The Captive Virgins (Filipino: Mga Bilanggong Birhen) is a controversial 1977 Philippine period drama film produced by Armida Siguion-Reyna and directed by Mario O'Hara and Romy Suzara. The movie served as a commentary on the state of the Philippines in the 1920s during the American colonial period.[1]
| Mga Bilanggong Birhen | |
|---|---|
 The poster of the film's restored version, released in 2019 | |
| Directed by |
|
| Written by | Mario O'Hara |
| Produced by | Armida Siguion-Reyna |
| Starring |
|
| Cinematography | Romeo Vitug |
| Edited by | Ike Jarlego |
| Music by | Ryan Cayabyab |
Production company | Pera Films |
| Distributed by | ABS-CBN Film Productions (restored version) |
Release date |
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Running time | 125 minutes |
| Country | Philippines |
| Languages | |
The film was restored in 4K high-definition by the ABS-CBN Film Archives through the facilities of Central Digital Lab in Makati as part of the Centennial Year of the Philippine Cinema. For overseas releases, the film's title is renamed as Familia Sagrada.
Synopsis
editIt's 1923. Under the competent leadership of Capitan Pablo, the dormant revolutionary, the "Pulajanes", re-entered to stop the abuse of landowners as agricultural injustice brings poverty under the US-controlled Philippines. The rich are weakened by their own abuse. Some poor people learn to betray. Love is sacrificed as relationships don't mean things. War is war and it costs money. Therefore, women are captives of war.
Plot
editIt was 1898 in one province in the Visayas region, the people began rebelling against the Spaniards towards its independence and the story begins at the Sagrada household, while Felipa is playing the piano, a man silently intrudes the house and looks at her infant son sleeping on his bed. However, when their house helper returns, he kidnapped the baby and they left. Twenty-two years later, the year 1920, the Americans became the colonizer of the country but the dreams of an independent Philippines have not yet been forgotten. On the other side, the Pulajanes have revived and they began to instigate violence against the landowning clans.
On that day, a group of Pulajanes ambushed the anti-revolutionary army and this was witnessed by Celina and her family who were returned from Manila.
Cast
edit- Alma Moreno as Celina
- Trixia Gomez as Milagros
- Armida Siguion-Reyna as Felipa
- Rez Cortez as David
- Leroy Salvador as Señor Juan
- Mario Montenegro as Captain Pablo
- Monang Carvajal
- Ronnie Lazaro as Hermes
- Rodel Naval
Production
editAccording to the memoir "Armida" by Monique Villonco, Mga Bilanggong Birhen was shot in the town of Bacolor in the province of Pampanga. In housing the film's cast and staff, they initially wanted to rent the residents' houses for them but it never materialized, citing a lack of financial budget. Later on, they decided to rent the house of Charlie Valdes, the classmate of Armida's husband Leonardo Siguion-Reyna, where they spent three weeks in the said place during its shooting period. Leonardo Siguion-Reyna was also responsible for bringing an old car, which belonged to the late industrialist Andres Soriano, to the town of Bacolor. Laida Lim Perez was assigned to design the film's main set.[2]
Release
editThe film was premiered on December 24, 1977, as part of the 1977 Metro Manila Film Festival.
Digital restoration
editThe film was restored by ABS-CBN Film Restoration and Central Digital Lab in Makati, Metro Manila. Reyna Films, the film production company owned and operated by Armida's son Carlos Siguion-Reyna and his wife Bibeth Orteza, provided the 35mm master negatives and sound negatives for the 1977 movie Mga Bilanggong Birhen.[3]
The restored version of the film was premiered at Cinema '76 Film Society in San Juan, Metro Manila. The film was attended by the film's co-director Romy Suzara, lead actress Alma Moreno, and cinematographer Romy Vitug. Actress Jobelle Salvador, the daughter of Leroy Salvador; producer Bibeth Orteza, daughter-in-law of Armida Siguion-Reyna; and Tess Carvajal, the granddaughter of Monang Carvajal also attended to represent the cast and crew.[4][5]
Controversy
editThe film was left unfinished when Mario O'Hara left the production before the shooting ended, following a misunderstanding between Armida and the director. Eventually, director Romy V. Suzara decided to finish the remaining parts of the film. During the film's post-production, Lino Brocka, who has a role in the film, demanded to the actress-producer to remove his scenes except the integral scene with the young Alma Moreno.[6][2]
References
edit- ^ "Digitally restored 'Mga Bilanggong Birhen to screen at Cinema 76 Classics". Manila Standard. October 8, 2019. Archived from the original on July 3, 2022. Retrieved December 11, 2019.
- ^ a b "The height of Alma fandom, Brocka versus Armida, and the making of 'Mga Bilanggong Birhen'". ABS-CBN News Channel. September 28, 2019. Archived from the original on October 1, 2019. Retrieved December 11, 2019.
- ^ "MGA BILANGGONG BIRHEN (1977) Cinema '76 Premiere". Facebook. September 26, 2019. Retrieved December 11, 2019.
- ^ https://web.facebook.com/pg/filmrestorationabscbn/photos/?tab=album&album_id=1812609822216054&ref=page_internal [user-generated source]
- ^ "MGA BILANGGONG BIRHEN Premiere Interviews". Facebook. October 9, 2019. Retrieved December 11, 2019.
- ^ "Alma Moreno recalls working with the late Armida Siguion-Reyna for Mga Bilanggong Birhen". Philippine Entertainment Portal. September 30, 2019. Retrieved December 11, 2019.