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Summary
Louis Gallait: Peace | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q538173 |
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Title |
Peace |
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Object type | painting | |||||||||||||||||||||||||||
Description |
English: When this pair of allegorical paintings (together with Walters 37.124) was completed in 1872, a Belgian critic wrote:
M. Gallait just finished two paintings forming a pendant pair that rank among the best things he has ever done. They are allegories of peace and war, but allegories conceived in a new order of ideas, substituting living reality for imaginary abstractions. . . . The critic concluded with this ringing endorsement: "Peace" and "War" are about to leave for London. Let's hope that after appearing in an academic exhibition, where they are expected, these two compositions will return to Belgium. It is not enough for them to be seen by just a privileged few; they must be seen by everyone. They will astonish even those who have the highest opinion of M. Gallait's talent. [Feuille de Tournai, April 21, 1872]An exhaustive catalogue on the artist published in 1987 to accompany an exhibition organized by the Musée des Beaux-Arts in Tournai described these paintings as "whereabouts unknown." Evidently, the pendant pair never returned from London, as the Belgian critic had hoped, but instead made their way to join William Walters' growing collection of contemporary art, where they have remained ever since. |
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Date |
1872 date QS:P571,+1872-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 118 cm (46.4 in); width: 82.3 cm (32.4 in) dimensions QS:P2048,118U174728 dimensions QS:P2049,82.3U174728 ; Framed height: 162.8 cm (64.1 in); width: 126.6 cm (49.8 in); depth: 15.2 cm (6 in)dimensions QS:P2048,162.88U174728 dimensions QS:P2049,126.68U174728 dimensions QS:P5524,15.24U174728 |
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Collection |
institution QS:P195,Q210081 |
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Accession number |
37.119 |
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Place of creation | Belgium | |||||||||||||||||||||||||||
Object history |
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Exhibition history |
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Credit line | Acquired by William T. Walters, 1882 | |||||||||||||||||||||||||||
Inscriptions | [Signature] Lower left on spinning wheel: Louis Gallait R.A.; [Date] Lower left on spinning wheel: 1872 | |||||||||||||||||||||||||||
References | ||||||||||||||||||||||||||||
Source | Walters Art Museum: Home page Info about artwork | |||||||||||||||||||||||||||
Permission (Reusing this file) |
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Licensing
This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
العربيَّة | English | français | italiano | македонски | русский | sicilianu | +/− |
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
This digital reproduction has been released under the following licenses:
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:44, 26 March 2012 | 1,248 × 1,800 (1.93 MB) | File Upload Bot (Kaldari) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Louis Gallait}} |title = ''Peace'' |description = {{en|When this pair of allegorical paintings (together with Walters 37.124) was completed in 1872, a Bel... |
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