Object history |
Philip of Burgundy, bishop of Utrecht (1464-1524), Kasteel Duurstede, Wijk bij Duurstede (as een taeffereel van Lubbertdas, die men de keye snyt) (?)
by May 1524date QS:P,+1524-05-00T00:00:00Z/7,P1326,+1524-05-00T00:00:00Z/10 : idem (as een tafreel van Lubbert Tas die men die keye uyt snyt) (?)
July 1527: sale of the collection of Philip of Burgundy, bishop of Utrecht at an unknown auction house, Utrecht (?)
Unknown date: acquired by Felipe de Guevara (1500-1563), City of Brussels/Madrid (?)
by 16 January 1570date QS:P,+1570-01-16T00:00:00Z/7,P1326,+1570-01-16T00:00:00Z/11 : Beatriz de Haro (as Otro lienzo quadrado donde se cura de la locura, por guarnescer, porque todos los demas estan guarnescidos) (?)
16 January 1570: purchased by Philip II of Spain (1527-1598), Madrid, from Beatriz de Haro (?)
1574: transferred to Monasterio de El Escorial, Category:San Lorenzo de El Escorial (?)
by 1794date QS:P,+1794-00-00T00:00:00Z/7,P1326,+1794-00-00T00:00:00Z/9 : duke Del Arco in the Quinta
Unknown date: acquired by the king of Spain
Unknown date: transferred to Museo del Prado, Madrid
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References |
AnonymousUnknown author, RKDimages, Art-work number 61213, as De keisnijding, circa 1494 date QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 or later (1488–1516), height: 48 cm (18.8 in); width: 35 cm (13.7 in)dimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728
AnonymousUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002087, as Excision de la pierre de folie, circa 1494date QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 /after 1494date QS:P,+1494-00-00T00:00:00Z/7,P1319,+1494-00-00T00:00:00Z/9 , height: 48 cm (18.8 in); width: 35 cm (13.7 in)dimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 .
AnonymousUnknown author, Web Gallery of Art, as The Cure of Folly (Extraction of the Stone of Madness), 1475-80, height: 48 cm (18.8 in); width: 35 cm (13.7 in)dimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 .
Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 172-173, 177, no image, as ‘Cure de la Folie ou Pintura de los locos’, Prado.
Fraenger, Wilhelm (1994) Hieronymus Bosch, Basel: The Gordon and Breach Publishing Group G+B Arts International, ISBN 976-6410-40-2, p. 175, as Cutting the Stone.
Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 87-88, cat. 105, as The Extraction of the Stone of Madness.
Koldeweij, A.M., P. Vandenbroeck en B. Vermet (2001) Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam: NAi Uitgevers, Gent/Amsterdam: Ludion, ISBN 90-5662-219-6, p. 32, as Keisnijding, circa 1494date QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902 or later, height: 48 cm (18.8 in); width: 35 cm (13.7 in)dimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 , with color image.
Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and Drawings, Ghent/Amsterdam: Ludion, ISBN 0-8109-9064-4, p. 88, as Extraction of the Stone of Folly.
Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN 90-2300-651-8, p. 440, as De keisnijding.
Tolnay, Charles de (1986 [1984]) Hieronymus Bosch, Alphen aan den Rijn: Atrium, ISBN 90-6113-164-2, cat. no. 1, p. 335-336, as De Keisnijding, year unknown, height: 48 cm (18.8 in); width: 35 cm (13.7 in)dimensions QS:P2048,48U174728 dimensions QS:P2049,35U174728 , with color image.
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