Pictures | [35] | |
| 1962 | Follow That Dream | Toby Kwimper | Mirisch Company | [36] | |
| 1962 | Kid Galahad | Walter Gulick / Kid Galahad | Mirisch Company | [37] | |
| 1962 | Girls! Girls! Girls! | Ross Carpenter | Paramount Pictures | [38] | |
| 1963 | It Happened at the World's Fair | Mike Edwards | MGM | Filmed at the Seattle World's Fair | [39] |
| 1963 | Fun in Acapulco | Mike Windgren | Paramount Pictures | Filmed in Acapulco by the 2nd unit crew with Elvis double (without Elvis who was persona non grata in Mexico) in November 1962, with filming resuming in Hollywood in January 1963 at Paramount Studios, with Elvis filming his scenes in studio in front of screen with scenes filmed at the Mexican location. The movie was not shown in Mexico, whose government only lifted its Presley ban in the summer of 1971, when Elvis: That's the Way It Is opened outside the US. | [40] |
| 1964 | Kissin' Cousins | Josh Morgan / Jodie Tatum | MGM | Featured Presley in a dual role. Filmed after Viva Las Vegas | [41] |
| 1964 | Viva Las Vegas | Lucky Jackson | MGM | Filmed before Kissin' Cousins | [42] |
| 1964 | Roustabout | Charlie Rogers | Paramount Pictures | [43] | |
| 1965 | Girl Happy | Rusty Wells | MGM | [44] | |
| 1965 | Tickle Me | Lonnie Beale / Panhandle Kid | Allied Artists | [45] | |
| 1965 | Harum Scarum | Johnny Tyronne | MGM | [46] | |
| 1966 | Frankie and Johnny | Johnny | United Artists | [47] | |
| 1966 | Paradise, Hawaiian Style | Rick Richards | Paramount Pictures | [48] | |
| 1966 | Spinout | Mike McCoy | MGM | [49] | |
| 1967 | Easy Come, Easy Go | Lt. (j.g.) Ted Jackson | Paramount Pictures | Filmed after Double Trouble | [50] |
| 1967 | Double Trouble | Guy Lambert | MGM | Filmed before Easy Come, Easy Go | [51] |
| 1967 | Clambake | Scott Heyward | United Artists | [52] | |
| 1968 | Stay Away, Joe | Joe Lightcloud | MGM | Filmed after Speedway | [53] |
| 1968 | Speedway | Steve Grayson | MGM | Filmed in part at Charlotte Motor Speedway in Concord, NC, with various NASCAR drivers of the day contributing. Filmed before Stay Away, Joe | [54] |
| 1968 | Live a Little, Love a Little | Greg Nolan | MGM | [55] | |
| 1969 | Charro! | Jess Wade | National General | [56] | |
| 1969 | The Trouble with Girls | Walter Hale | MGM | [57] | |
| 1969 | Change of Habit | Dr. John Carpenter | Universal | Final feature film role. | [58] |
| 1970 | Elvis: That's the Way It Is | Himself | MGM | Concert documentary | [59] |
| 1972 | Elvis on Tour | MGM | Concert documentary, co-winner Golden Globe for Best Documentary 1972 | [59] |
See also
editReferences
edit- ^ Guralnick (1994), pp. 155–156, 443, 323.
- ^ Guralnick (1994), pp. 144, 241.
- ^ Guralnick (1994), p. 262; Guralnick and Jorgensen 1999, pp. 67, 127.
- ^ Byrne, Kerry (2022-11-14). "On this day in history, November 15, 1956, Elvis makes big-screen debut in 'Love Me Tender'". Fox News. Retrieved 2024-05-10.
- ^ Guralnick 1999, p. 212.
- ^ Guralnick 1999, p. 212; Neibaur (2014) pp. 217, 219.
- ^ Grove, David (2024-02-03). "Reexamining Elvis's Last (and Worst-Reviewed) Movie before He Died". MovieWeb. Retrieved 2024-08-06.
- ^ "Elvis Presley | International Hotel, Las Vegas | July 31, 1969".
- ^ Guralnick, Jorgensen (1999), pp. 271, 305, 321.
- ^ McKee, Emma (2024-05-01). "Elvis Said No Amount of Money Could've Made Him Feel Good About His Film Career". Showbiz Cheat Sheet. Retrieved 2024-05-10.
- ^ "Why Elvis Presley Didn't Wind Up in 'A Star Is Born'". Ultimate Classic Rock. 2021-12-18. Retrieved 2024-05-10.
- ^ "Review | Elvis Presley: Gladiators DVD | Elvis Reviews". www.elvis.com.au. Retrieved 2024-08-06.
- ^ Holland, Tom O'Brien (2024-01-06). "Elvis Presley: Top 10 Movies Ranked Worst to Best". GoldDerby. Retrieved 2024-05-10.
- ^ "Charro".
- ^ "How Elvis Became a Movie Star—By Playing Himself". Biography. 2022-06-03. Retrieved 2024-05-10.
- ^ "Elvis' Achievements | Graceland".
- ^ "Book Review Elvis: The Quest for an Oscar".
- ^ Guralnick, Jorgensen (1999), pp. 61–62, 65, 67; Guralnick (1994), pp. 236, 244–246, 249–252, 257.
- ^ Guralnick, Jorgensen (1999), pp. 67, 73.
- ^ Guralnick, Jorgensen (1999), p. 75.
- ^ a b Guralnick, Jorgensen (1999), p. 77.
- ^ Guralnick, Jorgensen (1999), pp. 83, 89, 95.
- ^ Guralnick, Jorgensen (1999), pp. 151, 154.
- ^ Guralnick, Jorgensen (1999), pp. 242–248, 251.
- ^ Guralnick, Jorgensen (1999), pp. 319–321.
- ^ Guralnick, Jorgensen 1999 p. 375.
- ^ Guralnick (1994), p. 311; Marsh (1982), p. 241.; "Love Me Tender". AFI Catalog of Featured Films. AFI. Archived from the original on July 28, 2015. Retrieved August 14, 2015.
- ^ Guralnick, Jorgensen (1999) p. 96; Guralnick (1994), pp. 344, 370; Marsh (1982), p. 241.
- ^ "AFI's 100 Years...100 Songs" (PDF). American Film Institute. Retrieved 2016-08-13.
- ^ "Librarian of Congress Adds 25 Films to National Film Registry". Library of Congress. United States Government. December 28, 2004. Archived from the original on September 29, 2015. Retrieved September 30, 2015.; Knowles (2013), pp. 97–108; Guralnick (1994), pp. 409–410; Marsh (1982), p. 241.
- ^ In a 1992 interview King Creole co-star Jan Shepard told historian Peter Guralnick that Elvis told her in 1965, "Honey, that was my favorite picture." Guralnick 1999, p. 209; Guralnick (1994), p. 442; Marsh (1982), p. 241.
- ^ Guralnick (1999), p. 28; Marsh (1982), p. 241; "G.I. Blues". AFI Catalog of Featured Films. AFI. Archived from the original on September 19, 2015. Retrieved August 14, 2015.
- ^ Neibaur (2014) p. 64; Guralnick (1999), p. 78; Marsh (1982), p. 241.
- ^ Guralnick (1999), p. 84; Marsh (1982), p. 241.
- ^ Lisanti (2012), p. 60; Marsh (1982), p. 241.
- ^ Marsh (1982), p. 241; "Follow That Dream". AFI Catalog of Featured Films. AFI. Archived from the original on September 24, 2015. Retrieved August 14, 2015.
- ^ Marsh (1982), p. 241; "Kid Galahad". AFI Catalog of Featured Films. AFI. Archived from the original on September 20, 2015. Retrieved August 14, 2015.
- ^ Marsh (1982), p. 241.
- ^ Neibaur (2014) pp. 120, 123; Marsh (1982), p. 241.
- ^ Guralnick (1999), p. 141; Marsh (1982), p. 241.
- ^ Guralnick (1999), pp. 155–159; Marsh (1982), p. 241.
- ^ Guralnick (1999), pp. 152–153; Marsh (1982), p. 241.
- ^ Rose (1996), p. 270; Marsh (1982), p. 241.
- ^ Lisanti (2012), p. 203; Marsh (1982), p. 241.
- ^ Templeton, Craig (2002), p. 91; Marsh (1982), p. 241.
- ^ Neibaur (2014) p. 184 ; Marsh (1982), p. 241.
- ^ Neibaur (2014) p. 187; Marsh (1982), p. 241.
- ^ Lisanti (2000) pp. 135–137 ; Marsh (1982), p. 241.
- ^ Neibaur (2014) p. 207; Marsh (1982), p. 241.
- ^ Neibaur (2014) p. 200; Marsh (1982), p. 241.
- ^ Neibaur (2014) pp. 213–214 ; Marsh (1982), p. 241.
- ^ Neibaur (2014) pp. 219–220; Marsh (1982), p. 241.
- ^ Gulick (2006), pp. 143–144; Marsh (1982), p. 241.
- ^ Neibaur (2014) p. 229; Marsh (1982), p. 241.
- ^ Guralnick, Jorgensen (1999) pp. 239–240; Marsh (1982), p. 241; "Live a Little, Love a Little". AFI Catalog of Featured Films. AFI. Archived from the original on September 25, 2015. Retrieved August 14, 2015.
- ^ Neibaur (2014) p. 242; Marsh (1982), p. 241.
- ^ Ellroy, Penzler (2011), p. 63; Marsh (1982), p. 241; "The Trouble with Girls". AFI Catalog of Featured Films. AFI. Archived from the original on September 24, 2015. Retrieved August 14, 2015.
- ^ Neibaur (2014) p. 253; (Guralnick (1999), pp. 338–339; Marsh (1982), p. 241.
- ^ a b Marsh (1982), p. 241; Guralnick, Jorgensen (1999), pp. 315, 321.
Bibliography
edit- Ellroy, James; Penzler, Otto (2011). The Best American Noir of the Century. New York, NY: Mariner Books. ISBN 978-0-547-57744-9.
- Guralnick, Peter (1994). Last train to Memphis : The Rise of Elvis Presley. Boston, MA: Little, Brown and Company. ISBN 978-0-316-33220-0.
- Guralnick, Peter (1999). Careless Love : The Unmaking of Elvis Presley. Boston, MA: Little, Brown and Company. ISBN 0-316-33222-4.
- Guralnick, Peter; Jorgensen, Ernst (1999). Elvis Day by Day: The Definitive Record of His Life and Music. New York, NY: Ballantine Books. ISBN 978-0-345-42089-3.
- Jorgensen, Ernst; Guralnick, Peter (1998). Elvis Presley: A Live in Music: The Complete Recording Sessions. New York, NY: St. Martin's Press. ISBN 978-0-312-18572-5.
- Lisanti, Tom (2000). Fantasy Femmes of 60's Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies. Jefferson, NC: McFarland & Company. ISBN 978-0-7864-0868-9.
- Lisanti, Tom (2012). Hollywood Surf and Beach Movies The First Wave, 1959–1969. McFarland & Company. ISBN 978-0-7864-7297-0.
- Marsh, Dave (1982). Elvis. New York, NY: Time Books. ISBN 0-8129-0947-X.
- Neibaur, James L. (2014). The Elvis Movies. Lanham, MD: Rowman & Littlefield. ISBN 978-1-4422-3073-6.
- Rose, Frank (1996). The Agency: William Morris and the Hidden History of Show Business. New York, NY: HarperBusiness. ISBN 978-0-88730-807-9.
- Templeton, Steve; Craig, Yvonne (2002). Elvis Presley: Silver Screen Icon: A Collection of Movie Posters. Johnson City, TN: Overmountain Press. ISBN 978-1-57072-232-5.