The Sleeping Cupid is a now-lost sculpture created by Renaissance artist Michelangelo, which he artificially aged to make it look like an antique on the advice of Lorenzo di Pierfrancesco in order to sell for a higher price. It was this sculpture which first brought him to the attention of patrons in Rome.[1]
| Sleeping Cupid | |
|---|---|
 Giulio Romano's Young Jupiter in National Gallery, London, possibly contains a citation of Michelangelo's Sleeping Cupid | |
| Artist | Michelangelo |
| Year | 1496 |
| Preceded by | Angel (Michelangelo) |
| Followed by | Bacchus (Michelangelo) |
Creation
editMichelangelo began working on his sleeping cupid in 1495, in Florence, Italy. It was never said by Michelangelo as to why he carved a sculpture of a cupid, but it is known that he studied a sculpture in the Medici Gardens that contained a sleeping cupid.[2] Michelangelo's work was described by Ascanio Condivi, Italian Painter, as, "a god of love, aged six or seven years old and asleep".[3]
Description
editMichelangelo created the sculpture and then passed it onto a dealer, Baldassare del Milanese. Eventually the sleeping cupid was bought by Cardinal Riario of San Giorgio, controversy arose when he discovered the statue was falsely aged[4] and demanded his money back. However, Michelangelo was permitted to keep his share of the money.[5][6] When Michelangelo offered to take the sculpture back from Baldassare when he learned how much money he made off of selling it, Baldassare refused, saying, "he would rather break it into a hundred pieces; he had bought the child, and it was his property".[2]
The Sleeping Cupid was a significant work in establishing the reputation of the young Michelangelo, who was 21 at the time.[7] The sculpture was later donated by Cesare Borgia to Isabella d'Este, and was probably collected by Charles I of England when all the Gonzaga collections were bought and taken to London in the seventeenth century.[5]
It was previously impossible to attempt to identify Michelangelo's cupid, until Paul Norton's proposal that Michelangelo's work may be in the Album of Busts and Statues in Whitehall.[8] This led to one of the cupids on the album to be thought to be Michelangelo's lost cupid, as the description matches quite well. But it is still unknown if this is the exact one Michelangelo created, as there is no record the statue after the original sale.[2]
Destruction
editIn 1698, the Sleeping Cupid was most likely destroyed in the great fire in the Palace of Whitehall, London along with many other fine works of art.[5] It is unknown what happened to the sculpture.
See also
editReferences
edit- ^ Entry on "Cupid," The Classical Tradition (Harvard University Press, 2010), p. 245; Stefania Macioe, "Caravaggio and the Role of Classical Models," in The Rediscovery of Antiquity: The Role of the Artist (Collegium Hyperboreum, 2003), pp. 437–438.
- ^ a b c Norton, Paul F. (1957). "The Lost Sleeping Cupid of Michelangelo". The Art Bulletin. 39 (4): 251–257. doi:10.2307/3047727. ISSN 0004-3079. JSTOR 3047727.
- ^ Hirst, Michael (1994). The young Michelangelo. Michelangelo Buonarroti, Jill Dunkerton, National Gallery. London: National Gallery Publications. ISBN 1-85709-066-7. OCLC 31536939.
- ^ "Sleeping Cupid by Michelangelo". www.michelangelo.net. Retrieved 30 November 2022.
- ^ a b c Sheila Gibson Stoodley (August 2008). "Misadventures in Collecting". Arts and Antiques.[permanent dead link]
- ^ "Michelangelo's Cupid". Museum of Hoaxes. Retrieved 3 January 2010.
- ^ Deborah Parker, Michelangelo and the Art of Letter Writing (Cambridge University Press, 2010), p. 11; Rona Goffen, Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian (Yale University Press, 2002, 2004), p. 95.
- ^ Rubinstein, Ruth (1986). "Michelangelo's Lost Sleeping Cupid and Fetti's Vertumnus and Pomona". Journal of the Warburg and Courtauld Institutes. 49: 257–259. doi:10.2307/751307. ISSN 0075-4390. JSTOR 751307. S2CID 195042110.
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