Hercules vs. Moloch (Italian: Ercole contro Moloch, French: Hercule contre Moloch, also released as Conquest of Mycenae) is a 1963 Italian/French international co-production peplum film written and directed by Giorgio Ferroni and starring Gordon Scott.[3][4][5] The film reuses battle scenes from Ferroni's 1961 film The Trojan Horse.
| Hercules vs. Moloch | |
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 | |
| Directed by | Giorgio Ferroni |
| Screenplay by |
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| Produced by | |
| Starring | |
| Cinematography | Augusto Tiezzi[2] |
| Edited by | Antonietta Zita[2] |
Production companies |
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| Distributed by | Variety Distribution |
Release date |
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Running time | 98 minutes[1] |
| Countries |
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Plot
editThe city-state of Mycenae is able to dominate the rest of the nearby city-states due to its impregnable fortress. Led by a facially deformed King who believes himself Moloch incarnated, the madman demands slaves as tribute, where he tortures and kills a selected few. Prince Glaucus from Tiryns has an idea to seize and destroy Mycenae from within. Using the name of Hercules, he poses as one of the slaves given to Mycenae in tribute.
He becomes a gladiator, but he secretly plots to lead a revolution and destroy the creature that has enslaved the people.
Cast
edit- Gordon Scott as Prince Glauco (Glaucus) a.k.a. Ercole (Hercules)
- Alessandra Panaro as Medea, Queen of Tiryns
- Rosalba Neri as Demetra, Queen of Mycenae
- Arturo Dominici as Penteo (Penthius), General of Mycenae
- Michel Lemoine as Oineo (Euneos)
- Jany Clair as Deianira
- Nerio Bernardi as Asterione (Asterion), the High Priest
- Giovanni Pazzafini as Archiloco (Archepolos)
- Geneviève Grad as Pasifaë
- Pietro Marascalchi as Moloch
Release
editHercules vs. the Moloch was released in Italy on December 21, 1963.[2] It was released in the United States by December 15, 1965.[2]
Reception
editFrom contemporary reviews, the Monthly Film Bulletin reviewed a 91 minute dubbed version.[1] The film stated that the plot was "completely routine" and its ending was "over-extravagant", the "Herculean hero is at least credited with a distinct measure of intelligence" noting that "the question of sheer physical strength is related ambigulously [...] There is no penny-pinching in the staging; hundreds of extras are used for the big battle scenes, which really do succeed in giving the effect of an army and not merely a platoon."[1]
See also
editReferences
edit- ^ a b c d e "Ercole Contro Moloch (Hercules Attacks), Italy/France, 1963". Monthly Film Bulletin. Vol. 322, no. 377. British Film Institute. June 1965. p. 91.
- ^ a b c d e f Kinnard & Crnkovich 2017, p. 96.
- ^ Michele Giordano. Giganti buoni. Gremese Editore, 1998. ISBN 8877421835.
- ^ Roberto Chiti; Roberto Poppi; Enrico Lancia; Mario Pecorari (1991). Dizionario del cinema italiano. I film. Gremese Editore, 1992. ISBN 8876055932.
- ^ Paolo Mereghetti. Il Mereghetti - Dizionario dei film. B.C. Dalai Editore, 2010. ISBN 8860736269.
Sources
edit- Kinnard, Roy; Crnkovich, Tony (2017). Italian Sword and Sandal Films, 1908-1990. McFarland. ISBN 978-1476662916.
External links
edit
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