Naumburg Cathedral

Naumburg Cathedral (German: Naumburger Dom St. Peter und St. Paul, pronounced [ˈnaʊ̯mˌbʊʁɡɐ doːm] ), located in Naumburg, Germany, is the former cathedral of the Bishopric of Naumburg-Zeitz. The church building, most of which dates back to the 13th century, is a renowned landmark of the German late Romanesque and was recognised as a UNESCO World Heritage Site in 2018. The west choir with the famous donor portrait statues of the twelve cathedral founders (Stifterfiguren) and the Lettner, works of the Naumburg Master, is one of the most significant early Gothic monuments.

Naumburg Cathedral
The Cathedral of Sts. Peter and Paul
Naumburger Dom St. Peter und St. Paul
Southeast view of Naumburg Cathedral
Naumburg Cathedral Location in Germany Naumburg Cathedral Naumburg Cathedral (Saxony-Anhalt)
51°9′17″N 11°48′14″E
Denomination	Lutheran
Previous denomination	Roman Catholic
Website	naumburger-dom.de
Architecture
Style	Romanesque/Gothic
Groundbreaking	1028
Completed	1044 (consecration)
Administration
Province	Evangelical Church in Central Germany
Diocese	Bishopric of Naumburg-Zeitz (until 1615)
Clergy
Bishop(s)	Ilse Junkermann
UNESCO World Heritage Site
Official name	Naumburg Cathedral
Type	Cultural
Criteria	(i), (ii)
Designated	2018
Reference no.	1470
Region	Western Europe

The church was erected with the relocation of the episcopal see from Zeitz in 1028, next to an old parish church. Thus it is the proto-cathedral of the former Catholic Diocese of Naumburg-Zeitz. With the Reformation, Naumburg and its cathedral became Protestant. Naumburg Cathedral remains a Protestant parish church to this day.

Naumburg Cathedral is a part of the tourist route Romanesque Road in Saxony-Anhalt. Since 1999, 'Naumburg Cathedral and the landscape of the rivers Saale and Unstrut, an important dominion in the High Middle Ages’.

History

West side

Naumburg Cathedral, western towers and cloister courtyard

Background

The history of the town of Naumburg begins at the turn of the 9th and 10th centuries. Due to a lack of written documentation, details and exact dates are unknown. However, it is likely that Markgraf (Margrave) Ekkehard I of Meissen and the most powerful man on the eastern border of the Holy Roman Empire was the founder.

He erected a residence on a roughly 25 metres (82 ft) high rock above the right bank of the Saale river, near the mouth of the Unstrut. The location for this castle, which was called neweburg that later became "Naumburg," was chosen for its advantageous proximity to the intersection of so many well-trafficked commercial highways on the historic eastern border of East Francia (Kingdom of Germany) with the lands of the Polabian Slavs that were incorporated into the Saxon Eastern March.

Ekkehard was murdered in 1002 at Pöhlde Abbey in the Harz hills, but it was not possible to bury him at Naumburg yet, as neither castle nor the attached monastery was yet finished. Only once this was accomplished did his sons, the Meissen margraves Hermann and Ekkehard II have his body and those of his ancestors moved to the Georgenkloster at Naumburg.

Ekkehard's sons founded a small parish church in the western part of the area around the castle. It was dedicated to the Virgin Mary and was first mentioned in surviving texts of the Merseburg bishopric chronicle in 1021. In 1028, after some encouragement from the two brothers they won approval from King Conrad II and Pope John XIX to move the episcopal see from Zeitz to Naumburg on the grounds that the castle would provide more protection for the see than it could get at Zeitz.

Early-Romanesque stage

Soon after the approval of the relocation of the episcopal see, in the Spring of 1029, just to the east of the existing parish church the construction of the early-Romanesque cathedral was begun. In 1044, during the reign of Bishop Hunold of Merseburg, the church was consecrated and the patron saints of Peter and Paul were designated, adopted from Zeitz Cathedral.

This church stood in the same location where today's late Romanesque/Gothic edifice is located, but it was of smaller size. In c. 1160/70 a crypt was added to the building, the only room of the first cathedral to survive in the current structure more or less unaltered.

Late-Romanesque/Gothic stage

The rebuilding of the cathedral started around 1210. Of the old structure only the crypt survived and this lost its apse, but was expanded to the east and west such that it now extends not just under the new choir but also under the crossing.

This new cathedral was built under Bishop Engelhard (1207-42). However, it did not remain in this late-Romanesque form long for by the mid-13th century the early-Gothic west choir was added, replacing the old parish church. It was likely finished by 1260. The western towers were raised by one floor shortly thereafter. In around 1330 the high-Gothic polygonal east choir was built, requiring the destruction of the Romanesque apse. Additional floors were added to the western towers in the 14th and 15th centuries. The Dreikönigskapelle was consecrated in 1416.

A fire damaged the cathedral in 1532, destroying the roofs. After that the eastern towers were raised. The fire also destroyed the three-aisled nave of the collegiate church dedicated to Mary next door to the cathedral, of which today only the choir remains. The collegiate church has its own cloister explaining the temporary presence of two of them, one to the cathedral's south and one to the north. The northern cloister is not extant but served to house the cathedrals clergy prior to the collegiate church's destruction.

Reformation

In the course of the Reformation, it became the see of the first German Protestant bishop, Nicolaus von Amsdorf in 1542. Upon the death of his Catholic "antibishop", Julius von Pflug in 1564, the Catholic Naumburg diocese was administrated by the Electors of Saxony and finally dissolved in 1615.

Later construction

The copper roofs and lanterns of the eastern towers were added in 1713/4 and 1725/8. Around mid-century the interior was turned into a Baroque church. This was undone by a "purification" in 1874/8 aimed at restoring the cathedral to a medieval, i.e. Romanesque/Gothic look, even at the price of replacing Baroque items with new Romanesque/Gothic Revival art.

The southwestern tower was boosted by three pseudo-Gothic floors in the late 19th century. At the same time gables and roofs were added to both western towers. A pseudo-medieval building was erected in the former location of the collegiate church's nave, initially used as a gymn for the cathedral school. Finally, the gate house was built only in 1940.

Description

Floor plan of the cathedral

The cathedral is a double-choir three-aisled basilica with a pair of towers at the east and west end, flanking the choirs. Due to the presence of choirs at both ends, the church is entered from the sides. The main entry is on the south side, from the cloister or gate house. The choirs are divided from the nave by two rood screens.

Interior works of art

Aerial view, 2024

Margrave Ekkehard II and Uta, two of the twelve donor portraits

Regelinda (Reglindis), also known as Lächelnde Polin (smiling Polish woman), founder statue

Uta, founder statue

The Stifterfiguren (donor figures) by the artist called Naumburger Meister (Master of Naumburg) are probably the best-known work of art in the cathedral and are often referred to as the best-known work of early Gothic sculpture in Germany. Situated in the western choir, the twelve life-sized sculptures (eight men and four women) show nobles who were among the founders of the cathedral.

The sculptures are thought to represent the following people (from northeast to southeast):

• Count Konrad of Camburg, a nephew of Ekkehard II and Hermann I
• Countess Gepa (or Adelheid von Gernrode)
• Margravine Uta von Ballenstedt and Margrave Ekkehard II of Meissen (as a couple)
• Count Thimo of Wettin, brother of Konrad
• Count Wilhelm of Camburg and Brehna, nephew of Thimo
• Count Sizzo of Schwarzburg, cousin of Wilhelm
• Count Dietmar
• Margravine Regelinda (Reglindis), daughter of Bolesław I of Poland, and Margrave Herman I of Meissen, brother of Ekkehard (as a couple)
• Count Dietrich of Brehna, nephew of Thimo, and Gerburg, his wife

The sculptures were created in the middle of the 13th century out of Grillenburg Sandstone. Ten of the figures are merged with the walls, two are free-standing. They were originally painted but those remains of paint visible today date from restoration work in the 16th to 19th centuries.

For early Gothic sculptures, these figures are extremely realistic and show a large amount of individual detail. The character of the sculptures and the very presence of figures of lay people in such a prominent place in the church make these unique in 13th-century European sculpture.

Also by the same artist, the Westlettner (western rood screen) features sculpture from the Passion of Christ.

Together, Westlettner and founder figures are considered "one of the most important works of early Gothic art in Germany".

The Elisabethkapelle, a chapel dedicated to St. Elisabeth contains the oldest known stone sculpture of the saint. It was likely created shortly after Elisabeth's canonization in 1235, only four years after her death. The statue's head used to hold relics of the saint.

The cathedral's windows feature work by Neo Rauch in the Elisabethkapelle and by Thomas Kuzio in the crypt and the baptistery. It also retains medieval windows, notably in the east choir.

Today

Naumburg Cathedral remains a Protestant parish church.

It is a part of the tourist route Romanesque Road. Since 1999, 'Naumburg Cathedral and the landscape of the rivers Saale and Unstrut – an important dominion in the High Middle Ages' are included in the candidate list for UNESCO World Heritage Sites in Germany.

In 2017, the nomination of 'Naumburg Cathedral and the High Medieval Cultural Landscape of the Rivers Saale and Unstrut' as a World Heritage Site will be discussed at the 41st meeting of the World Heritage Committee in Krakow, Poland (2 until 12 July 2017).

On July 1, 2018, Naumburg Cathedral was listed as a UNESCO World Heritage Site. The German officials were indifferent about the decision of excluding the surrounding landscape.

Further reading

• Gerhard Straehle: Der Naumburger Meister in der deutschen Kunstgeschichte. Einhundert Jahre deutsche Kunstgeschichtsschreibung 1886-1989. Dissertation at Ludwig-Maximilians-Universität München 2009. (full text)
• Gerhard Straehle: Der Naumburger Stifter-Zyklus und der Erschlagene im Westchor (Synodalchor) des Naumburger Doms. Verlag Langewiesche, Königstein 2012, ISBN 978-3-7845-2960-8.

External links

• Official website
• Naumburg Cathedral UNESCO Official Website
• Images of some important art in the cathedral at Holycross.edu