Wikipedia

Lauren Greenfield

(Redirected from Like a Girl (commercial))

Lauren Greenfield (born Jun 28, 1966) is an American artist, documentary photographer, and documentary filmmaker. She has published photographic monographs, directed documentary features and series, produced traveling exhibitions, and published in magazines throughout the world.

Lauren Greenfield
Born (1966-06-28) June 28, 1966 (age 58)
Boston, Massachusetts, U.S.
Alma materHarvard University
Occupations
  • Film director
  • artist
Spouse
​
(m. 1992)​
ParentPatricia Marks Greenfield
RelativesMatthew Greenfield (brother)
Websitelaurengreenfield.com Edit this at Wikidata

Early life and education

edit

Lauren Greenfield was born on June 28, 1966,[1] in Boston, Massachusetts, to psychologist Patricia Marks Greenfield and physician Sheldon Greenfield. She has a younger brother, film producer Matthew Greenfield. She attended Crossroads School for Arts & Sciences in Santa Monica.[2]

Greenfield graduated from Harvard University in 1987 with a Bachelor of Arts degree in visual and environmental studies.[citation needed] While an undergraduate, she studied overseas in several countries with the International Honors Program, a division of SIT Study Abroad. Her senior thesis photography project on the French aristocracy was called "Survivors of the French Revolution".[3]

Career

edit

Photography

edit

Greenfield's undergraduate thesis helped kick start her career as an intern for National Geographic Magazine. A subsequent grant from National Geographic provided financial support toward her debut monograph, "Fast Forward: Growing Up in the Shadow of Hollywood" (Knopf 1997).[4] Five years after the release of "Fast Forward", Greenfield produced a second major body of work about the self-esteem crisis amongst American women, entitled "Girl Culture".[5]

Film

edit

Undergraduate years

edit

From September 1985 to May 1986, while still an undergraduate at Harvard, Greenfield traveled around the world on a nine-month-long program created by the International Honors Program, entitled "Film Study and Anthropology". This experience exposed her to anthropological and documentary filmmaking in France, Yugoslavia, Hungary, Austria, India, Australia, and Japan. In a 2012 interview with Sara Melson (for Harvardwood.com), Greenfield was quoted as saying "We watched many indigenous films, and we met with amazing directors. It was on that trip that I realized my calling. I wasn't sure if it would be sociology, film, photography, or anthropology, but looking at culture was my calling. When I got back to Harvard, I switched my major from Social Studies to Visual Studies. I soon realized that theory wasn't my medium, and I moved toward filmmaking and photography."[6] At Harvard, Greenfield continued her filmmaking studies under the tutelage of established documentary filmmaker Robb Moss.[7][8] In 1988, she co-directed a 25-minute film, Once You're In, with Harvard classmate Rachel Watanabe-Batton about Irish illegal immigrants living in Boston.[9][10]

THIN (HBO)

edit

Greenfield subsequently directed THIN, a feature-length documentary for HBO,[11] and published an accompanying book with the same title.[12] THIN was selected for competition at the Sundance Film Festival in 2006. In September 2006, Greenfield received the prestigious Grierson Award for best documentary shown at the BFI London Film Festival.[13] It also won the Grand Jury Prize at the Independent Film Festival of Boston, the Newport International Film Festival, and the Jackson Hole Film Festival. Greenfield received a 2007 Emmy nomination for Outstanding Directing For Nonfiction Programming for her work on THIN.[14] In 2020, fiction author Elle Nash wrote a short story about THIN on HARSH Lit Mag.[15]

kids + money

edit

Greenfield's follow-up short film, kids + money,[16] was selected as one of the top five nonfiction shorts in the world by Cinema Eye Honors 2009.[17] The short also won the Audience Award for Best Short Film at the AFI Film Festival 2007, the Michael Moore Award for Best Documentary Film at the 2008 Ann Arbor Film Festival, the Gold Plaque, Documentary:Social/Political from The Hugo Television Awards 2008, and Best Documentary Short at Kids First Film Festival 2008. "kids + money" was also selected into the Official Shorts Program at the Sundance Film Festival (January 2008). The 32-minute film includes interviews with Los Angeles teenagers on the subject of money and how it affects their lives. HBO licensed North American broadcast rights to "kids + money", and the film has been distributed internationally.[18][19][20]

Beauty CULTure

edit

In February 2011, the Annenberg Space for Photography commissioned Greenfield to direct a short documentary film, "Beauty CULTure",[21] to serve as the central focus of this record-setting[22] "Beauty CULTure" exhibition (May–November 2011).[23] Shot in Paris, New York and Los Angeles, the 30-minute film is a critical examination of "beauty in popular culture, the narrowing definition of beauty in contemporary society, and the influence of media messages on the female body image".[24]

The Queen of Versailles

edit

In January 2012 Greenfield received the Sundance Film Festival's Directing Award, US Documentary 2012[25] for her documentary feature film, entitled The Queen of Versailles, which was released theatrically in 2012.[26] Previously, The Queen of Versailles was selected for the U.S. Documentary Competition at the Sundance Film Festival 2012 (The world premieres of 16 American documentary films).[27] The Queen of Versailles was further honored by being selected to be the opening night documentary film for the Sundance Film Festival.[28] The film was acquired by Magnolia Pictures on the first day of the festival.[26] Also in 2012, she was awarded the Grand Jury Prize from the Brisbane International Film Festival,[29] a second Best Director Award from the RiverRun Film Festival,[30] the Special Jury Documentary Feature prize from the deadCenter Film Festival.[31] On October 22, 2012, The Queen of Versailles was nominated for Best Documentary Film, 2012 by the International Documentary Association (IDA).[32] According to PBS/POV, The Queen of Versailles was ranked #2 of the Top 10 Documentaries of 2012, based on awards, nominations and other ranking criteria.[33] In January 2013, Greenfield was nominated by the Directors Guild of America (DGA) for Outstanding Directorial Achievement in Documentaries for the year 2012.[34]

In March 2014, Greenfield won a lawsuit brought by the film's main subject David Siegel.[35] Siegel claimed Greenfield had not obtained a proper release from the subjects of the film, in particular David Siegel and Westgate Resorts. An IFTA arbitrator supported Greenfield's position and also awarded her $750,000 for legal fees.[36][37]

In 2023, it was announced that the documentary would be adapted into a Broadway musical, also called The Queen of Versailles, starring Kristin Chenoweth and with music composed by Stephen Schwartz.[38]

#likeagirl

edit

In June 2014 Greenfield directed a commercial spot for Always/Leo Burnett called "#likeagirl",[39] which debuted in June 2014. The commercial asked the question "When did doing something 'like a girl' become an insult?"[40] In the commercial, running, throwing or fighting like a girl[40] are seen by adults as equivalent to weak, but by young girls as strong.[41] The spot went viral on the internet,[42][43] culminating in over 58 million views of the US version on YouTube,[39] 85 million YouTube views across all languages, and made over 4.4 billion impressions.[44][45][46]

The spot was re-released as a 60-second piece during Super Bowl XLIX.[47] Subsequently, the new "#likeagirl" Super Bowl piece was ranked #1 Super Bowl Spot by Adweek,[48] #1 Super Bowl Spot by Advertising Age,[49] and garnered the highest social media activity of any Super Bowl Spot by TechCrunch.[50]

In January 2015, Greenfield was nominated by the Directors Guild of America (DGA) for Outstanding Directorial Achievement in Commercials for the year 2014.[51]

The online spot was ranked #1 by Marketing Magazine in its "Top 10 Marketing Moments",[52] #2 on Fast Company's "20 Best Ads of 2014",[53] #3 of "2014 Top Spots of the Year" by SHOOT,[54] and #4 on Google's"The 10 Most Watched Ads on YouTube in 2014".[55]

The spot has won 6 CLIO Awards,[56] including the Grand Clio for Public Relations[57] as part of the 2014 CLIO AWARDS.[58] It also received 5 separate winning cubes from at the 2015 ADC (Art Directors Club) Awards.[59] At the 2015 Webby Awards, #likeagirl picked up 11 separate awards.[60] At the 2015 D&AD Awards (United Kingdom), the spot received 8 "Pencil" nominations and won 5 "Pencil" Awards.[61][62] At the London International Advertising Awards (LIAs), the spot received 8 awards.[63] At the ANDYs, the spot picked up 3 Golds [64] At the 2015 One Show Awards, the spot received 5 awards.[65] The piece also picked up two awards at the AICP 2015, including a rare "Best of Show: Advertising Excellence/Single Commercial" recognition.[66]

At the last major awards show of the year, the 2015 Cannes Lions, the spot was the recipient of 14 individual awards, including the prestigious Titanium Award, The Grand Prix, and the Glass Lions Award.[67][68][69][70]

In December 2015, Greenfield was named the most awarded director in 2015 by AdAge for her work on "#likeagirl".[71] In September 2015, "#likeagirl" won the 2015 Emmy Award for Best TV Commercial.[72][73]

Generation Wealth

edit

Greenfield's film Generation Wealth was selected to be the opening night film at the Sundance Film Festival 2018 in the Documentary Premiere program.[74][75] Nick Allen of RogerEbert.com wrote that the film was "a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself."[76] Ann-Derrick Gaillot's generally positive review in The Outline described it as a "a sprawling chronicle of decadence and decay" and "As a study of capitalist obsession, it’s a fascinating and at times frantic look at the very bizarre world we are all strangely accustomed to."[77] Joseph Walsh of Time Out praised it for laying bare society's obsession with affluence and excess with "scalpel-sharp insight." He found the documentary to be bleak yet compelling, suggesting that it effectively captures and critiques societal trends around wealth and consumerism.[78]

The film received its European premiere at the Berlin International Film Festival (aka Berlinale 68), where it was featured in the Panorama program.[79] Other festivals include SXSW[80] and CPH:DOX.[81] The film was distributed by Amazon Studios and released in U.S. theaters on July 20, 2018.[82] Greenfield received a nomination for the Writers Guild of America Award for Best Documentary Screenplay at the 71st Writers Guild of America Awards for the film.[83]

The Kingmaker

edit

The Kingmaker is a 2019 documentary film written and directed by Greenfield, featuring the political career of Imelda Marcos[84] with a focus on the Marcos family's efforts to rehabilitate the family's image and to return to political power,[85][86] including her plans to see her son Bongbong become President of the Philippines,[87][88] and the alliance that Bongbong and Imee Marcos established with Rodrigo Duterte in his bid to win the 2016 Philippine presidential election.[89][90]

It debuted internationally in August 2019 at the 76th Venice Film Festival,[91][92] after which it premiered at the Telluride Film Festival, the Toronto International Film Festival, and the London Film Festival, the first documentary to ever debut at all four festivals in the same year.[91][93] It debuted in the Philippines on January 29, 2020.[94]

The Kingmaker was nominated as best documentary at the London Film Festival and the Stockholm Film Festival, and for the Checkpoints Award at the Bergen International Film Festival. It was nominated for four categories in the 2019 Critic’s Choice Documentary Awards, eventually winning the award for Most Compelling Living Subject of a Documentary. It also received the Audience Award for Best Documentary Film at the Warsaw International Film Festival 2019.

The film has a 97% rating from Rotten Tomatoes, 86% from Google Users, 7.6 from IMDb, and a 76/100 from Metacritic.[95][96][97][98]

TV Series

edit

Social Studies

edit

Greenfield created and directed Social Studies for FX, a 2024 documentary series following high school students over the course of a school year in Los Angeles, exploring the lives of a generation growing up online.[99]

Collections

edit

Her photography, including entire bodies of work like Fast Forward, Girl Culture, "Thin", and "Generation Wealth" is in many major collections such as the Art Institute of Chicago,[100] Los Angeles County Museum of Art, the New Orleans Museum of Art, the J. Paul Getty Museum, the San Francisco Museum of Modern Art, the Smithsonian National Museum of American History, the International Center of Photography, the Center for Creative Photography, the Museum of Fine Arts Houston,[101] the Harvard University Archive, the Smith College Museum of Art, the Clinton Library, and the French Ministry of Culture.[102]

Exhibitions

edit

Alongside her books, Fast Forward, Girl Culture, "THIN", and "Generation Wealth" Greenfield produced four large-scale traveling exhibitions with the same names, which have been seen in museums and cultural institutions around the world.[103][104][105][106]

In concert with the publication of her debut monograph, Fast Forward: Growing Up in the Shadow of Hollywood (Knopf 1997),[4] her first major show, Fast Forward had its US debut at the International Center for Photography (ICP) in 1997. The show was exhibited in France, the Netherlands, Italy, Russia and a number of cultural venues in North America.[107]

The success of her second monograph, Girl Culture (2002),[5] and the accompanying show helped to cement her worldwide reputation as a documentary photographer. The book was reprinted five times by Chronicle Books and the show was exhibited at more than 29 venues around the world (France, Germany, the Netherlands, Russia and United States).[108]

Her third major exhibition, THIN, accompanied both a feature-length documentary film, Thin (HBO, 2006), and a published photographic book, Thin (2006).[109] The exhibition debuted at The Women's Museum in Dallas, Texas and continued to exhibit through 2010.[110]

In May 2011, Greenfield received the honor of being the only photographer to be chosen twice as a Featured Artist at The Annenberg Space for Photography, as part of its exhibition, "Beauty CULTure" (Los Angeles, 2011), as one of only four Featured Photographers.[111] Greenfield was also commissioned by The Annenberg Space for Photography to direct a 30-minute documentary film about the subject of the exhibition. The resultant film forms the centerpiece of the exhibition.[112] In 2011, the exhibition received the Lucie Award for Curator (Kohle Yohannan) / Exhibition of the Year.[113]

In 2010, a collection of her photography from Fast Forward and Girl Culture was featured in Engaged Observers: Documentary Photography Since the Sixties, a photographic exhibition at the Getty Museum in Los Angeles, curated by Brett Abbott.[114] In October 2010, the exhibition received the Lucie Award for Curator (Brett Abbott) / Exhibition of the Year.[115] In 2016 the International Center of Photography honored Greenfield with a Spotlight Award for her "extensive contributions to the visual storytelling world."[116]

Greenfield exhibited Generation Wealth by Lauren Greenfield at The Annenberg Space for Photography in Los Angeles (2017).[117][118] This exhibit subsequently traveled to New York's ICP Museum (2018), Oslo's Nobel Peace Center Museum (2018), The Hague's Fotomuseum Den Haag (2018/19), Hamburg's Deichtorhallen,[119] the Louisiana Museum of Modern Art, Copenhagen (2019/20), Fotografiska Museet Stockholm (2020), and the Multimedia Art Museum, Moscow (2021).[120] According to the Annenberg Space for Photography website, this exhibition covers "the influence of affluence over the last 25 years, illustrating the globalization of materialism, celebrity culture and social status," and contains "195 color-saturated prints, 42 riveting first-person interviews and the accompanying multimedia projections and short films".[121][122] Writing about the Generation Wealth exhibit for Artforum, Naomi Fry noted, "[W]hat makes Greenfield’s photographs multilayered, sensitive, and fascinating—and carries them beyond a single-minded morality tale—is her understanding that people’s relationships with things in this lurid world are pleasurable and miserable both."[2]

Personal life

edit

Greenfield married Frank Evers in 1992.[123]

Publications

edit
  • Thin. Chronicle, 2006. ISBN 978-0811856331.
  • Girl Culture. Chronicle, 2002 . ISBN 978-0811837903. With an introduction by Joan Jacobs Brumberg.
  • Fast Forward: Growing Up in the Shadow of Hollywood.
  • Generation Wealth. Phaidon, 2017. ISBN 978-0714872124.[124]

Filmography

edit
Lauren Greenfield audio-visual work
Year Title Credited as Notes
1988 Once You're In Co-Director (with Rachel Watanabe-Batton) Documentary short
2006 THIN Director and producer Documentary[125]
2008 kids + money Director, producer and writer Documentary short
2010 Fashion Show Director and producer Documentary short
2012 The Queen of Versailles Director and producer Documentary[126]
2012 Beauty CULTure Director and producer Documentary short
2012 Best Night Ever Director and producer Documentary short
2015 Bling Dynasty Director and producer TV series documentary
2015 Magic City Director and producer Documentary short
2018 Generation Wealth Director, producer, writer, and cinematographer Documentary[127]
2019 The Kingmaker Director, producer, and writer Documentary[128]
2024 Social Studies Creator, Director, and producer Documentary

References

edit
  1. ^ Phaidon Eds. (2019). Great women artists. Phaidon Press. p. 163. ISBN 978-0714878775.
  2. ^ a b Fry, Naomi (October 2017). "Lauren Greenfield's "Generation Wealth"". Artforum.
  3. ^ "Survivors of the French Revolution, 1989".
  4. ^ a b "Fast Forward: Growing Up in the Shadow of Hollywood, Knopf 1997".
  5. ^ a b "Girl Culture, Chronicle Books 2002". Archived from the original on October 11, 2017. Retrieved December 13, 2008.
  6. ^ "Lauren Greenfield talks about a "life changing" experience during her undergraduate years".
  7. ^ "Harvard Film Graduates shine at Sundance".
  8. ^ "Lauren Greenfield with former Harvard professor, Robb Moss".
  9. ^ ""Once You're In" (1988)".
  10. ^ ""Once You're In" (1988)".
  11. ^ "THIN directed by Lauren Greenfield".
  12. ^ "THIN, Chronicle Books 2006". Archived from the original on November 21, 2008.
  13. ^ "The Grierson Trust – London Film Festival Grierson Award". www.griersontrust.org. Retrieved July 8, 2017.
  14. ^ "59th Primetime Emmy Nominees Revealed". July 2007. Retrieved July 21, 2007.
  15. ^ "THANK YOU, LAUREN GREENFIELD". HARSH. August 19, 2020. Retrieved August 24, 2020.
  16. ^ ""kids + money", Greenfield/Evers LLC 2008". Archived from the original on December 25, 2012.
  17. ^ "Cinema Eye Honors 2009". Archived from the original on July 25, 2009.
  18. ^ ""It's the Economy, Dude: Lauren Greenfield Looks at Kidsumerism" in Documentary Magazine".
  19. ^ "Kids+Money on IMDb". IMDb.
  20. ^ ""Kids+Money" on Vimeo on Demand". January 29, 2011.
  21. ^ "Watch "Beauty CULTure" here".
  22. ^ ""Beauty CULTure" smashes all-time attendance records for Annenberg Space for Photography" (Press release).
  23. ^ "Featured Artist, "Beauty CULTure", Annenberg Space for Photography 2011".
  24. ^ ""Beauty CULTure", Evergreen Pictures 2011" (PDF).
  25. ^ "Lauren Greenfield Wins top Directing honors at Sundance".
  26. ^ a b "Magnolia Buying The Queen of Versailles: Sundance". January 20, 2012.
  27. ^ ""The Queen of Versailles" is selected by Sundance Film Festival 2012".
  28. ^ ""The Queen of Versailles" is Opening Night film for the Sundance Film Festival 2012".
  29. ^ "Lauren Greenfield Wins 2012 BIFFDOCS Competition". Archived from the original on September 27, 2013.
  30. ^ "Lauren Greenfield awarded Best Director, Documentary Feature". The Hollywood Reporter. April 23, 2012.
  31. ^ ""The Queen of Versailles" wins Special Jury Documentary Feature from deadCenter Film Festival, June 2012". Archived from the original on December 16, 2012.
  32. ^ ""The Queen of Versailles" nominated for Best Documentary Feature, 2012 by the IDA". Archived from the original on April 19, 2012.
  33. ^ "PBS/POV's Best Documentaries of 2012". PBS.
  34. ^ "DGA nominations for Outstanding Directorial Achievement in Documentaries in the year 2012". The Hollywood Reporter. January 14, 2013.
  35. ^ "'Queen of Versailles' Filmmaker Beats Westgate's Defamation Claim (Exclusive)". The Hollywood Reporter. March 14, 2014.
  36. ^ "IFTA backs filmmakers over "Queen of Versailles" complaint". Realscreen. March 17, 2014. Retrieved July 30, 2014.
  37. ^ Scribd.com
  38. ^ "Kristin Chenoweth To Reteam With 'Wicked' Composer Stephen Schwartz On 'Queen Of Versailles' Stage Musical Adaptation". February 24, 2023. Retrieved February 24, 2023.
  39. ^ a b "Always #LikeAGirl". YouTube. June 26, 2014. Archived from the original on December 14, 2021.
  40. ^ a b Diaz, Ann-Christine (September 13, 2015). "Always' Hard-Hitting 'Like a Girl' Wins 2015 Outstanding Commercial Emmy". Advertising Age. Retrieved March 16, 2017.
  41. ^ "Rhetorical Analysis of Always's 'Like a Girl' Advertisement". October 2, 2014.
  42. ^ "Like A Girl video campaign goes viral". Sydney South Morning Herald. July 5, 2014.
  43. ^ "'Like a Girl' Is No Longer an Insult in Inspiring Ad From P&G's Always". AdWeek. June 26, 2014.
  44. ^ "Anatomy of a Cannes Contender: How "Like a Girl" Was Flipped, and Turned Into a Viral Sensation". Fast Company. June 24, 2015.
  45. ^ "Lauren Greenfield's #likeagirl short film for Always notches more than 70 million YouTube views, gets shortlisted for eight Clio awards". Stockland Martel. September 20, 2014.
  46. ^ "Lauren Greenfield's #likeagirl #likeagirl takes Grand Prix from Eurobest Awards". Eurobest Awards 2014. January 25, 2015.
  47. ^ "Variety: Super Bowl on NBC Draws Record U.S. Television Audience". Variety website. February 2, 2015.
  48. ^ "The 5 Best Ads of Super Bowl XLIX". AdWeek website. February 2, 2015.
  49. ^ "Not Just Views but Real Engagement: Always' #LikeaGirl Is a Super Bowl Winner". AdAge website. February 1, 2015.
  50. ^ "P&G's #LikeAGirl Ad Scored The Most Social Buzz During Super Bowl 2015". TechCrunch website. February 1, 2015.
  51. ^ "DGA nominations for Outstanding Directorial Achievement in Commercials in the year 2014".
  52. ^ "Top 10 Marketing Moments". Marketing Magazine website. December 29, 2014.
  53. ^ "The 20 Best Ads of 2014". Fast Company Magazine website. December 29, 2014.
  54. ^ "2014 Top Spots of the Year". SHOOT Magazine website. December 29, 2014.
  55. ^ "Google's "The 10 Most Watched Ads on YouTube in 2014"". ADWEEK website. December 29, 2014.
  56. ^ "Winning the Clios #Likeagirl". Strategy Online. September 20, 2014.
  57. ^ "Lauren Greenfield's #likeagirl wins Grand Clio Award 2014, Public Relations". Clio Awards website. September 20, 2014.
  58. ^ "CLIO Awards 2014". Clio Awards website. September 20, 2014.
  59. ^ "ADC Awards 2015". ADC Awards website. May 1, 2015.
  60. ^ "Always Viral Ad 'Like a Girl' Cleans Up at Webby Awards". AdAge. April 27, 2015.
  61. ^ "D&AD Pencils 2015, Nominations". D&AD. April 1, 2015.
  62. ^ "D&AD Pencils 2015, Winners". D&AD. May 12, 2015.
  63. ^ "London International Awards 2014, Winners". LIA. June 19, 2015.
  64. ^ "ANDYs, Gold Winners". ANDY. June 19, 2015.
  65. ^ "One Show 2015 Winners". One Show. June 19, 2015.
  66. ^ "AICP 2015 Winners". AICP. June 19, 2015.
  67. ^ "Cannes Lions 2015 Winners". Cannes Lions. June 27, 2015.
  68. ^ "Cannes 2015: Leo Burnett wins Canada's first Titanium Lion". Marketing Magazine. June 27, 2015.
  69. ^ "Like A Girl Wins The Grand Prix". Advertising Age Magazine. June 27, 2015.
  70. ^ "'#Likeagirl' and 'This Girl Can' win first Glass Lions". Campaign Live. June 27, 2015.
  71. ^ "The 2015 Awards Report/Most Awarded Director". December 21, 2015.
  72. ^ "Always' Hard-Hitting 'Like a Girl' Wins 2015 Outstanding Commercial Emmy". September 13, 2015.
  73. ^ "P&G/Always' "#LikeAGirl" Wins Primetime Commercial Emmy Award".
  74. ^ "2018 Sundance Film Festival: Generation Wealth". Archived from the original on January 18, 2018. Retrieved January 8, 2018.
  75. ^ "2018 Sundance Film Festival: Feature Films Announced". Archived from the original on January 3, 2018. Retrieved December 2, 2017.
  76. ^ Allen, Nick. "Sundance 2018: Shirkers, Generation Wealth, Colette". RogerEbert.com.
  77. ^ Gaillot, Ann-Derrick. "'Generation Wealth' is a sprawling chronicle of decadence and decay". outline.com.
  78. ^ Walsh, Joseph. "'Generation Wealth' is a sprawling chronicle of decadence and decay". timeout.com.
  79. ^ "Generation Wealth selected to screen at Berlinale 68".
  80. ^ "Generation Wealth to screen at SXSW in Austin". Archived from the original on August 22, 2018. Retrieved March 5, 2018.
  81. ^ "Generation Wealth to screen at CPH:DOX Festival in Denmark".
  82. ^ Generation Wealth (2018), retrieved February 9, 2019
  83. ^ McNary, Dave (February 17, 2019). "WGA Awards 2019 Winners: 'Can You Ever Forgive Me?,' 'Eighth Grade' Win Screenplay Awards". Variety. Retrieved February 20, 2019.
  84. ^ Bentley, Jean; Bentley, Jean (October 14, 2019). "Will Imelda Marcos Documentary 'The Kingmaker' Play in the Philippines?". IndieWire. Retrieved November 13, 2019.
  85. ^ "Untold story of 'pathetic' Imelda". philstar.com.
  86. ^ Chua, Linus; Batino, Clarissa; Calonzo, Andreo (November 2, 2019). "New Imelda Marcos Film Offers Her Version of Philippine History". Bloomberg. Bloomberg LP. Retrieved November 12, 2019.
  87. ^ Schager, Nick (November 1, 2019). "A Scathing Portrait of the Female Donald Trump". The Daily Beast – via www.thedailybeast.com.
  88. ^ Miller, Julie (November 8, 2019). "The Kingmaker: Inside Imelda Marcos's Grand, Present-Day Delusions". Vanity Fair. Condé Nast. Retrieved November 13, 2019.
  89. ^ Dargis, Manohla (November 6, 2019). "'The Kingmaker' Review: The Power and Vainglory of Imelda Marcos". The New York Times. ISSN 0362-4331. Retrieved November 13, 2019.
  90. ^ Kaufman, Amy (November 8, 2019). "How dangerous can a president be? Lauren Greenfield's Imelda Marcos documentary 'The Kingmaker' has some answers". The LA Times. Retrieved November 13, 2019.
  91. ^ a b Debruge, Peter (August 30, 2019). "Film Review: 'The Kingmaker'".
  92. ^ Tartaglione, Nancy (July 25, 2019). "Venice Film Festival 2019 Lineup: Polanski, 'Joker', 'The Laundromat', 'Ad Astra', 'Marriage Story' In Competition – Full List Awards". Deadline. Retrieved February 20, 2019.
  93. ^ Tartaglione, Nancy (July 25, 2019). "Venice Film Festival 2019 Lineup: Polanski, 'Joker', 'The Laundromat', 'Ad Astra', 'Marriage Story' In Competition – Full List Awards". Deadline. Retrieved February 20, 2019.
  94. ^ Yang, Angelica (January 30, 2020). "Teachers, elders urged to tell the truth about martial law to young people". GMA News Online. Archived from the original on January 30, 2020. Retrieved January 30, 2020.
  95. ^ [1]. Rotten Tomatoes. Retrieved on December 16, 2019.
  96. ^ [2]. Google Users
  97. ^ [3]. IMDb
  98. ^ [4]. Metacritic. Retrieved on December 12, 2019.
  99. ^ "FX Sets Premiere Dates for New and Returning Series". The Futon Critic. July 10, 2024. Retrieved July 21, 2024.
  100. ^ Greenfield, Lauren (2001). "The Damas (Maids of Honor) go from the Church to the Reception in a Ford Explorer limousine at Ruby's Quinceanera, Huntington Park, California". The Art Institute of Chicago.
  101. ^ "Lauren Greenfield: Girls from the Adrian Teen Models Agency Exercise as Part of their Modeling School Training, Pasadena". mfah.org.
  102. ^ "Lauren Greenfield's Generation Wealth website".
  103. ^ "Lauren Greenfield exhibitions".
  104. ^ "Girl Culture exhibition in Iceland".
  105. ^ "Girl Culture and Thin exhibition at Smith College Museum of Art".
  106. ^ "Thin exhibition at Women's Museum".
  107. ^ ""Fast Forward: Growing Up in the Shadow of Hollywood" exhibitions".
  108. ^ "Girl Culture exhibitions".
  109. ^ ""THIN" film, book, & exhibition".
  110. ^ ""THIN" traveling exhibition".
  111. ^ "Video Interviews for Annenberg's "Beauty CULTure"".
  112. ^ "Trailer for Lauren Greenfield's "Beauty CULTure"".
  113. ^ "Lucie Awards 2011". Archived from the original on December 29, 2011.
  114. ^ "Getty exhibition smashes all-time attendance record". Los Angeles Times.
  115. ^ "Lucie Awards 2010".
  116. ^ Moses, Janette (January 20, 2016). "Lauren Greenfield Honored with ICP Spotlights Award". PopPhoto.
  117. ^ "Generation Wealth by Lauren Greenfield t Annenberg Space for Photography (LA)".
  118. ^ "ArtForum – Art Review of "Generation Wealth by Lauren Greenfield"".
  119. ^ "Exhibition GENERATION WEALTH at the Deichtorhallen Hamburg)".
  120. ^ "Generation Wealth website".
  121. ^ "Generation Wealth by Lauren Greenfield at ICP Museum, NYC". July 6, 2016.
  122. ^ Meyers, William. "Wall Street Journal – Art Review of "Generation Wealth by Lauren Greenfield"". WSJ.
  123. ^ "Marriage Announcement, New York Times". The New York Times. May 11, 1992. Retrieved May 7, 2010.
  124. ^ "Generation Wealth (Phaidon 2017)".
  125. ^ ""THIN" page on Google".
  126. ^ ""The Queen of Versailles" page on Google".
  127. ^ "Official "Generation Wealth" website".
  128. ^ ""The Kingmaker" page on Google".
edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Lauren_Greenfield&oldid=1257647412#likeagirl"