Marc Daubert (born January 13, 1963) is an American musician. He collaborated with Phish for a brief time in their early history.[1]
Marc Daubert | |
---|---|
Also known as | Marco Esquandolas |
Born | Princeton, New Jersey, United States | January 13, 1963
Genres | Psychedelic rock, rock, jam rock |
Occupation | Musician |
Instrument(s) | Percussion, guitar, vocals |
Years active | 1981–present |
Daubert was a close friend of guitarist Trey Anastasio. Anastasio, Daubert, and lyricist/keyboardist Tom Marshall recorded a project entitled Bivouac Jaun. Much of this recording would end up on Phish's debut album, known as The White Tape.
When Anastasio returned to UVM in September 1984, he brought Daubert along. The most circulated Phish tape featuring Daubert is from a performance on December 1, 1984, at the club Nectar's in downtown Burlington, Vermont. After a run of shows in February 1985 at a club called Doolin's, Daubert quit the band.
Daubert also penned the lyrics to the Phish song "The Curtain," which was first performed live by Phish in 1987, over two years after Daubert's departure from the band.
Daubert is listed in the album credits on the CD "Lawn Boy" (Elektra Records 1990). He continues to write, produce and copyright music under his own music label Marc Daubert Music.
References
edit- ^ Pareles, Jon; George-Warren, Holly; Bashe, Patricia Romanowski; Romanowski, Patricia (2001). The Rolling stone encyclopedia of rock & roll. New York: Fireside. p. 758. ISBN 0-7432-0120-5.
- The Phish Companion. A Guide to the Band and Their Music (2004) Miller Freeman Books, pages 314, 5, 329, 13, 509
- Go Phish (2000) St. Martins Press pages 9, 32
Discography
edit1. Parlor Tricks (2006) 2). http://blaqfather.bandcamp.com/ 3). { Time Travel Music Genre } References : http://blaqfather.bandcamp.com/track/tanx http://blaqfather.bandcamp.com/track/signals http://blaqfather.bandcamp.com/track/whisper
External links
edit- MarcDaubert.com (archived copy)
- "Former Phish Percussionist Marc Daubert Has No Regrets", interview in Glide Magazine