Carl Friedrich Clemens Weinmüller (also Karl Weinmiller) (8 November 1764 – 16 March 1828)[1] was an operatic bass and theatre director. A bass with the Imperial Ccourt Opera in Vienna, he is known for performing Rocco in the premiere of Beethoven's Fidelio.
Carl Weinmüller | |
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 Carl Weinmüller, engraving by David Weiss after a painting by Karl Mahnke, c. 1820 | |
| Born | Carl Friedrich Clemens Weinmüller 8 November 1764 |
| Died | 16 March 1828 (aged 63) Vienna |
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Life
editBorn in Dillingen an der Donau, Weinmüller received first musical instruction in the church choir of his hometown.[1] He studied in Vienna.[1] In 1783, he joined a travelling troupe that played in Wiener Neustadt, Sankt Pölten, Burg Haimburg and other small towns.[1][2] In 1788, he moved to Ofen and Pest, where he was the first bass and the opera director.[1][2]
On 6 November 1796 he started with the Viennese Imperial Court Opera, appearing as the pharmacist Stößel in Dittersdorf's Doktor und Apotheker. He was then engaged permanently, together with his wife, by the Imperial Court Opera.[2] He was soon regarded as one of the most important bass singers and also known for his considerable acting talent.[1] From July 1798 until his death, he also belonged to the Wiener Hofmusikkapelle.[2][3] He enjoyed performing as a concert singer as well, for example at the academies of Joseph Haydn. His voice ranged from D to f′ at the height of his career.[1]
In recognition of his numerous merits, Weinmüller received the citizens diploma of the City of Vienna in 1810.[1] Together with Ignaz Saal and Johann Michael Vogl, he was instrumental in making Beethoven revise his only opera, which had failed in the premiere.[1] Titled Fidelio in its third and final version, it was premiered on 23 May 1814 at the Court Theatre, with Weinmüller as Rocco.[1][2]
Weinmüller retired on 30 November 1821. His last residence was Ledererhof Nr. 337,[4] near the Altes Rathaus, where he died in March 1828 from "hardening of the liver" at age 63.[5]
Family
editWeinmüller's wife was Aloisia Weinmüller, née Moerisch (1761–1852), who worked at the Viennese court theatres from 1796 to 1798.[2]
References
edit- ^ a b c d e f g h i j Welti 1896.
- ^ a b c d e f "Weinmüller, Carl". Carl-Maria von Weber /Gesamtausgabe (in German). Retrieved 28 October 2019.
- ^ Köchel, Ludwig Ritter von (1869). "Bassisten". Die Kaiserliche Hof-Musikkapelle in Wien von 1543 bis 1867 (in German). Vienna: Beck. p. 96. Retrieved 28 October 2019.
- ^ "Bassisten". Hof- und Staats-Schematismus des österreichischen Kaiserthums (in German). Vienna: K. k. Hof- und Staats-Aerarial-Druckerey. 1827. p. 109. Retrieved 28 October 2019.
- ^ "Verstorbene zu Wien – den 16. März". Wiener Zeitung (in German). No. 70. 24 March 1828. p. 319. Retrieved 8 November 2023 – via Austrian Newspapers Online.
Cited sources
edit- Welti, Heinrich (1896), "Weinmüller, Karl Friedrich Clemens", Allgemeine Deutsche Biographie (in German), vol. 41, Leipzig: Duncker & Humblot, pp. 512–513
Further reading
edit- Willy Hess: Das Fidelio-Buch, Winterthur 1986
- Alexander Wheelock Thayer: Ludwig van Beethovens Leben, edited by Hermann Deiters, volume 3, Leipzig 1917
- Constantin von Wurzbach: Weinmiller, Karl Friedrich Clemens. In Biographisches Lexikon des Kaiserthums Oesterreich. 54. Theil. Kaiserlich-königliche Hof- und Staatsdruckerei, Vienna 1886, pp. 54–56, Weinmiller, Karl Friedrich Clemens
- Katalog der Portrait-Sammlung der k. u. k. General-Intendanz der k. k. Hoftheater. Zugleich ein biographisches Hilfsbuch auf dem Gebiet von Theater und Musik. Zweite Abtheilung. Gruppe IV. Wiener Hoftheater, Vienna 1892, p. 346
