Joseph Osborn (August 28, 1937 – December 14, 2018[1]) was an American bass guitar player known for his work as a session musician in Los Angeles with the Wrecking Crew and in Nashville with the A-Team of studio musicians during the 1960s through the 1980s, playing on thousands of recordings (and hundreds of hit records) to become one of the most recorded bassists of all time.[2]

Joe Osborn
Osborn in 2012
Background information
Birth nameJoseph Osborn
Born(1937-08-28)August 28, 1937
Mound, Louisiana, U.S.
DiedDecember 14, 2018(2018-12-14) (aged 81)
Greenwood, Louisiana, U.S.
GenresPop, country, rock
OccupationSession musician
InstrumentBass guitar
Years active1960–2018

Biography

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Early career

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Osborn began his career working in local clubs, then played on a hit record by singer Dale Hawkins.[3] He moved to Las Vegas at age 20, and spent a year playing backup for country singer Bob Luman. With legendary guitar player Roy Buchanan among his bandmates, Osborn switched from guitar to electric bass. In 1960, with Allen "Puddler" Harris, a native of Franklin Parish, also in northeastern Louisiana, and James Burton, originally from Webster Parish, Osborn joined pop star Ricky Nelson's backup band, where he spent four years. His playing on such Nelson hits as "Travelin' Man" began attracting wider notice, and he found opportunities to branch out into studio work with artists such as Johnny Rivers.

Studio bassist in Los Angeles

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When the Nelson band dissolved in 1964, Osborn turned to studio work in Los Angeles full-time. For the next ten years, he was considered a "first-call" bassist among Los Angeles studio musicians[4] (known as The Wrecking Crew), and he worked with well-known producers such as Lou Adler and Bones Howe, frequently in combination with drummer Hal Blaine and keyboardist Larry Knechtel—the combination of Blaine, Osborn and Knechtel have been referred to as the Hollywood Golden Trio.[5] His bass can be heard on many of the hit records cut in Los Angeles during that time, along with numerous film scores and television commercials.

His playing can be heard on records by such well-known groups as the Mamas & the Papas, the Association, the Grass Roots[6] and the 5th Dimension. Osborn can be heard on Simon & Garfunkel's "Bridge over Troubled Water" and the 5th Dimension's version of "Aquarius/Let the Sunshine In". A song featuring prominently mixed bass in melodic counterpoint to acoustic guitars is the 1972 hit single "Ventura Highway" by the group America. Osborn played on many of Neil Diamond's major hits in the late 1960s and early to middle 1970s, including the hauntingly unique bass lines on "Holly Holy" in 1969. He can be heard playing on several of Nancy Sinatra's 1970s recordings, and he was the bassist on the 1977 Christian album Forgiven by Don Francisco.[7] He also played on several Johnny Rivers records.

Osborn is known for his discovery and encouragement of the popular brother-and-sister duo the Carpenters, on whose albums he played bass throughout their career.[4]

 
Osborn in 2012.

Work in Nashville

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In 1974, Osborn left Los Angeles and moved to the country and western capital, Nashville. He continued an active studio career, playing behind such vocalists as Kenny Rogers, Mel Tillis, and Hank Williams, Jr. One count listed Osborn as bassist on fifty-three number one hits on the country charts and at least 197 that were in the top 40's.[3] Osborn's musical gift has been credited to over 242 different songs, with many performances going uncredited in his early years.[8][deprecated source] Osborn left Nashville in 1988 and settled in Keithville in Caddo Parish near Shreveport in northwestern Louisiana.

Later life

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From 2005 until December 2018, he continued to live in semi-retirement and record occasionally. He enjoyed continuing to create new charts and recordings with Richard Carpenter, as well as playing bass at his local church. Joe continued to inspire and work in the studio locally through May 2017, with his most recent credit being given on the album by Micah and the Jazzgrass Apocalypse which was released in August 2018.

Osborn was diagnosed with pancreatic cancer in early 2018 and died on December 14, 2018, at his home.[1]

Equipment and style

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Osborn's instrument throughout most of his recording career was a 1960 Fender stack-knob Jazz Bass, which was given to him by Fender just prior to touring Australia with Nelson. Osborn said he was initially disappointed that Fender had not sent him a Precision Bass, which he had been using, but he said he grew to like the Jazz Bass because the narrower neck made it easier for his short fingers. He strung the bass with LaBella flatwound bass strings that he did not change for 20 years and his style was distinctive, with a resonant, bright tone produced, in part, by his use of a plectrum (pick). This very bass is on permanent display at Musicians Hall of Fame and Museum in Nashville, TN.

Many producers and arrangers chose to spotlight his contributions by mixing the bass line more prominently than had been customary, and incorporating brief bass solos into their arrangements.[9]

He had a signature bass, the "Joe Osborn Signature", made by American guitar manufacturer Lakland, although it is now called the "44-60 Vintage J Bass".[10] In 2012, Fender Guitar built a custom Fender Jazz Bass for Osborn according to his desired specifications. He recorded with this bass for the first time when producing and playing bass on teen musician Matthew Davidson's debut recording.[11][12]

Awards and honors

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Joe Osborn was nominated for Bass Player of the Year by the Academy of Country Music in 1980, 1981, 1982, 1983, 1984, and 1985, winning the honor four out of six times.

His awards also include:

Osborn had two sons in the music business, Darren and Dave Osborn. Darren is the managing partner of Sandbox Recording Studios on Robinson Place in the Highland section of Shreveport.[14]

Selected discography

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Collaborations

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References

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  1. ^ a b Joe Osborn, Wrecking Crew Bassist, Dies at 81: Billboard. Retrieved January 8, 2019.
  2. ^ a b "Joe Osborn". Louisiana Music Hall of Fame. Archived from the original on April 24, 2019. Retrieved January 24, 2017.
  3. ^ a b "A Few (Hundred) Hits". Vintage Guitar. October 1998.
  4. ^ a b Schmidt, Randy L. (2011). Little Girl Blue: The Life of Karen Carpenter. Foreword by Dionne Warwick. Chicago Review Press. p. 32. ISBN 978-1-55652-976-4.
  5. ^ Small, Mark. "Score: 'Bridge Over Troubled Water'". Berklee College of Music. Retrieved January 24, 2017.
  6. ^ "The Grass Roots Biography". The-grassroots.com. Archived from the original on January 26, 2015. Retrieved January 24, 2017.
  7. ^ Forgiven (Liner notes). Don Francisco. 1977.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. ^ "Joe Osborn discography - RYM/Sonemic". Rate Your Music. Retrieved October 24, 2023.
  9. ^ Johnson, Kevin (July 19, 2012). "Stories Behind the Songs: Joe Osborn". No Treble.
  10. ^ "44-60/55-60 (Vintage J)". Lakland. Archived from the original on March 11, 2016. Retrieved January 24, 2017.
  11. ^ Johnson, Kevin (September 13, 2012). "Matthew Davidson Releases "Step Up" EP, Featuring Joe Osborn". No Treble.
  12. ^ "Teen Guitar Prodigy Matthew Davidson Steps Up with Release of Debut Recording". PRWeb. September 6, 2012. Archived from the original on September 4, 2014.
  13. ^ "Academy of Country Music | Search Winners". Acmcountry.com. Retrieved October 24, 2023.
  14. ^ "Help Grant Shreveport Music Legend's 81st Birthday Wish". Mykisscountry937.com. August 28, 2018. Retrieved June 11, 2021.
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