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Monster Chetwynd

(Redirected from Lali Chetwynd)

Monster Chetwynd [1] (born Alalia Chetwynd, 1973, best known as Spartacus Chetwynd and Marvin Gaye Chetwynd[2]) is a British artist known for reworkings of iconic moments from cultural history in improvised performances.[3] In 2012, she was nominated for the Turner Prize.

Monster Chetwynd
Chetwynd The Idol, Barking, March 2015
Born
Alalia Chetwynd

1973 (age 50–51)
NationalityBritish
Other namesAlalia Chetwynd (Christened as)

Lali Chetwynd (raised as)
(2006 to September 2013)
Marvin Gaye Chetwynd (September 2013 to April 2018)

Monster Chetwynd (April 2018 to present)

Life

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Alalia Chetwynd is the daughter of Luciana Arrighi, an Oscar-winning production designer,[4] and Rupert Chetwynd, a former soldier (Captain in the Grenadier Guards and 21st SAS Regiment), author, and aid worker in Afghanistan, a descendant of the 6th Viscount Chetwynd.[5][6][7] Chetwynd was educated at Bedales School,[8] then studied anthropology at University College London (UCL)[9] before training as a painter at UCL's Slade School of Fine Art and the Royal College of Art.[10] She adopted the name Spartacus Chetwynd in 2006.[11] Her husband is the Polish artist Jedrzej Cichosz; they have a son.[12][13][14]

Work

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Chetwynd’s practice combines performance, sculpture, painting, installation and video. Her performances and videos harness elements of folk plays, street spectacles, literature and multiple other genres. They generally employ troupes of performers – friends and relatives of the artist – and feature handmade costumes and props. For over a decade, she has also worked on an extensive series of paintings collectively titled Bat Opera.

Participating in New Contemporaries in 2004,[15] she was shortlisted for the Beck's Futures prize in 2005.[16] Her contribution to the 2006 Tate Triennial[17] was The Fall of Man, a puppet-play based on The Book of Genesis, Paradise Lost and The German Ideology.[11] In 2009 her work Hermitos Children was included in "Altermodern", the fourth Tate Triennial. The filmed performance was summarised by Adrian Searle as, "The young woman who rode to her own death on the dildo see-saw at the Sugar-Tits Doom Club,"[18] and described by Richard Dorment as, "Silly beyond words and teetered at times on the edge of porn – but once you start looking at it I defy you to tear yourself away."[19] Hermitos Children 2 was premiered in 2014 at Studio Voltaire, London, and Hermitos Children 3 is currently in production. Recent performances include ‘The King Must Die’, Edinburgh Art Festival (2015); ‘Listen Up!’, Studio Voltaire, London (2014); and ‘The Green Room’, Nottingham Contemporary, UK (2014).

Characterised as reworking iconic moments from cultural history, Chetwynd's performances and installations translate and adapt her source materials (whether The Canterbury Tales, Doris Lessing’s novel The Grass is Singing or the character of the Cat Bus from Hayao Miyazaki’s cartoon My Neighbor Totoro) into a distinctive style, marked by improvisation and spontaneity.

Her works are held in the Saatchi Gallery,[20] Migros Museum für Gegenwartskunst in Zürich, the Tate,[21] the British Council collection.,[22] the Arts Council Collection, Le Corsortium Dijon, Museum De Pont Tilburg, and New Walk Museum and Art Gallery, Leicester.

See also

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References

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  1. ^ @SadieColesHQ (25 April 2018). "NAME CHANGE: Marvin Gaye Chetwynd will henceforth be known as MONSTER CHETWYND #marvingayechetwynd #monsterchetwynd #namechange" (Tweet) – via Twitter.
  2. ^ Chetwynd, Marvin Gaye (25 September 2013). "Why I changed my name to Marvin Gaye Chetwynd". The Guardian. London. Archived from the original on 26 September 2013. Retrieved 28 September 2013.
  3. ^ "Rachel Campbell-Johnston, The Times, January 5, 2005". Archived from the original on 20 August 2023. Retrieved 28 April 2024.
  4. ^ "The great unknowns - - guardian.co.uk Arts". arts.guardian.co.uk. Archived from the original on 20 August 2012. Retrieved 29 March 2018.
  5. ^ "Rupert Chetwynd obituary". Archived from the original on 20 August 2023. Retrieved 28 April 2024.
  6. ^ Obituaries, Telegraph (9 June 2021). "Captain Rupert Chetwynd, soldier and adventurer who helped to run a medical mission to Afghanistan – obituary". The Daily Telegraph. Archived from the original on 25 May 2023.
  7. ^ Burke's Peerage, Baronetage and Knightage, 107th edition, vol. 1, ed. Charles Mosley, Burke's Peerage Ltd, p. 769
  8. ^ "Turner Prize nominee Marvin Gaye Chetwynd has serious fun with art". 26 July 2015. Archived from the original on 20 August 2023. Retrieved 28 April 2024.
  9. ^ "FindArticles.com - CBSi". findarticles.com. Retrieved 29 March 2018.
  10. ^ flashartonline.com Archived 2007-10-21 at the Wayback Machine
  11. ^ a b Frieze, Issue 107, May 2007. Archived 2008-03-07 at the Wayback Machine
  12. ^ "Why I changed my name to Marvin Gaye Chetwynd". TheGuardian.com. 25 September 2013. Archived from the original on 12 January 2024. Retrieved 28 April 2024.
  13. ^ "Turner Prize nominee Marvin Gaye Chetwynd has serious fun with art". 26 July 2015.
  14. ^ Barber, Lynn. "I am Spartacus". Archived from the original on 20 August 2023. Retrieved 28 April 2024.
  15. ^ newcontemporaries.org.uk Archived 2007-10-08 at the Wayback Machine
  16. ^ "Lali Chetwynd - guardian.co.uk Arts". arts.guardian.co.uk. Archived from the original on 20 August 2012. Retrieved 29 March 2018.
  17. ^ Tate. "Altermodern: Tate Triennial 2009 – Press Release - Tate". tate.org.uk. Archived from the original on 24 September 2015. Retrieved 29 March 2018.
  18. ^ Adrian Searle, Altermodern review: The richest and most generous Tate Triennial yet Archived 20 January 2024 at the Wayback Machine, The Guardian, February 3, 2009.
  19. ^ Richard Dorment, Altermodern, Tate Triennial 2009, review, The Daily Telegraph, February 2, 2009.
  20. ^ saatchi-gallery.co.uk Archived 30 January 2008 at the Wayback Machine,
  21. ^ Tate. "Marvin Gaye Chetwynd born 1973 - Tate". tate.org.uk. Archived from the original on 4 February 2012. Retrieved 29 March 2018.
  22. ^ collection.britishcouncil.org Archived 2011-06-05 at the Wayback Machine
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