Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.
| Shining Brow | |
|---|---|
| Opera by Daron Hagen | |
 Daron Hagen, the opera's composer | |
| Librettist | Paul Muldoon |
| Language | English |
| Premiere | April 21, 1993 |
Name
editThe opera's title, Shining Brow, comes from the Welsh Taliesin, the name of Wright's homes in Wisconsin and Arizona.[1]
Performance history
editThe opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera.
A first chamber opera version ("Fallingwater") was premiered by the Opera Theater of Pittsburgh on 7 June 2013, at Fallingwater, Mill Run, Pennsylvania, and a second chamber version ("Usonian") on 14 October 2017 by UrbanArias in Arlington, DC. For Arizona Opera's commissioned "Taliesin West Version" in 2019, the composer streamlined the score and libretto, folding all of the secondary roles into the chorus, cutting twenty minutes of music, and eliminating the interval, resulting in a 90-minute run-time. In addition, at the suggestion of stage director Chas Rader-Shieber, Hagen eliminated the female choristers.
Roles
edit| Role | Voice type | Premiere Cast 21 April 1993 (Conductor: Roland Johnson) |
Reduced Orchestration Premiere 23 July 1997 (Conductor: Lawrence Rapchak) |
Premiere Recording 4 November 2006 (Conductor: JoAnn Falletta) |
Chamber "Fallingwater" Version 7 June 2013 (Conductor: Robert Frankenberry) |
Chamber "Usonian" Version 14 October 2017 (Conductor: Robert Wood) |
"Taliesin West" Version 27 September 2019 (Conductor: Lidiya Yankovskaya) |
|---|---|---|---|---|---|---|---|
| Frank Lloyd Wright | baritone | Michael Sokol | Robert Orth | Robert Orth | Kevin Kees | Sidney Outlaw | John Moore / Rob McGinness |
| Mamah Cheney | soprano | Carolann Page | Brenda Harris | Brenda Harris | Lara Lynn Cottrill | Miriam Khalil | Laura Wilde |
| Louis Sullivan | tenor | Barry Busse | Barry Busse | Robert Frankenberry | James Flora | Robert Baker | Bille Bruley |
| Edwin Cheney | bass-baritone | Bradley Garvin | Bradley Garvin | Matthew Curran | Dimitrie Lazich | Ben Wager | Michael Adams |
| Catherine Wright | mezzo-soprano | Kitt Reuter-Foss | Kitt Reuter-Foss | Elaine Valby | Kara Cornell | Rebecca Ringle | Katherine Beck |
| Julian Carleton | spoken | John Odom | Peter Mowhawk | Elem Eley | x | x | Ian Christiansen |
| Marion Mahoney / Draftsperson | soprano / baritone | Katherine Cloutier | Rosa Pascarella | James Demler | x | x | x |
| Maid | lyric soprano | Mimmi Fulmer | Diane Ragains | Gilda Lyons | Anna McTiernan | x | Cadie Jordan |
| Last Draftsman | soprano / baritone | Katherine Cloutier | Rosa Pascarella | James Demler | |||
| Draftsman | tenor | David Gagnon | Charles Wolter | Tony Barton | |||
| Waiter | spoken | John Tallman | Peter Mowhawk | Elem Eley | |||
| Wife 1 | soprano | Deanna Gibeau | Sandra Cross | Jennifer Lynn Reckamp | |||
| Wife 2 | soprano | Gale Ketteler | Elizabeth Fauntleroy | Gilda Lyons | |||
| Wife 3 | soprano | Lori Poulson | Lilah Greendale | Jennifer Lynn Reckamp | |||
| Townswoman 1 | mezzo-soprano | Joanna Johnston | Meredith Barber / Patricia Meuller | Jennifer Lynn Reckamp | |||
| Townswoman 2 | mezzo-soprano | Laura Tucker | Cynthia Mallard / Jan Bickel | Deborah Fleischer | |||
| Reporter | tenor | Kevin Jeffers | Roy C. Smith | Eric Fleischer | |||
| Workman 1 | baritone | Joel Kopischke | Nicholas Solomon | James Demler | |||
| Workman 2 | baritone | David Williams | Jan Jarvis | Tony Barton | |||
| Workman/reporter/photographer | bass baritone | Bruce Baumer | Peter Van der Graaff | James Demler | |||
| Workman/reporter/draftsman/guest | baritone | James Demler | Henry Hunt | Eric Fleischer | |||
| Workman/reporter/draftsman/guest | tenor | Patrick Jones | Mark Meier | Tony Barton | |||
| Draftsmen, townspeople, guests | chorus | Madison Opera Chorus | Chicago Opera Theater Chorus | Buffalo Philharmonic Chorus | x | x | Arizona Opera Male Chorus |
| Orchestra | Madison Symphony | Chicago Opera Theater Orchestra | Buffalo Philharmonic | Opera Theater of Pittsburgh Orchestra | Atlas Arts Chamber Orchestra | Arizona Opera Orchestra |
Synopsis
editThe action takes place in Chicago, Illinois, at Taliesin, Frank Lloyd Wright's home and studio in Spring Green, Wisconsin, and in Berlin, Germany, between 1903 and 1914.
Prologue
editThe Cliff Dwellers Club, Chicago, 1903. Architect Louis Sullivan, mentor and friend of Frank Lloyd Wright, has been drinking all afternoon. He muses on his estrangement from Wright.
Act One
editWright's studio, Oak Park, Illinois, 1903. Wright pitches plans for a new house to wealthy Chicagoans Edwin and Mamah Cheney. He and Mamah flirt; her husband is concerned with costs. After they leave, Wright muses on Mamah; his wife Catherine overhears him and they quarrel.
The Cheney House construction site, six months later. Workmen sing, townswomen gossip; Wright and Mamah arrive to view the work as their liaison deepens. Edwin arrives and there is a showdown: Mamah tells Edwin she is leaving him for Wright. Afterwards, Edwin laments the fact that, while he has gained a house, he has lost his wife.
Mamah's apartment in Berlin, 1910. As Mamah translates some verses from German, she comes to terms with her strongly ambivalent feelings about her life with Wright, recognizing, despite her love for him, that her dream of an equal partnership with him is and will remain just that. Sullivan, in Chicago, echoes the sentiment.
Act Two
editTaliesin, Spring Green, Christmas, 1911. Wright delivers a prepared statement attempting to explain his living out of wedlock with Mamah while still married to Catherine. Mamah, though at his side, is clearly disaffected.
Taliesin, Summer, 1914. During the course of a cocktail party, Wright pursues a new love interest as Mamah cannot help but observe; various clients, guests, colleagues, and employees — including an inebriated barbershop quartet of newspaper reporters — comment.
The Cliff Dwellers' Club, later that summer. Wright and Sullivan attempt a reconciliation, but are interrupted by Edwin Cheney, who delivers the news that Mamah's been murdered and Taliesin torched.
The ruins of Taliesin, later that night. The bodies of the dead are arrayed in the smoking remains of the house. A Maid explains that Julian Carleton, Wright's chef, has been found, his throat burned from drinking hydrochloric acid. Wright gropes for a way to go on, finds in the pocket of Mamah's coat a letter that gives him consolation of a sort. He vows to rebuild the house in her memory.
Recordings
editReferences
edit- ^ Madison Magazine 1992 -- Volume 34, Part 2 - Page 10 "The opera's title, Shining Brow, was Haller's idea too. The name is the translation of the Welsh Taliesin, the name of Wright's homes in Wisconsin and Arizona. Then, Marvin Woerpel, now chair of the Shining Brow Steering Committee, got into ..."
- Casaglia, Gherardo (2005). "Shining Brow". L'Almanacco di Gherardo Casaglia (in Italian).