Wayuu people

(Redirected from Guajiros)

The Wayuu (also Wayu, Wayú, Guajiro, Wahiro) are an Indigenous ethnic group of the Guajira Peninsula in northernmost Colombia and northwest Venezuela. The Wayuu language is part of the Arawakan language family. Their history is one of resilience with the Spanish and the Catholic Church. Wayuu tradition remains, and their artisan industry is one of the biggest handicraft exports in Colombia today.

Wayuu
Wayúu people engaged in a courtship dance
Total population
Approx. 413,437 in Venezuela (2011 Census)[1]
Approx. 380,460 in Colombia (2018 Census)[2]
Regions with significant populations
La Península Guajira
 Colombia and  Venezuela
Languages
Wayuu, Spanish
Religion
Traditional, Roman Catholicism
Related ethnic groups
Arawak group
PeopleWayuu
LanguageWayuunaiki
CountryWajiira

Geography

edit
 
Area inhabited by the Wayuu, between Colombia and Venezuela

The Wayuu inhabit the arid Guajira Peninsula straddling the Venezuela-Colombia border, on the Caribbean Sea coast. Two major rivers flow through this mostly harsh environment: the Ranchería River in Colombia and the El Limón River in Venezuela, representing the main sources of water. They're accompanied by artificial ponds designed to hold rainwater during the rain season.

The territory has equatorial weather seasons: a rainy season from September to December, which they call Juyapu; a dry season, known by them as Jemial, from December to April; a second rainy season called Iwa from April to May; and a second dry season from May to September.

History

edit

Guajira rebellion

edit
 
Map of La Guajira in 1769

Although the Wayuu were never subjugated by the Spanish, the two groups were in a more or less permanent state of war. There were rebellions in 1701 (when they destroyed a Capuchin mission), 1727 (when more than 2,000 natives attacked the Spanish), 1741, 1757, 1761 and 1768. In 1718, Governor Soto de Herrera called them "barbarians, horse thieves, worthy of death, without God, without law and without a king". Of all the Indigenous peoples in the territory of Colombia, they were unique in having learned the use of firearms and horses.[3]

In 1769, the Spanish captured 22 Wayuus in order to put them to work building the fortifications of Cartagena. In reaction, on May 2, 1769, at El Rincón, near Río de la Hacha, Wayuu set the village on fire, burning the church and two Spaniards who had taken refuge in it. They also captured the priest. The Spanish immediately dispatched an expedition from El Rincón to capture the Wayuu. This force was led by José Antonio de Sierra, a mestizo who had also led the party that captured the 22 Guajiro. They recognized him and forced his party to take refuge in the house of the curate, which they then set afire. Sierra and eight of his men were killed.[3]

This success was soon known in other Guajiro areas, and more men joined the revolt. According to Messía, at the peak there were 20,000 Wayuu under arms. Many had firearms acquired from English and Dutch smugglers, sometimes even from the Spanish. These enabled the rebels to take nearly all the settlements of the region, which they burned. According to the authorities, more than 100 Spaniards were killed and many others taken prisoner. Many cattle were also taken by the rebels. The Spaniards who could took refuge in Río de la Hacha and sent urgent messages to Maracaibo, Valle de Upar, Santa Marta and Cartagena. Cartagena sent 100 troops. The rebels themselves were not unified. Sierra's relatives among the Wayuu took up arms against the rebels to avenge his death. The two groups of natives fought at La Soledad. That and the arrival of Spanish reinforcements caused the rebellion to fade, but not before the Guajiro had regained much territory.[3]

Evangelization process

edit
 
Wayuu riding on horses, 1928

The process of evangelization of the Wayuu people restarted in 1887 with the return of the Capuchin friars under reverend friar José María de Valdeviejas. In 1905, Pope Pius X created the Vicariate of La Guajira with friar Atanasio Vicente Soler y Royo as first Vicar, in an attempt to "civilize" the Wayuu people.[4]

The friars then created the orphanages for Wayuu children beginning with the La Sierrita orphanage, built in the Sierra Nevada de Santa Marta mountains in 1903, followed by the San Antonio orphanage, located by the Calancala River, in 1910, and the Nazareth orphanage in the Serrania de Macuira mountains in 1913, creating a direct influence over the Rancherias of Guarrachal, El Pájaro, Carazúa, Guaraguao, Murumana, Garra patamana and Karraipía, with Nazareth exerting some control over the rancherias of Taroa, Maguaipa, Guaseipá and Alpanapause. The friars constantly visited the settlements inviting the Wayuu to attend mass. Wayuu children in the orphanage were educated with traditional European customs. Conflicts between the Wayuu people and the Colombian government decreased since then. In 1942 Uribia celebrated Christmas and New Year's Eve for the first time.

Demographics

edit
 
The Wayuu are the largest indigenous group in Colombia and in Venezuela.

According to a 1997 census in Colombia, the Wayuu population numbered approximately 144,003 – representing 20% of Colombia's total Amerindian population and 48% of the population of the Department of La Guajira. The Wayuu occupy a total area of 4,171 square miles (10,800 km2) within approximately ten settlements, eight of which are located south of the Department (including a major one called Carraipia).

In Venezuela, the Wayuu population is estimated at 293,777, according to the 2001 census, with some 60,000 living in the city of Maracaibo. This makes the Wayuu the largest indigenous group in Venezuela, representing 57.5% of the Amerindian population.

Wayuu communities are not uniformly distributed within these territories, as their population is concentrated primarily in the outskirts of such settlements as Nazareth and Jala'ala, on the plains of Wopu'muin and Uribia, and within the municipalities of Maicao and Manaure, where population densities are some of the highest in the peninsula. This irregular distribution is intimately related to seasonal changes in weather – during the dry season, a significant proportion of the population crosses the border into Venezuela to work in the city of Maracaibo and its nearby settlements; once the rainy season begins, these Wayuu tend to return to their homes on the Colombian side.

The Wayuu people refer to themselves simply as "Wayuu" and do not acknowledge the term "Indian", preferring instead the term "people". They use the terms Kusina or "Indian" to refer to other ethnic indigenous groups, while using the term Alijuna (essentially meaning "the one who damages") to refer to outsiders or persons of European ancestry.

Clans

edit

Families in the Wayuu culture are divided into clans, some of which are:[5]

CLAN TERRITORY TRANSLATION
Aapushana Eirakajaule
Jasauwo´u
Kanakantui
Matuwolu´u
Sipano´u
Ushuwo´u
watchulepu
Wolu´u
Watkasainru´u
Polumolu´u
Shooliyuu-kanejeruu
Sour with something
Land of the beach
Intercalated
Forgotten
Land of si´iya
Land of pans
Away from the pulp
round object
Inside the heart of the Wolunka house
Axe on the ground
Hideouts
Epieyu Lumoulein
Puuroulepu
Bushes
where sleepiness is felt
Iguana Wo'upanalu'u
Puuroulepu
Close to the eyes
For the birds
Jayaliyuu Kalimiru´u
Aralietu´u
Uraichein
Mekijanao
Animal teeth
to herd
Little "curarire"
Eyes without head
Jusayuu Polujalii
Maraalu'u
Beware of the Axe
On top of the land
Pausayuu Patsuarui
Paluwo'u
Frightened
Arrive at the sea
Sapuana Tuikii
Waaleru
Fire
Inside you
Tijuana Uchali´i
Oulemeru´u
Play
A lot
Uliana Alainmapu
Chawaisu
Anuapa´a
Pusichipa´a
Kaijawou´u
Sekuolu´u
Uchaispa´a
Pulashu´ulia
Soulawo´u
All come together
One on top of the other
When it turns into a boat
When it turns into a bat
The teeth of our eyes
Coming here
Going there
I have more power than you
The one that saws
Uliyuu Iisho´u Of Cardinal
Uraliyuu Aalasu
Paluuto´u
Passing by
My eyes are of sticks
Ulewana Iruwo´u Olive face
Walepushana Ishajiwo ´u
Alapuolu ´u
Burned eyes
Lying eyes
Walapuana Atuairuku Nurturing

Language

edit

The Wayuu language, called wayuunaiki, is part of the Arawak language family predominant in different parts of the Caribbean.[6] There are small differences in dialect within the region of La Guajira: the northern, central or southern zones. Most of the younger generation speak Spanish fluently but understand the importance of preserving their traditional language.[citation needed]

To promote cultural integration and bilingual education among Wayuus and other Colombians, the Kamusuchiwo'u Ethno-educative Center, or Centro Etnoeducativo Kamusuchiwo'u, started an initiative to create the first illustrated Wayuunaiki-Spanish, Spanish-Wayuunaiki dictionary.[7]

Religion and society

edit

The central figure of the Wayuu religion is Maleiwa (God) creator of everything, of the Wayuu and the founder of society. Pulowi and Juya, spiritual beings, like demigods, are a married couple associated with procreation and life, where Pulowi is the female figure related to the wind and dry seasons, and Juya the male, is a nomad and related to hunting who is seen as a powerful killer. Wanülu represents the evil spirit being of illness, and death.[8]

Children are born at home, assisted by the mother-in-law or the nearest female relative. Priority is placed on the well-being of the child as women prefer to feed children first and follow strict diets when the survival of children is not assured.[clarification needed]

Puberty is not very important among boys, but girls are exposed to rituals as early as 12 years old or when they start menstruating, requiring them to go through a period of seclusion for anywhere from two months up to two years. Girls are obliged to shave their heads and rest in a chinchorro or large hammock. During this period, Wayuu girls are taught how to be a wife in which a large part consists of cooking and learning the art of crocheting Wayuu bags. She is also fed with a special vegetarian diet called Jaguapi, and bathes frequently.

Women play important roles in the society, but it is not quite a matriarchal one. The Wayuu want their women to be wise and mature. Nearly all traditional marriages are arranged and accompanied by a dowry, which is given to the mother's brothers and uncles. Young girls are promised to men of the clan as young as 11 years old, around the time they are becoming of child-bearing age. The perceived intention is to wed her to a man before risking that pregnancy out of wedlock or arrangement, a cause of great social shame, specifically for the woman's family's honor and credibility. Men may have multiple wives (polygamy).

The Wayuu believe that the life cycle does not end with death, but that a relationship with one's bones continues. Burials are very important. The relatives of the dead act in a certain way: first, the body is buried with personal belongings; after five years, the bones are exhumed, put into ceramics or a chinchorro (hammock), and reburied in the clan's cemetery.

Lifestyle

edit
 
A Wayuu rancheria

A traditional Wayuu settlement is made up of five or six houses that made up caseríos or rancherías. Each ranchería is named after a plant, animal or geographic place. A territory that contains many rancherias is named after the mother's last name; that is, society is matrilineal. The Wayuu congregated in rancherias are usually isolated and far from each other to avoid mixing their goat herds.

 
Typical Wayuu rectangular "day house" with hammocks by the Caribbean Sea.

The typical house is a small structure called a piichi or miichi, generally divided into two rooms with hammocks to sleep in and keep personal belongings such purses or mochilas of acrylic fiber and ceramics to keep water.

Wayuu culture is known for making Wayuu bags or mochilas. There are many styles of mochilas. A susu is a backpack typically 20 cm-30 cm wide and 35 cm high, used to store personal and work items. Characteristic for the fabrics are the decorating patterns inspired by nature and what the culture sees around.

 
The Kanaasü, a collection of old Wayuu patterns and designs [1][9]

Living quarters are either rectangular or semi-circular. Close to the main house is a common area called a luma or enramada, similar to a living room but almost in the open. Built of six pillars with a flat roof, it is used for everyday duties and to attend to visitors and business activities. Family members hang their hammocks there for the noon nap.

Traditionally, the walls are made of yotojoro[10] – a wattle and daub of mud, hay and dried canes, but some Wayuu now use more modern construction with cement and other materials. The preferred material for roofing and yotojoro wood is the dagger cactus (Stenocereus griseus), which the Wayuu call yosú. The word yotojoro originally referred to the cane-like inner wood of the yosú cactus. This plant is used for many other purposes: it is planted to create living fences around pastures; young shoots are fed to goats; the fruit (iguaraya) is similar to pitahaya and is a popular food among the Wayuu. Because the demand for yosú as food and wood is seasonal, at times there is little fruit, building material or even cuttings for fences. It has thus been proposed to develop techniques for the Wayuu to cultivate it.[10] Due to varying supply of yosú wood for construction, other plants are also used, including trupillo or turpío (Prosopis juliflora), jattá (Haematoxylum brasiletto), kapchip (Capparis zeylanica) and kayush (Peruvian Apple Cactus, Cereus repandus).[10]

 
Wayuu handcrafted mochilas crocheted bags

Music and dances

edit

Traditional Wayuu music is closely tied to economy and social life. For example, they sing to their cattle. They also use music for meetings and celebrations, as well as mourning rituals during funerals. La Yonna is a traditional dance used to honor guests.[clarification needed][11][verification needed]

Girls are taught a dance that is at the heart of the Majayura, the ritual passage of the "young Wayuu virgin". She must dance in a courtship dance (baile de cortejo) with prospective suitors. With her head covered and wearing a fabric shawl and dress, the girl dances forward with small steps and arms outstretched, swooping like a bird, within a circle made up of people from the village. The male dances backward before her, coming close and yielding as they circle around, until he finally falls to the ground. The adult men play traditional drums and musical instruments in their ring around the dancers. If a male is respected in his clan and accepted, he must pay a dowry to the girl's mother and male relatives. This used to be in the form of goats and sheep for the support of the clan.[11][verification needed]

Traditional musical instruments include kashi, sawawa (a type of flute), ma'asi, totoy and the taliraai (tubular flute), wootoroyoi (a type of clarinet), among others.

Wayuu artisan industry

edit

Wayuu women learn how to weave at a very early age. The Wayuu are descendants of the Caribs and Arawak peoples, largely known for their strong weaving tradition. The Wayuu carry on this traditional weaving.

It is said the Wayuu learned to weave thanks to a mythical spider called Walekeru. This spider would create magical pieces using thread from her mouth. She is the one that taught all Wayuu women to crochet, crocheting hammocks to sleep in, belts for men, shoes, bracelets and Wayuu bags of all different sizes and crochet methods to be used for different purposes. Today, the skill of crocheting has become the main source of income for the Wayuu community.

Traditionally, Wayuu bags were not as bright and colorful as they are now. Cotton used to be able to grow in the region of La Guajira thus Wayuu bags were made of natural fibers. They were dyed using plants and elements of the natural surrounding, thus took on shades of brown, red and other natural hues.

Today, there is a common misconception that Wayuu bags are made of cotton. But all crochet pieces from the Wayuu community are made of acrylic threads from companies like Miratex, providing bright hues that will not wash out easily with time as opposed to natural fibers.

Weaving and crocheting make up a large part of their daily life, especially for women. Most of the women presently weave or will do it at some point through their lives. The men participate in the industry as well; they make the straps, provide the materials, and transport the goods to the city centers. The tribe produces millions of high-quality artisan products every year. This artisan weaving industry plays a vital role in the local economy, and the people are known most for the mochila Wayuu or Wayuu Bag.[12]

Today, Wayuu bags are the most exported handicraft in all of Colombia.

The Wayuu have resented the way that foreigners have profited more from their work than do the artisans.[13]

Representation in media

edit
  • The Wayuu are among the peoples depicted in the 1921 documentary Blandt Syd-Amerikas urskovsindianere (Among the Primeval Forest Indians of South America).
  • The feature film Pájaros de verano (Birds of Passage, 2019) is set on the Guajira peninsula and among the Wayuu in the 1970s. Directed by Cristina Gallego and Ciro Guerra, it stars José Acosta and Carmiña Martínez. In addition, many non-actor Wayuu are included in the film, which is primarily in the Wayuu language. It explores the disruption of traditional clan culture after members of the tribe enter the drug trade, and are affected by great wealth and violence.
  • The film "la Buena Vida [de]" by the German filmmaker Jens Schanze [de] is about the forced displacement of Wayuu people from the town of Tamaquito. The Swiss-based company Glencore with its Colombian subsidiary el Cerrejon needs their land for coal-mining.

Notable Wayuu people

edit
  • Patricia Velásquez (b. 1971), actress/model and founder of the Wayúu Tayá Foundation
  • Lido Pimienta, musician/artist and winner of the 2017 Polaris Music Prize. Pimienta is of mixed Afro-Colombian and Wayúu descent
  • Luis Díaz, Liverpool FC and Colombia national team football player

See also

edit

Notes

edit
  1. ^ "XIV Censo Nacional de Población y Vivienda, 2011". Instituto Nacional de Estadística(INE).
  2. ^ "RESULTADOS DEL CENSO NACIONAL DE POBLACIÓN Y VIVIENDA 2018". DANE Información para todos.
  3. ^ a b c (in Spanish) Luis Angel Arango Library: The Guajira rebellion
  4. ^ (in Spanish) Luis Angel Arango Library: The Capuchins mission and the Wayuu Culture
  5. ^ (in Spanish) National Natural Parks of Colombia: National natural Park of Macuira/PAGE 13[permanent dead link]
  6. ^ "Colombia's resilient Wayuu resist global and local threats". 24 February 2021.
  7. ^ "El Wayuunaiki impreso, Articulo Impreso Archivado". Archived from the original on 2009-06-19.
  8. ^ Saler, Benson (Summer 2005). "Finding Wayú Religion". Historical Reflections / Réflexions Historiques. 31 (2): 262–266 – via JSTOR.
  9. ^ "Wayuu Patterns in Wayuu Bags ⋆ Wayuu Mochila Bags – Official Online Store". Wayuu Mochila Bags – Official Online Store. Retrieved 2018-07-26.
  10. ^ a b c Villalobos et al. (2007)
  11. ^ a b Vílchez Faría, Jacqueline (2003). "Taliraai: Música, género y parentesco en la cultura wayúu" (in Spanish). Opción. Archived from the original on 18 December 2019. Retrieved 18 December 2019.
  12. ^ Diana, Miller (2018-05-02). "The Wayuu Artisan Industry - WayuuMarket.com". WayuuMarket.com. Wayuu Market. Retrieved 2018-07-23.
  13. ^ "Wayuu Bag: un negocio redondo a costa del patrimonio cultural – Las2orillas". Las2orillas (in European Spanish). 2015-03-25. Retrieved 2018-07-23.

References

edit
  • Villalobos, Soraya., Enao Luis G. and Mengual Misdalis. 2017. Use history of the fungus Podaxis pistillaris, Inonotus rickii and Phellorinia hercualeana (Basidiomycetes) by the Wayuu aboriginal peoples in the Colombian Alta Guajira. [Spanish with English abstract] Revista Mexicana de Etnobiologia 15: 64–73. PDF fulltext
  • Villalobos, Soraya; Vargas, Orlando & Melo, Sandra 2007: Uso, manejo y conservacion de "yosú", Stenocereus griseus (Cactaceae) en la Alta Guajira colombiana [Usage, Management and Conservation of yosú, Stenocereus griseus (Cactaceae), in the Upper Guajira, Colombia]. [Spanish with English abstract] Acta Biológica Colombiana 12(1): 99–112. PDF fulltext
edit