Robin Hood is a 1973 American animated musical adventure comedy film produced by Walt Disney Productions and released by Buena Vista Distribution. Produced and directed by Wolfgang Reitherman, it is based on the English folktale "Robin Hood". Taking place in a world populated by anthropomorphic animals, the story follows the adventures of Robin Hood, Little John, and the inhabitants of Nottingham as they fight against the excessive taxation of Prince John, and Robin Hood wins the hand of Maid Marian. The film features the voices of Brian Bedford, Phil Harris, Peter Ustinov, Pat Buttram, Monica Evans, Terry-Thomas, Roger Miller, and Carole Shelley.
| Robin Hood | |
|---|---|
 Theatrical release poster | |
| Directed by | Wolfgang Reitherman |
| Story by |
|
| Based on | The legend of Robin Hood |
| Produced by | Wolfgang Reitherman |
| Starring | |
| Edited by |
|
| Music by | George Bruns |
Production company | |
| Distributed by | Buena Vista Distribution |
Release date |
|
Running time | 83 minutes |
| Country | United States |
| Language | English |
| Budget | $5 million[1] |
| Box office | $33 million[2] |
The idea to adapt Robin Hood into an animated feature was dated back to Walt Disney's interest in the tale of Reynard the Fox following the release of Snow White and the Seven Dwarfs (1937). The idea was repeatedly shelved for several decades. In 1968, Ken Anderson pitched a film adaptation of Robin Hood, incorporating ideas from Reynard the Fox by using anthropomorphic animals rather than humans. The project was approved, becoming the first completely "post-Walt" animated feature and the first with an entirely non-human cast.
Robin Hood was released on November 8, 1973. The film received mixed reviews from critics, but it was nonetheless a box-office success, grossing $33 million worldwide against a production budget of $5 million. Although some retrospective reviews have criticized the heavy use of animation recycled from previous Disney films, the film's reputation has grown positively over time and has since become a cult classic.
Plot
Minstrel Alan-a-Dale narrates the story. While crossing Sherwood Forest, Robin Hood and Little John narrowly escape capture by the Sheriff of Nottingham and his archers. They learn that the arrogant, greedy, and immature Prince John will be traveling through the forest. They rob his caravan, embarrassing the Prince who promises revenge. Robin and Little John distribute the Prince's wealth among the starving and overtaxed villagers of Nottingham. Robin also gives a hat and bow to young Skippy Rabbit for the latter's birthday. Trying out the bow, Skippy accidentally fires an arrow into the courtyard of Prince John's castle. While retrieving it, Skippy and his friends meet Maid Marian and her lady-in-waiting Lady Kluck. Skippy's hat reminds Marian of Robin Hood, and she reveals that they were childhood sweethearts. She wonders if Robin still remembers her.
Meanwhile, Robin is thinking of Marian at his and Little John's forest hideaway. Local priest Friar Tuck brings news that Prince John will be hosting an archery tournament; the grand prize will be a kiss from Maid Marian. Robin and Little John, disguised as a Devonshire stork and (respectively) the Duke of Chutney, win the competition; however, Prince John sees through Robin's disguise and sentences him to death. Marian pleads for Robin's life; while they proclaim their love for each other, Little John gets Robin released by threatening Prince John with a dagger in his back. Suddenly the Sheriff of Nottingham intervenes, and Prince John again orders Robin's death. The Nottingham villagers fight Prince John's soldiers. During the fight, Robin proposes to Marian, which she accepts. Robin, Marian, Lady Kluck, and Little John escape.
Robin and Marian share a romantic evening, which is disrupted by the partying of the Nottingham villagers. They sing “The Phony King of England”, about Prince John's fraud and incompetence; the song becomes popular even among Prince John's own advisors. The Prince angrily triples the taxes on the villagers, all of whom are soon jailed when their money runs out. Visiting Friar Tuck's now-empty church, the Sheriff takes a gold coin from the poor box. When Friar Tuck attempts to get the coin back, he is arrested for high treason. Prince John orders his execution as bait to trap Robin Hood.
The night before the execution, Robin and Little John break into the jail. They free the villagers, who make off with Prince John's wealth. Sir Hiss, ostensibly the Prince's aide-de-camp but in fact his whipping boy, tries to stop the breakout by rousing the castle. The villagers escape, but Robin is trapped while rescuing Skippy's younger sister Tagalong. The Sheriff chases Robin with a lit torch, setting the castle on fire. Cornered, Robin evades Prince John's archers by diving from a turret into the moat. Sir Hiss criticizes Prince John for the plot, which resulted in his mother's castle being destroyed. Infuriated, the Prince chases Hiss through the flames.
Later on, King Richard returns from the Crusades. He puts Prince John, Sir Hiss, and the Sheriff of Nottingham in prison. Richard also pardons Robin Hood and forgives the villagers' taxes. Robin and Marian are married and ride off together.
Voice cast
- Brian Bedford as Robin Hood, a talented archer and smart-aleck outlaw. He is portrayed as a red fox.
- Monica Evans as Maid Marian, the niece of King Richard and love interest of Robin Hood. She is portrayed as a red fox.
- Phil Harris as Little John, Robin Hood's loyal best friend. He is portrayed as a brown bear.
- Roger Miller as Alan-a-Dale, a minstrel who serves as the narrator of the film. He is portrayed as a rooster.
- Andy Devine as Friar Tuck, the priest of Nottingham. He is portrayed as a badger.
- Peter Ustinov as Prince John, the cowardly and ruthless Prince Regent of England and Maid Marian's uncle. Ustinov also voiced Prince John in the German version of the film.[3] He is portrayed as a scrawny lion without a mane.
- Ustinov also voices King Richard, John's older brother, the rightful King of England. Unlike John, Richard is depicted with a mane.
- Terry-Thomas as Sir Hiss, Prince John's advisor. Portrayed as a snake.
- Carole Shelley as Lady Kluck, the lady-in-waiting of Maid Marian. She is portrayed as a hen.
- Pat Buttram as the Sheriff of Nottingham. He is portrayed as a wolf.
- George Lindsey and Ken Curtis as Trigger and Nutsy, respectively, the Sheriff's guardsmen. They are portrayed as vultures.
- Billy Whitaker, Dana Laurita, Dori Whitaker, and Richie Sanders as Skippy, Sis, Tagalong, and Toby, respectively, local children of Nottingham who idolize Robin Hood. Skippy, Sis, and Tagalong are white rabbits while Toby is a tortoise.
- John Fiedler and Barbara Luddy as the Church of Nottingham's Sexton and his wife. They are portrayed as church mice.
- Luddy also voices Mrs. Rabbit (Skippy, Sis, and Tagalong's mother).
- Candy Candido as the Captain of the Royal Guard. He is portrayed as a crocodile.
- J. Pat O'Malley as Otto the blacksmith. He is portrayed as a bloodhound.
Production
"As director of story and character concepts, I knew right off that sly Robin Hood must be a fox. From there it was logical that Maid Marian should be a pretty vixen. Little John, legendarily known for his size, was easily a big overgrown bear.
Friar Tuck is great as a badger, but he was also great as a pig, as I had originally planned. Then I thought the symbol of a pig might be offensive to the Church, so we changed him. Richard the Lion-hearted, of course, had to be a regal, proud, strong lion; and his pathetic cousin [historically, and in the movie, his brother] Prince John, the weak villain, also had to be a lion, but we made him scrawny and childish. I originally thought of a snake as a member of the poor townspeople but one of the other men here suggested that a snake would be perfect as a slithering consort [Sir Hiss] to mean Prince John."
During production on Snow White and the Seven Dwarfs in 1937, Walt Disney became interested in adapting the twelfth-century legend of Reynard the Fox.[5] However, the project languished due to Disney's concern that Reynard was an unsuitable choice for a hero.[6] In a meeting held on February 12, 1938, Disney commented:
I see swell possibilities in 'Reynard', but is it smart to make it? We have such a terrific kid audience ... parents and kids together. That's the trouble – too sophisticated. We'll take a nosedive doing it with animals.[7]
For Treasure Island (1950), Disney seriously considered three animated sections, each one of the Reynard tales, to be told by Long John Silver to Jim Hawkins as moral fables. Ultimately, the idea was nixed as Treasure Island became the studio's first fully live-action film. In the next decade, the studio decided to make Reynard the villain of a musical feature film based on Edmond Rostand's Chanticleer, but the production was scrapped in favor of The Sword in the Stone (1963).[5]
In October 1968, Ken Anderson went on a fishing trip with Disney Studios president Card Walker. There, Walker suggested that a classic tale should be the subject for the next animated film after The Aristocats (1970). Anderson proposed the tale of Robin Hood, to which Walker responded enthusiastically.[8] Back at the studio, Anderson relayed the idea during a story meeting on The Aristocats which was met with approval. In a follow-up meeting, with Wolfgang Reitherman, Bill Anderson (no relation), and Larry Clemmons, Ken Anderson was assigned the job to begin "exploratory animal character drawings".[9] On his own, Anderson blended his ideas for the character Robin Hood by conceptualizing him as a slick fox that still used his skills to protect the community.[10]
Additionally, Anderson wanted to set the film in the Deep South desiring to recapture the spirit of Song of the South (1946). Anderson explained, "Basically I had a wonderful time on Song of the South, and I know that all of my friends in animation did. They loved the part I played and I loved the part they played ... And so it was an attempt on my part to get the best of that sort of thing and get it going on again, bring it up-to-date."[11] However, the Disney Studios executives had precautions because of the racial controversy surrounding Song of the South. Reitherman further overruled Anderson's creative suggestion by setting the film in its traditional English location as inspired by The Story of Robin Hood and His Merrie Men (1952).[12] Clemmons came on board the project to write a story outline with dialogue that was later storyboarded by other artists.[10]
As production went further along, Robin Allan stated in his book Walt Disney and Europe that "Ken Anderson wept when he saw how his character concepts had been processed into stereotypes for the animation on Robin Hood."[13] According to Frank Thomas and Ollie Johnston, one such casualty was the concept of making the Sheriff of Nottingham a goat as an artistic experiment to try different animals for a villain, only to be overruled by Reitherman who wanted to keep to the villainous stereotype of a wolf instead.[14] Additionally, Anderson wanted to include the Merry Men into the film, which was again overridden by Reitherman because he wanted a "buddy picture" reminiscent of Butch Cassidy and the Sundance Kid (1969).[15] Little John was the only Merry Man retained in the film, while Friar Tuck was put as a friend of Robin's who lived in Nottingham, and Alan-a-Dale was turned into the narrator.
Because of the time spent on developing several settings, and auditioning actors to voice the title character, production fell behind schedule.[12] In order to meet its deadline, the animators had no other choice but to recycle several dance sequences from previous Disney animated films, including Snow White and the Seven Dwarfs (1937), The Jungle Book (1967), and The Aristocats (1970) that are used in the "Phony King of England" scene.[16]
Casting
By October 1970, most of the voice actors were confirmed, with the exception of Tommy Steele cast in the title role.[17] Steele himself was chosen because of his performance in The Happiest Millionaire (1967) while Peter Ustinov was cast because Walt Disney had enjoyed his presence on the set of Blackbeard's Ghost (1968). However, Steele was unable to make his character sound more heroic,[12] and his replacement came down to final two candidates which were Bernard Fox and Brian Bedford.[18] Disney executives had first seen Bedford performing onstage in Los Angeles, in which they brought him in to test for the role in May 1971 and ultimately cast him.[19] Meanwhile, Louis Prima was so angered at not being considered for a role that he personally paid the recording expenses for the subsequent album, Let's "Hear" it For Robin Hood, which he sold to Disneyland Records.[20]
Release
The film premiered at the Radio City Music Hall on November 8, 1973.[21] The film was re-released on March 26, 1982.
Home media
The film was first released on VHS, CED, Betamax, and Laserdisc on December 3, 1984, becoming the debut installment of the Walt Disney Classics home video line.[22] Disney had thought the idea of releasing any of its animated classics (known as the "untouchables") might threaten future theatrical reissue revenue. However, Robin Hood was viewed as the first choice since it was not held in such high esteem as some of the other titles.[23] The VHS counterpart was re-released several times. The release went into moratorium in April 1987.[24] 4 years after the moratorium, it was re-issued as a permanent availability title on July 12, 1991.[25] The film was re-released on VHS six more times; on October 28, 1994, March 3, 1995, February 28, 1996, July 15, 1997, March 31, 1998, and July 13, 1999, in the Walt Disney Masterpiece Collection line.
In January 2000, Walt Disney Home Video launched the Gold Classic Collection. Six months later, Robin Hood was re-released on VHS and DVD in the line on July 4, 2000, and remained in stock until the spring of 2006.[26] The DVD contained the film in its 1.33:1 aspect ratio, and was accompanied with special features including a trivia game and the cartoon short "Ye Olden Days".[27] The remastered "Most Wanted Edition" DVD ("Special Edition" in the UK) was released on November 28, 2006, in a 16:9 matted transfer to represent its original theatrical screen ratio. It also featured a deleted scene/alternate ending of Prince John attempting to kill a wounded Robin Hood. On August 6, 2013, the film was released as the 40th Anniversary Edition on a Blu-ray combo pack.[28]
Reception
Critical reaction
Judith Crist, reviewing the film in New York magazine, said it was "nicely tongue-in-cheek without insult to the intelligence of either child or adult." She also stated that it "has class – in the fine cast that gives both voice and personality to the characters, in the bright and brisk dialogue, in its overall concept."[29] Vincent Canby of The New York Times wrote that it "should ... be a good deal of fun for toddlers whose minds have not yet shriveled into orthodoxy" and he called the visual style "charmingly conventional".[30] Dave Billington of The Montreal Gazette wrote "As a film, Robin Hood marks a come-back of sorts for the Disney people. Ever since the old maestro died, the cartoon features have shown distressing signs of a drop in quality, both in art work and in voice characterization. But the blending of appealing cartoon animals with perfect voices for the part makes Robin Hood an excellent evening out for the whole family."[31] Also writing in New York magazine, Ruth Gilbert called it "a sweet, funny, slam-bang, good-hearted Walt Disney feature cartoon with a fine cast" and wrote it was "a feast for the eyes for kiddies and Disney nostalgics."[32]
Charles Champlin of the Los Angeles Times wrote that the Disney "hallmarks are there as they ever were: the incomparably rich, full animation, the humanized animal characters perky, individual and enchanting, and the wild, inventive slapstick action."[33] Awarding the film four stars out of five, Ian Nathan, in a retrospective review for Empire, praised the vocal performances of Peter Ustinov and Terry-Thomas acknowledging "while this is hardly the most dazzling of animated features, it has that cut-corner feel that seem to hold sway in the '70s (mainly because Disney were cutting corners), the characters spark to life, and the story remains as rock steady as ever."[34]
Among less favorable reviews, Jay Cocks of Time gave the film a mixed verdict writing, "Even at its best, Robin Hood is only mildly diverting. There is not a single moment of the hilarity or deep, eerie fear that the Disney people used to be able to conjure up, or of the sort of visual invention that made the early features so memorable. Robin Hood's basic problem is that it is rather too pretty and good natured."[35] Gene Siskel of the Chicago Tribune gave the film one-and-a-half stars out of four, describing the film as "80 minutes of pratfalls and nincompoop dialog," and criticizing the animation quality as "Saturday morning TV cartoon stuff."[36] John Baxter of The Monthly Film Bulletin wrote that "for the most part the film is as bland and one-dimensional as the product of less sophisticated studios; and except for Peter Ustinov's plummy Prince John, the voice characterisations are as insipid as the animation is unoriginal."[37]
Decades since the film's release, the film has been noted for the recycled scenes of animation.[38] The review aggregator website Rotten Tomatoes reported that the film received a 58% approval rating with an average rating of 5.7/10 based on 31 reviews. The website's consensus states that "One of the weaker Disney adaptations, Robin Hood is cute and colorful but lacks the majesty and excitement of the studio's earlier efforts."[39] Metacritic gave the film a score of 57 based on 9 reviews, indicating "mixed or average reviews".[40]
Box office
During its initial release, Robin Hood earned $9.6 million in rentals in the United States and Canada.[41] It also grossed $18 million in foreign territories, which was at the time a Disney record, for a worldwide rental of $27.5 million.[42]
The film has earned a lifetime gross in the United States and Canada between $32–35 million across its two releases.[2][43][44]
Accolades
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Academy Awards | Best Song | "Love" Music by George Bruns; Lyrics by Floyd Huddleston |
Nominated | [45] |
| Grammy Awards | Best Recording for Children | Robin Hood Roger Miller and Various Artists |
Nominated | [46] |
Music
| Robin Hood | ||||
|---|---|---|---|---|
| Studio album by Various artists | ||||
| Released | 1973 | |||
| Recorded | 1969–1973 | |||
| Genre | Classical, soundtrack, classic pop | |||
| Label | Disneyland Records | |||
| Walt Disney Animation Studios chronology | ||||
| ||||
In 1969, Roger Miller began composing the songs for the film.[47] A record of the film was made at the time of its release in 1973, which included its songs, score, narration, and dialogue. Both "Oo-De-Lally" and "Love" appear on the CD collection, Classic Disney: 60 Years of Musical Magic. "Love" is featured in the soundtrack for the 2009 film Fantastic Mr. Fox, directed by Wes Anderson. The full soundtrack of the film was released on August 4, 2017, as part of the Walt Disney Records: The Legacy Collection series on compact disc and digital.[48]
The song "The Phony King of England" bears a strong resemblance to a much older, bawdy English folk song, "The Bastard King of England".[49]
Songs
Original songs performed in the film include:
| No. | Title | Writer(s) | Performer(s) | Length |
|---|---|---|---|---|
| 1. | "Whistle Stop" | Roger Miller | Roger Miller | |
| 2. | "Oo-De-Lally" | Roger Miller | Roger Miller | |
| 3. | "Love" | Floyd Huddleston & George Bruns | Nancy Adams | |
| 4. | "The Phony King of England" | Johnny Mercer | Phil Harris | |
| 5. | "Not in Nottingham" | Roger Miller | Roger Miller | |
| 6. | "Whistle Stop (Reprise)" | Roger Miller | ||
| 7. | "Oo-De-Lally (Reprise)" | Disney Studio Chorus |
Legacy
The film has since become a fan favorite.[50][51] Disney animator and director Byron Howard admitted that Robin Hood was his favorite film while growing up and cited it as a major influence on Zootopia.[52] It was also one of the many inspirations for the then-emerging furry fandom.[50] Some of the characters from the film also cameoed in the 1983 Oscar-nominated featurette short Mickey's Christmas Carol.[53] The film was nominated for a spot on AFI's 10 Top 10 by American Film Institute in 2008 for the Animated Film list.[54]
The song "Love" was featured in the 2009 feature film Fantastic Mr. Fox.[55] as well as on the 2023 Amazon.com Super Bowl ad "Saving Sawyer".[56][57][58] The song "Whistle-Stop" was sped up and used in the Hampster Dance, one of the earliest internet memes,[59] and later used at normal speed in the Super Bowl XLVIII commercial for T-Mobile.[60] The song "Oo De Lally" is featured in a 2015 commercial for Android which shows animals of different species playing together.[61]
Robin Hood, Little John, Maid Marian, Prince John and Sir Hiss appear as playable characters in the video game Disney Magic Kingdoms, along with attractions based on Sherwood Forest and Nottingham. In the game, the characters are involved in new storylines that serve as a continuation of the events of the film.[62]
CGI remake
In April 2020, it was reported that Disney was developing a live-action/CG hybrid remake of Robin Hood featuring the same kind of anthropomorphic characters as in the 1973 film, with Kari Granlund writing, Carlos Lopez Estrada directing (after previously directing the Academy Award-nominated Raya and the Last Dragon), and Justin Springer producing. The remake was set to be released exclusively on Disney+.[63]
See also
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References
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Bibliography
- Grant, John (1998). The Encyclopedia of Walt Disney's Animated Characters: From Mickey Mouse to Hercules. Disney Editions. ISBN 978-0-7868-6336-5.
- Ghez, Didier, ed. (2010). "Ken Anderson". "Walt's People: Volume 9—Talking Disney with the Artists who Knew Him" (Interview). Interviewed by Christopher Finch and Linda Rosenkrantz. Xlibris. pp. 127–133. ISBN 978-1-450-08746-9.
- Ghez, Didier (2019). They Drew as They Pleased Vol. 5: The Hidden Art of Disney's Early Renaissance. Chronicle Books. ISBN 978-1-797-20410-9.
- Koenig, David (1997). Mouse Under Glass: Secrets of Disney Animation & Theme Parks. Irvine, California: Bonaventure Press. pp. 149–152. ISBN 978-0-964-06051-7.
External links
