Muljibhai Khushalbhai Nayak (1892–1971) was a Gujarati theatre director and actor from Gujarat, India. He was well known for his heroic and Bhavai roles.
Muljibhai Nayak | |
|---|---|
| Born | 1892 Umta, Mehsana, Baroda State, British India |
| Died | 1971 |
| Occupation(s) | Stage actor, director |
| Years active | c. 1899–1947 |
| Father | Khushalbhai |
Biography
editMuljibhai Nayak was born in 1892 in Umta village (now in Mehsana district, Gujarat) in a family of Bhavai performers.[1][2][3][4]
He started his stage career at the age of six[1] or seven[3] for a salary of one rupee in Arya Natak Mandali.[4] He acted in many roles including Ranuka in Bedhari Talwar, Mokalkunwar in Chandravijay, Nanda in Veervijay (1901) produced by Phoenix Gujarati Natak Mandali. He worked with Framji Ratanji Appu's Parsi Natak Mandali.[4]
He was trained in theatre by Amrit Keshav Nayak and in Urdu by Narayanprasad 'Betab'. He played a role of Kumud in Kumudsundari produced by Subodh Natak Mandali.[4] He joined Deshi Natak Samaj in 1904 and later became a partner in it. In 1914, he joined Saraswati Natak Samaj for a salary of 75 rupees.[4]
His roots in folk theatre, as well as experience in conventional theatre, helped him with his Bhavai roles and direction of Bhavai performances which brought him fame. He had also directed several social and historical plays which were influenced by the Urdu theatre.[1] His early roles of Badar in Sati Toral (1915) and Jankinath in Sati Manjari (1921) were much appreciated.[1]
His popular roles include Shahji in Dheersinh in Sanyasi (1912), Hanuman in Sati Sulochna (1914), Ebhalvalo in Ra' Mandlik (1918), Shivaji in Raja Shambhaji (1922), Shudrak in Shalivahan (1927) and Raja Shahji (1938). His role of Shivaji in Raja Shambhaji attracted Marathi people. He was hailed for acting, makeup and an entry on the stage on a horseback in the role of Shahji in Raja Shahji.[1][4] His roles of heroic men were well appreciated for his heavy voice and acting.[4]
He died in 1971.[1]
Recognition
editMuljibhai Nayak was felicitated in Ahmedabad on 13 September 1963 by the Government of Gujarat.[4] He was awarded Sangeet Natak Akademi award for Acting in Gujarati in 1965.[2][5] He was felicitated by Udaybhansinhji, prince of erstwhile Porbandar State, in Mumbai on 9 February 1966 under the aegis of Deshi Natak Samaj.[4]
Stage
edit| Date | Title | Role | Writer | Theatre company |
|---|---|---|---|---|
| Bedhari Talwar | Renuka | |||
| Chandravijay | Mokalkunwar | |||
| 1901 | Veervijay | Nanda | Phoenix Gujarati Natak Mandali | |
| 1904 | Vijay Kamla | Roshan Aara | Dahyabhai Dholshaji Zaveri, | Deshi Natak Samaj |
| 26 October 1905 | Sati Sita | Shanta | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 1908 | Sati Draupadi | Nakul | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 1910 | Jalim Tuliya | Tuliya | Manishankar Ratanji Bhatt 'Kant' | Deshi Natak Samaj |
| 6 June 1912 | Sanyasi | Dheersinh | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 12 December 1912 | Kulin Nayika | Devsharma | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 12 April 1913 | Ajitsinh | Virsinh | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 1914 | Sati Sulochna | Hanuman | Chhotalal Rukhdev Sharma | Deshi Natak Samaj |
| 1914 | Kusumavati | Khumansinh | Manilal 'Pagal' | Saraswati Natak Samaj |
| 1915 | Sati Toral | Badar | ||
| 7 December 1918 | Ra' Mandlik | Ebhalvalo | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 26 June 1920 | Chhatravijay | Sambhakaran | Collaborative work | Aryanaitik Natak Samaj |
| 1921 | Sati Manjari | Jankinath | ||
| December 1922 | Raja Shambhaji | Shivaji | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 1924 | Mahadji Shinde | Sadashivrao | Manilal 'Pagal' | Arya Natak Mandali |
| 1924 | Saurashtra Veer | Akheraj | Manilal 'Pagal' | Arya Natak Mandali |
| 1 August 1927 | Shalivahan | Shudrak | Prabhulal Dwivedi | Lakshmikant Natak Samaj |
| 15 March 1927 | Mayana Rang | Devdoot | Prabhulal Dwivedi | Lakshmikant Natak Samaj |
| 1928 | Mera Iman | Murad | Munshi Abbasali | Lakshmikant Natak Samaj |
| 2 January 1929 | Veerna Ver | Jaisinh | Manilal 'Pagal' | Lakshmikant Natak Samaj |
| 4 February 1932 | Samudragupta | Mahendra | Prabhulal Dwivedi | Lakshmikant Natak Samaj |
| May 1933 | Kanyadan | Swami Vidyanand | Kavi 'Manasvi' Prantijwala | Kant Natak Samaj |
| 12 October 1933 | Rajkumari | Krishna | Devdutt Tarkas | Kant Natak Samaj |
| 17 January 1934 | Sattano Lobh | Pratapaditya | Jivanlal Bhatt | Bhaktivijay Natak Samaj |
| 1938 | Raja Shahji | Shahji | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 1938 | Vilaspanthe | Hemchandra | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 1938 | Sarjanhar | Shyamsundar | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 1942 | Garib Kanya | Sitaram | Manilal 'Pagal' | Aryanaitik Natak Samaj |
| 1947 | Sagavahala | Ishwarlal | Manilal 'Pagal' | Aryanaitik Natak Samaj |
References
edit- ^ a b c d e f g Bhojak, Dinkar J. (2004). Lal, Ananda (ed.). The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press. p. 314. ISBN 0195644468. OCLC 56986659 – via Oxford Reference. (subscription required)
- ^ a b "Muljibhai Khushalbhai Nayak". sangeetnatak.gov.in. Retrieved 10 August 2018.
- ^ a b Institute of Traditional Cultures (1966). Bulletin of the Institute of Traditional Cultures. University of Madras. p. 124.
- ^ a b c d e f g h i j Choksi, Mahesh; Somani, Dhirendra, eds. (2004). ગુજરાતી રંગભૂમિ: રિદ્ધિ અને રોનક (Gujarati Rangbhoomi: Riddhi Ane Ronak) [Compilation of Information regarding professional theatre of Gujarat]. Ahmedabad: Gujarat Vishwakosh Trust. pp. 226–228.
- ^ Fellows and Award-winners of Sangeet Natak Akademi 1952-2010: Citations and Composite Data. Sangeet Natak Akademi. 2011. p. 68.