Mirha-Soleil Ross is a transgender videographer, performance artist, sex worker and activist. Her work since the early 1990s in Montreal and Toronto has focused on transsexual rights, access to resources, advocacy for sex workers and animal rights.
Mirha-Soleil Ross | |
---|---|
Born | 1969 |
Other names | Jeanne B |
Known for | Transgender videographer, sex-worker and animal-rights activist, filmmaker |
Early life
editRoss grew up in a poor neighbourhood of Montreal, Quebec. As a teenager during the 1980s, she became aware of animal abuse.[1] At that time, Ross became a vegetarian and involved with animal rights activism.[1] She said that although people often ask her what it was like to try to pass as a woman, she struggled much more when she was trying to pass as a boy and was often attacked for looking too feminine.[2] Ross moved from Montreal to Toronto during the early 1990s, where she was a sex worker and began producing zines and videos.
gendertrash from hell
editFrom 1993 to 1995 Ross and partner Xanthra Phillippa MacKay published gendertrash from hell, a quarterly zine which "[gave] a voice to gender queers, who've been discouraged from speaking out & communicating with each other".[3] They managed the zine's publisher, genderpress, which also distributed other transsexual pamphlets and literature, corresponded with local organizations and sold buttons.
In standard zine format, gendertrash was a combination of art, poetry, resource lists, serialized fiction, calls to action, classified ads, illustrations and collages and movie reviews. By and for transsexual, transgender and transvestite people, it addressed gender experiences at the individual and societal level and prioritized sex workers, low-income queers, trans people of colour and prisoners.[3] Articles frequently addressed the erasure of transsexuals from lesbian, gay, bi and queer communities and the communities' co-opting of trans identities and issues.[4] Four issues of gendertrash were published, and its run ended in 1995.[5]
Videos
editRoss' videos, primarily short films, centre on gender, sexuality, animal rights and the humour and beauty of the transsexual body. Her videos are distributed by V tape in Toronto.[6]
Videography
editTitle | Date | Credits | Length | Summary |
---|---|---|---|---|
Chroniques | 1992 | Mirha-Soleil Ross | 12:00 | Clips from Ross' video diary in which she recounts situations where she had unsafe sex with a client.[7] |
An Adventure in Tucking with Jeanne B | 1993 | Mirha-Soleil Ross | 5:00 | A humorous video that shows Ross attempting to tuck with scotch tape before meeting a client.[8] |
Gendertroublemakers | 1993 | Mirha-Soleil Ross and Xanthra MacKay | 20:00 | Ross and MacKay speak frankly with each other about their sexuality and negative experiences with gay men.[9] |
I never would have known: A conversation with Peter Dunnigan | 1997 | Mirha-Soleil Ross | 24:00 | An interview with Toronto activist and trans man Peter Dunnigan about his transition, sexuality, addiction, and recovery.[10] |
Dysfunctional | 1997 | Mirha-Soleil Ross | 9:00 | A response to society's fascination and repulsion of transsexual bodies.[11] |
Journée Internationale de la Transsexualité | 1998 | Mirha-Soleil Ross | 38:00 | A documentary about the trans women's event hosted by l'Association des Transsexuels-les du Québec.[12] |
G-SPrOuT! | 2000 | Mirha-Soleil Ross and Mark Karbusicky | 12:00 | "A cyberspace encounter turns into a trans/polysexual vegan-docu-porno featuring urban veggie lovers speaking out on dating, intimacy and sex in a meat-centered culture."[13] |
Tales from the Derrière | 2000 | Mirha-Soleil Ross | 24:51 | A video of Ross 1999 performance of the same name which featured stories from her work and stories about her anus.[14] |
Tremblement de Chair | 2001 | Mirha-Soleil Ross and Mark Karbusicky | 3:40 | "A poetic meditation on the beauty, perils and power of sexuality in a transsexual woman's body."[15] |
Madame Lauraine's Transsexual Touch | 2001 | Mirha-Soleil Ross, Viviane Namaste, and Monica Forrester | 34:00 | A film on safer sex between transsexual sex workers and their clients.[16] |
Lullaby | 2001 | Mirha-Soleil Ross | 4:00 | A video produced as part of Ross performance art piece where she simulated pregnancy for 9 months.[17] |
Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore | 2002 | Mirha-Soleil Ross and Mark Karbusicky | 74:00 | A film of Ross' one-woman show by the same name.[18] |
Proud Lives | 2002 | Mirha-Soleil Ross and Mark Karbusicky | 5:00 | Film footage of Ross as the grand marshal of Toronto's Pride Parade in 2001.[19] |
Allo Performance! | 2002 | Mirha-Soleil Ross and Mark Karbusicky | 13:00 | A video of Ross at the Golden Gate Bridge as part of her 9-month Pregnancy Project.[20] |
Materstina (Langue Maternelle) | 2003 | Mirha-Soleil Ross and Mark Karbusicky | 11:40 | "A Czech woman speaks about her exile in Canada and about her sense of loss as it relates to language and her relationship with her children."[21] |
Live eXXXpressions: Sex Workers Stand Up | 2006 | Mirha-Soleil Ross and Mark Karbusicky | 15:00 | Footage of Forum XXX, a four-day sex workers' activist event held in Montréal in May 2005.[22] |
Brandee aka Lana Lamarre | 2007 | Mirha-Soleil Ross and Mark Karbusicky | 3:00 | A memorial video for the performer Brandee, who passed away in 2007.[23] |
Les Vérités Vo(i)lées | 2007 | Mirha-Soleil Ross | 31:45 | A look at sex workers' response to panic and scapegoating of sex workers for the spread of HIV/AIDS and other STIs.[24] |
Performance art
editRoss produced a one-woman show, Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore, based on her sex work and activism, at the 2002 Mayworks Festival of Working People and the Arts and in 2004 at the Buddies in Bad Times Theatre.[25] The show intended to educate audiences about issues facing sex workers and refute stereotypes contributing to violence against them.[26] Yapping Out Loud also incorporated Ross' animal-rights activism with images of coyotes and comparisons between oppression faced by sex workers and coyotes, inspired by the American sex-worker organization Call Off Your Old Tired Ethics.[25] In 2001 and 2002 she performed a nine-month Pregnancy Project, appearing in public with a prosthetic belly to have conversations about gender, motherhood and the possibility of womb transplants for transsexuals.[27]
Counting Past 2
editIn 1997, 1998, and 1999 Ross ran Counting Past 2 (CP2), a transsexual and transgender film, video, performance and spoken-word festival which provided a space for transsexual and transgender people to speak for themselves without catering to the aesthetic standards or curiosity of cisgender audiences.[28] The festival's goal was to be more inclusive and encouraging of trans artists than mainstream gay and lesbian film festivals by centring trans voices, accepting less-polished work and including cabaret and performance components instead of restricting submissions to films.[29] Performers included Aiyyana Maracle and Max Wolf Valerio.[30] In 2002, the festival returned after a two-year hiatus, under the stewardship of Boyd Kodak and Cat Grant.[31] In a 2007 interview with Viviane Namaste, Ross said that her efforts with CP2 to create transsexual spaces outside a lesbian and gay framework had failed and she regretted that those spaces had disappeared or been absorbed by the LGBT community.[32]
Social service
editDuring the 1990s and early 2000s, Ross was involved in social-service work for the transsexual and sex-worker communities in Toronto. In 1999 she was the founding coordinator of Meal-Trans at the 519 Church Street Community Centre, a drop-in program offering meals and peer support to trans people. Ross was involved in the general expansion of the 519's trans programs, providing services for transsexuals who are HIV positive and sex workers and founding peer-support groups for trans men and trans women with colleague Rupert Raj.[33]
Ross and her friends worked to improve access to social services for Toronto transsexuals, particularly those who were sex workers, HIV-positive, low-income or immigrants.[34] She worked with women's shelters, community centres and sex-worker organizations such as Maggie's to improve access and educate service providers.[35] As a sex worker, Ross was involved in pushing back against efforts by residents' organizations in the Gay Village and Allan Gardens areas to expel sex workers.[36]
Awards
editRoss has received several grants from the Canada Council for the Arts. Her video, Mateřština (co-directed with Mark Karbusicky), won the Marian McMahon Award at the 2004 Images Festival in Toronto.[37] In 2001, Ross was the Grand Marshal of Toronto's Pride Parade.[38] In 2011, she was inducted into Canada's Q Hall of Fame.[39]
Exhibition history
editEXHIBITION | DATES | EXHIBITOR | LOCATION |
---|---|---|---|
No Master Territories: Feminist Worldmaking and the Moving Image[40] | June 19–August 28, 2022 | Haus der Kulturen der Welt (HKW) | Berlin
Germany |
Queering Family Photography[41] | Apr. 21 – May 26, 2018 | Contact festival, Stephen Bulger Gallery | Toronto, Canada |
Edgy Women Festival[42] | March 2006 | Studio 303 | Montreal, Canada |
References
edit- ^ a b "Satya Oct 03: Interview with Mirha-Soleil Ross". satyamag.com. Archived from the original on 5 March 2016. Retrieved 14 December 2016.
In the mid-80s, when I was about 16 years old, I watched a TV documentary about fur that included footage of animals caught in snares and leg-hold traps. It changed my life forever.
- ^ Bell, Shannon (1995). Whore Carnival. New York: Autonomedia. p. 141.
- ^ a b Mackay, Xanthra Phillippa; Ross, Mirha-Soleil (1993). gendertrash from hell, vol 1. Toronto, ON: genderpress.
- ^ Namaste, Viviane (2011). Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism. Toronto, ON: Canadian Scholars' Press. p. 121.
- ^ "Mirha-Soleil Ross fonds (f0033) · The ArQuives Digital Exhibitions". digitalexhibitions.arquives.ca. Retrieved 2023-06-06.
- ^ V Tape (n.d.). "Artist: Mirha-Soleil Ross". V tape.
- ^ "Chroniques". V tape.
- ^ "An Adventure in Tucking with Jeanne B". V tape.
- ^ "Gendertroublemakers". V tape.
- ^ "I never would have known: A conversation with Peter Dunnigan". V tape.
- ^ "Dysfunctional". V tape.
- ^ "Journée Internationale de la Transsexualité". V tape.
- ^ "G-SPrOuT!". V tape.
- ^ "Tales from the Derriere". V tape.
- ^ "Tremblement de Chair". V tape.
- ^ "Madame Lauraine's Transsexual Touch". V tape.
- ^ "Lullaby". V tape.
- ^ "Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore". V tape.
- ^ "Proud Lives". V tape.
- ^ "Allo Performance!". V tape.
- ^ "Materstina (Langue Maternelle)". V tape.
- ^ "Live eXXXpressions: Sex Workers Stand Up". V tape.
- ^ "Brandee aka Lana Lamarre". V tape.
- ^ "Les Vérités Vo(i)lées". V tape.
- ^ a b Salah, Trish. (2007). What's All the Yap? Reading Mirha-Soleil Ross's Performance of Activist Pedagogy. Canadian Theater Review.
- ^ "Sex trade imbalance". Xtra!. April 17, 2002.
- ^ Brown, Eleanor (June 13, 2001). "Pride's special people". Xtra!.
- ^ Namaste, Viviane (2011). "Examining Transsexuals' Access to the Media: Beyond Image Content". Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism. Toronto, ON: Canadian Scholars' Press. pp. 67–68.
- ^ Cowan, T. L. (2016). Householder & Mars (ed.). "cabaret performance and the social politics of scene-making". Toronto & Montreal: yyz. ISBN 978-0-920397-64-0.
{{cite book}}
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ignored (help) - ^ Ross, Mirha-Soleil (1998). Counting Past 2 Program.
- ^ Salah, Trish (2013). "Notes Toward Thinking Transsexual Institutional Poetics". In Eva C. Karpinski; Ian Sowton; Jennifer Henderson; Ray Ellenwood (eds.). Trans/Acting Culture, Writing, and Memory: Essays in Honour of Barbara Godard. Waterloo, On: Wilfrid Laurier University Press. p. 180. ISBN 978-1-55458-839-8.
- ^ Namaste, Viviane (2011). ""Activists can't go on forever acting in the abstract.": An Interview with Mirha-Soleil Ross". Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism. Toronto, ON: Canadian Scholars' Press. p. 121.
- ^ "When she was a boy". Xtra!. June 15, 1999.
- ^ Namaste, Viviane (2011). ""Activists can't go on forever acting in the abstract.": An Interview with Mirha-Soleil Ross". Sex Change Social Change. Toronto, ON.: Canadian Scholars' Press. p. 118.
- ^ "The Toolbox: What Works for Sex Workers (p.38-41)" (PDF). 20 October 2021.
- ^ Rebecka Sheffield, "Trans Programming at the 519 Church Street Community Centre: A Case Study in Social Entrepreneurship" (Toronto:CAMH, 2011), 7.
- ^ Irving, D. "Against the Grain: Teaching Transgender Human Rights." Sexualities (2013): 319-35. Print.
- ^ "Pride Toronto | June 2015". m.worldpridetoronto.com.
- ^ "Inductees Q Hall of Fame". www.qhalloffame.ca. Archived from the original on 2014-03-01. Retrieved 2016-01-10.
- ^ "No Master Territories: Feminist Worldmaking and the Moving Image - Announcements - e-flux". www.e-flux.com. Retrieved 2022-07-10.
- ^ "This Contact exhibit presents an intimate glimpse into the domestic lives of LGBTQ2+ people". Toronto Life. 2018-05-22. Retrieved 2022-07-10.
- ^ Samuel-s303-18. "Archives / Edgy Women". Studio 303. Retrieved 2022-07-10.
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External links
edit- Mirha-Soleil Ross fonds - Archival records at The ArQuives: Canada's LGBTQ2+ Archives