Land of the Blind

For the EP by Information Society, see Land of the Blind (EP).

Land of the Blind is a 2006 British-American drama film starring Ralph Fiennes, Donald Sutherland, Tom Hollander and Lara Flynn Boyle.

Land of the Blind
Theatrical film poster
Directed by	Robert Edwards
Written by	Robert Edwards
Produced by	Philippe Martinez Jon Avnet Alan Latham Cerise Hallam Larkin Stanley Roup
Starring	Donald Sutherland Ralph Fiennes Tom Hollander Marc Warren Lara Flynn Boyle
Cinematography	Emmanuel Kadosh
Edited by	Ferne Pearlstein
Music by	Guy Farley Doug Edwards
Production companies	Avnet-Kerner Productions Bauer Martinez Studios Brooklyn Films Defender Film Fund II Defender Production Lucky 7 Productions LLC Studio Eight Productions Templar Films
Distributed by	Bauer Martinez Entertainment
Release date	June 16, 2006 (2006-06-16)
Running time	101 minutes
Countries	United Kingdom United States
Language	English
Budget	$18 million (est)
Box office	$15,180 (Worldwide)

Land of the Blind is a dark political satire, based on several incidents throughout history in which tyrannical rulers were overthrown by new leaders who proved to be just as bad, if not worse, and several such cases are alluded to. The title is taken from the saying, "In the land of the blind, the one-eyed man is king."

Land of the Blind had its world premiere in competition at the International Film Festival Rotterdam, and was the Opening Night Gala film at the 2006 Human Rights Watch Film Festival in London. Its U.S. premiere was in competition at the 2006 Tribeca Film Festival. The film sparked intense reaction during its festival run, attacked by both left and right, each of which saw the film as a critique of its position.

Plot

Maximilian II (often called Junior) is the ignorant, vindictive and petulant ruler of a troubled (but unnamed) country. Maximilian has two main interests: enjoying himself and running his country's movie industry. The output of the nation's film studios is limited to terrible action-adventure schlock with names like Out For Vengeance 4. While it is heavily implied that Junior is a childish sadist, it is conceded that his excesses are only bolstered by the encouragement of his beautiful, yet cruel, wife Josephine (Boyle) and the violence dealt by anti-government terrorists.

Joe is a warder working at the prison where John Thorne is held at the beginning of the movie. During this period, Thorne squats in a shabby cell, endures frequent beatings from the other guards and writes revolutionary slogans on the walls with his own feces. Joe comes to learn from Thorne and respect him for his bearing and intellect, if not his message. Maximilian, trying to quash spiraling dissent, takes the risk of letting Thorne out of jail, hoping to have him thus become not a great folk hero but another greedy, dishonest politician. Joe, too, is soon promoted to one of the guards at Maximilian's palace and a position in the country's elite military unit. After seeing Junior's madness firsthand, he lets Thorne and his followers into the palace's inner chambers while Junior and Josephine are engaged in a revolting sex game. Thorne shoots the pair and becomes a ruler governing a country as absolutely totalitarian, if not more so, than the deceased Maximilian. Thorne also encourages separating children from their parents, imposes veganism, bans action movies and eliminates imported medicine all while sending the country's professional classes to grim re-education camps. Frightened females cower underneath burqa-like garments.

For his assistance in assassinating the dictator, Joe is hailed as a hero by Thorne. Nevertheless, as Joe realizes that his one-time friend is just as bad as, if not worse than, his predecessor, he refuses to ally with the new regime. For this, Thorne sends Joe to a re-education camp.

Subjected to numerous beatings and isolation, Joe continually refuses to sign his loyalty oath. At one point Thorne visits but does not recognize his old friend, even after Joe attempts to show him repeatedly who he is. Joe is also accused of being part of a "hidden" conspiracy within the prison itself. One of his former co-workers, assumedly after being severely beaten, admits to the conspiracy's veracity and accuses Joe of being involved. Joe is quickly brought to the dreaded Room 12. It is there that the audience is revealed to a shocking twist: Joe is accused of never helping Thorne conquer the government or being a commando in a covert-ops group, but rather a standard recruit in the armed forces discharged after the standard two years. During this, Joe seems to hallucinate heavily, his interrogators becoming characters dead and alive we have seen throughout the film and is asked once again what is better than a big juicy steak (a recurring question with a wordplay answer, a slogan concerning the obligation of veganism). Throughout the scene it is suggested he may be being tortured mentally or is undergoing a paranoid or psychotic episode. His answer to any of the questions is never shown.

Thorne is killed in his bath by one of his once loyal followers. The revolutionary government is quickly overthrown. Junior's in-laws and nephew are revealed to have escaped during Thorne's revolution and, having lived in exile, have returned to re-establish the old government (with an outside country's assistance). The head of the camp returns to being a doctor and denies having taken part in the tortures and excesses he ordered, while the tortured co-worker that accused Joe of conspiracy is given a government job. This ex-coworker makes a number of empty promises to get Joe out as soon as the "political climate" settles but says that his confession to helping murder Maximilian makes him a sensitive case. For having destroyed the old government, but also never having 'played ball' with the new one, Joe is stuck in a prison cell until the end of time. Twelve years later, we find Joe writing his memoirs in a white cell resembling that of a prison's or an asylum's, seemingly oblivious even to his daughter's visits. It is possible that he is insane, or that he is perfectly sane, but the woman that visited was an actor pretending to be his daughter to break him down. She leaves Joe writing his memoirs and exits his cell that is really located in some low end residential apartment complex implying that Joe is not a political prisoner but is under some sort of house arrest being taken care of by the State.

Cast

• Ralph Fiennes as Joe
• Donald Sutherland as John Thorne (later Chairman Thorne)
• Tom Hollander as President Maximilian II (a.k.a. "Junior")
• Lara Flynn Boyle as First Lady Josephine
• Marc Warren as Pool
• Ron Cook as Doc
• Robert Daws as Jones
• Laura Fraser as Madeleine
• Jonathan Hyde as Smith
• Camilla Rutherford as Tania
• Don Warrington as First Sergeant
• Miranda Raison as Daisy, Joe's Daughter
• Mackenzie Crook as Editor

Historical references

Historical references in the film include Jean-Paul Marat (from the French Revolution), Kim Jong-Il, Joseph Stalin, Benito Mussolini, Augusto Pinochet, Anastasio Somoza Debayle, François Duvalier, Rudolf Hess, Jean-Claude Duvalier, Lyndon B. Johnson, Julius Caesar (from William Shakespeare's play), Robert Mugabe, Ngo Dinh Diem, Idi Amin, the PIRA Maze prison protests, U.S. POWs in Vietnam, the Weathermen terrorist group, the Khmer Rouge, the 1979 Revolution in Iran, and the subsequent Cultural Revolution in that country.

Critical reception

The film received mostly negative reviews from critics. Review aggregator Rotten Tomatoes reports that 17% out of 18 professional film critics gave the film a positive review, with a rating average of 4.1/10.

External links

• Land of the Blind at IMDb
• "Sitting in the dock of the Bay: Ralph Fiennes talks about movies of conscience", Times Online, 9 March 2006
• "Rights and Wrongs," New Statesman
• Time Out New York, "Land of the Blind"
• "Pretty shocking stuff. A very provocative film," Jeffrey Lyons
• Holden, Stephen. "Meet the New Boss, Once Again, in 'Land of the Blind'", The New York Times, 16 June 2006
• Schwarzbaum, Lisa. Review in Entertainment Weekly
• Land of the Blind at Rotten Tomatoes
• Monsters and Critics Interview: Director Robert Edwards
• "Fiennes, Edwards Lead the 'Blind' Once More in Tribeca," The Reeler
• "Laughing in the Dark with Robert Edwards," GreenCine