Non-Stop Erotic Cabaret is the debut studio album by English synth-pop duo Soft Cell, released on 27 November 1981 by Some Bizzare Records.[2][3] The album's critical and commercial success was bolstered by the success of its lead single, a cover version of Gloria Jones's song "Tainted Love", which topped the charts worldwide and became the second best-selling British single of 1981. In the United States, as a result of the single's success, the album had reported advance orders of more than 200,000 copies.[3] The album spawned two additional top-five singles in the UK: "Bedsitter" and "Say Hello, Wave Goodbye".
The album was created on a limited budget; it was supposedly recorded almost entirely with a ReVox tape recorder, a borrowed Rolanddrum machine belonging to Kit Hain, a Korg SB-100 Synthe Bass, and an NEDSynclavier, belonging to producer Mike Thorne. David Ball noted the Synclavier would ordinarily have been well beyond the band's means, costing £120,000: "That was our technological advantage over the other synth bands at the time. In fact, I remember Don Was calling me – desperate to know how we got those sounds."[4] The group caused some controversy in the United Kingdom over the song "Sex Dwarf", the music video of which was banned due to its explicit, S&M-related content.[5]
Reviews for the album were generally positive. Critic Steve Sutherland of Melody Maker said "Non-Stop Erotic Cabaret... is the brashest, most brilliant and least-caring indictment of pop music's bankruptcy I've ever heard. No compassion, no sorrow, no joy, it just faces facts and moves to the motions... Like traditional cabaret, the whole thing parodies true emotion and like the best subversive cabaret its shallowness makes those devalued emotions even more painful – the very real decadence of this album springs from its callous realisation of pop's impotency, and yet its bored resignation to the ritual."[15] Similarly, Robert Christgau of The Village Voice stated that "these takeoffs on Clubland 'decadence' get at the emotion underneath with just the right admixture of camp cynicism."[16] However, NME found the album's premise was hollow, complaining that "the Soft Cell sex strategy should offer something spicy, rude and even a little wonderful... but Soft Cell are conceptualists who rely on too many preconceptions and play around with too many ideas to convince you of any personal energy or commitment... Soft Cell are very plain fare – unspectacular music and very drab and flat lyrics, wrapped in a hint of special promise which is never realised."[17]
CMJ New Music Report included Non-Stop Erotic Cabaret on a list of The Top 25 College Radio Albums of All Time.[18] American magazine Out placed the album at number 66 on their list of The 100 Greatest, Gayest Albums (of All Time).[19] It was also included in Robert Dimery's book 1001 Albums You Must Hear Before You Die.[20]
^Scott, Danny (May 1992). "Soft Cell: Non-Stop Erotic Cabaret / Non Stop Ecstatic Dancing / The Art of Falling Apart / Last Night in Sodom; Marc and the Mambas: Untitled / Torment and Toreros". Select. No. 23. London. p. 85. ISSN0959-8367.
^Cranna, Ian (26 November – 9 December 1981). "Soft Cell: Non-Stop Erotic Cabaret". Smash Hits. Vol. 3, no. 24. London. p. 25. ISSN0260-3004.
^Non-Stop Erotic Cabaret (remastered reissue liner notes). Soft Cell. Some Bizzare Records. 1996. 532595-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. ISBN0-646-11917-6.
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