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Sandars Lectures

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The Sandars Readership in Bibliography is an annual lecture series given at Cambridge University. Instituted in 1895 at the behest of Samuel Sandars of Trinity College (1837–1894), [1] who left a £2000 bequest to the University, the series has continued to the present day.[2] Together with the Panizzi Lectures at the British Library and the Lyell Lectures at Oxford University, it is considered one of the major British bibliographical lecture series.[3]

Lectures

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1890s

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1900–1925

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  • 1900: F. G. Kenyon. The development of Greek writing, BC 300–AD 900.
  • 1901: Henry Yates Thompson. English and French illustrated MSS. of the 13th–15th centuries.
  • 1902: M. R. James. Manuscripts in Cambridge.
  • 1903: E. Gordon Duff. The printers, stationers and book-binders of London, 1500–1535.
  • 1904: H. Y. Thompson. Illustrated MSS. of the 11th century.
  • 1905: Sir Edward Maunde Thompson. The history of illumination and ornamentation of MSS.
  • 1906: F. W. Maitland. [Did not lecture]
  • 1907–1908: F. J. H. Jenkinson. Books printed at Cologne by U. Zell.
  • 1909: Falconer Madan. The localisation and dating of MSS.
  • 1910: W. M. Lindsay. Latin Abbreviations.
  • 1911: E. Gordon Duff. English provincial printers, stationers and book-binders to 1557.
  • 1912: Arthur Ernest Cowley. The Papyri of Elephantine.
  • 1913: W. W. Greg. Some bibliographical and textual problems of the English Miracle-play Cycles.
  • 1914: Elias Avery Lowe. (1) Characteristics of the so-called National Scripts. (2) Punctuation and critical marks as aids in dating and placing MSS. (3) Graeco-Latin manuscripts. (4) The Codex Bezae and the Codex Laudianus.
  • 1915: A. W. Pollard. The conditions of printing and publishing in Shakespeare’s day in their relation to his text.
  • 1916–1920: [Lectures suspended]
  • 1921: E. Wyndham Hulme. Statistical bibliography in relation to the growth of modern civilisation. [4]
  • 1922: W. C. Bolland. Readings on the Year Books.
  • 1923: M. R. James. The pictorial illustration of the Old Testament from the 14th Century to the 16th.
  • 1924: Emery Walker. Printing for book production.[5]
  • 1925: Ellis Hovell Minns. The influence of materials and instruments upon writing.

1926–1950

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  • 1926: A. J. K. Esdaile. Elements of the bibliography of English literature, materials and methods.
  • 1927: G. D. Hobson. English leather bindings down to 1500.
  • 1928: R. B. McKerrow. The relationship of English printed books to authors’ manuscripts in the 16th and 17th centuries.
  • 1929: S. De Ricci. English collectors of books and MSS., 1550–1900, and their marks of ownership.
  • 1930: Victor Scholderer. The invention of printing: facts and theories.
  • 1931: Stanley Morison. The English newspaper: some account of the physical development of the journals printed in London from 1622 down to the present day.[6]
  • 1932: J. Dover Wilson. The Hamlet texts, 1604 and 1623.
  • 1933: Geoffrey Keynes. John Evelyn: a study in bibliography.
  • 1934: E. G. Millar. Some aspects of the comparative study of illuminated MSS.
  • 1935: Stephen Gaselee. Bibliography and the Classics.
  • 1936: C. A. Gordon. Manuscript missals; the English uses.
  • 1937: Michael Sadleir. Bibliographical aspects of the Victorian novel.
  • 1938: C. J. Sisson. The judicious marriage of Mr Hooker and the birth of ‘the Laws of Ecclesiastical Polity’.
  • 1939: H. R. Creswick. Some recent work on early English printed books.
  • 1940–1946: [Lectures suspended]
  • 1947: John Carter Taste and technique in book collecting: a study of recent developments in Great Britain and the United States. [7]
  • 1948: F. Wormald. The Miniatures in the Gospels of St Augustine: Corpus Christi College MS. 286.
  • 1949: J. Basil Oldham. English blind-stamped bindings. [8]
  • 1950: Harold Herbert Williams. The text of Gulliver’s Travels.

1951–1975

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  • 1951: H. S. Bennett. English books and readers 1475 to 1557; being a study in the history of the book trade from Caxton to the incorporation of the Stationers’ Company.
  • 1952: J. C. T. Oates. The history of the collection of incunabula in the University Library.
  • 1953: E. P. Goldschmidt. The first Cambridge press in its European setting.
  • 1954: S. C. Roberts. The evolution of Cambridge publishing.
  • 1955: N. R. Ker. Oxford libraries in the sixteenth century.
  • 1956: Wilmarth S. Lewis. Horace Walpole’s Library.[9]
  • 1957: Fredson T. Bowers. Textual criticism and the literary critic.
  • 1958: H. Graham Pollard. English market for printed books.
  • 1959: R. W. Hunt. Manuscripts of the Latin classics in England in the Middle Ages.
  • 1960: C. H. Roberts. The earliest manuscripts of the Church: style and significance.
  • 1961: A. H. King. Some British collectors of music, 1600–1960.
  • 1962: F. J. Norton. Printing in Spain 1500–1520.[10]
  • 1963: J. H. A. Sparrow. The inscription and the book.
  • 1964: William T. Stearn. Bibliography in the service of biology.
  • 1965: J. C. T. Oates. Abraham Wheelock (1593–1653): Orientalist, Anglo-Saxonist and University Librarian.
  • 1966: S. Smith. The Darwin Collection in Cambridge University Library.
  • 1967:Howard Millar Nixon. English bookbinding in the Restoration period.[11]
  • 1968: Bruce Dickins. Corpus Christi College, the Parker Library.
  • 1969: A. N. L. Munby. Gothick into art: connoisseurship and medieval miniatures, 1750–1850.
  • 1970: J. S. L. Gilmour. Some freethinkers and their writings.
  • 1971: F. J. Stopp. Monsters and hieroglyphs: the broadsheet and emblem book in sixteenth century Germany. [12]
  • 1972–1973: M. A. Hoskin. Virtues and vices of scientific manuscripts.
  • 1973–1974: John Simon Gabriel Simmons. Russian printing from the beginnings to 1917: a view from the West.
  • 1974–1975: A. R. A. Hobson Some book collectors, booksellers and binders in sixteenth century Italy.

1976–2000

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  • 1975–1976: D. F. Mackenzie. The London book trade in the later seventeenth century.
  • 1976–1977: J. M. Wells. Two hundred years of American printing, 1776–1976.
  • 1977–1978: D. F. Foxon. The Stamp Act of 1712.
  • 1978–1979: Philip Gaskell. Trinity College Library: the first 150 years. [13]
  • 1979–1980: J. G. Dreyfus. British book typography 1889–1939.
  • 1980–1981: Wallace Kirsop. Books for colonial readers — The nineteenth century Australian experience.
  • 1981–1982: W. H. Bond. Thomas Hollis of Lincoln’s Inn: collector, designer, and patron. [14]
  • 1982–1983: Ruari McLean. Moxon to Morison: The growth of typography as a profession.
  • 1983–1984: P. C. G. Isaac. William Bulmer, 1757–1830: ‘fine’ printer.
  • 1984–1985: J. J. G. Alexander. Artists and the book in Padua, Venice and Rome in the second half of the fifteenth century.
  • 1986–1987: Professor R. A. Leigh. Unsolved problems in the bibliography of J. J. Rousseau.
  • 1987–1988: Dorothy Owen. The medieval canon law: teaching, literature and transmission.
  • 1988–1989: F. W. Ratcliffe. A pre-Lutheran German psalter: A case study of a fourteenth-century work.
  • 1989–1990: R. I. Page. Matthew Parker, Archbishop of Canterbury, and his books.
  • 1990–1991: D. S. Brewer. The fabulous history of Venus: Studies in the history of mythography from the Middle Ages to the nineteenth century.
  • 1991–1992: G. G. Watson. Lord Acton and his library.
  • 1992–1993: Will Carter. Gutenberg’s legacy.
  • 1993–1994: Bamber Gascoigne. From priceless perfection to cheap charm: stages in the development of colour printing. [15]
  • 1994–1995: D. J. Bruce. ‘The real Simon Pure’: The life and work of George Cruikshank.
  • 1995–1996: J. Harley-Mason. The Age of Aquatint: a chapter in the history of English book illustration.
  • 1995–1996: A. Derolez. Textualis formata.
  • 1996–1997: G. Thomas Tanselle. Analytical bibliography: an historical introduction.
  • 1997–1998: G. G. Barber. Bibliography with rococo roses: The 1755 La Fontaine Fables choisies and the arts of the book in eighteenth-century France.
  • 1998–1999: Patricia Donlon. In Fairyland: Irish illustrators of children’s books.
  • 1999–2000: Nicolas Barker. Type and type-founding in Britain 1485–1720.

2001–2025

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  • 2000–2001: D. J. McKitterick. Printing versus publishing: Cambridge University Press and Greater Britain 1873–1914.
  • 2001–2002: C. Fahy. Paper in the sixteenth-century Italian printing industry.
  • 2002–2003: M. Foot. Description, image and reality: aspects of bookbinding history.
  • 2003–2004: Christopher de Hamel. "Sir Sydney Cockerell and Illuminated Manuscripts."
  • 2004–2005: Paul Needham. Fifteenth-century printing: the work of the shops.
  • 2005–2006: James H. Marrow. Word-diagram-picture: the shape of meaning in medieval books.
  • 2006–2007: Sarah Tyacke. Conversations with maps.
  • 2007–2008: Peter Kornicki. Having difficulty with Chinese? — The rise of the vernacular book in Japan, Korea and Vietnam.[16]
  • 2008–2009: Michelle P. Brown. The book and the transformation of Britain, c. 550–1050.
  • 2009–2010: Gordon Johnson. From printer to publisher: Cambridge University Press transformed, 1950 to 2010.
  • 2010–2011: James Carley. From private hoard to public repository: archbishops John Whitgift and Richard Bancroft as founders of Lambeth Palace Library.
  • 2011–2012: Michael Reeve. Printing the Latin Classics — Some episodes.
  • 2012–2013: James A. Secord. Visions of science: books and readers at the dawn of the Victorian age.[17]
  • 2013–2014: Nigel Morgan. Samuel Sandars as collector of illuminated manuscripts.
  • 2014–2015: Richard Beadle. Henry Bradshaw and the foundations of codicology.
  • 2015–2016: Anthony Grafton. Writing and reading history in Renaissance England: some Cambridge examples.
  • 2016–2017: Toshiyuki Takamiya. A cabinet of English treasures: Reflections on fifty years of book collecting.
  • 2017–2018: Peter Wothers. Chemical attractions.
  • 2018–2019: William Noel. The medieval manuscript and its digital image.
  • 2019–2020: Isabelle de Conihout. French bookbindings and bibliophily, 16th–18th centuries.
  • 2020–2021: Orietta Da Rold. Paper past and paper future.[18]
  • 2021–2022: Cristina Dondi. Incunabula in Cambridge: European heritage and global dissemination.[19]
  • 2022–2023: David Pearson. Cambridge Bookbinding, 1450–1700.[20]

See also

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References

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  1. ^ McKitterick, David. 1983. The Sandars and Lyell Lectures: A Checklist with an Introduction. New York: Jonathan A. Hill.
  2. ^ "Sandars Readership in Bibliography". Cambridge University Library. 2016. Retrieved 23 December 2016.
  3. ^ Bowman, J.H. (1 October 2012). British Librarianship and Information Work 2001–2005. Ashgate. p. 157. ISBN 978-1-4094-8506-3.
  4. ^ Hulme, E. Wyndham, and University of Bristol Library National Liberal Club Collection. 1923. Statistical Bibliography in Relation to the Growth of Modern Civilization: Two Lectures Delivered in the University of Cambridge in May, 1922. London: Printed for the author by Butler & Tanner.
  5. ^ Walker, Emery, and Oak Knoll Press. 2019. Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography : Delivered at Cambridge, November 6, 13, & 20, 1924. Edited by Richard Mathews and Joseph Rosenblum. First edition. New Castle, Delaware: Oak Knoll Press.
  6. ^ Morison, Stanley. 1932. The English Newspaper : Some Account of the Physical Development of Journals Printed in London between 1622 and the Present Day. [With Facsimile Illustrations]. Cambridge: U.P.
  7. ^ Carter, John. 1948. Taste & Technique in Book-Collecting: A Study of Recent Developments in Great Britain and the United States. Camb.: C.U.P.
  8. ^ Oldham, J. Basil, and Lessing J. Rosenwald Collection (Library of Congress). 1952. English Blind-Stamped Bindings. Cambridge: University Press.
  9. ^ Lewis, W. S., and Lessing J. Rosenwald Collection (Library of Congress). 1958. Horace Walpole’s Library. Cambridge [England]: University Press.
  10. ^ Norton, F. J., and Fernando de Rojas. 1966. Printing in Spain, 1501-1520. London: Cambridge University Press.
  11. ^ "The Book as Artefact." The Book Collector 17 (no.2) Summer, 1968: 143-150.
  12. ^ Stopp, Frederick John. 1972. Monsters and Hieroglyphs. Broadsheets and Emblem Books in Sixteenth Century Germany, Etc. [Cambridge]: F.J. Stopp.
  13. ^ Gaskell, Philip. 1980. Trinity College Library: The First 150 Years. Cambridge England: Cambridge University Press.
  14. ^ Bond, W. H., Stuart B. Schimmel, and Caroline F. Schimmel. 1990. Thomas Hollis of Lincoln’s Inn: A Whig and His Books. Cambridge [England]: Cambridge University Press.
  15. ^ Gascoigne, Bamber, and Thomas Nelson & Sons. 1997. Milestones in Colour Printing 1457-1859 : With a Bibliography of Nelson Prints. United Kingdom: Cambridge University Press.
  16. ^ Kornicki, Peter F. 2008. Having Difficulty with Chinese: The Rise of the Vernacular Book in Japan, Korea and Vietnam. [New York?]: [Cambridge University Press].
  17. ^ Secord, James A. 2013. Visions of Science: Books and Readers at the Dawn of the Victorian Age : Sandars Lectures, University of Cambridge, 25-27 February 2013. [Cambridge]: [University of Cambridge].
  18. ^ "Sandars Lectures 2020–21". Cambridge University Libraries. 18 December 2014. Archived from the original on 14 October 2021. Retrieved 14 October 2021.
  19. ^ "List of Sandars Readers and lecture subjects". Cambridge University Libraries. 2023. Retrieved 21 November 2023.
  20. ^ "Sandars Lectures 2022–2023". Cambridge University Libraries. 2023. Retrieved 21 November 2023.
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