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Summary
| Description |
English: Portrait study of Anne Cresacre. Black and coloured chalks on paper, 37.5 × 26.8 cm, Royal Collection, Windsor. Anne Cresacre (1511–77) was the ward of Thomas More, who had taken her into his family after the death of her father. In 1527, she was betrothed to More's only son, John: the couple married in 1529. This drawing is one of seven fine surviving studies drawn by Holbein for his group portrait of Thomas More's family. The back of a chair on the left shows that Anne is seated, but in the group portrait she is standing, with John More nearby. |
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| Date | circa 1527 | |||||||||||||||||||||||
| Source | Susan Foister, Holbein in England, London: Tate, 2006, ISBN 1854376454. | |||||||||||||||||||||||
| Author |
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| Other versions |
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Hans Holbein the Younger
(1497/1498–1543)     |
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| Alternative names |
Hans Holbein der Jüngere, Hans Holbein | ||
| Description | -German painter and drawer | ||
| Date of birth/death | 1497 or 1498 | between 7 October 1543 and 29 November 1543 | |
| Location of birth/death |
Augsburg  |
London | |
| Work location | |||
| Authority file | |||
Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. | ||||
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 23:01, 22 February 2009 | | 679 × 933 (239 KB) | Qp10qp | {{Information |Description={{en|1=''Portrait study of Anne Cresacre''. Black and coloured chalks on paper, 37.5 × 26.8 cm, Royal Collection, Windsor.</br> <br/>Anne Cresacre (1511–77) was the ward of Thomas More, who had taken her in |
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