The 26th Annual Grammy Awards were held on February 28, 1984, at Shrine Auditorium, Los Angeles, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1983. Michael Jackson, who had been recovering from scalp burns sustained due to an accident that occurred during the filming of a Pepsi commercial, won a record eight awards during the show.[2][3] It is notable for garnering the largest Grammy Award television audience ever with 51.67 million viewers.[4]
26th Annual Grammy Awards | |
---|---|
Date | February 28, 1984 |
Location | Shrine Auditorium, Los Angeles |
Hosted by | John Denver |
Most awards | Michael Jackson (8) |
Most nominations | Michael Jackson (12) |
Television/radio coverage | |
Network | CBS |
Viewership | 51.67 million viewers (record)[1] |
Album of the Year and Record of the Year went to Michael Jackson for Thriller and "Beat It", and Song of the Year went to The Police for "Every Breath You Take".
Ratings
editThe 26th Grammy Awards had the highest ratings in the awarding body's history with 51.67 million viewers, a record unmatched as of 2024, and is the third most watched live awards show in U.S. television history (after the 1983 and 1998 editions of the Academy Awards).[1] Donna Summer opened the show with "She Works Hard for the Money", and a tribute to working women.
Performers
editArtist(s) | Song(s) |
---|---|
Donna Summer | "She Works Hard for the Money" |
Big Country | "In a Big Country" |
Bonnie Tyler | "Total Eclipse of the Heart" |
Chuck Berry with George Thorogood & Stevie Ray Vaughan |
"Maybellene" "Roll Over Beethoven" |
Eurythmics | "Sweet Dreams (Are Made of This)" |
Phil Driscoll | "Amazing Grace" |
Albertina Walker | "Spread the Word" |
Linda Ronstadt | "What's New?" |
Walter Charles | "We Are What We Are" / "I Am What I Am" (from La Cage aux Folles) |
Herbie Hancock | "Rockit" |
The Oak Ridge Boys | "Love Song" |
John Denver & a Muppet | Dialogue tune |
Sheena Easton | "Telefone (Long Distance Love Affair)" |
Wynton Marsallis with orchestra and quartet |
"A Finale" |
Irene Cara | "Flashdance... What a Feeling" |
Presenters
edit- Stevie Wonder & Bob Dylan - Song of the Year
- Alice Cooper & Grace Jones - Best Rock Performance with Duo our Group
- Joan Rivers & Culture Club - Explains the rules of the nominations
- Kim Carnes & Fee Waybill - Best Video Album
- Toto - Producer of the Year
- Cyndi Lauper & Rodney Dangerfield - Best New Artist
- Al Green - Best Gospel Performance Male and Female
- The Beach Boys - Album of the Year
- Mickey Rooney & Ann Miller - Best Cast Show Album
- James Ingram & Michael McDonald - Best R&B Instrumental Performance
- Anne Murray & Janie Frickie - Best Country Performance with Duo or Group
- Menudo - Best Recording for Children
- Christine McVie & Bob Seger - Best Pop Vocal Performance Female and Male
- Julio Iglesias and & Melissa Manchester - Record of the Year
Winners
editGeneral
edit- Record of the Year
- "Beat It" – Michael Jackson
- Quincy Jones (producer) & Michael Jackson (producer)
- Album of the Year
- Thriller – Michael Jackson
- Quincy Jones (producer) & Michael Jackson (producer)
- Song of the Year
- "Every Breath You Take" – The Police
- Sting (songwriter)
- Best New Artist
Blues
editChildren's
edit- Best Recording for Children Presented by Latin Group Menudo.
- Quincy Jones (producer) & Michael Jackson for E.T. the Extra-Terrestrial
Classical
edit- Best Orchestral Recording
- James Mallinson (producer), Georg Solti (conductor) & the Chicago Symphony Orchestra for Mahler: Symphony No. 9 in D
- Best Classical Vocal Soloist Performance
- James Levine (conductor), Marilyn Horne, Leontyne Price & the Metropolitan Opera Orchestra for Leontyne Price & Marilyn Horne in Concert at the Met
- Best Opera Recording
- Christopher Raeburn (producer), Georg Solti (conductor), Thomas Allen, Kiri Te Kanawa, Kurt Moll, Lucia Popp, Samuel Ramey, Frederica von Stade & the London Philharmonic for Mozart: Le Nozze di Figaro
- Jay David Saks, Max Wilcox (producers), James Levine (conductor), Plácido Domingo, Cornell MacNeil, Teresa Stratas, & the Metropolitan Opera Orchestra for Verdi: La Traviata (Original Soundtrack)
- Best Choral Performance (other than opera)
- Georg Solti (conductor), Margaret Hillis (choir director) & the Chicago Symphony Orchestra & Chorus for Haydn: The Creation
- Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
- Raymond Leppard (conductor), Wynton Marsalis & the National Philharmonic Orchestra for Haydn: Trumpet Concerto in E Flat/L. Mozart: Trumpet Concerto In D/Hummel: Trumpet Concerto in E Flat
- Best Classical Performance - Instrumental Soloist or Soloists (without orchestra)
- Glenn Gould for Beethoven: Piano Sonatas Nos. 12 & 13
- Best Chamber Music Performance
- Mstislav Rostropovich and Rudolf Serkin for Brahms: Sonata for Cello and Piano in E Minor, Op. 38 and Sonata in F, Op. 99
- Best Classical Album
- James Mallinson (producer), Georg Solti (conductor) & the Chicago Symphony Orchestra for Mahler: Symphony No. 9 in D
Comedy
editComposing and arranging
edit- Best Instrumental Composition
- Giorgio Moroder (composer) for "Love Theme From Flashdance" performed by various artists
- Best Album of Original Score Written for a Motion Picture or A Television Special
- Michael Boddicker, Irene Cara, Kim Carnes, Douglas Cotler, Keith Forsey, Richard Gilbert, Jerry Hey, Duane Hitchings, Craig Krampf, Ronald Magness, Dennis Matkosky, Giorgio Moroder, Phil Ramone, Michael Sembello, Shandi Sinnamon (composers) for Flashdance performed by various artists
- Best Arrangement on an Instrumental
- Dave Grusin (arranger) for "Summer Sketches '82"
- Best Instrumental Arrangement Accompanying Vocal(s)
- Nelson Riddle (arranger) for "What's New" performed by Linda Ronstadt
- Best Vocal Arrangement for Two or More Voices
- Arif Mardin & Chaka Khan (arrangers) for "Be Bop Medley" performed by Chaka Khan
Country
edit- Best Country Vocal Performance, Female
- Best Country Vocal Performance, Male
- Lee Greenwood for "I.O.U."
- Best Country Performance by a Duo or Group with Vocal
- Best Country Instrumental Performance
- New South for "Fireball"
- Best Country Song
- Mike Reid (songwriter) for "Stranger in My House" performed by Ronnie Milsap
Folk
edit- Best Ethnic or Traditional Folk Recording
- Clifton Chenier for I'm Here performed by Clifton Chenier & His Red Hot Louisiana Band
Gospel
edit- Best Gospel Performance, Female
- Amy Grant for "Ageless Medley"
- Best Gospel Performance, Male
- Russ Taff for Walls of Glass
- Best Gospel Performance by a Duo or Group
- Larnelle Harris & Sandi Patti for "More Than Wonderful"
- Best Soul Gospel Performance, Female
- Sandra Crouch for We Sing Praises
- Best Soul Gospel Performance, Male
- Best Soul Gospel Performance by a Duo or Group
- Best Inspirational Performance
- Donna Summer for "He's a Rebel"
Historical
edit- Best Historical Album
- Allan Steckler & Stanley Walker (producers) for The Greatest Recordings of Arturo Toscanini - Symphonies, Vol. I
Jazz
edit- Best Jazz Vocal Performance, Female
- Best Jazz Vocal Performance, Male
- Mel Tormé for Top Drawer
- Best Jazz Vocal Performance, Duo or Group
- The Manhattan Transfer for "Why Not!"
- Best Jazz Instrumental Performance, Soloist
- Best Instrumental Jazz Performance, Group
- Phil Woods for At the Vanguard
- Best Instrumental Jazz Performance, Big Band
- Best Jazz Fusion Performance, Vocal or Instrumental
Latin
edit- Best Latin Pop Performance
- Best Tropical Latin Performance
- Tito Puente for On Broadway performed by Tito Puente & His Latin Ensemble
- Best Mexican-American Performance
Musical show
edit- Best Cast Show Album
- Andrew Lloyd Webber (producer) & the original Broadway cast for Cats (Complete Original Broadway Cast Recording)
Music video
editPackaging and notes
edit- Best Album Package
- Speaking in Tongues
- Robert Rauschenberg (art director) (Talking Heads)
- Best Album Notes
- The Interplay Sessions
- Orrin Keepnews (notes writer) (Bill Evans)
Pop
edit- Best Pop Vocal Performance, Female
- Best Pop Vocal Performance, Male
- Best Pop Performance by a Duo or Group with Vocals
- Best Pop Instrumental Performance
- "Being With You" – George Benson
Production and engineering
edit- Best Engineered Recording, Non-Classical
- Thriller
- Bruce Swedien (engineer) (Michael Jackson)
- Best Engineered Recording, Classical
- James Lock (engineer), Georg Solti (conductor) & the Chicago Symphony Orchestra for Mahler: Symphony No. 9 in D
- Producer of the Year (Non-Classical)
- Classical Producer of the Year
R&B
edit- Best R&B Vocal Performance, Female
- Best R&B Vocal Performance, Male
- Best R&B Performance by a Duo or Group with Vocal
- "Ain't Nobody" – Chaka Khan & Rufus
- Best R&B Instrumental Performance
- "Rockit" – Herbie Hancock
- Best Rhythm & Blues Song
- "Billie Jean" – Michael Jackson
- "Michael Jackson (songwriter)
Rock
edit- Best Rock Vocal Performance, Female
- "Love Is a Battlefield" – Pat Benatar
- Best Rock Vocal Performance, Male
- Best Rock Performance by a Duo or Group with Vocal
- Best Rock Instrumental Performance
- "Brimstone and Treacle" – Sting
Spoken
edit- Best Spoken Word or Non-musical Recording
- Copland: A Lincoln Portrait – William Warfield
References
edit- ^ a b "Whitney Houston Tragic Grammys Draw 39.9 Million Viewers, Second Most Watched Ever". Deadline Hollywood. February 13, 2014. Retrieved May 15, 2017.
- ^ "Grammy honors thrill Jackson". The Milwaukee Sentinel. 29 February 1984. Archived from the original on 23 October 2015. Retrieved 1 May 2011.
- ^ "1983 Grammy Award Winners". Grammy.com. Retrieved 1 May 2011.
- ^ "Grammys Ratings Soar, Nab Second-Largest Audience Ever". Billboard.