Talk:Daniel Landin
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Edit request
editI understand that my request has been rejected due to the fact that I may have a conflict of interest, however that is what I am trying to address, by posting corroborative links. See below.
Please can you help me?
Yours
Daniel
This edit request by an editor with a conflict of interest was declined. The request was not specific enough. You may consider leaving your comments on the Talk page or escalating significant issues to the conflict of interest noticeboard. |
Please can you assist me? I am trying to add links to the page "Daniel Landin" and do not know how to do it. I have found corroborative links and listed them below, but do not know how to insert them. I would like to remove the warning banner that has been placed at the top of the page.
Yours Lumenshine (talk) 11:42, 27 December 2020 (UTC) lumenshine Lumenshine (talk) 11:42, 27 December 2020 (UTC)
Edit request
editThis edit request by an editor with a conflict of interest was declined. The request was not specific enough. You may consider leaving your comments on the Talk page or escalating significant issues to the conflict of interest noticeboard. |
Please can you help?
I made a small number of updates on the page that relates to me, and have now had a warning banner placed at the top of the site.
I am happy for you to delete those updates if they contravene the policies, and also happy to leave them if you can approve them as accurate, I think the major addition that I made was to include the award for the film 'Ray and Liz' which was the cinematography award from Buenos Aires. Please see:
Cite error: There are <ref>
tags on this page without content in them (see the help page).
https://www.imdb.com/title/tt6601502/awards
https://mubi.com/films/ray-liz/awards
to confirm the truth of this.
I would really like to remove the warning banner over the page, which undermines the truth of it.
Many thanks
Daniel Landin
Lumenshine (talk) 22:11, 28 June 2020 (UTC)
- Hi Daniel,
- There is a lot to do here.
- Let's start with the easy stuff:
- Can you find a list of third-party sources for everything on the page? That means independent and reliable sources, like an article discussing the award--and everything else on the page?
- Can you start splitting the page up into sections? The lede, or intro, should only be a few lines.
- Because you have a (very) close connection with the subject matter, I'd recommend either making a new draft or listing all your edit requests right here on the talk page in the "Change X to Y" format.
- There's a lot to do here, but let's take it step by step.
- --FeldBum (talk) 14:56, 29 June 2020 (UTC)
- As the requesting editor has not responded to the reviewer's comments for three weeks, this edit request is marked as declined. Altamel (talk) 21:29, 18 July 2020 (UTC)
Hi FeldBum, I have been through the article, and found weblinks to corroborate. They are below. Please excuse the lack of understanding of the formatting, I am inexperienced with Wikipedia. Perhaps you can also help me add photos to the article. Yours Daniel
Daniel Landin BSC , is a British cinematographer.
Landin started working with Super 8 and VHS video in 1978, collaborating with the industrial music group Throbbing Gristle, (https://www.discogs.com/artist/223649-Stan-Bingo) documenting live performances (https://www.discogs.com/Throbbing-Gristle-Recording-Heathen-Earth-Live-At-Oundle-School/master/1114884) and art events (https://www.amazon.com/Whats-History-Genesis-P-Orridge/dp/B004WLTB08) (https://rateyourmusic.com/artist/stan_bingo) . In 1979, he formed the experimental militant classicist group ‘Last Few Days’ (https://www.discogs.com/artist/76769-Last-Few-Days) with Simon Joyce and Keir Fraser, a highly conceptual collective whose primary aim was live performance in unconventional venues (chapels, cinemas, burger bars, silos, tunnels etc.). Recording was a secondary priority and was mainly live, apart from the ‘Polavision’ soundtrack produced by Cabaret Voltaire at their Western Works ( https://www.sheffieldhistory.co.uk/forums/topic/3896-western-works-cabaret-voltaire/) in Sheffield 1982. As the performances became more ambitious, visual imagery became intrinsic to the events, and working on Super 8 and 16mm, Landin created films which were projected during performances. Confrontational events were staged at which synchronised films which were simultaneously projected onto multiple screens to accompany challenging and provocative live music. This work continued and lead to performing with William Burroughs and Brion Gysin at The Final Academy (Brixton Ritzy 1982). Further collaborations led to ‘The Occupied Europe Tour’(https://en.wikipedia.org/wiki/Laibach) , a collaboration between Last Few Days and Yugoslavia’s Laibach in 1983. (11 countries in Eastern and Western Europe). This experience of working extensively in the Socialist Bloc, and the study of Hungarian Language subsequently led to a commission co-writing The Rough Guide to Eastern Europe, (Routledge and Keegan Paul 1985 ISBN-13 : 978-0747100980) which was the first guide for the independent traveler in what was then a relatively unknown and misunderstood region. Returning to the UK in 1985, Daniel Landin studied Fine Art Film and Video at St Martins School of Art, whilst working as a camera assistant and film extra (including a 3-month stretch in Kubrick’s Full Metal Jacket. (
https://www.imdb.com/title/tt0093058/fullcredits?ref_=tt_cl_sm#cast ). After graduating, Daniel Landin directed several short films, including ‘A Broken Spine’(https://www.berlinale.de/en/archive/archivsuche/stichwortsuche-archiv.html?query=broken+spine&options%5B%5D=all) , ‘Ring of Fire’ (https://www.berlinale.de/en/archive/archivsuche/stichwortsuche-archiv.html?query=ring+of+fire&options%5B%5D=all) (with Kate Cragg), ‘Thou Pluckest Me Out Screaming’ and ‘The Child and the Saw’ (with Richard Heslop) (1st Prize ‘Golden Dancer’ Huesca Film Festival 1987[1]. (http://archivo.festivalhuesca.com/en/pelicula/the-child-and-the-saw/) ), exhibiting at numerous festivals including Berlin Film Festival (Panorama (https://www.berlinale.de/en/archive/archivsuche/stichwortsuche-archiv.html?query=child+and+the+saw&options%5B%5D=all) )1986,1989,1990, Edinburgh and London. In 1986 Landin directed the film Procar in collaboration with Heslop and Herbert Verhey for live performances in Amsterdam with the Car Ensemble of the Netherlands (https://en.wikipedia.org/wiki/Car_Ensemble_of_the_Netherlands) . The film Procar later appeared in the programme of the Internationale Filmfestspiele Berlin 1987 (https://www.berlinale.de/en/archive/archivsuche/stichwortsuche-archiv.html?query=procar&options%5B%5D=all) with a remastered audio recording of the Car Ensemble as soundtrack.
In 1986 Landin directed the short film for Laibach's Drzava, a filmed performance of Laibach and Michael Clark at Saddlers Wells, London, based on Clark’s No Fire Escape In Hell. (https://gothwire.com/videos/11611/11212/laibach-drzava-the-state). In 1994 he was commissioned to make ‘Laibach, A Film From Slovenia’ dir Daniel Landin & Peter Vezjak, Chris Bohn. (https://www.imdb.com/title/tt1181457/) This documentary researched and illustrated the complex polemic of Laibach, and pivoted around the radical philosopher Slavoj Zizek (https://en.wikipedia.org/wiki/Slavoj_Žižek). Landin began working as a Cinematographer in 1991, initially shooting short films and music videos (The Verve, Oasis, Blur, Pulp, Massive Attack, Björk, Franz Ferdinand, Rolling Stones, P. J. Harvey, David Bowie, Madonna Cher, etc.), and many TV and cinema commercials (Stella Artois, Armani, Sony, BMW, Guinness, Nintendo, Levis, Wrangler, PlayStation, Nike etc.). Following a commission as DoP for Alexander McQueen on his only directing venture (‘Alarm Call’ - Björk 1996. (https://www.youtube.com/watch?v=ah5RVGiBqRs) (https://en.wikipedia.org/wiki/Alarm_Call) ), Landin worked in a highly collaborative role with Alexander McQueen as Lighting Designer (https://issuu.com/vandapublishing/docs/amq_issuu/14), working on virtually all of McQueen’s highly conceptual Fashion Shows in London, Paris and New York unit 2009. Using cinema in live events has continued to be an important interest, and in 2012 Landin collaborated with Danny Boyle on the “Isles of Wonder” London 2012 Olympic Opening Ceremony shooting staged components for projection and simultaneous broadcast. Director of Photography credits include the following Feature Films: 'Ray and Liz' (dir. Richard Billingham) 2018. (https://www.imdb.com/title/tt6601502/fullcredits?ref_=tt_cl_sm#cast). Buenos Aires International Festival of Independent Cinema 2019. Cinematography Award (https://www.imdb.com/title/tt6601502/awards?ref_=tt_awd) 'The Yellow Birds' (dir. Alexandre Moors) 2017 (Winner : Best Cinematography US Dramatic, Sundance Film Festival 2017) (https://www.imdb.com/title/tt3739110/awards?ref_=tt_awd) ‘Under The Skin’ (dir. Jonathon Glazer) 2013 (Winner : Cinematography Prize Dublin International Film Festival 2014). (https://www.imdb.com/title/tt1441395/awards?ref_=tt_awd) ‘44 inch Chest’ dir: Malcolm Venville, Anonymous Content UK 2010 (winner Jury Prize Seville Film Festival.) (https://www.imdb.com/title/tt0914837/awards?ref_=tt_awd) ‘The Uninvited’ dir: The Guard Bros, DreamWorks USA 2008 ‘Sixty Six’ dir: Paul Weiland, Working Title UK 2006 and shorts: ‘The Organ Grinder’s Monkey’ (dir The Chapman Brothers) 2011 Warp films ‘Kismet Diner’ dir Mark Nunneley 2013 ‘This Isn’t Happening’ dir Thomas Carty Gorgeous Films 2012 Unkle ‘Follow Me Down’ dir Warren du Preez and Nick Thornton Jones 2010 ‘Starry Night’, dir: Ben Miller 2005 ‘Shell’ dir: Kate Cragg (Best Director, International Film Festival Buenos Aires) 2002 ‘Baby’ dir: Wiz (Special Mention 3rd International Film Festival Buenos Aires) 2001 ‘The Loved’ dir Nichola Bruce 1998 as well as additional photography credits on ‘Sexy Beast’ dir Jonathan Glazer, ‘Snatch’ dir. Guy Ritchie and ‘Keen Eddie’ dir. Simon West. Landin is a member of the British Society of Cinematographers, and cinematography awards include: Best Cinematography US Dramatic, Sundance Film Festival 2017, Cinematography Prize Dublin International Film Festival 2014, Gold ‘Clio’ for Cinematography (2003), D&AD Cinematography Pencil ( 3 x: 2003,2007, 2009) and the Cinematography Gold Creative Circle (2001, 2006), as well as becoming an AICP Honouree in the USA (2005).
Contents
ReferencesFilmography[edit]
Short films[edit]
Music videos[edit]
Other credits[edit]
References[edit] ^ "Archived copy". Archived from the original on 2010-03-06. Retrieved 2014-07-30.
<img src="//en.wikipedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" title="" width="1" height="1" style="border: none; position: absolute;" /> Categories: British film directorsBritish television directors1962 birthsLiving people — Preceding unsigned comment added by 89.168.66.225 (talk) 16:30, 4 October 2020 (UTC)