Harvard–Radcliffe Collegium Musicum

The Harvard–Radcliffe Collegium Musicum (Collegium or HRCM) is a mixed chorus at Harvard University, composed of roughly 50 voices from undergraduate and graduate student populations. Founded in 1971 to coincide with the coeducational merger of Harvard and Radcliffe College, Collegium drew from members of the Harvard Glee Club and the Radcliffe Choral Society to form a smaller mixed group that could represent Harvard on tours. Although Collegium used to perform primarily early Renaissance music, its repertoire now draws from centuries of a cappella and orchestral selections. Together with the (tenor-bass) Harvard Glee Club and the (soprano-alto) Radcliffe Choral Society, it is a member of the Harvard Choruses.

Harvard-Radcliffe Collegium Musicum
Choir
Origin	Cambridge, Massachusetts, United States
Founded	1971 (1971)
President	Spencer Lee '26
Music director	Andrew Clark, Hana Cai
Manager	Gissell Chapa '26
Rehearsal space	Holden Chapel
Concert hall	Sanders Theatre
Affiliation	Harvard University
Associated groups	Harvard Choruses
Website	hrcm.org

History

F. John Adams served as Collegium's conductor from its founding until 1978, when Jameson Marvin became Harvard's Director of Choral Activities. The group rose to prominence during Marvin's thirty-two-year tenure, receiving critical acclaim through recordings, international tours, and numerous invited appearances at professional conferences. Andrew Clark became Collegium's third conductor in 2010 and has led the ensemble in performances of Bach's Saint Matthew Passion, Handel's Israel in Egypt, Mozart's Requiem, Haydn's The Creation, Rachmaninoff's All-Night Vigil (Vespers), and Arvo Pärt's Saint John Passion, as well as in appearances at Boston's Jordan Hall, the Metropolitan Museum of Art in New York, Salzburg Cathedral, and St. Stephen's Cathedral in Vienna.

Recent concert seasons

2019–2020

On March 7, 2020, Collegium held a closed concert to an empty Sanders Theater due to mounting fears from administration at Harvard University about COVID-19. The group persisted with the performance, live-streaming the event to over a thousand viewers from around the world. It was at this concert that they debuted the piece Wander composed by Harvard Undergraduate Ian Chan, and presented To the Hands by Caroline Shaw and Mozart's Requiem as completed by German composer Michael Ostrzyga.

2018–2019

As in recent even-numbered years, Collegium collaborated with the Radcliffe Choral Society for a programmatic fall concert. This concert, Compassion, featured Monteverdi's Sestina Lagrima d'Amante and Bach's motet Der Geist Hilft. In the winter, Collegium presented the East Coast Premiere of How to Go On, an a cappella secular requiem by Dale Trumbore. On May 3, 2019, Collegium joined forces with all the Harvard Choruses to perform Vaughan Williams' indomitable Sea Symphony.

2016–2017

Collegium began the year with One Music: A moving mosaic celebrating the gift of song, which featured the world premiere of Harvard alumnus Robert Kyr's In the Name of Music. The winter was dedicated to preparing J. S. Bach's monumental B Minor Mass, which Collegium performed with a full period orchestra on March 31, 2017. The season concluded with Michael Tippett's A Child of Our Time in collaboration with the Harvard Glee Club, Radcliffe Choral Society, Boston Modern Orchestra Project, and Boston Children's Chorus.

2015–2016

In the 2015–2016 academic year, Collegium sang Tigran Mansurian's Requiem with the Boston Modern Orchestra Project, in a memorial concert commemorating the 100th anniversary of the Armenian genocide. On December 4, 2015, Collegium performed Handel's Messiah. In the spring of 2016, Collegium performed at the Boston ACDA Convention and sang the fusion-oratorio Considering Matthew Shepard under the direction of its composer, Craig Hella Johnson. Collegium's season concluded with a performance of Aaron Copland's In the Beginning with mezzo-soprano soloist Maddie Studt '16.

2014–2015

Collegium began its 2014–2015 season with Requiescat, a concert of a cappella works including Herbert Howells' Requiem. This was followed by a performance of Bach motets under the direction of John Eliot Gardiner. On February 28, 2015, Collegium performed Brahms with the Harvard-Radcliffe Orchestra, Harvard Glee Club, and Radcliffe Choral Society. In collaboration with the Boston Children's Chorus and Harvard Dance Project, Collegium performed a concert of American battle hymns. Finally, Collegium presented a concert of Brazilian works in preparation for its upcoming tour to Brazil.

2013–2014

In the 2013–2014 academic year, Collegium toured Baltimore and Washington DC to participate in the American Choral Directors Association Convention. On April 11, 2014, Collegium collaborated with Joyful Noise, a choir composed of adults with neurological and physical disabilities. Collegium also sang Verdi's Requiem with the other Harvard Choruses, the Harvard Glee Club and Radcliffe Choral Society, during Harvard's annual visiting weekend.

Tours

Collegium embarks on an international tour every four years, planned by student tour managers. In its history, Collegium has traveled on ten international tours, working and performing with local choirs in addition to performing independently.

Tour Location	Cities	Year
Sweden	Tobo, Stockholm, Piteå, Karlskrona	2023
South Africa	Nylsvley, Polokwane, Haenertsburg, Drakensberg, Johannesburg, Cape Town	2019
Brazil	São Paulo, Porto Alegre, Rio de Janeiro, Curitiba	2015
Germany and Austria	Berlin, Cologne, Frankfurt am Main (Hoch Conservatory), Munich, Salzburg, Vienna	2011
Australia and New Zealand		2007
France and the Iberian Peninsula		2003
Italy and Greece		1999
Great Britain		1995
Mexico		1991
Canada		1986
The Mediterranean		1981
Europe		1976

Management

The Harvard–Radcliffe Collegium Musicum is an independent 501(c)(3) organization, managed and overseen entirely by undergraduate students.