Kabul_600hi.jpg (396 × 600 pixels, file size: 128 KB, MIME type: image/jpeg)
Summary
editDescription |
Kabul: I love her (for knowledge and love both come from her dust) In this work, gold-leaf micrography (text shaped into images) from a seventeenth-century poem illuminates the city, inspired by a panoramic photograph taken between 1870 and 1882. Celebrating Kabul, the verses walk a main city road—not as an invading army but as a march of words of love. So, too, the poem delineates two dancing figures, with words of song upon one figure’s heart. Symbols of what was cherished by Afghans, then banned—dance, music, books, kites—are woven into the painting as if a pattern from a tribal carpet, an art form that helped to make Afghanistan renowned worldwide. Figures and mountains tower over the city as we pray for healing joy for the people, women and men alike, of Kabul. |
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Source |
EFIAF |
Date |
2007 |
Author |
Ellen Frank |
Permission (Reusing this file) |
Ellen Frank
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Licensing:
editPermission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. |
| This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. This licensing tag was added to this file as part of the GFDL licensing update. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 05:41, 23 April 2009 | 396 × 600 (128 KB) | Arthum09 (talk | contribs) | {{Information |Description = Kabul: I love her (for knowledge and love both come from her dust) |Source = EFIAF |Date = 2007 |Author = Ellen Frank |Permission = Ellen Frank }} |
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