Goldenthal collaborated closely with the musical's director, and his romantic partner, Julie Taymor to create a score that would complement their off-beat concept, blending musical styles with a carnival version of a Requiem Mass sung in Latin and Spanish, primal jungle calls, sharp-edged jazz and hints of minimalism. It was well received by critics. Goldenthal played the small role of Circus Barker/Streetsinger.[5] The piece is sometimes described as a passion play.[2]
- Agnus Dei (2:02)
- Lacrymosa / Mr. Bones Fanfare (8:56)
- Jaguar Cub Approach (1:48)
- Mr. Bones' Two-Step (0:55)
- The Hunter's Entrance (1:37)
- Gloria (2:39)
- Initiation (1:11)
- A Round at Midnight (1:52)
- Sanctus (2:08)
- School (3:51)
- Recordare (4:12)
- Carnaval (7:45)
- Lullabye – Lyrics by Elliot Goldenthal (2:47)
- Trance – Lyrics by Horacio Quiroga (2:18)
- Dies Irae (12:17)
- Lacrymosa II / Retribution (3:32)
- Music Composed by Elliot Goldenthal
- Recording Produced by Joel Iwataki
- Directed by Julie Taymor, Musical Direction by Richard Cordova
- Recorded and Mixed by Joel Iwataki
- Juan (Boy Soprano): Devin Provenzano
- Mother (Contralto): Andrea Frierson Toney
- Circus Barker/Streetsinger (Baritone): Elliot Goldenthal
- ^ [1][dead link]
- ^ a b Rothstein, Mervyn. "The Power of Theatrical Transformation Shown in Juan Darien", Playbill, November 22, 1996, accessed October 8, 2017
- ^ Juan Darién, Lincoln Center Theatre, accessed October 8, 2017
- ^ Shewey, Don. "Film; United in Their Love of the Outsider", The New York Times, October 27, 2002, accessed October 8, 2017
- ^ "Elliot Goldenthal Concert & Stage: Juan Darién - A Carnival Mass (1996)". Filmmusic.com. 2011-07-11. Archived from the original on 2011-07-11. Retrieved 2012-08-12.