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Summary
DescriptionSydney Long - Hawkesbury Landscape.jpg |
Українська: Сидні Лонґ - Краєвид поблизу Гоксбері (Новий Південний Вельс).
English: Hawkesbury Landscape. Aquatint printed in dark blue ink.
Image Size: 338mm x 430mm (13.31" x 16.93"). Art Gallery South Australia. Sydney Long (1871-1955) Sydney Long was a painter and etcher. From about 1890 he studied under A. J. Daplyn and Julian Ashton at the Art Society of New South Wales school where he first exhibited and was awarded second prize in the life class and in painting, and the president's prize. Next year his first major painting, 'By Tranquil Waters', an Impressionist study of boys bathing at Cook's River, was purchased by the National Art Gallery of New South Wales. Becoming a full-time painter, Long supplemented his income by teaching private pupils. By the early 1900's Long was trying to save to undertake further study in England. From 1907 he was Ashton's second-in-command in the new Sydney Art School. He finally managed to leave Australia in 1910, reaching London in October. Although Long claimed to have married in 1911, he did not actually marry Catherine Brennan, a dancer, until 1 December 1924, at Lambeth. In 1911 he enrolled at an art school at Kennington and soon associated himself with the more conservative tendencies in British art. He visited France, Belgium and Holland in 1912, but remained firmly Anglocentric. One of the continuing problems of Long's London years was his lack of financial security. He had arranged for the Sydney dealer Adolph Albers to sell works on consignment. During World War I transport of these works became irregular as did payment, and he was often impoverished. Long achieved minor success in England, exhibiting intermittently with the Royal Academy of Arts from 1913 to 1929, but failed to obtain the recognition which he felt he deserved, especially compared with George Lambert. In 1918 Long began to learn etching at the Central School of Arts and Crafts, Holborn. His quality of line and tone had a natural affinity with the medium and he rapidly became an accomplished etcher. In 1920 he was elected an associate of the Royal Society of Painter-Etchers and Engravers and was foundation honorary secretary of the Society of Graphic Art. In 1921 Long returned to Australia for eighteen months, held successful exhibitions in Sydney and was a founding member of the Australian Painter-Etchers' Society (later president). In 1925 he returned with his wife to settle at Lane Cove, with a caravan at Narrabeen and a studio in George Street. His pupil Donald Friend remembered him as 'a very odd man indeed: envious, jealous, professionally and emotionally very timid: no close friends, only cronies. He yearned after the young, but discouraged actual friendliness. He was a debunker and “a knocker”. Very lonely I think'. From 1912 he had been sending works to the Royal Art Society and on his return continued to favour it and taught at its school. He was a trustee of the Art Gallery in 1933-49 and strongly opposed the foundation of the Australian Academy of Art. Long remained one of Australia's leading etchers until the collapse of the etching boom in the mid-1930's, when he turned again to painting. In 1938 and 1941 he won the Wynne prize for landscape painting. In 1952 Long and his wife left for London where he died on 23 January 1955 and was buried in Streatham cemetery. |
Date | са. 1928 |
Source | https://antiqueprintmaproom.com/hawkesbury-landscape-sydney-long-37594 |
Author | Sydney Long |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
It is also in the public domain in the United States for the following reason:
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:36, 24 May 2020 | 2,561 × 2,052 (1.63 MB) | Pav.Polish | Uploaded a work by Sydney Long from https://antiqueprintmaproom.com/hawkesbury-landscape-sydney-long-37594 with UploadWizard |
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Metadata
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Camera manufacturer | Canon |
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Camera model | Canon EOS 5D Mark III |
Author | APMR |
Exposure time | 1/125 sec (0.008) |
F-number | f/18 |
ISO speed rating | 100 |
Lens focal length | 100 mm |
Date and time of data generation | 01:43, 10 March 2020 |
Width | 2,711 px |
Height | 2,167 px |
Bits per component |
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Compression scheme | Uncompressed |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Shotwell 0.22.0 |
White point chromaticity |
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Chromaticities of primarities |
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Y and C positioning | Centered |
Exposure Program | Manual |
Exif version | 2.3 |
Meaning of each component |
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Shutter speed | 7 |
APEX aperture | 8.375 |
Exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 00 |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 3,942.5051334702 |
Focal plane Y resolution | 3,950.6172839506 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Scene capture type | Standard |
GPS tag version | 0.0.3.2 |
Image width | 2,561 px |
Image height | 2,052 px |
Date metadata was last modified | 22:27, 11 March 2020 |
File change date and time | 22:27, 11 March 2020 |
Rating (out of 5) | 0 |
Unique ID of original document | xmp.did:AB29BE5B2C63EA11AF1EC738F7FD887A |
IIM version | 51,200 |