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File:JohnSynadenos&TheodoraPalaiologina.jpg

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Summary

Author
uknown, XIVth century Byzantine art ; Photo: Lincoln College, Oxford
Description
English: Illuminated donor portrait of megas stratopedarches John Synadenos and Theodora Palaiologina, from the Typikon of the Monastery of Our Lady of Certain Hope ("Lincoln Typicon").
Български: Йоан Синадин и съпругата му Теодора Палеологина - миниатюра от Уставa на Теодoра Синадина (LINCOLN TYPIКON), който се съхранява в Бодлиева библиотека, Оксфорд
Date between 1328 and 1344
date QS:P571,+1350-00-00T00:00:00Z/7,P1319,+1328-00-00T00:00:00Z/9,P1326,+1344-00-00T00:00:00Z/9
, Photo: 2017
institution QS:P195,Q82133
Current location
Oxford, Bodleian Library, Lincoln College, Cod. gr. 35, fol. 2r.
Source/Photographer Woodfin, W. (2017). The mock turtle's tears: Ersatz enamel and the hierarchy of media in Pseudo-Kodinos. Byzantine and Modern Greek Studies, 41(1), 55-80. doi:10.1017/byz.2016.29 ; Photo:Lincoln College, Oxford
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current19:22, 23 June 2021Thumbnail for version as of 19:22, 23 June 2021813 × 1,179 (1,009 KB)NaukaUploaded a work by uknown, XIVth century Byzantine art ; Photo: Lincoln College, Oxford from [https://www.cambridge.org/core/journals/byzantine-and-modern-greek-studies/article/mock-turtles-tears-ersatz-enamel-and-the-hierarchy-of-media-in-pseudokodinos/43016F2FBDC20A6AB17E54F6F1FDECFC Woodfin, W. (2017). The mock turtle's tears: Ersatz enamel and the hierarchy of media in Pseudo-Kodinos. Byzantine and Modern Greek Studies, 41(1), 55-80]. doi:10.1017/byz.2016.29 with UploadWizard

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