Portrait of a woman in encaustic on oak: the panel is split by a central fissure. The right edge is damaged, and the black and yellow paint of the clavi is largely lost, along with much of the surface in the lower right corner and patches on the face. The upper corners are painted black, as if to indicate the areas to be cut for insertion in the mummy.The subject is a woman shown in almost frontal view. She wears a crimson tunic and a mantle of similar hue draped over her proper left shoulder. The tunic had black clavi edged with gold; a white undertunic is visible at the neckline. Above the lines of both shoulders and following the contours of the garments is a thick line of white paint, suggesting an additional fringed scarf or stole, or a decorative edge to the mantle.In the ears are gold hoops threaded with three pearls. Around the neck is a necklace of blue-grey stones on a gold chain and the conventional medallion on a thick guilloche-like chain.The black curly hair is drawn up into two wings flanking a central plait. Small strands break loose around the back of the head and around the face. The long eyebrows are almost straight, and the brown eyes, without pupils, have individually drawn lashes. The nose is long and straight, and the lips are long and full. The flesh is salmon pink, shaded in brownish ochre around the chin and neck. The eyes are carefully shaded in grey and there is an attempt to show modelling of the flesh with a hard tool, perhaps a spatula or the end of a brush.